> There are a few pedals that I use in the studio, but the one I use most live is a DigiTech Bad Monkey overdrive. Instead of having a single tone control it has separate controls for bass and treble, and they let me fatten up the tone, which is important because so often you lose a lot of low end with distortion pedals.more
Pedalboard used in conjunction with Marshall: "My live ‘board is pretty simple - essentially just a tuner, an octave pedal, and a couple of subtle boost pedals. 90% of the core sound is from the guitar and amp, then a clean boost is used just to push the amp a bit harder into overdrive. I use the guitar volume for most of the tonal variations. Main pedals used are as follows: Free The Tone FINAL BOOSTER - Fantastic clean boost… the great thing is when set at zero and kicking it in there no tonal/level change whatsoever - it only adds to what’s already there. Has a nice natural sounding buffer in it too. Sonic Research ST-200 Tuner - Accurate and reliable strobe tuner that works great especially for the ‘half a step down’ tuning I use. Easy to see on dark stages too! T-Rex ALBERTA - Nice subtle tubescreamer type pedal, smoother and warmer sounding than the classic TS pedals. Normally just kicked in now and then with the Strat. T-Rex OCTAVIUS Octave pedal with switchable clean boost - This is great and is used mostly with the old cello slide guitar. The guitar has a really low output so the extra boost on here works perfectly to beef things back up. Voodoo Lab PEDAL POWER 2 PLUS - Silent, super reliable and efficient power supply! Brightonion Pedals TRUE BYPASS LOOPER - Any pedals that aren’t true bypass run through this, plus it keeps things nice and easy to switch on and off during a gig as every thing is at the front! Other pedals I use now and then: Klon Centaur, JHS Charlie Brown, Free The Tone Red Jasper, ZVEX Box Of Rock" -Aynsley Listermore
> "My guitar pedal board A (top, main rig) & board B (bottom, practice rig with the samson wireless receiver filling in for tuner and mini wah spot for now). Pedalboard A chain: Guitar, Korg Pitchblack Tuner, Boss NS-2, Mooer Yellow Comp, Boss LS-2, Mooer Pitchbox, Mooer Reecho Pro, Mooer Shimverb, amp. Loop on Boss LS-2: Send A - Line 6 M9, Send B - Mooer Graphic G, Blues Crab, Green Mile, Hustle Drive, Cruncher. Now for the chain (future chain on Pedalboard B): Mooer Baby Tuner, Mooer Noise Killer, Mini Wah, Digitech Bad Monkey, Barber Electronics Direct Drive, Joyo Analog Delay. These will be my workhorses for now. Shout outs to Mark of Pedal Grill and Eron of Stomp Rack for the awesome boards! #pedalboard #gearporn #cleanchannel #options #knowyourtone #tonefordays #metal #rocknroll #hiphop #blues #experimental #music #musiclife #line6 #mooer #boss #korg #barberelectronics #digitech #joyo #samson #workhorse #analog #digital #8strings #faspitch @curbsidephilippines"more
The bad monkey was my first od pedal, and remarkably, it's still on my board. Very natural and amplike, it nicely compliments many styles. It has much more versatility in tone shaping then a tube screamer, and much better value. Many claim this $30 box is better then many $300 boutique pedals. However, this isn't just another cheap tube screamer clone. It has a much different vibe. Once you hear it, you'll understand. For the price, it's amazing. A great site for the bad monkey is http://www.guitarforworship.com/?p=729
This pedal is well designed, simple to change the battery, the controls work and actually do influence the quality and quantity of tube overdrive you get. Sturdy construction, solid sound, good price=good pedal.
Its a cheap pedal that fit extremely well if you want to play blues and even rock. This pedal has a voice that is similar to the tube screamer. I`m currently using it as a level booster to my TS9DX.
I'm using the Bad Monkey as my low drive option. It has a really bassy sound perfect for a low blues driver, but if you push that High knob it will give you all the sharpness you need for the more dynamic sounds.
Having the option to control the low and the high frequencies independently really gives you a whole lot of new options and routes for your sounds and vibes.
The only thing I would change about this pedal is the gain spectrum. The regular overdrive gain level is PERFECT however it really does not behave well on a low gain level (crunchy like sound) it also caps up pretty soon unlike the OCD OD for example.
My most favourite TS-Style Overdrive. Absolute recommendation. Better than the original. The bass and treble knobs makes it sooo versatile. My MXR M77 Custom Badass Modified O.D. has more drive. If you don't need more drive than a TS usally has, get one and get lucky!
The now discontinued Digitech Bad Monkey earned its reputation as a worthy budget pedal that could hold its own beside well established and significantly more expensive 'classic' overdrives. If you can find one cheap on Ebay I'd highly recommend it as a first overdrive pedal (and hang on to it; 'upgraders' often regret letting it go). The tonal flexibility provided by its low and and high frequency controls gives it an edge in versatility over some of its more renowned stablemates. The gain pot is responsive throughout its range and overall this is a smooth, low to mid gain overdrive. An often overlooked additional feature is its mixer output; a passable cabinet simulator which justifies keeping it in one's gig bag as a 'backup amp'. Mixer output is how I connect directly to my living room stereo when I can't be arsed to fetch in an amp from the 'play room'. I use it with Fender Mustang Pawn Shop Special which delivers a diverse tonal spectrum due to its splittable Enforcer Humbuckers. The Bad Monkey handles everything this throws at it with aplomb. Now, don't go splurging silly money for this 'legendary' pedal. I score it 4.5 stars but for >£50 there are exceptional 5 star alternatives ( Hey, Soul Food. I'm looking at you! ) but if a Monkey can be found for around it's original retail price this makes a solid foundation from which to develop your tonal palate. It benchmarks well against a TS9 or Maxon 808. Tonally it's as different from those pedals as they are from each other but in a positive way, neither 'better' or 'worse' which is why some pro's find it a worthy alternative.
I sat down in the store with this pedal and the TS-9. The difference is small, but the difference in price sealed the deal. A $70 Tube Screamer vs this bad boy for a cool $39.99. You get that essential electric blues sound. SRV to John Mayer to Joe Bonamassa to Albert King, a tube screamer/overdrive sound is essential, and this pedal delivers. Even at high volumes, it doesn't clip (not that I noticed anyway). Love it love it love it. I almost always have it on now when I play.
I'm amazed all the time. I pretty much never turn it off because with totally neutral settings, it just tightens up the mid range, makes cleans meaty without taking away the shimmer, and sures up the mids in distorted rhythms and leads.
What's small, green, ugly as hell, but works perfectly as a gain booster to push my drives and distortions? The Bad Monkey of course. The best bang for the buck pedal in my set. Besides, if your'e using batteries instead of a dc power unit, it will sound even more sweet. The mixer output is a great feature too, not only to send the signal directly to a mixer but to make the monkey behave more like a transparent drive with absolutely no buzz. Just loving it!
I've bought the pedal because I was looking for the sound of a Ibanez Tube Screamer, but I didn't have the money to buy one. The Bad Monkey is a great, cheap alternative for the Tube Screamer. Of course, the Tube Screamer sounds slightly better, but the price-quality of the Bad Monkey pedal is phenomenal!
This pedal is CRAZY. It was dirty cheap when my guitarist got it, eventually it made its way to my board. I personally use it to boost my solos, super high gain and highs. It gives my bass a Lemmy-ish tone, with a lot of sustain and feedback. It's crazy how good it sounds considering the price tag. It's also very well built, and sometimes I use the extra mixer output to run the bass through a guitar amp and basically annoy everyone and everything
As I understand it, the Bad Monkey is just a Tubescreamer clone, but I've never heard anything this good in terms of OD. The key to using it with bass is turning both EQ knobs to max, using extremely high drive from your pre-amp or using a boost pedal, turning the gain as you'd like, and then turn down the level to unity so as to not get the full on distorted sound it'll give if you push it too hard. The cab sim sounds phenomenal. This is my only always-on OD/dist/fuzz pedal!
In a blind test it wouldn't quite fool you when pitched against a real tube screamer, but I prefer this over the real thing because of the increased amount of distortion available and the individual treble and bass controls. The price is also incredible.
Digitech's bad money is literally a tubescreamer variant with treble and bass controls. I acquired one of these for like $20 when I was fiddling with TS9 alternatives many years ago. I quite liked it through a fender amp although the tone controls never worked the way I imagined they would... but I spent much more on pedals by xotic in this style and had a similar experience. In the end I really like the SD1 and MXR Custom Badass... I prefer the clipping and voicing and I definitely find the 100hz knob on the MXR to be the most useful additional tone control ever on a soft-clip overdrive. If I wanted extra knobs on a symmetrical clipping TS type pedal I would get a green rhino mk2. But for the price you may have a love affair with the bad monkey. Its a really fine pedal.
The Bad Monkey was SO good that Ibanez had to step in and tell Digitech to back the F off... its a fantastic cheap alternative to a TS pedal and I prefer it to any TS's ive tried (TS808, TS9, Mooer Green Mile, TS Mini) with the exception being the Boss Blues Driver. This is most likely because i never liked the nasally tone i found you get with a TS. I found the likes of the TS mini and the Mooer to be far too dark for my taste. The fact that you can use this straight into a PA means i have 3, one on my board, one in my bag on the off chance my amp decides it doesnt like living anymore and the 3rd boxed up at home as a backup. Get them while they are cheap.. or dont so i can keep buying them as i see them!