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A majesty of performance since its arrival in 1961, the Epiphone SG has served as a decades-long weapon of choice for countless guitarists. This collaborative Custom Shop effort respects the legendary model's visual appeal and hardware — while adding a bounty of under-the-hood enhancements for discerning modern players. A solid mahogany top and body represent the pinnacle of SG design, culminating in a classic white set mahogany neck, complete with onboard fretboard inlays for visual authenticity. The 1963 SG Custom further features a trio of Gibson's CustomBucker pickups, along with two volume and two tone knobs, and a 3-way Switchcraft toggle for imperative tone sculpting.

The ENGL Savage 60 Mark II E630II 4-channel tube amplifier takes the revered Savage amp series to a new level of tenacity, adding player-requested functionality while maintaining the brutal tone the Savage name is known for. Dual midrange control knobs offer even more sound-shaping flexibility with freshly voiced Lean/Bold circuits to help you pinpoint your place in the mix. Two tube-buffered effects loops give you a ton of flexibility for how you integrate your effects, a finely tuned noise gate is ready to keep high-gain settings tight and punchy, and a MIDI port is now a standard feature for advanced control options. With a wide-ranging voice that excels at everything from articulate cleans and pummeling crunch to searing-yet-sweet higher-gain tones, the ENGL Savage 60 Mark II tube amp head is sure to impress any modern metal guitarist.

The Epiphone '58 Korina Flying V is an affordable reissue of one of the rarest, most expensive vintage Gibson guitars ever produced. With a mahogany neck set into a korina body, the '58 Korina Flying V should not be confused with the limited run '58 Flying V that was made of mahogany, alder and maple.

The WEM CCB-1 is a recreation of the preamp section of the famous WEM Copicat tape echo unit.

The Watkins Copicat holds an undeniable place in rock history. One of the first tape delay units that was commercially available, it shaped the sound of the '60s and '70s thanks to innovative artists like Robert Fripp, Rory Gallagher, and Phil Manzanera.

These British made tape echos were a popular alternative to rarer American models and can be heard across many legendary studio and live recordings from the sixties and seventies - the CCB-1 gives you access to the boost and tone-shaping capabilities of the Copicat preamp in a modern, convenient format.

Its legacy continued with modern players like Jeff Tweedy and John Dwyer who sought its singular sound. And now, the classic tape echo preamp tone is housed a brand-new effect for just $79.99, exclusively on Reverb.

Meet the WEM Copicat Boost!

The SKEWER operates similarly to Catalinbread's Naga Viper pedal, but rather than being based on the Dallas Rangemaster, it is based on the Hornby-Skewes Treble Booster—another iconic piece of Blackmore's gear.

The Bad Cat Cub 40R Amp Head is a boutique-grade, all-tube guitar amplifier head that delivers exceptional tonal clarity, power, and versatility. With its meticulous craftsmanship and premium components, this amp head is perfect for both studio recording and live performances. It features a dual-channel design for clean and overdriven tones, enhanced by Bad Cat's legendary sound engineering. Compact yet powerful, the Cub 40R amp head is a must-have for guitarists who demand professional sound quality and reliable performance.

This is Victoria's reverent take on the rare narrow panel tweed Super. Only a bias trim pot and test points have been added to the design. Over the years, the original model often went unnoticed by many tweed freaks, but that won’t be the case when you plug into a Victoria 35210.

Marshall’s JCM900 fueled the sound of countless rock and metal acts in the ’90s, ruling the airwaves with its bright and aggressive bite — the Marshall Studio 900 head packs that iconic sound down into the brand’s compact, modernized, and ardently accessible Studio lineup. This true tube amplifier head wields dual ECC83 preamp tubes, an ECC83 phase splitter, and two 5881 power tubes, offering all the high-octane tube/solid-state hybrid saturation of its 100-watt inspiration at a far more stage- and studio-friendly 20-watt power rating. Two channels are on tap with remote footswitch control, along with a 3-band global EQ, global Presence control, extensive gain-shaping knobs, and an onboard spring reverb to impart a touch of space to your sound. Moreover, while the Marshall Studio 900’s tone and aesthetics authentically pay tribute to the mighty JCM900, this amp matches its modernized Studio series siblings with 5- and 1-watt power scaling modes, a top-class effects loop, and a speaker-emulated DI output. Capture the sound of the ’90s and enjoy all the modern-minded benefits of the high-performance Studio series with Marshall's powerhouse Studio 900 head!

Jimmy Page is responsible for a large part of the iconic status of the Gibson Les Paul. This 1990s edition was the first Jimmy Page Signature model, based on a Standard with a figured top. It features Jimmy's signature on the pickguard, gold hardware (Grover tuners) and push-pull knobs for coil-tapping/phasing.