Ultravox & Tigerlily – Extended

"Q. I noticed that during your solo albums you moved through the gamut of classic 80s keyboards including the PPG Wave, Yamaha GS-1 and Roland D-50. What are your fave synths from the 80s?

I loved the GS-1. It was big and high quality but I don’t think I used it a lot on my solo albums. I think it was originally made for the small church market in America so that they could get the sounds they needed without buying a huge church organ. I had a deal with Yamaha who stuck with us over the years and when the GS-1 came out I ended up going to Hamburg and sitting with a Yamaha programmer who created some great string sounds for me. I loved playing that instrument and I could play the vibrato with my feet. I’d stand up and rock back back to keep the sustain going and do the vibrato with my foot.

I used the PPG a lot. I got into the Rack Mounted DX-7, the TX-816. I’d got into MIDI in the early days in my own studio for the first couple of solo albums, Transportation and Stand Up and Walk and linking all these things up to get new sounds. I had a Prophet T8, the Prophet Sampler, the Roland D-50. it was like Keyboard City. The Prophet VS was used a lot. I really liked the joystick and the way you could morph between sounds."

"Q. I noticed that during your solo albums you moved through the gamut of classic 80s keyboards including the PPG Wave, Yamaha GS-1 and Roland D-50. What are your fave synths from the 80s?

I loved the GS-1. It was big and high quality but I don’t think I used it a lot on my solo albums. I think it was originally made for the small church market in America so that they could get the sounds they needed without buying a huge church organ. I had a deal with Yamaha who stuck with us over the years and when the GS-1 came out I ended up going to Hamburg and sitting with a Yamaha programmer who created some great string sounds for me. I loved playing that instrument and I could play the vibrato with my feet. I’d stand up and rock back back to keep the sustain going and do the vibrato with my foot.

I used the PPG a lot. I got into the Rack Mounted DX-7, the TX-816. I’d got into MIDI in the early days in my own studio for the first couple of solo albums, Transportation and Stand Up and Walk and linking all these things up to get new sounds. I had a Prophet T8, the Prophet Sampler, the Roland D-50. it was like Keyboard City. The Prophet VS was used a lot. I really liked the joystick and the way you could morph between sounds."

"Q. I noticed that during your solo albums you moved through the gamut of classic 80s keyboards including the PPG Wave, Yamaha GS-1 and Roland D-50. What are your fave synths from the 80s?

I loved the GS-1. It was big and high quality but I don’t think I used it a lot on my solo albums. I think it was originally made for the small church market in America so that they could get the sounds they needed without buying a huge church organ. I had a deal with Yamaha who stuck with us over the years and when the GS-1 came out I ended up going to Hamburg and sitting with a Yamaha programmer who created some great string sounds for me. I loved playing that instrument and I could play the vibrato with my feet. I’d stand up and rock back back to keep the sustain going and do the vibrato with my foot.

I used the PPG a lot. I got into the Rack Mounted DX-7, the TX-816. I’d got into MIDI in the early days in my own studio for the first couple of solo albums, Transportation and Stand Up and Walk and linking all these things up to get new sounds. I had a Prophet T8, the Prophet Sampler, the Roland D-50. it was like Keyboard City. The Prophet VS was used a lot. I really liked the joystick and the way you could morph between sounds."