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The dp Meter by TBProAudio is a free Plug-In of a precise Digital Audio Multi-Channel Meter including RMS, EBU R 128, Dialog gated and TruePeak (intersample) measurement.

It is the successor of the very popular dpMeter4 and adds GUI resizing and preset management.

Features:

click-free 64-bit internal processing

measurement modes: RMS/EBU R128/DIAL

multi channel metering: 2-6 RMS channels, 2.0 stereo, 4.0, 4.1 and 5.1 surround

RMS: integrated, momentary, peak and true peak, Crest

EBU R128: IL, SL, ML, true pack and loudness range

DIAL (dialog gated): IL (dialog gated), SL, dialog proportion, loudness range (dialog gated), loudness range, true peak

true peak measurement based on ITU BS.1770-4

K/A/B/C/M-weighting filter

continuous/synced measurement

record metering results as automation data

large and accurate live meters

adjustable pre-gain

manual loudness/peak/TP match with given reference level

loudness offset mode

free GUI scaling

preset management

GPU and non GPU version

Systems:

Windows 32/64 bit (GPU) - 32/64 bit VST, VST3 and AAX

Windows 32/64 bit (no GPU) - 32/64 bit VST, VST3 and AAX

Mac 64 bit (Intel, Arm, GPU) - 64 bit VST, VST3, AAX and AU

Mac 64 bit (Intel, Arm, no GPU) - 64 bit VST, VST3, AAX and AU

The ANDES-BKS by Tagima is a classic dreadnought, in addition to being very comfortable, has a robust sound, with deep bass and significant sound projection, making it a perfect choice for styles such as folk, country, blues and rock.

Model: Dreadnought cutaway

Top: Spruce

Sides/Back: Agathis

Neck: Okoume - Shape C

Scale: Tech wood – C 25.5”

Easel: Purple heart

Nut: 43mm

Pickup: Piezo

EQ: Tagima TEQ-8

Colors: Natural amber satin, Black satin, Vintage sunburst, Candy apple satin, Lake placid blue satin, Metallic deep silver satin

Pickerbox: Lite ivory, Black, Pearloid white

The Perri's Black and White Roses Jacquard guitar strap provides you a comfortable, adjustable strap to showcase your personal style.

Its intricate jacquard weave and tri-glide adjustment give you a custom fit so you can move freely during performances.

Compatible with acoustic, electric and bass guitars, this strap works with any strap lock system so you can use it with your favorite guitar.

Made in Canada from high-quality, durable materials, the Perri's Black and White Roses Jacquard guitar strap is an attractive, hard-wearing strap built to meet the demands of any serious musician.

Specs:

Intricately woven jacquard ribbon strap with tri-glide adjustment

39" to 58" length for optimal fit

Compatible with acoustic, electric, bass guitars

Made in Canada premium quality

Jacquard fabric featuring a decorative and diverse pattern adds vibrancy to a sturdy guitar strap complete with nonslip leather ends for durability.

Compatible with a variety of guitars including acoustic, bass, electric. Designed to work with all strap lock systems.

Specs

2" width

39" to 58" adjustable length

The Artisan by Kingsley Amplifiers is a hand wired valve (tube) overdrive and fuzz pedal using a 12ax7 tube pushed by a JFET transistor.

The Artisan is powered by a traditional 9VDC power supply, which is stepped up inside the pedal to around 237VDC for the tube plates.

The Tone circuit is pre-drive and features a tone control and a 9-position rotary switch that selects 9 different tone capacitor values.

This allows for a huge range of tonal responses, from very warm and fat though squarky midrange to bright and cutting.

The input impedance control (labeled Input Z) varies the input impedance from 10K ohms up to 1M ohms.

This control also functions as a high pass filter as it is rotated counter-clockwise, making it an effective bass control.

The combination of the Tone pot, 9-way Tone capacitor selector switch and Input Z control allows the circuit to interact directly with your guitar's pickups and alter the guitar's resonant frequency in subtle or dramatic ways.

This enables a huge array of tonal responses and also allows the crcuit to be dialed in to significantly increase your guitar's clean up ability.

The Bias pot sets the operating point of the tube's 2nd gain stage and can be set anywhere from hot biased to cold biased for spitty, gated fuzz sounds.

The Gain control in standard mode goes from mild to medium gain. Stepping on the "More" footswitch adds a preset amound of gain for a higher gain tone.

This feature is also remote selectable via the ring connection of the TRS output jack.

Note that the Artisan wants to be first in line to function properly.

The whole circuit is all about how it interacts directly with your guitar's electronics.

Placing another pedal that is turned on or a buffer before the Artisan will ruin this interaction and the resultant sounds will be rather bright and harsh.

Other true bypass pedals can still be placed before the Artisan as long as they are turned off when the Artisan is selected.

Note that this is also the case with many other fuzz pedals and treble boosters.

Measurements: 3 7/8” wide x 4 ¾” deep x 2.56" tall

Power requirements: 9VDC @ 500mA, center negative, 2.1mm jack

Weight: 1.27 lbs (575g)

The Broadcast AP-II by Hudson Electronics.

The Broadcast AP-II is a dual preamplifier pedal designed in conjunction with guitarist, Ariel Posen.

It features two independent, differently-voiced preamplifier circuits which each add their own subtle colour.

The first is fitted with a silicon transistor and transformer, bringing the smooth, darker tone of the original Broadcast-AP.

The second removes the transformer and replaces the silicon with a germanium transistor, resulting in a brighter, more aggressive tone.

Each circuit has a large gain range, and cascading one into the other provides further sonic options, from subtle boosts through to heavily-distorted sounds.

SILICON PREAMPLIFIER

DRIVE – Controls the gain of the silicon preamplifier section.

LEVEL – Controls the output level of the silicon preamplifier section.

GERMANIUM PREAMPLIFIER

DRIVE – Controls the gain of the germanium preamplifier section.

LEVEL – Controls the output level of the germanium preamplifier section.

SEND / RETURN LOOP

The Broadcast AP-II features a send / return loop between the two sections, enabling other pedals to be added between the preamplifiers or for each preamplifier to be placed at a different point in the pedal chain.

SEND – Sends out the signal from the silicon section to another pedal; this can also be thought of as the output of the silicon section.

RETURN – Receives the signal back into the pedal; this can also be thought of as the input of the germanium section.

If nothing is plugged into the SEND or RETURN jacks, the signal is internally routed from the silicon section into the germanium section.

Plugging into either the SEND or RETURN jack (or both simultaneously) breaks this connection.

INTERNAL TRIM POTENTIOMETERS

The Broadcast AP-II also has four trim potentiometers located inside the pedal, these set the gain and low frequency content of each preamplifier circuit.

Details on how these can be adjusted can be found here.

POWER SUPPLY NOT INCLUDED

POWER SUPPLY REQUIREMENTS The pedal requires a DC power supply unit (PSU) – please ensure the PSU’s output voltage is between 9VDC and 24VDC, regulated with a 2.1mm negative centre barrel plug.

Any other type may damage your pedal. If you plan on sharing the same PSU with other pedals, it is recommended to use a PSU with isolated outputs.

MANUAL

WEIGHT & DIMENSIONS

Weight – 450g

Dimensions – 120x100x60mm (including knobs and jacks)

Boxed Weight – 550g

Boxed Dimensions 155x110x70mm

The 8180 Monster Tube Guitar Amplifier by Nembrini Audio is an Plug-In of an High Gain Amplifier based on the Peavey 5150.

Two channels with independent controls for volume and gain, low, mid and high shared equalizer controls and exclusive power amp resonance and presence controls.

Rhythm channel: you can achieve from crystal clean tones to powerful crunch sounds.

Lead channel: ready for harmonic-rich rock tones and super screaming metal drive sounds.

Power Amp Tube: select 6L6 or EL34 tube.

The Performer by Maton is a slim bodied 808 Acounstic Guitar with a soft Cutaway and AP5 PRO Pick-Up System.

Series Name: The Performer

Product Code: PERFORMER

Body Shape: Performer

Face: Bunya

Back And Sides: Solid Queensland Maple

Soundhole Diameter: 95mm

Neck: Queensland Maple

Fingerboard And Bridge: Streaky Ebony

Bracing: Scalloped Maton X

Face Inlay Rosette: Mosiac

Binding: Ivory

Scale Length: 64.77cm (25.5")

Headstock Veneer: Blackwood

Fretwire: Dunlop 6260

Number Of Frets: 21

Fretboard Radius: 304.8mm (12")

Nut Width: 44.1mm (1.736" - 1 47/64")

14th Fret Width: Width 55mm (2.165" - 2 11/64")

Fingerboard Inlays: 6mm Pearl Dots

Back And Sides Finish: Satin/Natural

Top Finish: Satin/Natural

Bridge Pins: Ivory ABS

Machine Heads: Chrome Grover Rotomatic

Pickguard: Black with Gold "M"

End Pin Strap: Chrome

Nut And Saddle: Bone

Guitar Case: Standard Hardcase

Pickup: AP5 PRO

Strings: Elixir Nanoweb Phosphor Bronze 12-53

The EF-P3 Chorus and Vibrato by Echo Fix, Australia is an analog BBD Chorus pedal with a rich and extended feature set.

Designed to be the ultimate chorus pedal, each control has been extended in range for sonic flexibility.

From subtle pitch glides to fast Leslie-style wobbles, the wide range of controls makes this pedal extremely versatile and creative.

Versatile pedal with an extended range of functions for subtle pitch glides to fast, Leslie-like wobbles.

Controls: Rate, Resonance, Waveshape, Depth.

Footswitch: Effect Bypass.

LED: Effect On, Direct On, Rate, Overload.

Input and Output: 6.3 mm jack.

Current consumption: 200 mA.

Power supply via 9 V DC power adapter (2.1 x 5.5 mm barrel plug, negative terminal inside). Suitable power supply: Art. No. 409939 (not included).

Dimensions (W x D x H): 100 x 130 x 60 mm.

Made in Australia.

The Dual Range Fuzz by Cunningham Amplifiers is hand crafted effect pedal based on our MK 1.6 Fuzz circuit, made in New Zealand.

The Dual Range Fuzz takes performance to a new level by adding an additional boosted fuzz mode that can be fine-tuned for extra gain and volume.

All transistors are high quality NOS devices, hand selected and tested in each circuit.

The controls are simple but highly effective - 'Attack' dials up the fuzz and 'Level' sets the overall output of the effect, which ranges from soft to sonic destruction.

The Boost controls interact with the standard Attack and Level controls to provide an extremely diverse palette of tones, ranging from boosted cleans to searing fuzzed out mayhem.

You can set the pedal up to create two quite distinct tones or maybe add just a touch of extra grunt to your rhythm tone for cranking out a lead.

The Dual Range Fuzz is designed to provide a high level of output when desired and is capable of a significant volume boost - this fuzz will not disappear in the mix when engaged.

There's also a little Boost Low Cut switch which shaves off bottom end when in Boost mode and the Gain is fully cranked. Switch in the up position gives you full range fuzz, switched in the down position reduces bass response to give you extra cut in the mix.

Raising the level also hits the input of your amp harder and interacts with tube preamp stages to produce beautiful overtones and a wide range of overdrive and distortion tones through to raging fuzz. Subtle changes in pick attack and tweaks to your guitar's volume and tone controls offer up unlimited avenues for expression.

Note: Germanium version has a +ve ground and must be used with the battery or an isolated power supply. You cannot daisy chain power with other pedals.

Most modern power supplies with individual outlets will work fine.

The circuit is built upon a custom-made board with the highest quality components and an obsessive attention to detail.

The Dual Range Fuzz is both battery powered and includes a DC power socket (standard centre negative, 2.1mm plug).

The battery is disconnected from the circuit when DC plug inserted so you can leave hooked up on your board.

Each Pedal is built by hand, one at a time, and individually voiced to optimize its specially selected pair of transistors.

This means no two pedals are exactly the same - they all have unique attributes and components are chosen to enhance the sonic qualities of each circuit.

​All pedals come complete with a custom carry bag, signed and numbered certificate of authenticity and instruction card.

Specs:

NOS Germanium Transistors

Premium quality components throughout

Custom carry bag (included)

Certificate of Authenticity (included)

Instruction Card (included)

Handmade in New Zealand

The Peasant by Kingsley Amplifiers is a valve (tube) boost with a variable input impedance control.

At higher input impedance settings it makes a relatively un-coloured and full range boost. If the Peasant is first in line, as the input impedance control is lowered the resonant peak of the guitar's pickups is lowered. The result is reduced low end and top end, effectively producing an upper midrange boost. This effect is similar to that produced by the well known Dallas Rangemaster treble booster circuit.

As well as providing an excellent means for pushing and focusing the frquency response of an overdriven valve amplifier, at lower input impedance settings the Peasant improves the guitar's ability to clean up as it's volume control is turned down.

If the Peasant is placed after a buffered bypass pedal or after any effect that is turned on, it then acts as a simple boost pedal. In this case it does not interact in the same way with the guitar's pickups. Rather, the variable input impedance control simply acts as a fatness control, allowing the user to dial in the exact amount of bass/fullness, from very thin to full bass response.

The top end response is not changed.

Note that in this scenario the Peasant does not change the guitar's clean-up ability, regardless of the variable input impedance setting.

Specs:

With controls for Volume and Input Z (impedance), the Peasant is extremely simple to operate.

The Volume sets the amount of boost and the input Z sets the input impedance. As the Z control is rotated counter clockwise the impedance is lowered, from approximately 1M at max setting down to a minimum of 10K ohms.

Measurements: 3 1/4" wide x 4" deep x 2.56" tall

Power requirements: 9VDC @ 500mA, center negative, 2.1mm jack

The Bit Reactor by RPS Effects USA is a hardware bit crusher and downsampler.

It has no program or CPU, it digitizes without software. It takes whatever signal you give it and crunches it up into digital atoms.

We live in an analog world, but most of the media that we encounter today is digital: an attempt to reproduce real-world signals with a stream of 1s and 0s.

​In the realm of modern electronics there’s plenty enough processing power to create a crystal-clear digital copy of pretty much any analog signal.

The Bit Reactor, on the other hand, explores what can happen when we take all that processing power and throw it out the window.

Think of an old Atari or NES in all its 8-bit glory and you’ll start to get the idea.

​The 8 LEDs surrounding the CRUSH knob each represent a bit; as the knob is turned clockwise, more bits (and LEDs) are activated.

Reduce the bits to get anything from a fairly subtle to a super-clipped square wave distortion.

Think the glitchy, gated kind of sound from an extreme fuzz and you won't be far off.

​Meanwhile, the SAMPLE control provides even more sonic mayhem, reducing the sampling rate enough to give an audiophile nightmares for weeks.

The control of this knob can also be taken over by an expression pedal for hands-free lo-fi bliss.

Technical Specs:

Bit depth -------------------------> 1 – 8 bit

Sampling frequency ----------------> 800 Hz – 20 kHz

Input impedance -------------------> 1MΩ

Output impedance ------------------> 1kΩ

Power supply ----------------------> 9VDC, 2.1mm tip negative, 60mA

Switch -----------------------> Soft-click true bypass

Dimensions -----------------------> 112x60x53mm (4.4x2.3x2.1")

Ozone 5 Advanced by iZotope is a complete mastering system presented in a single integrated plug-in interface, and includes eight essential mastering tools.

These include a maximizer, equalizer, multi-band dynamics, multi-band stereo imaging, post equalizer, multi-band harmonic exciter, reverb, and dithering.

The advanced version extends the standard version for greater flexibility, precision, and control.

The process of mastering ranges from correcting mistakes made in the mix, to preparing a recording for targeted listening environments. To that end, every module has been updated with refined signal processing algorithms to deliver a high level of mastering quality. Ozone 5 Advanced adds six additional component plug-ins, extended features in every module, and an entire suite of configurable meters.

The user interface has been redesigned to make it even easier to dial in the required sound. New users can get started right away and experienced Ozone users will feel right at home. A broad variety of updated metering tools provide visualizations as to how individual mix elements fit together, guiding both the eyes and ears to the perfect-sounding master.

Component Plug-Ins

Equalizer component plug-in

Maximizer component plug-in

Dynamics component plug-in

Reverb component plug-in

Stereo Imaging component plug-in

Exciter component plug-in

Meter Bridge

Spectrogram

Unlike typical "waterfall" plots, Ozone's real-time 3D spectrogram creates a detailed topographical map of audio using the software's high-resolution spectrogram capabilities

Choose between high-resolution and real-time 2D or 3D scrolling spectrogram plots

Perform detailed inspections with Freeze and Zoom modes

Easily examine Gain values by frequency with a convenient mouse pointer readout

Takes advantage of video card graphics processing for full-screen 3-dimensional metering, leaving more processing power for the audio

Meter Taps

Feed information on multiple audio streams to the Spectrogram via Meter Tap plug-ins

With Ozone on the master bus, add Meter Tap plug-ins to individual tracks or buses, then open the Meter Bridge to see how mix elements combine in rich Spectrogram detail, all in real-time

Use overlay, tile, or stack views to compare different Meter Tap streams and see their relationships, then bring different audio streams into focus to see how each fits in the mix

Tailor the display with customizable colors

Vectorscopes

The Meter Bridge's Advanced's resizable and undocked Vectorscope provides useful display options for examining the stereo image of a mix

Lissajous and Polar modes provide multiple visualizations of stereo field activity and activity history

Stereo Balance meters illustrate the balance between Left and Right channels

Correlation meters indicate the degree of similarity between Left and Right channels

Quickly diagnose mono and/or phase compatibility issues

Spectrum Analyzer

Includes a completely resizable (including full-screen) real-time spectrum analyzer

Variable zoom by both time and frequency

Mid/Side, Left/Right, Linear, octave band options, and more

Completely independent settings from Ozone's EQ spectrum display

Spectrum True Fill shows an accurate overview of high frequency information

Loudness Meters

Options include K-System, BS.1770-2, True Peak, and RMS

BS.1770-2 metering is compliant with recommendations by the International Telecommunication Union (ITU-R BS.1770-2) and the European Broadcasting

Union (EBU R128) for determining subjective program loudness and true-peak signal level

EQ

Analog-matched frequency response for all filter types

Vintage Low and High Shelf filters with variable "Cut" control

Extra-steep "brickwall" analog Low- and High-Pass filters

Flat Low- and High-Pass filters with variable slope

New Snapshots panel with easier EQ snapshot workflow

Improved, simplified Matching EQ feature

Mini Info Panel for easy access to active EQ band's settings

Ability to zoom by time and frequency for precise equalization

Separate EQ settings for left/right channels

Second Post EQ in signal chain for post-dynamics/exciter shaping

Zoomable spectrum in EQ

New Spectrum options including Left/Right and Mid/Side modes

Phase Response, Phase Delay and Group Delay plots

Analog filter shapes in Digital EQ mode (linear and mixed phase)

Mixed-Phase EQ - vary between minimum, linear and maximum phase per band

Maximizer

IRC III Limiting mode - new psychoacoustic algorithm with transient preservation

Gain Reduction Trace view - shows gain reduction over time

Spectrum view

Stereo Link - allows variance between fully independent left/right limiting and linked limiting

Transient Recovery - introduces transient shaping to preserve sharp attacks

Dither

Additional Dither noise-shaping curves

Dither Shape view

Exciter

Improved sound quality in all Exciter modes

Natural-sounding Peak Saturation - adds harmonics without drastic gain changes

Post-Saturation High Shelf filter - for additional harmonic shaping

Saturation Spectrum display - shows excitation by frequency

Refined Tube, Tape, Retro, and Warm algorithms

Oversampling mode prevents aliasing

Circuit-modeled Triode and Dual Triode Exciter modes

Stereo Imaging

New Vectorscope modes - Polar Level, Polar Sample

Anti-phase prevention

Stereo Width Spectrum view

Correlation Trace view shows mono-compatibility over time

Stereo Balance meter

Phase Rotation allows phase fine-tuning to optimize asymmetrical waveforms' loudness

Stereoize mode - natural sounding, mono-compatible widening for narrow/mono sources

Dynamics

Greatly-improved workflow includes always-visible Attack and Release controls

All Bands mode shows most crucial controls for every band in one view

Gain Reduction Trace shows dynamics characteristics superimposed on waveform

Interactive Threshold provides intuitive control over all dynamics stages

Improved Gain Reduction meter with input/output and overlaid histogram options

Hard/Soft Knee selection

New upward compression boosts levels as they fall below the threshold

Limiter Boost pushes up threshold-crossing levels when Limiter ratio is set to the left

Variable Knee control for each Dynamics stage and each band

True Envelope detection algorithm - flat frequency response and low distortion

Detection circuit High Pass filter with variable slope and frequency

"Tilt" mode (similar in style to the "API Thrust" detection circuit filter)

Reverb

New Modeled Reverb algorithm provides realistic early reflections with smooth decay

Improved Plate and Room modes and new Hall mode

3 additional modeled spaces - Theater, Cathedral and Arena

Independent control over early reflections

Cross-mix control for more control over stereo image

Presets and Routing

All Global Presets updated to take advantage of new DSP and features

Many new genre-specific presets added to Global Presets

Improved Amount controls make adjusting presets simple

Module Presets - each mastering module has dedicated preset saving and loading

Over 80 new Module Presets included

Select independent or shared crossovers for multiband modules

Move Module Presets between Ozone Advanced and Ozone Advanced components

Other Features Sound, Workflow, Visual Feedback

Analog-modeled processing combined with linear phase precision

Flexible sonic capabilities for adding realistic warmth, bite, punch, and space to a mix

New IRC III Limiter for louder, fuller masters that preserve crisp transient detail

Fully-revamped hybrid Reverb module

Comprehensive preset manager with over 250 professionally-designed presets

Per-module presets and intelligent module Amount Controls

User-definable signal routing and extensive automation support

Individual plug-ins for inserting any of Ozone Advanced modules as independent plug-ins in your host - EQ, Maximizer, Dynamics, Stereo Imaging, Harmonic Exciter, and Reverb

Additional controls in nearly every module for greater flexibility and precision

Each processing module is complemented with useful spectrums, phase meters, vectorscopes and level histograms

High-resolution real-time 2D and 3D Spectrogram plots and a real-time, resizable Spectrum Analyzer

Optimized for today's low-latency DAW environments

The VHS (Virtual Headphones System) by HoRNet Plugins is a Headphone correction Plug-In for improved mixes. With a Database of over 280 Headphone Models and

requency response correction for more than 280 headphones models

Graphic display of correction EQ applied

Room simulation with physically modeled reflections

Frequency response of speakers changes depending on their position

Listener position adjustable in room simulation

Speakers position adjustable in room simulation

Simulation of different speakers in the virtual studio

Vector user interface which is sharp on every resolution

Support for light and dark mode on both windows and mac

Apple Silicon native support

macOS (10.13 and later) and Windows (Windows 10 and later) support.

64-bit on Mac and Windows.

Audio Units, VST, VST3 and AAX format.

The VHS (Virtual Headphones System) by HoRNet Plugins is a Headphone correction Plug-In for improved mixes. With a Database of over 280 Headphone Models and a new Room Simulator added.

requency response correction for more than 280 headphones models

Graphic display of correction EQ applied

Room simulation with physically modeled reflections

Frequency response of speakers changes depending on their position

Listener position adjustable in room simulation

Speakers position adjustable in room simulation

Simulation of different speakers in the virtual studio

Vector user interface which is sharp on every resolution

Support for light and dark mode on both windows and mac

Apple Silicon native support

macOS (10.13 and later) and Windows (Windows 10 and later) support.

64-bit on Mac and Windows.

Audio Units, VST, VST3 and AAX format.

The VHS (Virtual Headphones System) by HoRNet Plugins is a Headphone correction Plug-In for improved mixes. With a Database of over 280 Headphone Models and

requency response correction for more than 280 headphones models

Graphic display of correction EQ applied

Room simulation with physically modeled reflections

Frequency response of speakers changes depending on their position

Listener position adjustable in room simulation

Speakers position adjustable in room simulation

Simulation of different speakers in the virtual studio

Vector user interface which is sharp on every resolution

Support for light and dark mode on both windows and mac

Apple Silicon native support

macOS (10.13 and later) and Windows (Windows 10 and later) support.

64-bit on Mac and Windows.

Audio Units, VST, VST3 and AAX format.

The Cali Reverb Modern High Gain Guitar Amplifier by Nembrini Audio is a modeled on Mesa Boogie Rectoverb* 50 watt head Plug-In.

Two completely independent channels with separate controls:

Channel 1 with 2 modes: Clean for tight and sparkling clear tones and Pushed for spicy mid-gain flavour.

Channel 2 with classics recto modes: Raw for crunch and blues tones, Vintage for liquid and warmth high-gain sounds and Modern for heaviest and super aggressive sounds.

FILTERS

Tight : reduces low frequency content tightening the low range Rumbling: reduces the low-frequency content Harsh: reduces the high-frequency content

NOISE GATE

Threshold: defines the level where the gate is activated Range: selects the quantity of noise reduction Gate : Adjust the gate speed

CABINETS

With Cali Reverb Modern High Gain Amplifier is possible to choose between eight different guitar cabinets, four microphone emulations with on/off axis position switch, continuous position and distance knobs.

A complete Mixer section with Solos, Mutes, Pans and Faders allows you to blend together the two microphones with the ambience. IMPULSES RESPONSE LOADER

Impulse Loader lets you load up to three third-party impulse responses that you can even blend together using volume, pan, phase, solo and mute controls.

A useful browser window has been added so you can easily search through all your third-party IR files.

Plugin Formats: A VST2, VST3, AAX or AudioUnits compatible host

Systems: An Intel compatible or Apple Silicon CPU 1GB RAM, Mac OS 10.13 or newer, Windows 7 or newer, 64-bit DAW

The 5-Piece Junior Drum Set by Pulse.

Configuration

Bass drum(s): 16" x 12"

Tom(s): 8" x 5", 10" x 6"

Floor tom(s): 13" x 10"

Snare: 12" x 4"

Total pieces: 5

Extras

Cymbals: Yes

Total cymbals: 2

Hardware: Yes

Bass pedal(s): Yes

Hi-hat stand: Yes

Boom stand(s): Not applicable

Straight stand(s): Yes

Throne: Yes

Hardware pieces: 4

Shells

Shell material: Info not available

Construction: Multi-ply

Thickness (mm): Info not available

Bearing edge: Info not available

Drum Hardware

Material: Steel

Mounts: Traditional

Hoops: Info not available

Lugs: Standard

Other

Heads: Factory

Finish type: Wrap

Origin country: China

The SG by Takeharu made in Japan (MIJ) about 1970.

SG Style

24 Frets

HH

2 Volume , 2 Tone Knobs , 3-Way Troggel Switch, Another Switch

Made in Japan

The SG by Takeharu made in Japan (MIJ) about 1970.

SG Style

24 Frets

HH

2 Volume , 2 Tone Knobs , 3-Way Troggel Switch, Another Switch

Fixed Brass Bridge

Made in Japan