Simple Minds – Graffiti Soul (Deluxe Edition) album cover

Simple Minds – Graffiti Soul (Deluxe Edition)

Album 2009

The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 2009 album Graffiti Soul (Deluxe Edition).

Music from Graffiti Soul (Deluxe Edition)

Artists on Graffiti Soul (Deluxe Edition)

Gear Used On Graffiti Soul (Deluxe Edition)

Explore the instruments, equipment, software, and production tools used in the making of Simple Minds – Graffiti Soul (Deluxe Edition) (2009). Click more on each item to see exactly how it was used.

Microphones used by Charlie Burchill on Graffiti Soul (Deluxe Edition)

Dynamic Microphones

Shure SM57

Avg price: $112.54

In this Sound on Sound article on the recording of the Simple Minds album "Graffiti Soul", their producer Jez Coad describes the gear used to capture Charlie Burchill's guitar sound:

"Three Matchless amplifiers were used for Charlie Burchill's guitars, each miked with a Shure SM57 and a Sennheiser 421. The central amp projected the "main raw guitar sound”, while the two on either side were operating in stereo and projecting whatever effects Charlie was stomping on at the time.

"You got the best of all worlds,” explains Jez Coad, "You got all the power in the middle, and then you got all the lovely, diffused, echoey chorus and any other kind of modulation coming out of the two side ones, so we could balance the amount of power to the amount of sort of psychedelia going on!” A pair of Neumann KM84s was also placed 15 feet away from the amps to capture room ambience."

Dynamic Microphones

Sennheiser MD 421-II

Avg price: $388.98

In this Sound on Sound article on the recording of the Simple Minds album "Graffiti Soul", their producer Jez Coad describes the gear used to capture Charlie Burchill's guitar sound:

"Three Matchless amplifiers were used for Charlie Burchill's guitars, each miked with a Shure SM57 and a Sennheiser 421. The central amp projected the "main raw guitar sound”, while the two on either side were operating in stereo and projecting whatever effects Charlie was stomping on at the time.

"You got the best of all worlds,” explains Jez Coad, "You got all the power in the middle, and then you got all the lovely, diffused, echoey chorus and any other kind of modulation coming out of the two side ones, so we could balance the amount of power to the amount of sort of psychedelia going on!” A pair of Neumann KM84s was also placed 15 feet away from the amps to capture room ambience."

Condenser Microphones

Neumann KM 84

Avg price: $1,749.99

In this Sound on Sound article on the recording of the Simple Minds album "Graffiti Soul", their producer Jez Coad describes the gear used to capture Charlie Burchill's guitar sound:

"Three Matchless amplifiers were used for Charlie Burchill's guitars, each miked with a Shure SM57 and a Sennheiser 421. The central amp projected the "main raw guitar sound”, while the two on either side were operating in stereo and projecting whatever effects Charlie was stomping on at the time.

"You got the best of all worlds,” explains Jez Coad, "You got all the power in the middle, and then you got all the lovely, diffused, echoey chorus and any other kind of modulation coming out of the two side ones, so we could balance the amount of power to the amount of sort of psychedelia going on!” A pair of Neumann KM84s was also placed 15 feet away from the amps to capture room ambience."