Gary Moore – Still Got The Blues
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 1990 album Still Got The Blues.
Music from Still Got The Blues
Artists on Still Got The Blues
Gear Used On Still Got The Blues
Explore the instruments, equipment, software, and production tools used in the making of Gary Moore – Still Got The Blues (1990). Click more on each item to see exactly how it was used.
Guitars used by Gary Moore on Still Got The Blues
1959 Gibson Les Paul Standard #2
Avg price: $11,541.50
In this source it's been recalled that Gary Moore used this guitar while recording “Still Got the Blues”.
Gibson Les Paul Standard "Burst" (1958-1960)
Avg price: $77,932.50
Gary Moore frequently used the Gibson Les Paul Standard 1959 Lemon Burst, known as "Greeny," throughout his career. In a 1994 interview video, you can hear him playing this iconic guitar during his rendition of "One Day."
Effects Pedals used by Gary Moore on Still Got The Blues
Avg price: $176.82
Visible on the CD back cover/cassette cover of Still Got The Blues.
Amplifiers used by Gary Moore on Still Got The Blues
Fender Twin Reverb (1963-1967) 'Black Panel'
Avg price: $1,525.00
This combo appears on the tracks King Of The Blues and Texas Strut on the 1990 album Still Got The Blues (Virgin Records CDV 2612), and was used extensively on various other sessions on that album, but replaced on further sessions. Also used on the live recording of Blues For Greeny (Warner Music Vision 0630 13691-3) at the Shepherds Bush Empire, 27/4/1995, as part of the guitar rig employed on that performance. The internal speakers were disconnected and the amplifier connected to a Marshall 1960B 4 x 12 cabinet. Much of the reverb effect heard on the recordings came from this amplifier.
Marshall 1974X Handwired 18-Watt 1x12" Combo
Avg price: $2,154.94
In the image on the back cover of Gary Moore's album "Still Got The Blues," the Marshall 1974X Handwired 18W 1x12 Combo Amp can be identified in the bottom left corner. The amplifier has four control knobs positioned before the input jack, distinguishing it from the Marshall 1962 Bluesbreaker model.