At 0:35 minute mark, Corgan's Mu-Tron Phasor II can be seen.

Courtney Barnett is seen using the Mu-Tron Phasor II in an Instagram post where she discusses her involvement in the soundtrack for "The Buccaneers."

A Mutron can be seen used in the studio

Mentioned in the July 1980 issue of Guitar Player, with the details summarized in this March 13, 2009 Gibson article.

Guitar Player, July 1980, "British Rock Guitar Veteran"

From your left to right, how is your pedalboard currently set up?

The first effect is a preamp that Mike built, which is on all the time. The second is another volume booster, a Dan Armstrong Red Ranger, which I use for even greater sustain. Third is my Tycobrahe wah-wah. The fourth is the Fender Blender. The fifth is the Univibe, and the sixth is a Mu-tron II. The seventh and eighth are Mistresses with different settings; the one on the left gives a double-tracking effect, while the one on the right provides more of a flanged sound. But I think I've come to a halt as far as effects go. I mean, I can just barely handle what I've got now. There's so much stuff going on that if you just started mixing them there would be a limitless number of combinations you could get.

From your pedalboard, where does the signal go?

Into a splitter box, then to my amps. I don't use a mixing board or anything when I'm live because I like to be very much in control of what's going on. Especially concerning dynamics, that's so much a part of my music that I wouldn't feel happy if someone else were controlling it. I like to be creating the sound.

Gibson, "How To Get That Robin Trower Sound", March 13, 2009

Trower’s hottest rig blasted his array of Strats through a pair of 100-watt Marshall JMP-100 Mark II heads feeding two 1960-B 4x12 cabs and had an impressive effects chain on the floor: custom preamp and clean booster pedals, a Dan Armstrong Red Ranger treble booster, a Tychobrahe wah-wah, an octave/fuzz Fender Blender, a Uni-Vibe chorus/vibrato, Mutron II phase shifter, and two Electro-Harmonix Electric Mistresses.

In the video titled "Bradford Cox (Deerhunter) in his home studio (2024)," uploaded by Jenny Ondioline on YouTube, Bradford Cox explicitly describes his recording setup and confirms his use of the Mu-Tron Phasor II, as originally captured from the Instagram account of nahoko_otsuka.

"Eddie started right out learning the pedals—the wah wah, the Big Muff, and phasers and shit. We bought all the gadgets in the world, [especially] once Bootsy got with us." - George Clinton

According to Premier Guitar, Baizley also has the Mu-Tron Phasor II pedal.

Efrim Menuck is documented as using the Mu-Tron Phasor II, as noted in the article "Le post-rock et sa sous-estimation au cinéma" on Memoire Online.

You can See Daniels pedalboard at 2:29.

A lot of people apparently think i am saying “Neutron” in this video...its actually a Mu-tron Phasor II....great pedal...they usually sell in the 400-ish range. A couple other phasers (or phasOrs as some say) that are contenders for the “alltime greatest” category...the original Electro-Harmonix Small Stone...and the 70s Electro-Harmonix Poly Phase (great sound, if you can get past the volume drop when the effect is engaged)<

In a photo of Le Knight Club/Draft Punk's studio, where Guy‐Manuel de Homem‐Christo is a member, a Mu-Tron Phasor II is visible, highlighted by a yellow square and arrow.

"After the delay is the Mu-Tron Phasor II. That’s the mother of all phasers - all the others seem one-dimensional to me. It’s the better half of the Mu-Tron Bi-Phase, which is a must for home-studio filter nerds! I’ve got one of those, too. You can hear it all over every record since [2004’s] The Eye Of Every Storm. There are entire parts where I play one note over two minutes using this phaser at a slow speed because I can disappear in it; it’s the perfect sweep. It’s hard to find and really expensive - I’ve got three and only one sounds right. That’s the one that goes out!"