The Prodigy & The Prodigy – Always Outnumbered, Never Outgunned
The music gear and equipment used by the artists, producers, engineers, and more involved in the making of the 2004 album Always Outnumbered, Never Outgunned.
Music from Always Outnumbered, Never Outgunned
Artists on Always Outnumbered, Never Outgunned
Gear Used On Always Outnumbered, Never Outgunned
Explore the instruments, equipment, software, and production tools used in the making of The Prodigy & The Prodigy – Always Outnumbered, Never Outgunned (2004). Click more on each item to see exactly how it was used.
Liam Howlett
Roles:
Keyboards and Synthesizers used by Liam Howlett on Always Outnumbered, Never Outgunned
About:
The Electribe EM-1 Music Production System is another great Electribe series instrument with two analog emulated synth-parts and eight drum-parts. Sort of combining the elements of the original Electribe EA-1 and ER-1, the new EM-1 is an all-in-one groove and dance music machine for DJs and musicians alike!
The EM-1 has loads of drum sounds, all of which are excellent for dance music. There are 144 different sounds, and patterns can have up to eight drum parts. Parts can be muted and individually processed, live and in realtime. The synth sounds consist of 50 waveforms and a pattern can hold up to two synth parts. Waveform editing includes volume, panning, envelope, filtering, roll-effect, internal effects processing, pitch, and glide (portamento). The filter is only a 12 dB/oct low-pass with cutoff and resonance controls which is a little thin, but it still gets the point across.
Naturally, the EM-1 features an advanced built-in sequencer with multi-effects for complete Music Production features. The sequencer holds up to 256 patterns and 16 songs. It ships with 192 of them full of cool dance programs to get you going. Sequencing is done in step or real time using the 16 pads which represent 16th notes of a 1-bar pattern. Patterns can be up to 64-steps (4-bars) long. Built-in effects consist of two processors, a Master (global) Delay and one of 11 Insert Effects. The insert effects include Reverb, Flanger/Chorus, Phaser, Ring modulator, Pitch shifter, Compressor, Distortion, Decimator, Resonator, and Modulation Delay. The Motion Sequencer functions can record movements of the EM-1's knobs in realtime and store them with your Patterns to add rhythmic effects, filter sweeps, and evolving synth or effect changes.
The EM-1 is certainly a cool dance music production system! On the Professional level, its two-voices of synth parts is very slim pickings. On the other hand, it can offer Pro-DJ's incredible performance potential! For example, you can store up to 64 patterns to the step keys for realtime pattern recall. Combine that with realtime part muting/soloing, and realtime filtering, tweaking and effecting, tap-tempo or MIDI clock sync for an excellent groove machine! Although there are far fewer hands-on knobs than on the Yamaha AN-200 and DX-200, the EM-1 is less expensive and offers a great nag for its buck! Used:
Before Always Outnumbered was finished Liam told in several interviews that he has been using Electribes and the new album is going to be sounding quite electronic. Anyway all tracks were binned before the actual new album was released.
Studio Equipment used by Liam Howlett on Always Outnumbered, Never Outgunned
Avg price: $121.00
Korg ES-1 - Electribe S Rhythm Production Sampler Liam's comment: "I've used the ES-1 on stage and I've used the ER-1 on a couple of tracks on the new album. The ER-1 doesnt require much processing or EQing - it sounds f**king great straight out of the box. "
Sample and go! The ELECTRIBE·S is a new type of sampler that doesn't simply play back a recorded sound - it lets you aggressively process the samples to create your own signature sound. Play any sound or phrase in and use the pitch, filter and effects knobs to drastically alter the sample.
Slice loops with Time Slice Chop a sampled phrase or sound into pieces with the ELECTRIBE·S' Time Slice function. Time Slice detects the attacks of each part within a loop (e.g., bass drum, snare, and hi-hat), so that these parts can be massaged separately. You can also use the knobs to modify the tone of a phrase processed by Time Slice, creating complex patterns from a simple loop or phrase.
Realtime resampling With the resampling function, you can apply effects to a previously-recorded sample and then resample the result. You can even resample while modifying parameters such as pitch in realtime, and create even more new sounds with absolutely no deterioration in audio quality.
Instant rhythm creation Assign sampled sounds to up to ten parts, then use the step sequencer to create rhythm patterns. The step sequencer's sixteen pads divide a measure (or two measures) into sixteen parts. You decide where you want each sound to play by touching the desired keypads to create a pattern. And with the touch of a button you can add rolls or reverse playback for each part, so you can easily create highly complex rhythms that used to take ages to program in.
Add and change effects with the Motion Sequence function You're in complete control of sound alteration. With the Motion Sequence function, every tweak of a knob can be recorded as part of the rhythm pattern. Alter your tone at will on each part using one of the following parameters: pitch, filter, level, or pan. Then, with the Motion Sequence assign effect on/off, roll, and reverse playback for each part (all three can be recorded per part). Plus you can apply an Effect Motion Sequence (a motion sequence for effect parameters) and a Delay Motion Sequence to the entire pattern.
Radical sample processing In addition to a master delay effect, you get a built-in effects processor with eleven types of effects, that can be switched on/off for each part. The eleven types include basic effects such as Reverb and Flanger/Chorus, as well as unique effects like Decimator, Isolator, and Resonant Filter. Effect parameters can be edited using the knobs, and knob movements can be used as part of the rhythm pattern in the form of a Motion Sequence. The sound processed by the effects can also be sampled again. The internal memory of the ELECTRIBE·S can hold 128 user patterns. Combine up to 256 patterns/steps to create a song, which can be stored in one of sixteen internal song memories.
Store your data with Smart Media The ELECTRIBE·S provides a Smart Media slot for storing data. 3.3 V Smart Media ranging from 4 MB to 64 MB can be used to store your own sampled sounds, patterns and songs. The ELECTRIBE·S can also load AIFF and WAV files via Smart Media, allowing you to take advantage of sampled data stored on your computer.
The word is in The ELECTRIBES kick ass. Their thick, meaty analog sounds are making their own unique contribution to global mayhem. But we're not done with our radical donation to the rhythmic revolution. Introducing the ELECTRIBE·S, a sampler with a sound that is as fat and gritty as ever. And in true ELECTRIBE fashion, the ELECTRIBE·S is packed with tweakable knobs for extreme sound editing, and sixteen pad keys to program rhythm patterns and break beats.
Used:
Before Always Outnumbered was finished Liam told in several interviews that he has been using Electribes and the new album is going to be sounding quite electronic. Anyway all tracks were binned before the actual new album was released.