Adrian Belew – Twang Bar King album cover

Adrian Belew – Twang Bar King

Album 1983

The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 1983 album Twang Bar King.

Music from Twang Bar King

Gear Used On Twang Bar King

Explore the instruments, equipment, software, and production tools used in the making of Adrian Belew – Twang Bar King (1983). Click more on each item to see exactly how it was used.

Effects Pedals used by Adrian Belew on Twang Bar King

Delay Effects Pedals

Electro-Harmonix EH-7875 16 Second Digital Delay

Avg price: $3,212.27

Visible among Belew's effects rack in Adrian Belew: Electronic Guitar (1984) at 2:53, coming into full view at 3:03. Belew also lists it in the December 1986 Downbeat interview "Adrian Belew: Twang Bar King" by Gene Santoro, where he shares that he "converted" his unit "to do backwards tape loops":

ADRIAN BELEW'S EQUIPMENT

Adrian Belew says, "I'm using four guitars now. First are the two Twang-Bar Wonderbeast guitars with artwork by Mike Goetz. Each has a different tuning — one is normal, the other has the G tuned up to A so I can get different voicings and avoid pentatonic scales. Starting off at the headstock, they have bow-and-tuning heads, thereby eliminating the need for retaining bars which stop you from being able to play in the back of the head or bend strings at the nut. They have Seymour Duncan pickups, Kahler tremolo arms, and all the guts from the Roland synthesizer. The same is true of the third guitar I use, except that the artwork is by Laurie Anderson, and that it's tuned to the same tuning as my dobro, E-B-E-E-B-E, with heavier gauge strings, the low E being a .052 and the high E being a .012. Usually I use medium-light Gibson strings, with the high E being a .010 and the low E a .042 I use Fender medium picks. The fourth guitar is my battered 1967 Stratocaster from the David Bowie period, with a broken bass pickup [laughs] and it feeds back better than any other guitar I have.

"My two amps are Roland JC-120s — I've used one on everything from 1977 on. Right now, my floor situation looks something like this — I have the GR-700, the Roland SDE-3000 delay, an Ibanez harmonizer, a Big Muff fuzztone, a Foxtone fuzztone, the Electro-Harmonix echo-flanger — which makes the wonderful metallic insect sounds on Desire — the new Roland compressor — I always use lots of compression — a Roland pitch-shifter, and the Electro-Harmonix 16-second delay, which I've had converted to do backwards tape loops."