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The H500 Violin Bass '63 - 60th Anniversary Edition II Hollowbody made of flamed maple with spruce top by Hofner (Höfner).

Two-piece -maple Neck with Rosewood Fingerboard.
Nut width 42mm.
Scale length 762mm.
Sunburst finish.
Includes Höfner Vintage Strap and Case.

Specs:

Limited 60th Anniversary Model
Top: solid spruce
Back and sides: flamed maple
Two-piece neck with flat volute: flamed maple
Fingerboard: Rosewood
Golden Höfner head stock logo
Pearl Dot fingerboard inlays
Black/white/black binding
Scale: 760 mm (30")
Nut width: 41 mm
22 Frets
Pickups: 2 Höfner staple humbuckers
Höfner Trapeze nickel tailpiece
Höfner control plate with gold top pots
Ebony bridge
Machine heads: Strip nickel
Colour: Authentic "'63 Style" Sunburst
Includes case, strap, artwork by Klaus Vormann, booklet and Anniversary Limited Edition certificate

The H500 Violin Bass '63 - 60th Anniversary Edition II Hollowbody made of flamed maple with spruce top by Hofner (Höfner).

Two-piece -maple Neck with Rosewood Fingerboard.
Nut width 42mm.
Scale length 762mm.
Sunburst finish.
Includes Höfner Vintage Strap and Case.

Specs:

• Limited 60th Anniversary Model
• Top: solid spruce
• Back and sides: flamed maple
• Two-piece neck with flat volute: flamed maple
• Fingerboard: Rosewood
• Golden Höfner head stock logo
• Pearl Dot fingerboard inlays
• Black/white/black binding
• Scale: 760 mm (30")
• Nut width: 41 mm
• 22 Frets
• Pickups: 2 Höfner staple humbuckers
• Höfner Trapeze nickel tailpiece
• Höfner control plate with gold top pots
• Ebony bridge
• Machine heads: Strip nickel
• Colour: Authentic "'63 Style" Sunburst
• Includes case, strap, artwork by Klaus Vormann, booklet and Anniversary Limited Edition certificate

The H500 Violin Bass '63 - 60th Anniversary Edition II Hollowbody made of flamed maple with spruce top by Hofner (Höfner).

Two-piece -maple Neck with Rosewood Fingerboard.
Nut width 42mm.
Scale length 762mm.
Sunburst finish.
Includes Höfner Vintage Strap and Case.

Specs:

Limited 60th Anniversary Model
Top: solid spruce
Back and sides: flamed maple
Two-piece neck with flat volute: flamed maple
Fingerboard: Rosewood
Golden Höfner head stock logo
Pearl Dot fingerboard inlays
Black/white/black binding
Scale: 760 mm (30")
Nut width: 41 mm
22 Frets
Pickups: 2 Höfner staple humbuckers
Höfner Trapeze nickel tailpiece
Höfner control plate with gold top pots
Ebony bridge
Machine heads: Strip nickel
Colour: Authentic "'63 Style" Sunburst
Includes case, strap, artwork by Klaus Vormann, booklet and Anniversary Limited Edition certificate

The H2 1dB Mic / Line Preamplifiers by CAPI and Heider.

After nearly 10 years of existence, the modern classic Heider® FD312 has gotten a rework.
We are pleased to present the Heider® FD312 H2 1dB Version.

Besides the immediately apparent monochrome front panel and controls, here are the main differences:
• A custom exclusive CAPI version of the RE-0887 input transformer
• A pair of exclusive Litz wire 2503 output transformers
• A pair of our potted CA-0252 discrete opamps
• The impedance load switch was moved to the PCB and its front panel position replaced with a crowd favorite 80Hz High Pass Filter
• The impedance load switch is default set to 450 ohms and does not affect level in Line mode
• Phantom power is defeated when Line mode is selected

Sonically all of the changes add up to capturing a more 3D space surrounding the microphone. It appears more clear than the OG version while also sounding more analog. Bigger, deeper, sweeter.

To enhance this special preamp circuit even further, we chose to employ a stepped 'fader' and active booster stage, very reminiscent of our popular 2-stage VP28 preamp.
This is essentially the same booster circuit that was used in the early to mid '70's vintage API consoles.
In remaining true to the Heider® circuit, all AC coupling capacitors have been removed from the audio path.
We don't think coupling caps are evil, they are just not needed in this particular circuit. This fader booster stage has 12dB of gain 'in hand', exactly like a real console.
This allows for many different gain combinations. You can crank the fader and reduce the preamp gain or in contrast, attenuate the 2nd stage and crank the preamp gain for some sweet, additional harmonic content.

The original Heider/DeMedio preamp cards used stock AP2503 output transformers.
With the desire to have something unique, we are using our 2503-Litz wire outputs. The very same that we use in our Platinum line of preamps.

In trying to be loyal to the console signal path, both gain stages have a 2503-Litz output transformer.
The first or preamp stage output transformer provides +6dB of gain, blocks DC from the stepped fader and imparts a little more character into the overall circuit, as compared to a 'direct' output.

The operational amplifiers are the pure heart of any preamp like the Heider® H2.
We naturally wanted to stay as close as possible to the discrete Studio Systems opamps from the early '70's.
In a current commercially available product, we strongly believe that our potted CA-0252 opamps are the closest thing alive.

Each and every Heider® FD312 H2 is hand assembled, burned in and tested at CAPI headquarters in Nashville Tennessee.

Features:

• In MIC mode, the stepped PREAMP GAIN ranges from +25dB to +60dB, with an input impedance of 450 ohms.
• In LINE mode (MIC pushbutton out or disengaged), the stepped PREAMP GAIN ranges from -14dB to +21dB, with an input impedance of 9K ohms.
• Sliding the PCB mount Input Z switch to '200' when in MIC mode will decrease the gain by 3dB while decreasing the input impedance to 200 ohms.
• Since the upper ten PREAMP GAIN steps are also in 3dB increments, this allows for many creative tonal combinations.
• The PAD pushbutton equates to 16dB of attenuation in either MIC or LINE mode. With the PAD pushbutton engaged while in MIC mode, the input impedance is 800 ohms.
• The stepped CHANNEL FADER switch and 2nd stage booster amp provide a range of -16dB to +12dB in addition to the above-mentioned preamp gain ranges.
• This equates to a maximum gain of 72dB when in MIC mode with the Input Z switch set to '450' and 69dB when in MIC mode with the Input Z switch set to '200'.
• Accurate metering of the final output signal is achieved using LM339 quad comparators in a 'console' style configuration.
• Physically and electronically fully VPR compliant with current draw less than 101mA per rail (under typical operating conditions)

The Mosrite Mark I from 1971 by Semie Moseley.

Specs:

• Sunburst Finish
• Body Type Solid alder, offset double-cutaway
• Neck Bolt-on maple neck
• Fingerboard Bound Rosewood • Scale Length Approximately 24.5″ (Gibson-style)
• Frets 22-fret board
• Pickups Two single-coil pickups (70s versions may feature "air coil" design)
• Bridge & Tremolo Roller bridge with Mosley-style vibrato tailpiece
• Controls One volume, one tone, and a 3-position selector switch
• Scale & Nut Width Slightly wider neck than 60s models (about 1.625″ at the nut)
• Finish Options Sunburst, Cherryburst, Black, Natural, Walnut, Metallic colors available
• Hardware Chrome hardware; later 70s instruments sometimes used generic plastic knobs and Japanese pots
• Weighs 8.6 lbs.

The MF-4 Fuzz by Fuzzlord Effects. The MF-4 is a brutal reimagining of the legendary Green Russian and NYC Big Muff circuits refined, expanded, and weaponized for modern tone seekers. This isn’t just a clone. It’s a battle-hardened evolution of one of the most iconic fuzz circuits ever unleashed on the world of heavy music.

The MF-4 delivers crushing sustain and raw aggression without sacrificing clarity.
It’s voiced to retain tight low-end and punch through the mix perfect for doom, sludge, stoner rock, and the heaviest of sonic battlegrounds.

Unlike traditional Muff-style pedals that scoop your mids into oblivion, the MF-4 introduces an expanded MID control that lets you command your tone with surgical precision.
Sweep from classic mid-scooped filth to full-throated roar and everything in between. The result? A fuzz that adapts to your rig, your genre, and your intent without compromise.

Controls:

• LEVEL: Command the overall output volume
• GAIN: From subtle crunch to full-blown fuzz, the MF-4 offers a spectrum of gain
• TONE: Explore bass-heavy tones or dial in treble brilliance
• MID: Sculpt your midrange adjusting the amount of mid scoop and frequencies covered

Specs:

• Power: Use a 9v center negative 2.1mm isolated power supply
• Dimensions: Compact and pedalboard-friendly at 120 x 94 x 42.5 mm
• Switching: Seamless transitions with true bypass soft switching
• Current Draw: 45mA

The Kurt’s Cologne Chorus by PastFx.

The PastFx Kurt's Cologne is based upon the classic chorus circuit associated with the 90's Grunge sound.

Features:

• True Bypass
• Uses Panasonic MN3007 BBD
• Stereo Outputs
• Mix control (Reduces the amout of modulated signal)
• Level control - controls volume on both stereo outputs.
• Internal Balance trimpot - allows stereo output volume adjustments.
• Depth Rotary switch - unique 8 way switch for precise chorus depth selection.
• Position 3 = low slide switch position
• Position 8 = high slide switch position
• Rate control with corresponding red LFO LED providing a visual indicator of modulation speed.
• White pushbutton phase switch. This switch allows the phase of the second output to be reversed.
• When engaged the Red "effect on" LED with change to blue.
• Low and Hi cut pushbuttons. These subtle mods allow reduction in selected frequencies from the wet modulated signal.
• Unique 3 way Decade switch, allows selection between 3 different versions of the classic chorus of which it is based.
• Operates off 9-18VDC and does not have any internal voltage doubler circuit. This help keep floor noise to a minimum.
• Please only use high quality 9-18VDC regulated power supply with 2.1mm Boss style Negative tip.
• Cheap switchmode power supplies, will guarantee noise issues and performance issues
• Current draw 50 mA

The PX65 Stereo Chorus by PastFx.

The PastFx Stereo Chorus PX65 is a faithful reincarnation of the beloved DOD FX65 Stereo Chorus.
Which is rumoured to have been used by John Frusciante of the Red Hot Chili Peppers during the Blood Sugar Sex Magic album era.
It also includes extra features and tonal options allowing more possibilities from this classic circuit.

Features:

• True Bypass / stereo outputs
• Speed, Delay Time, & Depth controls now all have increased ranges.
• The Modulation rate can now produce a significantly slower speed.
• A red LFO LED indicator for visual speed display has been included.
• The Delay Time control can also access shorter and longer delay times than of all the DOD FX65 and FX62 models.
• The Depth control can also access more extreme “seasick” modulation intensities.
• The original FX65 and FX62 (Bass Model) were usually populated on the same FX65 PCB.
• Included 2 internal slide micro switches that enable switching between either the FX62 or FX65 circuits. (selecting any combination of slide switches will not damage the pedal)
• Feedback from some FX62 users, expressed the desire to have a volume control as some felt the effect was not always at unity with their bypass signal.
• A Level control has been added to solve this issue.
• The Stock core level can still be achieved by turning the Level knob fully CCW.
• This becomes necessary when engaging the Vibrato mode.
• A Blend control has also been included.
• This limits the amount of Wet / Modulated signal that combines with the dry signal.
• Again the stock circuit can simply be achieved by turning the Blend knob fully CW.
• Sometimes the reduction of the wet signal can produce a slightly perceived volume drop. The Level control can compensate for this, bringing the chorus signal back to unity gain.
• Also not included in the original is a Vibrato feature.
• A pushbutton Vibrato switch can cut the dry signal to create this effect.
• When engaged, the lower red on/off led indicator will change to blue indicating this mode.
• The Blend knob will need to be fully CW in this setting.
In this mode the Level control will need to be adjusted to return the lower signal level to unity gain.
• The pedal now runs of the standard 9V DC (Maximum 12VDC) Neg tip “Boss style” power supply jack.
• The uncommon DOD style powering connector is no longer needed.
• Lastly, thanks to observing the creativity of how Andy Martin (Andy Demos) uses his Modded DODFX65, we have included the Dave / Andy switch.
• Dave Mode (Named after the great Dave Simpson) is the default Dod FX65 setting.
• Switching to “Andy” mode, the pedal can now access the stereo output “out of phase” tones without having to swap cables between the mono and stereo output jacks.
• A new Regen push button option has also been added. This feature of introducing a small amount of feedback (similar to a flanger circuit) allows a more intense “Andy” mode.
• The level of feedback can be adjusted via an internal trimpot (located on the middle RHS ofthe PCB) .
• Increasing the level control can magnify the amount of feedback, thereforeadjusting both to obtain the desired amount is required.
• The Regen function is only availablein “Andy” mode! When in this mode the top red led will alternate flashing blue.
• When in this mode, faux “Through-Zero Flanging” tones can be achieved when turning the Speed control to very slow and having the delay time control between 0-25%
• Faithful Dod Fx65 circuit with larger range of speed, delay time & depth.
• Includes a Red LFO led for speed visual indication.
• Level control allows to boost signal in Vibrato mode ( stock FX65 CCW).

Blend knob to dial back the wet signal. • Dry Cut / Vibrato switch
• Blue LED = Vibrato mode
• Red LED = Chorus mode

Andy / Dave switch for stock BSSM / Dod Fx65 tones or phase inverted Faux TZF Andy tones.
• Internal micro switches to convert to FX62 Bass circuit
• Stereo outputs • True bypass
• Stereo Outputs
• Operates of standard 9V DC neg tip. (Can operate at 12VDC Max) Current draw approx 10mA.
• Panasonic / Matsushita Clock & BBD chipset- MN3101 / MN3007

The Rampage Distortion Pedal by Rocktron.

The Rampage is specifically designed for the players who want grungy/raunchy/ultra-high gain with endless sustain and very little noise.
What makes the Rampage so brutally offending is its special "Scoop" control.
The Scoop allows a mid cut of up to 30dB, making any amp scream beyond its capacity.
The Bass control adjusts the low frequency levels (+/- 15dB).
The Treble control adjusts the high frequency levels (+/15dB).
The Level control adjusts the overall volume level.
The Sustain control adjusts the level of the distortion.
Special attention was given to the Rampage to allow up to 75dB of raging gain with amazingly low noise.
Simply crank up the Sustain parameter, touch a note, and let the feedback and harmonics go!
The Rampage Distortion is housed in Rocktron s rugged extruded aluminum chassis for rough riding on road trips.
Power: Single 9 volt battery or 9V AC Adapter.

Specs:

• Model ‎Rampage Distortion
• Style Distortion
• 75 db of Gain , Ear Shattering Distortion
• Signal Format ‎Analog
• Scoop Mid Range Control
• Power Source ‎Battery Powered, Corded Electric
• Amperage 20 Milliamps
• Voltage ‎9 Volts
• Metal Chassis
• Item Weight 0.7 Kilograms
• Dimensions ‎27.31 x 7.62 x 16.51 cm

The Rampage Distortion Pedal by Rocktron.

The Rampage is specifically designed for the players who want grungy/raunchy/ultra-high gain with endless sustain and very little noise.
What makes the Rampage so brutally offending is its special "Scoop" control.
The Scoop allows a mid cut of up to 30dB, making any amp scream beyond its capacity.
The Bass control adjusts the low frequency levels (+/- 15dB).
The Treble control adjusts the high frequency levels (+/15dB).
The Level control adjusts the overall volume level.
The Sustain control adjusts the level of the distortion.
Special attention was given to the Rampage to allow up to 75dB of raging gain with amazingly low noise.
Simply crank up the Sustain parameter, touch a note, and let the feedback and harmonics go!
Rugged extruded Aluminum Chassis for rough riding on road trips.
Power: Single 9 volt battery or 9V AC Adapter.

Specs:

• Model ‎Rampage Distortion
• Style Distortion
• 75 db of Gain , Ear Shattering Distortion
• Signal Format ‎Analog
• Scoop Mid Range Control
• Power Source ‎Battery Powered, Corded Electric
• Amperage 20 Milliamps
• Voltage ‎9 Volts
• Metal Chassis
• Item Weight 0.7 Kilograms
• Dimensions ‎27.31 x 7.62 x 16.51 cm

The Rampage Distortion Pedal by Rocktron.

The Rampage is specifically designed for the players who want grungy/raunchy/ultra-high gain with endless sustain and very little noise.
What makes the Rampage so brutally offending is its special "Scoop" control.
The Scoop allows a mid cut of up to 30dB, making any amp scream beyond its capacity.
The Bass control adjusts the low frequency levels (+/- 15dB).
The Treble control adjusts the high frequency levels (+/15dB).
The Level control adjusts the overall volume level.
The Sustain control adjusts the level of the distortion.
Special attention was given to the Rampage to allow up to 75dB of raging gain with amazingly low noise.
Simply crank up the Sustain parameter, touch a note, and let the feedback and harmonics go!
The Rampage Distortion is housed in Rocktron s rugged extruded aluminum chassis for rough riding on road trips.
Power: Single 9 volt battery or 9V AC Adapter.

Specs:

• Model ‎Rampage Distortion
• Style Distortion
• 75 db of Gain , Ear Shattering Distortion
• Signal Format ‎Analog
• Scoop Mid Range Control
• Power Source ‎Battery Powered, Corded Electric
• Amperage 20 Milliamps
• Voltage ‎9 Volts
• Metal Chassis
• Item Weight 0.7 Kilograms
• Dimensions ‎27.31 x 7.62 x 16.51 cm

This is the Custom SuperStrats Built by Sammy Sanchez (for Slash).

Sammy Sanchez is a renowned guitar tech and builder who crafted custom Super Strat guitars for top artists, including:
Slash (from Guns N’ Roses), with at least two Custom Super Strats made specifically for him in the early ’90s.
These instruments featured Gibson-style short scales, Floyd Rose tremolos, bolt-on necks, locking nuts, and Seymour Duncan Alnico II pickups allowing Slash to switch from his signature Les Paul easily and maintain his tone and feel for songs like "Dust N’ Bones" on Tour.
This type of “Sanchez SuperStrat” is rare, artisanal, and historically significant , tied directly to Slash and built by a Professional Guitar Technician.

Body Material: Alder body Scale Length: 24.75″ (Gibson-style short scale, matching Slash’s Les Paul feel instead of the 25.5″ common on Strats) Construction: Bolt-On Neck Pickups: Two Seymour Duncan Alnico II humbuckers – Slash’s long-time preferred pickups Bridge: Double-locking Floyd Rose tremolo system Finish: All-black look with a black headstock featuring the “Sanchez” logo in typical ’80s lettering
Tour Use: Used by Slash to play the talkbox riffs on “Dust N’ Bones” during the Use Your Illusion tour

Specs:

• Body Alder
• Neck Maple, bolt-on
• Scale Length 24.75″ (Shorter, Les Paul Style)
• Pickups 2 × Seymour Duncan Alnico II Humbuckers
• Bridge Double-Locking Floyd Rose Tremolo
• Finish All-black with Sanchez Logo on Headstock

The AC160CFTL Classic Electric-Acoustic Guitar by Cort.

The new AC160CFTL is based on the popular AC160CF but features a thinner body for added comfort as well as being ideal for live usage to reduce feedback and a brighter and more focused sound.
Premium materials along with the Fishman Presys II preamp provide a luxurious high-end look, feel and sound for the ideal amplified nylon-string sound.

Specs:

• Top Material Spruce
• Back & Sides Material Macassar Ebony
• Body Shape Thinline Classical
• Cutaway Style Venetian
• Construction Dovetail Neck Joint
• Bracing Pattern Traditional Fan Bracing
• Scale Length 25.6″ (650mm)
• Electronics Fishman® Presys II
• Pickups Fishman® Sonicore
• Binding Black
• Sound Hole 90mm
• Rosette Custom Designed Wooden
• Bridge Material Laurel
• Nut & Saddle Urea Resin
• Nut Width 2 1/16″ (52mm)
• Neck Material Mahogany
• Neck Shape U Shape
• Neck Thickness 1st Fret: 21.5mm / 8th Fret: 22.5mm
• Neck Heel Shape Triangle Heel Shape
• Truss Rod Dual Acting / 4mm Wrench
• Fingerboard Material Laurel
• Number of Frets 19 Frets
• Head Shape Cort Classic
• Tuning Machines Classical Style
• Strings Savarez® Cristal Corum
• Colors Natural Gloss (NAT)

The AC160CFTL Classic Electric-Acoustic Guitar by Cort.

The new AC160CFTL is based on the popular AC160CF but features a thinner body for added comfort as well as being ideal for live usage to reduce feedback and a brighter and more focused sound.
Premium materials along with the Fishman Presys II preamp provide a luxurious high-end look, feel and sound for the ideal amplified nylon-string sound.

Spruce Top:
Spruce provides an ideal balance between strength and flexibility, hence its overwhelming popularity as the wood of choice for tops of acoustic guitars. Spruce’s versatile sonic character makes it ideal for a variety of musical genres and playing styles.

Thinline E-Classical:
The Thinline body makes the guitar easier to hold sitting down but especially for live usage while standing up.
The thinner body also adds more brightness and focus to the sound that can be further enhanced with the guitar’s onboard preamp.

Macassar Ebony Back & Sides:
Very similar to Rosewood in both looks and sound, the Macassar Ebony produces a deep lush sound with transparent highs.
The wood’s detailed grains add a luxurious high-end look.

Specs:

• Top Material Spruce
• Back & Sides Material Macassar Ebony
• Body Shape Thinline Classical
• Cutaway Style Venetian
• Construction Dovetail Neck Joint
• Bracing Pattern Traditional Fan Bracing
• Scale Length 25.6″ (650mm)
• Electronics Fishman® Presys II
• Pickups Fishman® Sonicore
• Binding Black
• Sound Hole 90mm
• Rosette Custom Designed Wooden
• Bridge Material Laurel
• Nut & Saddle Urea Resin
• Nut Width 2 1/16″ (52mm)
• Neck Material Mahogany
• Neck Shape U Shape
• Neck Thickness 1st Fret: 21.5mm / 8th Fret: 22.5mm
• Neck Heel Shape Triangle Heel Shape
• Truss Rod Dual Acting / 4mm Wrench
• Fingerboard Material Laurel
• Number of Frets 19 Frets
• Head Shape Cort Classic
• Tuning Machines Classical Style
• Strings Savarez® Cristal Corum
• Colors Natural Gloss (NAT)

The AC160CFTL Classic Electric-Acoustic Guitar by Cort.

The new AC160CFTL is based on the popular AC160CF but features a thinner body for added comfort as well as being ideal for live usage to reduce feedback and a brighter and more focused sound.
Premium materials along with the Fishman Presys II preamp provide a luxurious high-end look, feel and sound for the ideal amplified nylon-string sound.

Specs:

• Top Material Spruce
• Back & Sides Material Macassar Ebony
• Body Shape Thinline Classical
• Cutaway Style Venetian
• Construction Dovetail Neck Joint
• Bracing Pattern Traditional Fan Bracing
• Scale Length 25.6″ (650mm)
• Electronics Fishman® Presys II
• Pickups Fishman® Sonicore
• Binding Black
• Sound Hole 90mm
• Rosette Custom Designed Wooden
• Bridge Material Laurel
• Nut & Saddle Urea Resin
• Nut Width 2 1/16″ (52mm)
• Neck Material Mahogany
• Neck Shape U Shape
• Neck Thickness 1st Fret: 21.5mm / 8th Fret: 22.5mm
• Neck Heel Shape Triangle Heel Shape
• Truss Rod Dual Acting / 4mm Wrench
• Fingerboard Material Laurel
• Number of Frets 19 Frets
• Head Shape Cort Classic
• Tuning Machines Classical Style
• Strings Savarez® Cristal Corum
• Colors Natural Gloss (NAT)