Yuki Kajiura

Spotted in interview in the background.

Spotted in interview in the background.

In a 2003 interview featured on YouTube, Yuki Kajiura can be seen with an Ensoniq KS-32 in the background.

Mentions in her Tweet (Jun 29 2014)

Lots of gear comes to mind, among these Yamaha's V50 is especially hard to forget. Since it came with a sequencer, this was my first 'beginner sequencer'. Till then every sound was played by hand, but I managed to record myself playing the piano over the demo tracks and such.

Spotted in interview in the background.

Spotted in interview in the background.

In a 2003 interview, Yuki Kajiura can be seen using the Roland JV-2080 Synthesizer Module in the background.

Spotted in interview in the background.

Yuki Kaijura can be seen using the Performance Samples - Oceania on this song https://www.youtube.com/watch?v=1x2qJTXX3WM&list=PL_Jle6jsihHzdQdl-T53aQSerFRCj1RXO&index=17 and it can be heard at 1:19 into the video

Kajiura uses a G4 Power Mac and records and mixes in Pro Tools. Hermain keyboard is an Ensoniq SR-76, her main synth is a Korg Triton andher main sampler is an old Akai 3000. She uses Digital Performer as asequencer. When playing sampled instruments and editing, she records athome, generally working with anywhere between 30 and 64 tracks, thenheads to local studios to record live musicians and singers.

Kajiura uses a G4 Power Mac and records and mixes in Pro Tools. Hermain keyboard is an Ensoniq SR-76, her main synth is a Korg Triton andher main sampler is an old Akai 3000. She uses Digital Performer as asequencer. When playing sampled instruments and editing, she records athome, generally working with anywhere between 30 and 64 tracks, thenheads to local studios to record live musicians and singers.

Kajiura uses a G4 Power Mac and records and mixes in Pro Tools. Hermain keyboard is an Ensoniq SR-76, her main synth is a Korg Triton andher main sampler is an old Akai 3000. She uses Digital Performer as asequencer. When playing sampled instruments and editing, she records athome, generally working with anywhere between 30 and 64 tracks, thenheads to local studios to record live musicians and singers.

Kajiura uses a G4 Power Mac and records and mixes in Pro Tools. Her main keyboard is an Ensoniq SR-76, her main synth is a Korg Triton and her main sampler is an old Akai 3000. She uses Digital Performer as a sequencer. When playing sampled instruments and editing, she records at home, generally working with anywhere between 30 and 64 tracks, then heads to local studios to record live musicians and singers.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. The first photo shows a Korg M3 73 in her studio.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. The second photo shows a Nord Lead in her studio; it appears to be the original version.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. It can be seen in the second photo.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. It can be seen in the second photo.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. It can be seen in the third photo.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. A MOTU MIDI Timepiece AV USB can be seen in the third photo, in the top space of the rack.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. A MOTU MIDI Express XT USB can be seen in the third photo, second from top of rack.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. A MOTU 828 MkII Firewire can be seen in the third photo, third from top of rack.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. It can be seen in the third photo.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. A Tascam CD-RW700 can be seen in the third photo, sixth from the top of the rack.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. It can be seen in the third photo.

From the February 2015 issue of Sound & Recording Magazine, which featured an interview with Yuki Kajiura. It can be seen in the third photo.