Depeche Mode – People Are Good (Remixes)
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 2024 single People Are Good (Remixes).
Music from People Are Good (Remixes)
Gear Used On People Are Good (Remixes)
Explore the instruments, equipment, software, and production tools used in the making of Depeche Mode – People Are Good (Remixes) (2024). Click more on each item to see exactly how it was used.
Studio Equipment used by Dave Gahan on People Are Good (Remixes)
ADR Audio Design Recording F769X-R Vocal Stresser Compex Limiter
Avg price: $3,599.99
quote from article on recording "People are People" ""I recorded the vocals with an AKG tube mic in the live room — it was only later that we started doing hand-held in the control room — and I was also using an ADR Compex Vocal Stressor at the time. Sadly, I sold that many years ago and I'd like to have it back now. At that stage, I was rather foolishly printing many effects to tape as well, and on 'People Are People' I think there was a bit of slap from the chorus echo. No plate reverb or anything — that would be added maybe later at the mix stage. As always, it was about making Dave comfortable, and we'd think nothing of saying, 'Okay, these effects sound great on Dave,' and because that's what went with the performance we'd put them on tape with the vocal. That's not something I would do now."
Studio Equipment used by Gareth Jones (producer) on People Are Good (Remixes)
ADR Audio Design Recording F769X-R Vocal Stresser Compex Limiter
Avg price: $3,599.99
Quote from Sound on Sound on recording of "People are People" by Depeche Mode. ""I recorded the vocals with an AKG tube mic in the live room — it was only later that we started doing hand-held in the control room — and I was also using an ADR Compex Vocal Stressor at the time. Sadly, I sold that many years ago and I'd like to have it back now. At that stage, I was rather foolishly printing many effects to tape as well, and on 'People Are People' I think there was a bit of slap from the chorus echo. No plate reverb or anything — that would be added maybe later at the mix stage. As always, it was about making Dave comfortable, and we'd think nothing of saying, 'Okay, these effects sound great on Dave,' and because that's what went with the performance we'd put them on tape with the vocal. That's not something I would do now."