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Enya – Storms in Africa (Pt. II) [2009 Remaster]
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 1989 single Storms in Africa (Pt. II) [2009 Remaster].
Music from Storms in Africa (Pt. II) [2009 Remaster]
Artists on Storms in Africa (Pt. II) [2009 Remaster]
Gear Used On Storms in Africa (Pt. II) [2009 Remaster]
Explore the instruments, equipment, software, and production tools used in the making of Enya – Storms in Africa (Pt. II) [2009 Remaster] (1989). Click more on each item to see exactly how it was used.
Enya
Roles:
Keyboards and Synthesizers used by Enya on Storms in Africa (Pt. II) [2009 Remaster]
Avg price: $197.04
In the interview "Watermark recording process". The Music Magazine (Australia) July/August 1989
THE SET UP:
They use a variety of keyboards but the mainstays are a Yamaha KX88master Yamaha DX7 Emulator 111 Oberheim Matrix synths and Akai S900 but particularly Roland's D50 and Juno 60.
Enya: "The Juno is one of our favorites. We had intended to replace its parts with better sounds but we couldn't find better substitutes so we left them in. It's not always possible to have all the sounds I want for a song at the time of composing .I'd usually start with the D50. But most often, sounds suggest parts and the ones I use then are usually used on the final recording. Like on Storms in Africa... that arpeggiated line on the Juno 60 was the basis of the piece."
Avg price: $8,172.87
In the interview "Watermark recording process". The Music Magazine (Australia) July/August 1989
THE SET UP:
They use a variety of keyboards but the mainstays are a Yamaha KX88master Yamaha DX7 Emulator 111 Oberheim Matrix synths and Akai S900 but particularly Roland's D50 and Juno 60.
Enya: "The Juno is one of our favorites. We had intended to replace its parts with better sounds but we couldn't find better substitutes so we left them in. It's not always possible to have all the sounds I want for a song at the time of composing .I'd usually start with the D50. But most often, sounds suggest parts and the ones I use then are usually used on the final recording. Like on Storms in Africa... that arpeggiated line on the Juno 60 was the basis of the piece."
Avg price: $664.05
In the interview "Watermark recording process". The Music Magazine (Australia) July/August 1989
THE SET UP:
They use a variety of keyboards but the mainstays are a Yamaha KX88master Yamaha DX7 Emulator 111 Oberheim Matrix synths and Akai S900 but particularly Roland's D50 and Juno 60.
Enya: "The Juno is one of our favorites. We had intended to replace its parts with better sounds but we couldn't find better substitutes so we left them in. It's not always possible to have all the sounds I want for a song at the time of composing .I'd usually start with the D50. But most often, sounds suggest parts and the ones I use then are usually used on the final recording. Like on Storms in Africa... that arpeggiated line on the Juno 60 was the basis of the piece."
Studio Equipment used by Enya on Storms in Africa (Pt. II) [2009 Remaster]
Akai S950 MIDI Digital Sampler
Avg price: $599.00
In the interview "Watermark recording process". The Music Magazine (Australia) July/August 1989
THE SET UP:
They use a variety of keyboards but the mainstays are a Yamaha KX88master Yamaha DX7 Emulator 111 Oberheim Matrix synths and Akai S900 but particularly Roland's D50 and Juno 60.
Enya: "The Juno is one of our favorites. We had intended to replace its parts with better sounds but we couldn't find better substitutes so we left them in. It's not always possible to have all the sounds I want for a song at the time of composing .I'd usually start with the D50. But most often, sounds suggest parts and the ones I use then are usually used on the final recording. Like on Storms in Africa... that arpeggiated line on the Juno 60 was the basis of the piece."
Akai S900 MIDI Digital Sampler
Avg price: $692.61
In the interview "Watermark recording process". The Music Magazine (Australia) July/August 1989
THE SET UP:
They use a variety of keyboards but the mainstays are a Yamaha KX88master Yamaha DX7 Emulator 111 Oberheim Matrix synths and Akai S900 but particularly Roland's D50 and Juno 60.
Enya: "The Juno is one of our favorites. We had intended to replace its parts with better sounds but we couldn't find better substitutes so we left them in. It's not always possible to have all the sounds I want for a song at the time of composing .I'd usually start with the D50. But most often, sounds suggest parts and the ones I use then are usually used on the final recording. Like on Storms in Africa... that arpeggiated line on the Juno 60 was the basis of the piece."
Avg price: $875.00
In the interview "Watermark recording process". The Music Magazine (Australia) July/August 1989
THE SET UP:
They use a variety of keyboards but the mainstays are a Yamaha KX88master Yamaha DX7 Emulator 111 Oberheim Matrix synths and Akai S900 but particularly Roland's D50 and Juno 60.
Enya: "The Juno is one of our favorites. We had intended to replace its parts with better sounds but we couldn't find better substitutes so we left them in. It's not always possible to have all the sounds I want for a song at the time of composing .I'd usually start with the D50. But most often, sounds suggest parts and the ones I use then are usually used on the final recording. Like on Storms in Africa... that arpeggiated line on the Juno 60 was the basis of the piece."