Brian Eno & Beatie Wolfe – Liminal

In an image from this blog detailing the recording of Karl Hyde and Brian Eno's collaboration on the album Someday World, we see Eno's GDI21 laying across his guitar.

In this blog about the making of Eno & Hyde's 2014 album Someday World, Brian's setup is described as involving an Oxygen 61 controller.

A Mac Pro tower can be seen in Brian Eno's studio during the recording of Someday World (to his left, first photo).

In this blog about the recording of the Eno/Karl Hyde album Someday World, Eno's then-recent studio upgrades are described as follows:

"To make all this possible, Peter installed two Focusrite Octopre preamps, and a Liquid Saffire 56 multichannel Firewire interface. The Liquid Saffire acted as the computer interface for the audio, but also passed the raw signals on to a Mackie CR-1604..."

This blog about the recording of the Eno/Karl Hyde album Someday World discusses Eno's setup during the sessions. "The remaining inputs included a spare channel, plus ones for Karl’s guitar, the stereo feed from a Mackie Micro Series 1202 sub mixer, and Brian’s laptop computer from which he fed a number of pre-prepared loops. The mixer’s two send channels were assigned to the Kaoss Pad’s left and right inputs respectively so any combination of the main mixer inputs could be fed into it (and the Air FX), and an auxiliary channel was used for the return."

In this blog about the making of Eno & Hyde's 2014 album Someday World, Brian's setup is described as including the Resolv 80a monitors.

In this blog about the making of Eno & Hyde's 2014 album Someday World, Brian's setup is described as involving an Axis 9 CD player, used specifically for its stutter effect.

This blog post on the recording of Eno & Karl Hyde's Someday World album describes Eno's gear. "The rest of Brian’s setup sat on top of two Samson Resolve 80a monitors. Straddling both speakers was a Numark M101 two-channel DJ scratch mixer, and to its right sat a Numark Axis 9 CD player with loop, stutter and speed controls. The stutter effect in particular was something Brian used quite a lot during the session."

In this blog about the recording of the Eno/Karl Hyde album Someday World, Eno's then-recent studio upgrades are described as follows:

"To make all this possible, Peter installed two Focusrite Octopre preamps, and a Liquid Saffire 56 multichannel Firewire interface. The Liquid Saffire acted as the computer interface for the audio, but also passed the raw signals on to a Mackie CR-1604..."