Stewart Copeland & Stewart Copeland – Every Breath You Take
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 2023 single Every Breath You Take.
Music from Every Breath You Take
Artists on Every Breath You Take
Gear Used On Every Breath You Take
Explore the instruments, equipment, software, and production tools used in the making of Stewart Copeland & Stewart Copeland – Every Breath You Take (2023). Click more on each item to see exactly how it was used.
Microphones used by Stewart Copeland on Every Breath You Take
Avg price: $1,321.84
Used as an overhead mic for “Every Breath You Take”, as mentioned by producer Hugh Padgham in this March 2004 Sound on Sound interview.
"At AIR Montserrat, the dining area had a gabled ceiling and reflective wooden floor, so I recorded Stewart's drums with room mics while also close-miking the kit, similar to how I recorded Phil Collins. There was a [Shure] SM57 on the snare, [Sennheiser] 421s on the toms, Coles 4038 ribbon mics for the overheads, and [Neumann] 87s as room mics, placed about 10 to 15 feet away and compressed a little bit. Obviously, we didn't use the room sound as much as we did for Phil, but it still provided Stewart's sound with a certain liveliness.”
Avg price: $112.51
Used as a snare mic for “Every Breath You Take”, as mentioned by producer Hugh Padgham in this March 2004 Sound on Sound interview.
"At AIR Montserrat, the dining area had a gabled ceiling and reflective wooden floor, so I recorded Stewart's drums with room mics while also close-miking the kit, similar to how I recorded Phil Collins. There was a [Shure] SM57 on the snare, [Sennheiser] 421s on the toms, Coles 4038 ribbon mics for the overheads, and [Neumann] 87s as room mics, placed about 10 to 15 feet away and compressed a little bit. Obviously, we didn't use the room sound as much as we did for Phil, but it still provided Stewart's sound with a certain liveliness.”
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Avg price: $388.80
Used as a tom mic for “Every Breath You Take”, as mentioned by producer Hugh Padgham in this March 2004 Sound on Sound interview.
"At AIR Montserrat, the dining area had a gabled ceiling and reflective wooden floor, so I recorded Stewart's drums with room mics while also close-miking the kit, similar to how I recorded Phil Collins. There was a [Shure] SM57 on the snare, [Sennheiser] 421s on the toms, Coles 4038 ribbon mics for the overheads, and [Neumann] 87s as room mics, placed about 10 to 15 feet away and compressed a little bit. Obviously, we didn't use the room sound as much as we did for Phil, but it still provided Stewart's sound with a certain liveliness.”
-m.webp?v=1783436213)
Avg price: $3,629.43
Used as a room mic for “Every Breath You Take”, as mentioned by producer Hugh Padgham in this March 2004 Sound on Sound interview.
"At AIR Montserrat, the dining area had a gabled ceiling and reflective wooden floor, so I recorded Stewart's drums with room mics while also close-miking the kit, similar to how I recorded Phil Collins. There was a [Shure] SM57 on the snare, [Sennheiser] 421s on the toms, Coles 4038 ribbon mics for the overheads, and [Neumann] 87s as room mics, placed about 10 to 15 feet away and compressed a little bit. Obviously, we didn't use the room sound as much as we did for Phil, but it still provided Stewart's sound with a certain liveliness.”
