Lindsey Buckingham – Songs From The Small Machine - Live In L.A.
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 2011 album Songs From The Small Machine - Live In L.A..
Music from Songs From The Small Machine - Live In L.A.
Gear Used On Songs From The Small Machine - Live In L.A.
Explore the instruments, equipment, software, and production tools used in the making of Lindsey Buckingham – Songs From The Small Machine - Live In L.A. (2011). Click more on each item to see exactly how it was used.
Effects Pedals used by Lindsey Buckingham on Songs From The Small Machine - Live In L.A.
Avg price: $65.38
Used live for The Dance and his 2012 solo tour (which includes, by extension, One Man Show), as mentioned in this October 1997 Guitar interview and in this October 9, 2012 Premier Guitar Rig Rundown article.
Guitar, October 1997, "Lindsey Buckingham: Back in Mac" by Mike Mettler
In addition to his trusty Turners, Buckingham leaned heavily on his solid-body '92 Gibson Chet Atkins, notably during The Dance's back-to-back readings of 'Go Insane' and 'Big Love'. 'Landslide' sees the debut of a new, "delicate-sounding" Taylor acoustic, and 'Say You Love Me' gets its own special revamping: "There I'm playing a longneck 5-string banjo, getting a little bluegrassy on the intro, and then I slip right into the folkiness of the song."
For amps, Buckingham switched from the older Mesa/Boogies he'd used on his solo tour to Dual Rectifiers. "The Mac sound is a bit bigger and I needed something beefier," he explains. "And I'm still not using a major amount of pedals, just a Boss SD-1 Super Overdrive and a Boss DD-5 Digital Delay."
Premier Guitar, Rig Rundown, "Lindsey Buckingham" by Jason Shadrick (October 9, 2012).
He uses minimal effects, just a Boss SD-1 and Boss DD-3 Delay for his electric rig and a Boss DD-3 delay and Boss RC-30 looper with background vocals and a little bit of guitar for a few acoustic songs. For nylon-string, he uses chorus and reverb from the amps.
