Merle Haggard & George Jones – Kickin' Out The Footlights... Again: Jones Sings Haggard, Haggard Sings Jones
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 2006 album Kickin' Out The Footlights... Again: Jones Sings Haggard, Haggard Sings Jones.
Music from Kickin' Out The Footlights... Again: Jones Sings Haggard, Haggard Sings Jones
Artists on Kickin' Out The Footlights... Again: Jones Sings Haggard, Haggard Sings Jones
Gear Used On Kickin' Out The Footlights... Again: Jones Sings Haggard, Haggard Sings Jones
Explore the instruments, equipment, software, and production tools used in the making of Merle Haggard & George Jones – Kickin' Out The Footlights... Again: Jones Sings Haggard, Haggard Sings Jones (2006). Click more on each item to see exactly how it was used.
Microphones used by Merle Haggard on Kickin' Out The Footlights... Again: Jones Sings Haggard, Haggard Sings Jones
Avg price: $16,111.00
Mentioned by sound engineer John Kelton in this Mix Online article about Kickin Out the Footlights... Again.
"The board was an SSL 9000 J and Starstruck has a good bit of outboard equipment that we used, too,” Kelton says. “For tape we used a Studer 827 16-track for the drums and bass and a Studer 827 24-track for everybody else. That was fed into a Pro Tools HD system. I mixed on an SSL 4056 G+ at Keith's studio and mixed to the new 900 [tape] that used to be the Emtec; this is the first thing we've done on it. We used the Ampex ATR-100 half-inch. For mics, Merle was an old Neumann 47 into a Martech preamp and LA-2 compressor that was hardly used at all. George was an older-stock U87 into a Martech into a Teletronix LA1 compressor that we've used with him for a while. There was no EQ on either one of them.”
Studio Equipment used by Merle Haggard on Kickin' Out The Footlights... Again: Jones Sings Haggard, Haggard Sings Jones
Avg price: $4,999.00
Mentioned by sound engineer John Kelton in this Mix Online article about Kickin Out the Footlights... Again.
"The board was an SSL 9000 J and Starstruck has a good bit of outboard equipment that we used, too,” Kelton says. “For tape we used a Studer 827 16-track for the drums and bass and a Studer 827 24-track for everybody else. That was fed into a Pro Tools HD system. I mixed on an SSL 4056 G+ at Keith's studio and mixed to the new 900 [tape] that used to be the Emtec; this is the first thing we've done on it. We used the Ampex ATR-100 half-inch. For mics, Merle was an old Neumann 47 into a Martech preamp and LA-2 compressor that was hardly used at all. George was an older-stock U87 into a Martech into a Teletronix LA1 compressor that we've used with him for a while. There was no EQ on either one of them.”
Microphones used by George Jones on Kickin' Out The Footlights... Again: Jones Sings Haggard, Haggard Sings Jones
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Avg price: $3,629.43
Mentioned by sound engineer John Kelton in this Mix Online article about Kickin Out the Footlights... Again.
"The board was an SSL 9000 J and Starstruck has a good bit of outboard equipment that we used, too,” Kelton says. “For tape we used a Studer 827 16-track for the drums and bass and a Studer 827 24-track for everybody else. That was fed into a Pro Tools HD system. I mixed on an SSL 4056 G+ at Keith's studio and mixed to the new 900 [tape] that used to be the Emtec; this is the first thing we've done on it. We used the Ampex ATR-100 half-inch. For mics, Merle was an old Neumann 47 into a Martech preamp and LA-2 compressor that was hardly used at all. George was an older-stock U87 into a Martech into a Teletronix LA1 compressor that we've used with him for a while. There was no EQ on either one of them.”
Studio Equipment used by George Jones on Kickin' Out The Footlights... Again: Jones Sings Haggard, Haggard Sings Jones
Avg price: $49.00
Mentioned by sound engineer John Kelton in this Mix Online article about Kickin Out the Footlights... Again.
"The board was an SSL 9000 J and Starstruck has a good bit of outboard equipment that we used, too,” Kelton says. “For tape we used a Studer 827 16-track for the drums and bass and a Studer 827 24-track for everybody else. That was fed into a Pro Tools HD system. I mixed on an SSL 4056 G+ at Keith's studio and mixed to the new 900 [tape] that used to be the Emtec; this is the first thing we've done on it. We used the Ampex ATR-100 half-inch. For mics, Merle was an old Neumann 47 into a Martech preamp and LA-2 compressor that was hardly used at all. George was an older-stock U87 into a Martech into a Teletronix LA1 compressor that we've used with him for a while. There was no EQ on either one of them.”