Boss DD-6 Digital Delay Pedal

In an interview with Russell Lissack, when asked "And what gear do you use in order to conjure up the Bloc Party sound?", Lissack mentions the Boss DD-6 and responds: "My guitars are all Fender Telecasters, and Kele and I use Fender Deluxe amps both in the studio and on stage. Pedal-wise, it’s pretty much a Boss-fest. I’ve got a TR-2 Tremolo, DS-1 Distortion, a new PW-10 Wah, the DD-5 and **DD-6 Delays** and the PS-5 Supershifter. For a long time, all we had was a distortion, a delay and an old wah pedal and we really got the most out of them. The DD-5 was always my best friend because there were so many different types of delay, but it was always really flexible. I really like to push my effects to see what sounds I can achieve when I get new stuff, but it’s been ages since I’ve had time to really experiment with things." (original interview [here](http://www.roland.co.uk/blog/bloc-party/)). At 9:46 minute mark of the [Premier Guitar's rig rundown](https://www.youtube.com/watch?v=zVqaFU3y-Jo), Lissack showed his DD-6 pedals. One of the pedals is being used for loops and one is being used like the regular delay pedal.

"The DD-6 is set for the cascading repeats and the hold. So if he keeps his foot on it it will just build and build and build. So he'll flip between the DD-6 and Freeze and sometimes go one foot on each, and be sort of tap dancing between the two," says Josh Klinghoffer's guitar tech.

"One I really fell in love with and use all the time is the white one: the [DD-6] digital delay. When I worked with Glen Ballard on “Taste of India” [from Aerosmith’s Nine Lives CD], that was the pedal I wrote with, and the one I used for the backward effect. For me, writing has a lot to do with picking up a guitar and getting a sound. So sometimes it’s an amp, a tuning, or, in this case, a pedal that stimulates and inspires me to think in a different musical sense. Sometimes I’ll just fall into an unusual sound, and that’ll be my inspiration to write a song. Pedals play a big part in that creative process for me, and BOSS has such a great pile of pedals."

they use it in live set

at 53:19 at the video.

Seen quite clearly at 0:29 is a few of Jenny's pedals, including the Boss DD-6.

At 19:02 you can see the pedal. Although you can't see whether it's a DD6 or a DD7 you can see (if you look closely) at 20:08 the different options at the fourth knob.

"I use this as a sound effect, when I hit the guitar or hit the strings up top. It's from the reggae school of things. It's a short delay but I have loads of repeats on it. It sounds like a flock of geese leaving the nest!"

45:45 Minutes in the video Tom speaks about this pedal, "I could play the same riffs i used to play but they pan around trans-like, its atmospheric."

Walsh mentions many pedals in this interview for Boss, including the Boss DD-6: "What BOSS pedals get the most mileage onstage?" "The delay [DD-3] is a favorite, the overdrive [OS-2], and more and more the pitch shifter [PS-5]. I prefer the DD-3 onstage, but for recording I use the DD-6."

Listed on http://davematthewsband.com/gear/band-equipment

Dave Matthews uses two Boss Digital Delay pedals, seen in this Premier Guitar interview at (7:28).

Shown here in Cashion's live pedalboard setup at the Bottletree Cafe on 04/26/14

Jesse Lacey's Boss DD-6 is visible at 10:40 in this rig rundown video.

Mr. Vincent Accardi uses the Boss DD-6 Digital Delay Pedal on his pedalboard.

A Boss DD-6 can be seen on Brent's pedalboard at 3:02 in this video.

One can see a Boss DD-6 on Doug's pedalboard at 33:30 in this rig rundown video.

"This is a digital delay pedal, Boss DD-6 which I use for tempo delays..." Seen at 2:11

Seen at 1:23, can be assumed to be the same as Paul's.

In view on Simons pedal board is a DD6 alongside a DD7.

A DD-6 can be seen on Rabea's pedalboard at 1 minute and 38 seconds into the video.

[This](http://www.guitargeek.com/christian-olde-wolbers-fear-factory-guitar-rig-and-gear-setup-2005/) detailed gear diagram of Christian Olde Wolbers' Fear Factory stage setup includes a Boss DD-6.

"I play through a Fender Twin, and my pedal setup is super basic: boss chorus and tremolo, boss dd-6 delay, a fulltone fulldrive coupled with an electro-harmonix lpb-1 boost for good natural tube overdrive, and that’s pretty much it."

OK, the middle pedal is a Boss Digital Delay pedal. It's the DD-6 model, based on the position of lettering. Only on the DD-6 were the words "Digital Delay" placed on the same line, rather than putting Digital on top, and Delay below and to the right.

James Frost of UK band The Automatic

> The DD6 Delay I like because it has tempo control so I can tap to any tempo that I need. A lot of delays, you're at the mercy of the dial and stuff. Sometimes that can be offbeat and that annoys me.

Boss DD-6 at 0:30

According to the Premier Guitar's interview, Brodsky uses the Boss DD-6 delay pedal.

"One of the settings has a subtly weird effect where the delay reverses itself as it trails off—that’s what you hear at the end of ‘Sunday.’” - says Slick in this article.

"I play a 1959 Harmony Meteor through a Carr Rambler amp to a FullTone Full Drive 2, to the BigSky, to a DD-6 by Boss…"

"At the top I’ve got a Boss Digital Delay pedal that belongs to Matt Keegan from Bomb."

In this interview with Effectsbay about the effect pedals on John's board, this pedal can be seen

At about 2:15 in the video Bob says he uses two DD-6 delay pedals.

in this video we can see his dd-6..

The "Equipment" section of this article sourced by the World Heritage Encyclopedia™ states that "Simpson's pedal-board consists of a Boss DD7, a Morley Bad Horsie Wah, a Dunlop Dime Signature Wah, an Ibanez TS9, an MXR Noise Gate, a Boss TU2, as well as a Boss BF3 and a Boss DD-6 delay pedal."

Kevin's pedal board on the 2010 tour was almost exclusively Boss effects.

Concert at the Casbah in San Diego, CA. Circa 2014

Tucker uses a Boss DD-6 pedal, according to [this](http://www.pastemagazine.com/blogs/lists/2012/05/14-guitarists-talk-about-their-pedal-boards.html) interview for Paste magazine.

According to Guitar Geek's rig diagram, Wade uses the Boss DD-6 Delay Pedal.

Mr. Nick Bockrath uses the Boss DD-6 Digital Delay Pedal on his pedalboard.

The above site shows Marissa using the Boss DD-6.

"In addition Mike uses 3 Boss delay pedals: A DD-3 Digital delay marked 'Space', a DD-6 and an old school analog DM-2"

Here's a shot of Al's large pedalboard with the Bichorus, Bicomp (bottom middle), DD6/hicut (left), and a cool AB switch

Brodsky’s pedalboard has maintained a similar look throughout his career consisting of mainly Boss pedals, here's a photo we could identify a Boss DD-6.

Taken from the [Rig Rundown](http://www.premierguitar.com/articles/23529-rig-rundown-awolnations-zach-irons) of AWOLNATION's Zach Irons. For other delays, Zach has two Boss delay pedals. The DD-6 is used for longer delays, especially for indefinite feedback.

On his website Dave Kilminster lists this item as part of his 2005 gear.

http://foxingtheband.tumblr.com/post/97320959748/what-kinda-pedals-is-ricky-sporting

Reverse styles --> rasura album

“I have it set to loop: whenever you press and hold it the loop starts, and when you release it the loop ends. “So, the shorter you do that, then the shorter the sample it records, so I use it to do little stuttery ‘brrrrp’ effects every now and again.”

This was the first track I 'officially' recorded as part of my CCCL project (aka: Chris Carter's Chemistry Lessons). It was made in 2007 with a Gameboy ASP running a couple of Nanoloop sequences: into a Boss PQ-4 parametric EQ, mono out: into a Boss PN-2 Panner (square-wave pan setting), stereo out: into a Boss RV-5 reverb (Gate setting), stereo out > into a Boss DD-6 digital delay (modified), stereo out: into a Mac G5 recording (via MOTU 828 mkII audio interface) into Apple Soundtrack Pro. All realtime tweakery (mostly the PQ-4 + DD-6) and no post-pro no editing.

If watched very slowly, at 0:32 a Boss DD-6 can be seen on the far end of Mikey's pedalboard, next to his Fulltone GT-500.

Can be seen on the pedalboard in the video.

Sergio has both a DD-7 and a DD-6 on his pedalboard, posted to his Instagram.

He uses it occassionaly with the tap tempo function. He says he doesnt like that he has to hold the switch and then tap on it to get the tempo but addy that he has to work with what he has. Its hard to spot differences between the boss dd pedals but if you look closely you can see that this truly is the DD-6.

In Pedals Fusion's 2015 interview with Atsuko Chiba, Kevin showed off his pedalboard, which included a Boss DD-6.

In Pedals Fusion's 2015 interview with Atsuko Chiba, Karim showed off his pedalboard, which included a Boss DD-6.

At 0:02 you can see the Boss DD-6

Nathan goes over his entire pedalboard over the course of five videos, as well as a post by Pedals and Effects on their website, the Boss DD-6 is the second pedal showed in the third video.

Always on 'hold' setting, used as a sampler.

Boss DD-6 Digital Delay Pedal

in the second 0:22 shows the boss DD6