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Pearstone 0.5 x 6
Pearstone 0.5 x 6" Touch Fastener Straps (Black, 10-Pack) USD $6.99 Add to Cart ProTapes Pro Gaffer Tape (2
ProTapes Pro Gaffer Tape (2" x 30 yd, Black) USD $14.49 Add to Cart Yamaha DVD: Exploring Sound Reinforcement by Yamaha - A Practical Guide to Understanding PA Systems; Applications and Operation
Yamaha DVD: Exploring Sound Reinforcement by Yamaha - A Practical Guide to Understanding PA Systems; Applications and Operation USD $19.95 Add to Cart OVERVIEW SPECS QUICK COMPARE REVIEWS 3 Q&A 3 ACCESSORIES Equally suited to both live and studio environments, the ULTRAGRAPH-PRO FBQ1502HD from Behringer is dual-channel 15-band EQ featuring the proprietary FBQ feedback detection system, a handy tool for identifying problematic frequencies in a room, or for use as an audio analyzer. Additional low-cut filters aid in mitigating unwanted frequencies, while ultra low-noise 4580 operational amplifiers seek to bolster the sonic performance of this unit. Utilizing an on-board crossover frequency selector, a dedicated mono XLR out helps separate frequencies that are more suitable for the subwoofer than the mains. The unit also provides both 1/4" TRS and XLR connection points. 15-band graphic equalizer for two-channel (stereo) implementation FBQ feedback detection system for identifying problematic frequencies in a live context, or for use as an audio analyzer Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors Additional low-cut filter on both channels Ultra low-noise 4580 operational amplifiers Dedicated mono subwoofer output with adjustable crossover frequency 4-segment LED output metering and input gain controls

FEATURES: - Professional 15-band stereo graphic equaliser for live and studio applications - Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyser - Ultra-low noise 4580 operational amplifiers for highest signal integrity - Dedicated mono subwoofer output with adjustable crossover frequency - Additional low-cut filter removes unwanted frequencies, e.g. floor rumble - Highly accurate 4-segment LED output metering and input gain controls for easy level setting - Servo-balanced inputs and outputs with ¼ " TRS and gold-plated XLR connectors - “Planet Earth” switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving - Conceived and designed by BEHRINGER Germany

Professional audio engineers have known for decades that a good EQ makes all the difference in how a performance is perceived. Although multi-band graphic equalisers have been around for a long time, they have changed very little... until now! The ULTRAGRAPH PRO FBQ1502HD takes the graphic equaliser into the realm of high-definition audio, providing robust features and our proprietary FBQ Feedback Detection System – at a price that makes them a must-have for anyone who records or operates a live sound system.

How Does Equalisation Work? Imagine the audio frequency range as a very wide highway with lots of “lanes”. Each of these lanes represents a specific frequency band. - The lanes on the left side contain the really low frequency content, mainly bass, bass vocals, and the kick and tom drums - The middle lanes make up the fundamental zone of most musical instruments and the male and female vocals - The right-hand lanes have all the high- frequency stuff, such as snare drums, cymbals, higher pitched percussion instruments and the content that adds sizzle to the mix

FBQ - Totally Feedback-Free For more than 20 years, BEHRINGER has designed and manufactured some of the most successful FBQ Feedback Elimination processors. Now you can own and enjoy the benefits of this technology, as we have integrated the revolutionary FBQ Feedback Detection System into this product, so your sound system is completely feedback-free, allowing you to focus on your performance. Utilising an ultra-fast feedback detection system, this ingenious circuitry helps you recognise and tame feedback frequencies immediately. When feedback is sensed in a specific frequency range, the LED on the associated EQ fader illuminates, showing you at a glance which fader to lower to overcome the feedback. That simple!

Ultra-Low Noise Operation The high-definition FBQ1502HD provides superb, ultra-low noise performance thanks to top-notch German engineering, and the use of highest-quality components. Industry-leading 4580 dual operational amplifiers are employed throughout for the utmost signal integrity across the entire audio spectrum. With 15-bands of smooth and precise equalisation per channel, the stereo FBQ1502HD adds the finishing professional touch to your recordings and live shows.

Special Tools for Low and High Frequencies The low-frequency sound range requires special attention. That’s why the FBQ1502HD features an ultra-effective Low-Cut filter on each channel, to help remove non-essential bass content, such as floor rumble, room resonance and electrical hum, etc., which really uses up your power amp’s headroom. This added high-precision control gives the FBQ1502HD the power to accurately fine-tune your system’s overall sound, creating crystal clear and dynamic output – with incredibly tight and punchy bottom-end!

Built in Crossover Speaking of special low-frequency tools, the FBQ1502HD also has a dedicated subwoofer output with an adjustable (30 - 200 Hz) cut-off frequency. Balanced XLR Outs are provided so you can connect to power amps or directly to your active subwoofers, without any additional hardware. Just another example of how BEHRINGER saves you money.

Stereo or Double-Duty? The FBQ1502HD is designed to improve your sound from every angle: it’s a great stereo Front Of House (FOH) equaliser; or, you could use one side for mono FOH, while the other side EQs your monitors – which is where you need the maximum feedback control.

Superb Audio, Sound Value When you want to bring out the very best from your sound system or your performance, in the studio or at your next live gig – put your trust in the ULTRAGRAPH PRO FBQ1502HD. We dare you to compare it to the competition. Once you do, you’ll choose BEHRINGER again and again for both audio quality and value.

The Deluxe Active Jazz Bass V guitar was designed for the working five-string bassist, with classic styling and modern features including an alder body, C-shaped maple neck with rosewood fretboard, two dual-coil ceramic Noiseless five-string Jazz Bass pickups with nickel-plated pole pieces, three-band active EQ with treble, mid and bass boost/cut, four-ply brown shell pickguard and a variety of finishes

Body: Alder.

Neck: Maple, Modern "C" Shape,(Satin Polyurethane Finish).

Machine heads: Ping® Cast/Sealed "Mini" Tuners.

Fingerboard: Pau Ferro (9.5" Radius/241 mm).

No. Of Frets: 20 Medium Jumbo Frets.

Pickups: 2 Dual-Coil Ceramic Noiseless 5-String Jazz Bass Pickups with Nickel Plated Pole Pieces.

Controls: Master Volume, Pan Pot, 3-Band Active EQ with: Treble Boost/Cut: +/- 10 db @ 8kHz, a shift in the cut frequency, and about a 2dB slope per octave. Mid Boost/Cut: +10dB, -15dB @ 500Hz, and a wide band slope. Bass Boost/Cut: +/- 12 db @ 40 Hz, with a 4dB slope per octave.

Bridge: Standard Vintage Style V.

Pickup Switching: Pan Pot.

Hardware: Chrome.

Strings: Fender Super Bass 8255-5M-135, NPS, p/n 073-8255-556, Gauges: (.045, .065, .085, .110tw, .135tw).

Case: Deluxe Gig Bag.

Pickguard: 4-Ply Brown Shell.

Scale Length: 34" (864 mm).

Width at Nut: 1.875" (47.6 mm).

The evolution of the chorus effect seems to have gotten stuck in ’80s pop, along with over-processed guitars, cheesy synths and popped collars. This ain’t that kind of chorus. When we designed the Boost Chorus pedals we went back to the ’70s, when choruses were rich, smooth and manly. We figured out what made these vintage stompboxes sound so good and poured that knowledge into a new kind of chorus pedal with greatly improved performance and a whole slew of never-before-heard sounds. Slapback, echo, flanging and doubling effects are all possible from the modestly named Boost Chorus pedals.

Because of the way traditional chorus pedals typically interact with their amps, most bass players would rather put an angry badger on their pedalboard. The Boost Chorus Bass avoids seasick tones, and badgers, through a specially-tailored design. It features the same control set as the standard Boost Chorus, including the Multi Voice switch, but differs in having a Detune control in place of the Pre-Delay. The Detune control adjusts the pitch of the choral voices, adding sonic girth to create thick, lush, bass-perfect chorus. Speed and Depth controls add modulation, so at minimum your fundamental notes are preserved. Finally, a chorus that works in harmony with your bass.

Sample settings include such styles as Cure Bass, Hooky, Squire Harmonized, Bass Chorus-no modulation, Jaco Fretless, Vibrato Bass, Triple Voice Bass, Infinite Flange, Bass Thickener, Subtle, Shimmer for Guitar, Randy Rhodes for Guitar.

ADDITIONAL FEATURES 100% analog Mix, Tone and Level controls for warm, organic sounds.

Mix control ranges from 100% dry to 100% wet.

Speed and Depth work in conjunction to control their respective functions of the modulation.

Pre-Delay (Boost Chorus) adds delay to the chorus effect before mixing it back in, achieving a wide range from flange/chorus to regular chorus to chorus/doubler.

Detune (Boost Chorus Bass) alters the choral voicing up or down, giving you a chorus sound without modulation when Speed and Depth are set at minimum.

Multi Voice adds dimension and thickens the sound with additional choral voicings.

Buffered bypass eliminates the shortcomings associated with “true bypass” (pops and clicks, and high-end loss when multiple pedals are connected together), as well as signal loss associated with other types of switching circuits.

Custom, silent-switching actuator.

Heavy duty, all metal construction.

Operable with 9V alkaline battery (not included) or optional DC power supply (Tech 21 Model #DC2).

Tube Overdrive/Distortion Pedal with Low and High Frequency Boost/Cut Controls

The Bad Monkey Tube Overdrive gives your amp a boost just when you need it. It has been compared to the TS-808 but with having the unique ability to smooth out the distortion by use of the low and high EQ controls. Most overdrive pedals give you one tone control knob thus limiting your tonal options. You asked for a pedal that will maintain your guitar's distinct tone and DigiTech delivered! With its rugged design, separate mixer and amp outputs, and amazing tonal options, this pedal truly is a Bad Monkey. From Blues to Rock to everything in between, it will give you that amazing overdriven tube amp sound that will keep begging you to crank it up!

Features Level boosts the output level of your guitar signal. Low adjusts boost and cut of bass frequencies. High adjusts boost and cut of upper harmonics. Gain provides smooth tube amp distortion to your sound. High adjusts boost and cut of high frequencies. Dual Outputs. The Amp output is for connecting directly to a guitar amplifier. The Mixer output features Cabinet Emulation circuitry for connecting directly to a mixing board or recording device. Specifications Max Input 1 MOhms Max Output 100 Ohms Power Supply 9V Alkaline Dry Battery Power Consumption 4.8Watts (w/optional PS200R power supply) Battery Life Approximately 18 hours (with continuous usage) Dimensions 4 15/16"(L) x 3 1/8"(W) x 2 1/8"(H) Unit Weight 1.38 lbs.

This unit is a rackmount signal processor not an effect pedal.

The VIRTUALIZER PRO DSP2024P from Behringer is a multi-effects unit housed in a single rack space chassis. Aside from providing reverbs, the unit features powerful modulation, amp simulation, distortion and special effects as well as effective dynamic and psychoacoustics processing and equalization.

True stereo processing is available with most algorithms with up to seven adjustable parameters and high and low EQ. Additionally, eleven serial or parallel effect combinations are available along with an improved user interface. The VIRTUALIZER PRO DSP2024P sports 24-bit over-sampling converters that will not compromise the sonic quality of the program material.

Seventy-One Algorithms Virtual Room reverb algorithms as well as several modulation and special effects including ring modulator, lo-fi, vinylizer and voice canceller. Plus numerous additional dynamic and psychoacoustics processing algorithms, distortions, amp and tube simulations, sampler, vocoder and much more. Eleven Effect Combinations Modulation effects like chorus, flanger, pitch or tremolo combined with reverb or delay algorithms. Enhanced User Editability Allows for editing up to seven parameters per preset, providing extra power to customize effect settings. In addition, each preset offers an additional high and low EQ section. The 100 factory presets can be utilized as-is or serve as a basis for user creations, storable in additional 100 memory locations. User Interface Logical grouping of parameters, along with the combination of encoders, buttons, LEDs and an easily readable LED display, make operating the unit a breeze.

The compact active subwoofer SUB05 is equipped with a high efficiency 15 Woofer and is driven by an integrated 400W/RMS Class-H Amplifier with dB Technologies` innovative MT-Amp-DesignMain Specs:

• 15“ dBTechnologies Woofer
• 400 W/RMS
• 30 - 150Hz (+/- 3 dB)
• Max SPL 129 dB
• 2 x XLR/Jack Input
• 2 x XLR Parallel-Out
• 2 x XLR X-Over-Out
• Active stereo Xover24 dB/oct
• Dynamic soft-clip limiter
• Weight 27 kg/ 60lb

The Bandpass construction provides a powerful bass-reproduction with an impressive 129 dB SPL peak and a frequency response from 30-150 Hz. The integrated active crossover @ 100Hz can be used in stereo- or mono-mode which matches perfectly with the compact active speakers of the Basic- and Opera-Series. The wooden housing is made of 19mm Multilayer wood and is finished with a rugged black finish and is equipped with two handles and a pole holder. The light weight of 27kg offers easy handling.

The Crate BT-350 ThunderBass amp is a high-quality bass guitar amplification system that combines extremely high power with very desirable features.

• Tube Preamp: Adjustable Drive control. Low, Mid and High frequency controls. Low and High Boost switches. Normal (0dB) and padded (-15dB) input jacks. • Graphic EQ: 7 bands. 40Hz to 10kHz. 12dB cut or boost. Master Level control. Footswitch controllable. LED Indicator. • Master Level: Peak (overdrive) LED indicator. Switchable Limiter circuit with LED indicator. • Chorus: Adjustable Depth and Rate controls. Variable cut-off (“Spectrum”) control. • Biamp: Adjustable crossover frequency control. Low-to-high balance control. Independent Line Out level control. Balanced (XLR) and unbalanced (1/4”) outputs. • Internal Amplifier: 350 watts into 4 ohms. 1/4” mono speaker output jacks. Extensive heatsinking. Detachable AC power cord. • Effects Loop: 1/4” Send and Return jacks. Allows use of external signal processors. Return jack doubles as input for power amp in Biamp mode.

Technical Specifications: Output Power Rating 350 watts @ 0.2% THD, 4 ohm load – 120VAC 200 watts @ 0.2% THD, 8 ohm load – 120VAC Gain @ 1kHz 61dB, tones at “5” Tone Control Range Low Boost +8dB @ 20Hz Low ±13dB @ 40Hz Mid ±11dB @ 260Hz High ±15dB @ 5kHz High Boost +10dB @ 10kHz Graphic EQ Level +8dB, -10dB Graphic EQ Range ±12dB @ 40Hz, 100Hz, 250Hz, 625Hz, 1.6kHz, 4kHz, 10kHz Signal to Noise Ratio 84dB typical Input Impedance 0dB input: 1M ohm -15dB input: 122k ohm Maximum Signal Level Accepted 0dB input: 2.5V peak to peak -15dB input: 14V peak to peak Tube Type: 12AX7 (preamp) Effects Loop Level 1V RMS for full power output Power Requirements Domestic 120VAC, 60 Hz, 10A Export 240VAC, 50 Hz, 5A Size and Weight 5.25”H x 19”W x 15.75”D, 36 lbs.

Lightweight Polyethylene Construction Independent Rubber Shock Absorbers at Each Corner 360 Degree Air Ventilation Around Equipment Threaded, Field Replaceable 7mm Zinc-Plated Steel Rack Rails Adjustable interior sliding support on each side of rack adjusts from front to back and up and down for rear support of gear Comfortable recessed side handles and locking lids Heat-treated 10/32 rail bolts & washers included 200lb Weight Capacity

In this golden age of guitarmaking, Walden Guitars is the union of standards established by generations of guitar makers and the precision of contemporary tools and technology. In the small town of Lilan, a group of skilled builders create instruments you would be proud to call your own. The Walden D550CE is part of Walden's Natura Line. Only solid spruce or cedar soundboards are used on a Natura guitar because the tone of a solid top improves as the the natural wood fibers resonate and respond to your musical style. The more it is played, the better it will sound.

Features Dreadnought body Solid spruce top Sapele Mahogany back and sides Mahogany neck Solid rosewood bridge and fingerboard 2-way adjustable trussrod 1 11/16 " nut width Die-cast chrome tuners Scalloped-X spruce soundboard bracing 2-ring inlaid rosette Pearl logo Fishman Classic 4 EQ Satin nitrocellulose lacquer finish

225W + 50W Bi-amplified ABS Speaker

The Basic 200 is equipped with a dBTechnologies 12" woofer and a 1" driver, powered by 2 separate amplifiers with integrated phase and sound correction circuits.

The speaker is protected against overload and distortion through a built in Limiter, with a Status-LED indicator. The input sensitivity can be switched from Line to Microphone level, using the XLR or Jack input plug. The output level can be adjusted with a volume control.

Technical specifications

• 2 way bi-amplified active loudspeaker • 12" Woofer / 1" HF driver • 225 + 50 Watts • Freq. response: 60-18,000 Hz • Max. SPL: 125 dB • Multifunctional housing • XLR and jack input • Mic-/Line input, switchable • Dynamic softclip limiter • Dimensions 400x600x345mm (LxHxD) • Weight: 16.5 kg / 36,4 lb

Two-Way Sound Reinforcement Loudspeaker System This trapezoidal, 15" speaker system is at home in live sound, dance music and speech reinforcement.

Features JBL 15 in low frequency driver with a 64 mm (2.5 in) diameter edgewound ribbon voice coil which provides more cross-sectional wire area in the voice coil gap than round wire designs, for greater efficiency and power handling. JBL 2414H-C 25 mm (1 in ) polymer diaphragm compression driver improves high frequency performance as well as system reliability. The advanced network topology crossover design shapes the frequency response to deliver coherent summation in the crossover region. High-voltage capacitors and inductors with massive cores and heavy gauge wire enable the crossover network to handle high power without saturating. Progressive Transition™ high frequency waveguide provides superior coverage control, reduced distortion, and smoother frequency response. The rugged, acoustically superior enclosure is constructed from 19 mm (.75 in ) MDF (Medium Density Fiberboard) using advanced adhesives and mechanical fastener technology for extreme durability and improved low-frequency performance. SonicGuard™ protects the high frequency driver from excess power without interrupting the performance. Non-resonant, all-steel handles are used. Attractive 18-gauge perforated, steel grille protects components from damage. Dual-angle pole-mount socket allows the speakers to tilt 10° for more uniform audience coverage.

Two-Way Sound Reinforcement Loudspeaker System This trapezoidal, 15" speaker system is at home in live sound, dance music and speech reinforcement.

Specifications: Power Rating 250 W / 1000W Frequency Range (-10 dB) 41 Hz - 18 kHz Frequency Response (±3 dB) 59 Hz - 13 kHz Sensitivity (@1m) 99 dB SPL (1w/1m) Nominal Impedance 8 ohms Recommended Amplifier Power 250 W to 500 W into 8 ohms Maximum SPL 129 dB Nominal Dispersion 90º x 50º Crossover Frequency 2.2 kHz Dimensions (H x W x D) 699 mm x 460 mm x 432 mm (27.5 in x 18.1 in x 17 in) Weight 27.4 kg (60.5 lb) High Frequency Driver JBL 2414H-C , 1" exit compression driver mounted on Progressive Transition™ Waveguide Low Frequency Driver JBL M115-8A Input Connectors Neutrik® Speakon® NL-4 (x1); .25in TS phone jack (x1); parallel

Features: JBL 15 in low frequency driver with a 64 mm (2.5 in) diameter edgewound ribbon voice coil which provides more cross-sectional wire area in the voice coil gap than round wire designs, for greater efficiency and power handling. JBL 2414H-C 25 mm (1 in ) polymer diaphragm compression driver improves high frequency performance as well as system reliability. The advanced network topology crossover design shapes the frequency response to deliver coherent summation in the crossover region. High-voltage capacitors and inductors with massive cores and heavy gauge wire enable the crossover network to handle high power without saturating. Progressive Transition™ high frequency waveguide provides superior coverage control, reduced distortion, and smoother frequency response. The rugged, acoustically superior enclosure is constructed from 19 mm (.75 in ) MDF (Medium Density Fiberboard) using advanced adhesives and mechanical fastener technology for extreme durability and improved low-frequency performance. SonicGuard™ protects the high frequency driver from excess power without interrupting the performance. Non-resonant, all-steel handles are used. Attractive 18-gauge perforated, steel grille protects components from damage. Dual-angle pole-mount socket allows the speakers to tilt 10° for more uniform audience coverage.

Two-Way Sound Reinforcement Loudspeaker System This trapezoidal, 15" speaker system is at home in live sound, dance music and speech reinforcement.

Features JBL 15 in low frequency driver with a 64 mm (2.5 in) diameter edgewound ribbon voice coil which provides more cross-sectional wire area in the voice coil gap than round wire designs, for greater efficiency and power handling. JBL 2414H-C 25 mm (1 in ) polymer diaphragm compression driver improves high frequency performance as well as system reliability. The advanced network topology crossover design shapes the frequency response to deliver coherent summation in the crossover region. High-voltage capacitors and inductors with massive cores and heavy gauge wire enable the crossover network to handle high power without saturating. Progressive Transition™ high frequency waveguide provides superior coverage control, reduced distortion, and smoother frequency response. The rugged, acoustically superior enclosure is constructed from 19 mm (.75 in ) MDF (Medium Density Fiberboard) using advanced adhesives and mechanical fastener technology for extreme durability and improved low-frequency performance. SonicGuard™ protects the high frequency driver from excess power without interrupting the performance. Non-resonant, all-steel handles are used. Attractive 18-gauge perforated, steel grille protects components from damage. Dual-angle pole-mount socket allows the speakers to tilt 10° for more uniform audience coverage.

The Behringer Hellbabe Wah-Wah Pedal is a full-featured wah with extras more expensive pedals don't have. It starts with optical control that has no moving parts. This greatly reduces wear and tear, and thus extends the life of the pedal. It goes on to add a Boost function that provides an overdriven signal boost so you can really "bring the funk." The Q control gives you precise control over the filter shape, yielding vocal-type effects. Quality construction and precision electronics make the Hellbabe an excellent wah option at an affordable price. Optical Mechanism Mechanical pots wear out a little every time you use them. With the Hellbabe's optical control, degradation of the working parts is completely eliminated. Adjustable Frequency Range The frequency range of the Hellbabe can be varied, allowing use with a bass. Boost Circuit The adjustable boost circuit adds overdrive to your wah, giving the pedal a much more dynamic, excited sound. Q Control The Hellbabe's Q control adjusts the shape of the wah filter's peak. With it, you can dial in a broad, subtle wah or the "wakka wakka" sound exemplified by the theme from Shaft, or anything in between

The Behringer Europower EP1500 is a moderately priced, mid-weight 2-channel rackmount power amplifier, offering a 1400-watt capacity Bridged Mono, and 260 Watts per side in standard 8 Ohm operation. Designed primarily for live music applications in small to mid-sized venues, The EP1500 features independent channel overload protection circuitry, back-to-front flow-through ventilation, and switchable stereo, parallel or bridged operation modes. Rackmount power amplifier with 1400-watt capacity Bridged Mono, 260 Watts Stereo at 8 Ohms 2-channel, parallel and bridged mono operating modes Independent protection limiters per channel, selectable 30/50Hz low frequency filters Independent DC and thermal overload protection per channel, protects amplifier and speakers High-power resistors, high-current low-noise toroidal transformer Back-to-front ventilation system includes air filter with auto-adjusting varispeed fan Balanced XLR and TRS inputs, touch-proof binding post and Speakon output connectors

The CX2310 SUPER-X PRO from Behringer is an active frequency crossover enabling two-way stereo or three-way mono operation. Each band features two 24dB Linkwitz-Riley filters, as well as individual polarity switches for each output that allow for quick and easy runtime compensation for various driver and horn types. Additionally, the CX2310 adds a separately adjustable subwoofer output that provides an extra low-frequency band. The unit is housed in a single rack space chassis and has illuminated switches for ease of use in dark environments. Professional high-precision stereo 2-way or mono 3-way crossover 24dB per octave Linkwitz-Riley filters Flat summed amplitude response, zero phase difference Separate sub woofer section with independent frequency control Individual output level controls for all bands Individual output mutes for easy band adjustment and individual phase reverse switches for instant phase correction Switchable 25Hz subsonic filter on each input for low-frequency driver protection Adjustable time delay for phase alignment between drivers Illuminated switches for secure operation in dark stage environments Shielded toroidal mains transformer for minimal noise interference

Pearstone 0.5 x 6
Pearstone 0.5 x 6" Touch Fastener Straps (Black, 10-Pack) USD $6.99 Add to Cart ProTapes Pro Gaffer Tape (2
ProTapes Pro Gaffer Tape (2" x 30 yd, Black) USD $14.49 Add to Cart Yamaha DVD: Exploring Sound Reinforcement by Yamaha - A Practical Guide to Understanding PA Systems; Applications and Operation
Yamaha DVD: Exploring Sound Reinforcement by Yamaha - A Practical Guide to Understanding PA Systems; Applications and Operation USD $19.95 Add to Cart OVERVIEW SPECS QUICK COMPARE REVIEWS 3 Q&A 3 ACCESSORIES Equally suited to both live and studio environments, the ULTRAGRAPH-PRO FBQ1502HD from Behringer is dual-channel 15-band EQ featuring the proprietary FBQ feedback detection system, a handy tool for identifying problematic frequencies in a room, or for use as an audio analyzer. Additional low-cut filters aid in mitigating unwanted frequencies, while ultra low-noise 4580 operational amplifiers seek to bolster the sonic performance of this unit. Utilizing an on-board crossover frequency selector, a dedicated mono XLR out helps separate frequencies that are more suitable for the subwoofer than the mains. The unit also provides both 1/4" TRS and XLR connection points. 15-band graphic equalizer for two-channel (stereo) implementation FBQ feedback detection system for identifying problematic frequencies in a live context, or for use as an audio analyzer Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors Additional low-cut filter on both channels Ultra low-noise 4580 operational amplifiers Dedicated mono subwoofer output with adjustable crossover frequency 4-segment LED output metering and input gain controls

Rated power: 300 W Impedance: 8 ? Equipped with: 1x 15" Warwick WPB speaker SPL: 97 dB Resonance frequency: 59 Hz Frequency range: 50 - 20,000 Hz 2 Lockable 6.3mm coax jack combo terminals Rugged metal grill Dimensions (W x H x D): 53 x 57 x 50 cm Weight: 22.9 kg

Rated power: 300 W Impedance: 8 Ohm Equipped with: 1x 15" Warwick WPB speaker SPL: 97 dB Resonance frequency: 59 Hz Frequency range: 50 - 20,000 Hz 2 Lockable 6.3mm coax jack combo terminals Rugged metal grill Dimensions (W x H x D): 53 x 57 x 50 cm Weight: 22.9 kg

The COMPOSER PRO-XL MDX2600 from Behringer is an interactive, reference-class two-channel expander/gate/compressor/peak limiter with integrated dynamic enhancer, de-esser and low contour filter, housed in a single space rack-mount chassis. The unit is similar to the AUTOCOM PRO-XL MDX1600, but in addition provides tube emulation and more compressor control. Applicable to recording, mixing or mastering, the unit provides total dynamic control. Additionally it features a unique adjustable IDE dynamic enhancer that provides subtle and very musical compensation for the bass "boost" effect that can result from heavy compression. Switchable program adaptive compression circuitry combines the advantages of both hard and soft knee characteristics Adjustable dynamic enhancer with level meter for boosting high frequencies under heavy compression Interactive gain control peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks Switchable de-esser with switchable male/female voice recognition, removes excess sibilance from vocal tracks Interactive ratio control expander/gate circuitry for virtually inaudible noise suppression Automatic or manual adjustable attack and release times Switchable low contour filter prevents "pumping" due to low-frequency dominated compression Switchable tube simulation for the extra "warmth" and transparency of classic tube circuitry Stereo coupling function with independent output level settings Switchable side-chain input with side-chain monitor function Separate 12-segment LED meters for input/output levels and gain reduction High quality detented ALPS potentiometers and illuminated switches Relay-controlled hard bypass switch with auto bypass function in the case of power failure Servo balanced inputs and outputs with gold-plated XLR and 1/4" TRS connectors

Rated power: 300 W Impedance: 8 Ω Equipped with: 1x 15" Warwick WPB speaker SPL: 97 dB Resonance frequency: 59 Hz Frequency range: 50 - 20,000 Hz 2 Lockable 6.3mm coax jack combo terminals Rugged metal grill Dimensions (W x H x D): 53 x 57 x 50 cm Weight: 22.9 kg

Power handling: 200 W Impedance: 8 Ohm Equipped with: 2x 10" Warwick Custom speakers and 4" Warwick "Bullet" high frequency horn Volume control thomann for high frequency horn Sturdy metal grille Max. SPL: 105dB Resonant Frequency: 48 Hz Frequency range: 60 - 20,000 Hz Dimensions (W x H x D) 66 x 48 x 48 cm Weight: 25 kg