Neurosis – The Eye of Every Storm
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 2004 album The Eye of Every Storm.
Music from The Eye of Every Storm
Artists on The Eye of Every Storm
Gear Used On The Eye of Every Storm
Explore the instruments, equipment, software, and production tools used in the making of Neurosis – The Eye of Every Storm (2004). Click more on each item to see exactly how it was used.
Steve von Till
Roles:
Effects Pedals used by Steve von Till on The Eye of Every Storm
Avg price: $315.00
"After the delay is the Mu-Tron Phasor II. That’s the mother of all phasers - all the others seem one-dimensional to me. It’s the better half of the Mu-Tron Bi-Phase, which is a must for home-studio filter nerds! I’ve got one of those, too. You can hear it all over every record since [2004’s] The Eye Of Every Storm. There are entire parts where I play one note over two minutes using this phaser at a slow speed because I can disappear in it; it’s the perfect sweep. It’s hard to find and really expensive - I’ve got three and only one sounds right. That’s the one that goes out!"
Avg price: $2,099.00
"After the delay is the Mu-Tron Phasor II. That’s the mother of all phasers - all the others seem one-dimensional to me. It’s the better half of the Mu-Tron Bi-Phase, which is a must for home-studio filter nerds! I’ve got one of those, too. You can hear it all over every record since [2004’s] The Eye Of Every Storm. There are entire parts where I play one note over two minutes using this phaser at a slow speed because I can disappear in it; it’s the perfect sweep. It’s hard to find and really expensive - I’ve got three and only one sounds right. That’s the one that goes out!"