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The Hello-Thread: Please Allow Me To Introduce Myself 👋

I'm a rookie on here-

Please forgive the long posts in this thread on music theory, I'm just learning my way around. Oops!

Me? I'm Zach.

I've been in every part of the music world for 15..shit...20 years? Long time-but strongly rooted in engineering & songwriting. Started as a drummer-However-I've recorded "professionally" in studios with all a boy could ask for-I also spent time in various incarnations of very ambitious project studios, to a bare bones set ups. All had their own magic. "Project Studio"-is a term I personally hate but...I have done live sound,local booking, tour booking, festivals (3 days generally), management, roadie, released my own albums on labels and toured more miles/km than I can count in the USA and Europe. Filled in & done all the stuff ya do when you've been blessed with a good community and wanna survive in music.

There was a period where I reviled & recoiled from all of the opportunities and work I was blessed with (I'm an idiot). I went back to tape & a small room, and left all DAW's behind, sold off gear I still morn the loss of- that's where most of my published material came from but that was just a product of more time for me to write/but mostly SUPER good luck-but mostly me being an "iconoclast"? I'm no John Cage, etc so it was me just being a total jackass. Stubborn and willfully "low-fi" & "trashy" but I guess I needed to get it out. I figured that out, moved on & jumped back in with both feet, and all but abandoned all my familiar mediums & started over again & picked Ableton for its non-linearity. I've still got my "home" DAW's around for traditional recording just cuz I'm faster there & the mortgage must be paid! ...but I'd been longing to be uncomfortable. Worked! That's where I am now & why I'm here-Wanna know fundamentals? Wave mechanics? Bread & butter of being an engineer? Ask me anything ya like! In exchange if I can learn the HUGE changes I've missed I'd be so very grateful! Tips on Ableton questions I've got? I'll wanna buy you dinner.

I have no desire to classify my music taste. I studied music, all of it has something to offer. Of course I have my favorites, where I naturally "land". My favorites? Cage, Stockhousen, Reich as seen thru the lens of all my youth-post punk, punk, R&R, "Garage Rock", Pop (yep, stuff like Kesha, Taylor Swift, & I dunno.. Justin Bieber?**Max Martin, Ester Dean, etc-yeah I know. Tons of fun to deconstruct), it's all different parts of the same thing in my head & always fun. I LOVE GEAR. Buttons. Knobs & lights...but I just love music & the gear is just another part of it all.

If you've read this far? Holy shit! (you skimmed, of course you did) I do enjoy a drink so I can ramble-particularly on what has been the center of gravity my whole life.

Pals forever,

Zach

Welcome aboard King Zachary. Please feel free to post your gargantuan posts anywhere you like. They are favored.

Also, Johnny Cage eh?

http://rs1022.pbsrc.com/albums/af342/cabal78/JohnnyCageMK2.gif~c200

yo

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

I think a lot depends on what type of electronic music you wanna make.

that said, these are my (mostly) off-the-beaten-path indispensable native plugins:

TAL Sampler (if only for the Emulator II mode on the bit reducer section, instant Depeche mode and pet shop boys... great for more than layered pads, layer up lofi snares from bits of live drums, clanging metal in your shed/basement/attic and noise patches from a Moog or ARP to generate some percussion sounds no one else has in their music but with the ability to add a little flavoring of famous hardware sampler engines that make the crazy new sounds sit in a mix in a way that's familiar to a listener... also, it has decent soundfont implementation and there are a lot of packs of free soundfonts drawn from the Emu and Ensoniq preset libraries that can be a useful building block when you want that '85 to '95 kinda thing, especially when you want a retro choir sound for instance)

GRM Tools Stereo Comb Filter (every slider is automatable, think Dust Brothers' Fight Club Soundtrack)

U-He Re-Pro (I use a lot of hardware, but I can't afford an SCI Pro-One and this really nails the sound and the snappy envelopes with a lot of additional functionality.... great layered up with a Moog bass)

NI Absynth (still one of my favorites.... damn did it take me forever to get over the elarning curve, its as hard to program as a DX7, but unlike the DX7 you will get some useable stuff even before you figure out how to imagine a sound and create it precisely through the mammoth Absynth interface, so a must have)

otherwise I use a lot of very standard insert stuff in the box and really exhaust my hardware collection before rooting around my giant library of instrument plugins

I can't help you with Ableton because I just never bonded with it. I got a free version one year from their booth at NAMM (I think the year it came out) and couldn't get into it. At the time it felt very DJ oriented, though I am sure its fantastic now.... but I still can't switch sequencers out of nowhere. Every sequencer switch I've ever made has included years of flirtation with the new product, from 90s, pre-apple Logic to Cubase SX took forever and its taken me even longer to admit that I can take care of everything in Fruty Loops and pretty much abandon Cubase LOL I am a dinosaur. If my old Atari ST still ran I would probably still sequence on her.

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

you didn't sound musically lost, just non-specific... so I picked my top 4 plugins I always seem to open up and at least TRY in a piece of electronic music regardless of style... and at least one of 'em is an oddball that I don't think anyone else uses

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

I'm am my own harshest critic-What I read was not really what I would write in the sober light of day- I think my revised post will be much better at cutting to the core of where I'm at & the wisdom I hope to gain from all you fine folks. In brief, I value everyone's time. You rule.

Greetings fellow gear folks. Just joined yesterday. Loving what I'm seeing. Not much of a gear head but that's changing. I'm mostly an Ibanez user ( pedals/amps/guitars ) but I have a few Crate and Line 6 amps as well. I play lefties but not a guitar collector. Thanks for this forum. Hope to see y'all around these parts. Cheers!

Welcome Jedi. As you browse the site, I think you will find that it is quite operational. Ha Ha Ha Ha.... sigh

welcome young padawan

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

Hello! I'm a new here )

We are Russian manufacturing company Doff. Guitars & Russian-folk instruments

Conpany was founded in 2002 by a group of enthusiasts – they were crazy in love with guitars as much as gemologist loves precious stones and mathematician - abstractions. Someone sold that he or she had got, someone took the case-dough, and all together they bought the instruments which had not been stolen yet in a closed Lunacharsky factory. The guitars were of average quality, quite similar to the old Lunacharsky’s ones. Hereafter the crisis happened. In every crisis, someone dies and someone revives.

There was a question to our company - either we join to the united collective of lacquered guitars producers, which so successfully overran our country by China goods, or we start producing something, which has never been done in Russia before.

And for all of this it was necessary to create such models of instruments, at one glance of which our competitors have fallen away any desire to repeat or copy, and even try to do this.

At this time, the director of "Forest" found out the Zimmermann factory’s guitar of 1885. It was very small - about ¾ of modern standard. But how it sounded! And this guitar was not a master one! It was common factory guitar, like usual consumer goods. However, it was an amazing and almost unattainable level of sounding. Only putting high goals, you can achieve good results. Therefore, we decided to create such kind of guitars and to return to life that was lost in the XX century.

We have completely given up the plywood using. We returned to maple in guitar production. We no longer focus on the boring to all musicians westerns. And even we renamed the factory - we changed the name because of reason of previous associations with the old crafts. «D’OFF» appeared instead of "Forest", and instead of guitar layout - a real Russian guitar, which was completely changed structurally and visually.

We were not so self-confident to rely only on our own vision for a revitalized production. We studied social networks and began to ask opinions and advices there. We went to schools and colleges and consulted with the best teachers. Finally, we have worked for many years, and remodeled our instruments until we achieved excellent results.

Howdy Doff. Can we call you Doffus?

yes, why not )

Hello, Doff

Hey, hi everyone! I'm new here and I'm so excited to see beauty equipment and share with you and contribute with what little I know. Well, I'm Stefano Flores from Lima, Peru and I'm currently 22 years old. I luv so, so, so (...) much The Beatles and really like bands such Led Zeppelin, Deep Purple, Blue Cheer and Radiohead, Tame Impala or The Smiths too (and jazz, trip-hop, psychedelia, prog rock, acid rock, electronic, krautrock, etc).

Hm,actually I play with MXR Dyna Comp, Proco Rat 2, Boss SD-1, Schaller Bow Wow - Yo Yo (2 types of Wah and volume pedal), DOD FX17 (other volume pedal), Way Huge Blue Hippo (beauty chorus), Electro Harmonix Small Stone V3 (rare version from 1984), Boss DD-7, Electro Harmonix Holy Grail Neo, Xotic EP Booster and Boss TU-3.

I don't know, hm, I'm studying psychology and composing my own music (I hope to soon record it decently and share it with everyone).

Thank you for reading and greetings folks!

Hello Stefano! Great to have you with us. I'm very jealous of your living in Peru. Such a cool place. I'm dying to know... what does Guinea Pig taste like? If I were to visit Peru, that would be the first thing I would set out to experience.

Hell yeah, welcome buddy,

welcome, get posting

GEAR:
  • Roland Juno-6
  • Gibson SG Standard
  • Vox AC30 Guitar Combo Amp

Welcome aboard mate. Hope you enjoy the pages.

GEAR:
  • Fender MIJ Jazzmaster JM62
  • Epiphone Dot
  • Electro-Harmonix Sovtek "Green Russian" Big Muff Pi V7C

Hello everyone! I've actually posted elsewhere before I saw this thread, but here goes nothing...

My name is Jacob Nunez. I'm a Los Angeles native and recently graduated from San Diego State with a degree in political science. I've been playing guitar on-and-off for 9+ years, with the time for on more now that I've finished school and other extracurricular commitments. I'm a huge fan of Social Distortion, Guns N' Roses, the Deftones, Mastodon, Kyuss, Highly Suspect, and many other bands, as well as The Weeknd, Selena (Quintanilla, not Gomez!), Kendrick Lamar, dvsn, and so forth. I'm just a fan of music!

Gear-wise, I've used and acquired various guitars and amps and effects throughout the years, but as of right now my rig is my Agile AL custom and LTD EC-1000T CTM through a Seymour Duncan 805, a Dunlop Original Crybaby, a Fuzzrocious Afterlife reverb, a MXR Smart Gate (as of today), into an Orange Dark Terror/Orange PPC212 cab and a Blackstar HT Soloist 60.

I look forward to contributing to the equipboard community and getting to know y'all :)