Enya – Watermark
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 1988 album Watermark.
Music from Watermark
Artists on Watermark
Gear Used On Watermark
Explore the instruments, equipment, software, and production tools used in the making of Enya – Watermark (1988). Click more on each item to see exactly how it was used.
Keyboards and Synthesizers used by Enya on Watermark
Avg price: $2,000.00
In the interview "Watermark recording process". The Music Magazine (Australia) July/August 1989
THE SET UP:
They use a variety of keyboards but the mainstays are a Yamaha KX88master Yamaha DX7 Emulator 111 Oberheim Matrix synths and Akai S900 but particularly Roland's D50 and Juno 60.
Enya: "The Juno is one of our favorites. We had intended to replace its parts with better sounds but we couldn't find better substitutes so we left them in. It's not always possible to have all the sounds I want for a song at the time of composing .I'd usually start with the D50. But most often, sounds suggest parts and the ones I use then are usually used on the final recording. Like on Storms in Africa... that arpeggiated line on the Juno 60 was the basis of the piece."
Also mentioned in the cover album Enya - The Celts (1986 / 1992 remastered).
Avg price: $209.50
In the interview "Watermark recording process". The Music Magazine (Australia) July/August 1989
THE SET UP:
They use a variety of keyboards but the mainstays are a Yamaha KX88master Yamaha DX7 Emulator 111 Oberheim Matrix synths and Akai S900 but particularly Roland's D50 and Juno 60.
Enya: "The Juno is one of our favorites. We had intended to replace its parts with better sounds but we couldn't find better substitutes so we left them in. It's not always possible to have all the sounds I want for a song at the time of composing .I'd usually start with the D50. But most often, sounds suggest parts and the ones I use then are usually used on the final recording. Like on Storms in Africa... that arpeggiated line on the Juno 60 was the basis of the piece."
Also mentioned in the cover album Enya - The Celts (1986 / 1992 remastered).