Lil Uzi Vert – Luv Is Rage 2

Used for some of Luv Is Rage 2, as stated by mix engineer Kesha Lee in this December 2017 Sound on Sound article.

The standard for Atlanta seems to be to use Yamaha NS10s or Augspurger monitors,” Lee explains, “and the recording signal chain consists of an Avalon VT-737sp mic pre and a Tube-Tech CL 1B compressor. The microphone is normally a Neumann U87 and the headphones are Sennheiser HD280s. We briefly used the U87 when we got back from LA, because that’s what’s in Means Street Studio A, but Uzi likes the Neumann TLM103, which is in Studio B, and which we use most of the time.”

Used for some of Luv Is Rage 2, as stated by mix engineer Kesha Lee in this December 2017 Sound on Sound article.

The standard for Atlanta seems to be to use Yamaha NS10s or Augspurger monitors,” Lee explains, “and the recording signal chain consists of an Avalon VT-737sp mic pre and a Tube-Tech CL 1B compressor. The microphone is normally a Neumann U87 and the headphones are Sennheiser HD280s. We briefly used the U87 when we got back from LA, because that’s what’s in Means Street Studio A, but Uzi likes the Neumann TLM103, which is in Studio B, and which we use most of the time.”

Used for Luv Is Rage 2, as stated by mix engineer Kesha Lee in this December 2017 Sound on Sound article.

The standard for Atlanta seems to be to use Yamaha NS10s or Augspurger monitors,” Lee explains, “and the recording signal chain consists of an Avalon VT-737sp mic pre and a Tube-Tech CL 1B compressor. The microphone is normally a Neumann U87 and the headphones are Sennheiser HD280s. We briefly used the U87 when we got back from LA, because that’s what’s in Means Street Studio A, but Uzi likes the Neumann TLM103, which is in Studio B, and which we use most of the time.”

Used for Luv Is Rage 2, as stated by mix engineer Kesha Lee in this December 2017 Sound on Sound article.

The standard for Atlanta seems to be to use Yamaha NS10s or Augspurger monitors,” Lee explains, “and the recording signal chain consists of an Avalon VT-737sp mic pre and a Tube-Tech CL 1B compressor. The microphone is normally a Neumann U87 and the headphones are Sennheiser HD280s. We briefly used the U87 when we got back from LA, because that’s what’s in Means Street Studio A, but Uzi likes the Neumann TLM103, which is in Studio B, and which we use most of the time.”

Used for Luv Is Rage 2, as stated by mix engineer Kesha Lee in this December 2017 Sound on Sound article. An image of the settings for "Hook 1" of "How to Talk" can be found here.

The essential effect for today’s rapper: Antares Auto-Tune is, says Kesha Lee, invariably the first plug-in on every vocal track with Lil Uzi Vert.

“The intro track was a voice note Uzi had recorded on his phone, and he played it in the booth on his phone, and we recorded it through the mic like that. It sounded really telephone-y, which we wanted, but I tried to take out some of the highs with the Waves OneKnob. All audio vocal tracks apart from the intro have Antares Auto-Tune as the first plug-in. Uzi hears his Auto-Tuned vocals in his headphones while singing. We used to just have it on default, with a Retune speed of 20, but lately he has been like: ‘Give me more Auto-Tune!’ so now we have the Retune Speed set to anywhere from 12 to 5. The ‘D’ after Auto-Tune is the Waves De-Esser, the ‘Q’ the Avid EQ3 seven-band, and the ‘1’ is the Waves C1 gate. All vocal audio tracks also have sends to the delay and the reverb aux tracks. The delay aux track has the Avid Mod Delay II set to half notes, with feedback at 43 percent, the Waves Renaissance Reverberator, set to ‘Hall 1’ reverb, with the highs cut on the reverb EQ, and the Waves S1 stereo imager. The reverb aux has the Renaissance Reverberator."