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Luis Alberto Spinetta used a Villette Citron neck-through guitar, crafted by Harvey Citron and Joe Veillette, known for their high-quality instruments referred to as the "Alembic of the East Coast." This specific guitar was brought to Spinetta by Edelmiro Molinari for his concerts in December 1979 at the Obras Sanitarias stadium, as evidenced by an accompanying image.

Harvey Citron y Joe Veillette construyeron artesanalmente unos instrumentos muy finos que fueron conocidos como los "Alembic de la costa este". Incluso los pickups eran construidos por ellos mismos. Edelmiro Molinari, guitarrista de Almendra que vivía en Los Angeles, le trajo a Spinetta una Citron-Veillette para los conciertos que se realizaron en diciembre de 1979 en el estadio de Obras Sanitarias.

George Harrison developed a deep and very personal relationship with the ukulele, particularly favoring the Kamaka HF-3D Deluxe Tenor ukulele. This instrument, crafted by the traditional Hawaiian manufacturer Kamaka, was part of his regular musical routine in his later years. Its solid koa wood construction provides a warm, full sound with good projection, and its larger size offers more fretboard space, which suited Harrison's background as a guitarist. Harrison's fondness for the ukulele is evident in his music, as seen in his last studio album, Brainwashed, particularly in the track "Between the Devil and the Deep Blue Sea." His attachment to the ukulele is supported by a video from the 1995 Beatles anthology, where his deep connection with the instrument is showcased.

You can see it’s a Hot Cat 100 from the toggle switches at the end and you can slightly see the number “100.”

Billie Joe Armstrong frequently used the amp head during Foxboro Hot Tubs shows.

Patrick Stump has been using the Shure RPW184 Replacement Cartridge, Housing, and Grille for Wireless KSM9 Microphones since 2013. This usage is evidenced by a performance from Fall Out Boy live at the KROQ Helpful Honda Sound Space, as documented in a video by KROQ on YouTube.

In the interview titled "The Politics of Dub Bass" on Innerviews, Dr. Das discusses his use of Status Hotwire bass strings.

In the interview "Dr. Das - The Politics of Dub Bass" by Innerviews: Music Without Borders, Dr. Das confirms using the Ampeg SVT-410HLF Classic Series 4x10" Bass Cabinet.

In the interview titled "Dr. Das - The Politics of Dub Bass" on Innerviews: Music Without Borders, Dr. Das confirms the use of the Ampeg B2-RE bass amplifier head.

In the 2007 interview titled Dr. Das - The Politics of Dub Bass by Innerviews: Music Without Borders, Dr. Das reveals that his main gear includes the Status Graphite S2-Classic Bass.

In the provided image, you can see Dr. Das's Ampeg SVT-2 Pro Head positioned on top of his cabinet.

In a photograph of the support act at Scala, Ludwigsburg on May 19, 2023, Dr. Das can be seen using an Ampeg SVT-CL Classic amplifier, positioned on top of his 8x10 cabinet.

In a picture from a live gig on May 19, 2023, at Scala in Ludwigsburg, you can see Dr. Das using the Ampeg SVT-810E 8x10 Bass Cabinet. The image, featuring the support act Jah Schulz, serves as proof of his gear usage.

In the YouTube video titled "The Charlatans - Come Home Baby - Live from The Church," at the 0:28 mark, it is evident that Tim Burgess is using the Aviom A-16II Personal Mixer. This is supported by the visual proof provided in the video uploaded by The Charlatans.

In the YouTube video "The Charlatans - Come Home Baby - Live from The Church," at the 1:25 mark, the pedalboard of guitarist Mark Collins is visible, confirming the use of a Boss DD-6 Digital Delay pedal during the performance.

In the YouTube video titled "The Charlatans - Come Home Baby - Live from The Church," at the 1:25 mark, Mark Collins' pedalboard is clearly visible, verifying his use of the Boss CS-3 Compression Sustainer pedal during the performance.

At the 0:57 mark of the official music video for "ありがとう" by OKAMOTO'S, Hama Okamoto is shown playing a Fender JP-90, as published on the OKAMOTO'S Official YouTube Channel!