Incubus – A Crow Left Of The Murder...
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 2004 album A Crow Left Of The Murder....
Music from A Crow Left Of The Murder...
Artists on A Crow Left Of The Murder...
Gear Used On A Crow Left Of The Murder...
Explore the instruments, equipment, software, and production tools used in the making of Incubus – A Crow Left Of The Murder... (2004). Click more on each item to see exactly how it was used.
Mike Einziger
Roles:
Effects Pedals used by Mike Einziger on A Crow Left Of The Murder...
Electro-Harmonix "Black Russian" Big Muff Pi V7D
Avg price: $160.00
In this video on 3:14 and 3:19 you can clearly see the black russian Big Muff v7d in Mike's Einziger's pedal board. The profile view on 3:14 reveals the stompbox to be pretty tall, which proves it's the v7d.
The pedal's being used during the recording of "A Crow Left of the Murder" album.
Jose Pasillas
Roles:
Studio Equipment used by Jose Pasillas on A Crow Left Of The Murder...
ADR Audio Design Recording F769X-R Vocal Stresser Compex Limiter
Avg price: $3,599.99
Incubus producer Tom Syrowski used the Stressor on a kick drum mic during recording of album "Adolescents".
""We had several things patched into the Neve desk while recording, like a graphic EQ, usually the API 560, on individual kick mics, while I had some console Neve EQ on the snare and then overall Neve 550a EQ on the snare bus. I had [Teletronix] LA2As on the overhead mics, but they didn't really compress; they were just there to make sure that if José suddenly blasted the snare, it wouldn't overload in Pro Tools. I also had the ADR Vocal Stressor F769XR on the kicksnare mic, which is a cheaply made compressor that has some kind of grounding issue, but it sounds great on that mic. There were times when the kick, snare and kicksnare mics were all I needed. Those three, as well as the room mics, are the only mics that we compressed to tape [Pro Tools]. We also used the hardware SPL Transient Designer to alter the attack and sustain of the snare and other parts of the drums.”