John Mayer & Leon Bridges – Inside Friend (feat. John Mayer) album cover

John Mayer & Leon Bridges – Inside Friend (feat. John Mayer)

Single 2020

The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 2020 single Inside Friend (feat. John Mayer).

Music from Inside Friend (feat. John Mayer)

Gear Used On Inside Friend (feat. John Mayer)

Explore the instruments, equipment, software, and production tools used in the making of John Mayer & Leon Bridges – Inside Friend (feat. John Mayer) (2020). Click more on each item to see exactly how it was used.

Microphones used by John Mayer on Inside Friend (feat. John Mayer)

Condenser Microphones

Neumann U47

Avg price: $16,111.00

Used for vocals and as an ambient mic for the electric guitar on Continuum, as stated by recording engineer Chad Franscoviak in this October 1, 2006 Mix Online interview.

For Mayer's vocal chain, Franscoviak says that most of the songs were recorded with a Neumann U47. For a couple of songs, he sang into a Neumann M269c, and on “I'm Gonna Find Another You,” which was recorded at Royal Studios in Memphis, he sang into Al Green's RCA 77 ribbon mic. From there, the chain included a Neve sidecar stocked with 1073 mic pre's and then a UREI silver-face 1176. “On a couple of songs, we did experiment with splitting his vocals into two channels — one of them would be kind of a clean and one of them would be kind of a gritty — and we would take the second channel and put it through a Fairchild 670 and really crush it,” Franscoviak explains. “Then we would either blend it together or choose one or the other for the mix."

(...) Miking Mayer's guitar rig depended on the song's mood. On “The Heart of Life,” Franscoviak threw a ribbon mic in the middle of the main room as a pair of amplifiers boosted Mayer's tracks. On the majority of the tracks, though, Franscoviak would put a Shure SM57 and a Beyerdynamic M88 right next to each other, about two fingers' width from the guitar cabinet's grille. He would take that track, blend it and send it to one channel. In addition, Mayer likes to hear room ambience on his guitar tracks. To accomplish that, Franscoviak would point either a pair of U67s or U87s about three feet from the edge of the semi-circle of amps, and then either a U47 or a Telefunken 251 in front of them all.