Elvis Costello & The Attractions – This Year's Model (2021 Remaster)

Recording with Elvis Costello over a period of more than three decades, Nieve has explored a variety of keyboard sounds and has used a wide range of keyboards from grand pianos to vintage synthesisers. The first keyboard he owned was a Vox Jaguar, which he purchased when he was just sixteen. On early Costello albums such as This Year’s Model and Armed Forces, Nieve was playing classic keyboards like the Polymoog, Jupiter 4, Vox Continental and as some sites have incorrectly documented, a Farfisa organ.

“I didn’t use a Farfisa, that’s not true'” he states. “It was always a Vox and I have always liked playing that organ and continue to play it. I have to keep a collection of them to keep them going. I have two which are just ripped to bits. To be honest, a lot of those old keyboards were usually quite reliable. It’s just if they do go wrong, you have to get them fixed. I usually have a technician with me to handle that aspect. There’s nothing like it because they sound great and are a pleasure to play the way they feel. I’ve continued to use them and probably always will. What I am excited about this new show though, is just being on the piano. It’s my number one instrument.”

Recording with Elvis Costello over a period of more than three decades, Nieve has explored a variety of keyboard sounds and has used a wide range of keyboards from grand pianos to vintage synthesisers. The first keyboard he owned was a Vox Jaguar, which he purchased when he was just sixteen. On early Costello albums such as This Year’s Model and Armed Forces, Nieve was playing classic keyboards like the Polymoog, Jupiter 4, Vox Continental and as some sites have incorrectly documented, a Farfisa organ.

“I didn’t use a Farfisa, that’s not true'” he states. “It was always a Vox and I have always liked playing that organ and continue to play it. I have to keep a collection of them to keep them going. I have two which are just ripped to bits. To be honest, a lot of those old keyboards were usually quite reliable. It’s just if they do go wrong, you have to get them fixed. I usually have a technician with me to handle that aspect. There’s nothing like it because they sound great and are a pleasure to play the way they feel. I’ve continued to use them and probably always will. What I am excited about this new show though, is just being on the piano. It’s my number one instrument.”