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USB Audio Interface with 1x XLR/TRS 1x 1/4" 2X RCA USB, Red Brand RSGRHAI Compatible devices Personal Computer Supported software Avid Pro Tools, Ableton Live, Steinberg Cubase Connectivity technology USB Number of channels 2 USB audio interface for recording microphones and instruments .Streams 2 inputs / 2 outputs with ultra-low latency to your computer, Professional audio quality. Maximum sampling rate: 48 kHz 16BIT Support 48V capacitor MIC, gain greater than 23DB, maximum support 2VRms signal input Compatible with popular recording software, including Avid pro tools, Ableton live, Steinberg Cubase, etc. System Support Windos XP~ Windos 10, Android 6.0~12, IOS system. Please add an OTG adapter cable when using your phone or mobile device

Cubilux 5-Channel 6.35mm Headphones Splitter Box, 5-Way 1/4” Stereo Audio HUB, Multi Quarter Inch TRS Auxiliary Distributor for Guitar, Studio Monitor, Speaker, Audio System Colour Black Connector type 6.35 mm TS/TRS Brand Cubilux Compatible devices Microphone, Monitor, Amplifier, Headphone, Speaker Cable type Auxiliary About this item

[Split Audio Feed to Five Ways Output] - Equipped with 5 1/4" TS/TRS output jacks, this audio splitter distributes a single audio feed in Mono/Stereo mode to up to 5 channels, including powered speakers, amplifiers, monitors, headphones, etc., essential for live performances, studio recording or podcasting. [Superior Audio Quality] - Gold-plated 6.35 mm jacks maintain the highest sonic quality and ensure lossless audio transmission without distortion and static noise. (Please note: Due to the passive design, when connecting a couple of output please turn up the volume accordingly to achieve the ideal effect.) [Full Metal Body] - Built with aluminum alloy case for best durability and reliability. With the anti-slip silicone mat in the bottom, providing stability for using on any surface. [Compact and Portable] – Measures only 4.4"×1.5"×0.9", the audio splitter is very compact and easy to carry. [12-Month Warranty] - It's provided 12-month warranty with hassle-free refund or a free replacement offered by Cubilux.

Patchulator is the ultimate tool for quick experimental signal routing of guitar pedals, synths and more. Re-order audio effects easily Swap effects between instruments Experiment with signal flow Includes eight 6-inch patch cables (TRS) Is your pedalboard brain-dead? The Patchulator provides a tangle-free way to change the order of your effects to create new tones using little to no brainpower! With the provided mini cables, just patch signal from your guitar or bass into (and out of) each effect, then back out to your amp or mixer. Invent new and interesting sounds while your synapses are firing, simply by rearranging the sequence of effects! All your gear and cabling stays put. Oh, and any effect not patched is “truly” bypassed… Genius! Are your cables giving you a brain freeze? In the world of electronic music, the Patchulator desktop patchbay becomes a powerful nerve center for your instruments, allowing you to share and swap effects all around your setup, without needing to solve a brainteaser. Just connect your keyboards, synthesizers, samplers, drum machines (or any sound source) to a few channels, then fill the other channels with your effects’ ins and outs. Using the mini patch cables, you can then route any of the effects into and out of the signal path of any instrument, just like a real patch bay! Hmmm… what will you mastermind? In the world of modular synthesizers, the Patchulator is the brainstem between your modules and outboard gear, since it uses both standard and mini phono plugs. So if your brain tissue needs some electro-stimulation, simply inject control voltages and audio signals directly from your modular into effects units and chains. Better yet, use two Patchulators and seriously expand your cranial capacity! Whatever it is that you can brainstorm – guitar pedals and studio effects, synths and samplers, grooveboxes and drum machines, modulars and modulation signals, mixers and recording interfaces – the Patchulator allows it all to interconnect. Technical Specs. 16 x 1/4-in TRS jacks 16 x 3.5 mm TRS jacks 8 x 6-in TRS patch cables (3.5 mm) Power: None (passive) Dimensions: 5.75 in x 5.75 in x 1.5 in Weight: 16.5 oz (465 g)

The Peavey EQ-31 is a powerful 31-channel graphic equalizer with 1/3 octave resolution. Its extensive frequency range covers 20 Hz to 20 kHz (+/-1dB) and is ideal for critical sound reinforcement applications. Its low-noise ICs and wide-range faders allow for precise sound shaping, making it perfect for studio engineers and live sound professionals. 31-bands of 1/3 octave filters Dual range capability Filters are constant "Q" devices, located at standard ISO center frequencies Effective Equalizer range of 20 Hz to 20 kHz Normal operation is 12dB cut or boost Rack Mount Slim design INPUTS Unbalanced Input x2 (back) Balanced Input x1 (back) OUTPUTS Unbalanced Onput x2 (back) Balanced Onput x1 (back) MANUFACTURER Made in USA

Brand Eno Colour gray Voltage 9 Volts Amperage 20 Milliamps Audio output effects Volume, Distortion Input 6.35 mm Mono Jack 6.35 mm Mono Jack output True By-Pass Product Dimensions ‎9.1 x 3.6 x 5 cm; 140 g Item model number ‎TC-18 Signal Format ‎Analog Power Source ‎DC power supply Voltage ‎9 Volts Item Weight ‎140 g Control volume, EQ, tone

4G Bit memory space gives it 23 minutes of recording time and supports unlimited overdubbing. It is able to delete and restore the previous overdubbing.

Speed adjustment: Two-way adjustment of 1/2 and 2 times speed. Modulation adjustment: Two octaves at both negative and positive sides amount to 24 half-steps. Speed + modulation adjustment: The simultaneous adjustment of speed and modulation.

High sampling rate and high-quality recording sound. The 24 Bit 48 Hz gives finer sampling sound and stronger expressive force.

Housed in a Compact, Die-cast Box. Connectors Included Input, Output, AC Adaptor. Mighty Mini Format Allows the Pedal to Fit Comfortably on any Pedal Board.

Powered by a Standard 9 Volt Negative Tip Power Supply or Add a Daisy Chain to Run Multiple Pedals from the one Power Supply ( Adapter not Included).

Specification:

Pitch Shift: ±2 Octaves Speed: Half Speed to Double Speed. Maximum Recording Time: 23 Minutes Digital Processing: 24 bit 48khz Storage Space: 4GB Input Impedance: 1M Ohms. Output Impedance: 10K Ohms. Output Range: 2V pp Power Supply: DC 9V adapter(center negative)(not included) Size: about 9.35 * 4.2 * 5.2 CM/ 3.68 * 1.65 * 2.05 inches Item Weight: 145g / 5.1oz

The Ernie Earplugs Yam Hand is a feedback looper that is used to feed an effect pedal's output back to the input to be re-effected... and re-re-effected... etc. The design is totally passive. The pedal does not need batteries or a power adapter. All quality jacks are direct mounted to a PCB to ensure years of use (no wires to break when a nut loosens). The PCB is then stuffed into a die-cast-aluminum, powder coated enclosure. Note that you need other pedals to put in the SEND/RETURN loop to make this pedal work. This particular Ernie Earplugs Yam Hand is in excellent condition. Almost no signs of use. Does not include box or manual. Pedal only. This pedal is designed to be used with other effects, i.e distortions, flangers, delays, etc. and it's primary function is to route a pedal's output signal directly back into the input to be re-effected... and re, re, re-effected. The feedback level can be adjusted to give only slight feedbacking, adding strange harmonics and textures, or fully cranked turning most pedals into crunchy noise oscillators... It really depends on the pedal you are mangling so experimentation is a must.

The Bubbles is a Lo-Fi Delay Pedal that uses the PT2399 delay chip. So nosy, characterful delays are taken care of. But Simon pimped this sound up again. He incorporated a five-step sequencer that allows you to jump instantly between different delay time values. Five controls gives you full access to the sequencer. The sound of Bubbles ranges from classic crunchy PT2399 delay tones, rhythmic delays up to delays that got lost in delay. Then, it also offers the possibility to sync it with a 5V gate signal that expands once again the range of possible sounds. Definitely, a crazy take on a delay pedal. echnical data Width: 3.62 in Depth: 4.61 in Height: 3.15 in Circuit type: analog

The Ring Modulator by RUCCI Handmade electronic Instruments... is a passive ring modulator that blends two signals by multiplying the frequencies. The controls are simple and let you switch between the modulated signal or either of the two input signals. It is built into a tough aluminum die cast enclosure painted black. With two 1/4″ inputs and a 1/4″ output. The circuit is completely passive so it does not require power. Please note although the outcome can be quite satisfying it can also be a bit unexpected. For tamer results use a more simple waveform for one of the inputs. Also be aware the modulated output will often have less volume than the input signal.

The Tiger Music GACAPO2 Capo for Guitar in Chrome Brand Tiger Colour Chrome Material Metal Style Capo Item weight 0.01 Kilograms Suitable for almost any acoustic and electric guitar The robust and superior trigger securely fastens the capo with an angled. padded grip Lined with soft rubber to protect your guitar and fretboard With a professional chrome finish, this guitar capo will look good during any show or performance Weighing only 50g, it is easy to store and transport

Tiger Music GACAPO3 Trigger Capo for Guitar - Black Brand Tiger Colour Black Metal Material Metal Style Capo Item dimensions L x W x H 16 x 10 x 1 centimetres Improved spring mechanism for a stronger grip and a better sound Robust and durable metal design ensures long life of the capo The capo has a lightweight design to allow for easy storage and transportation Slightly curved rubber padding to suit both straight and curved fretboards Lightweight and portable design means it is easily stored and transported

The MAX line of portable speakers offers quality and volume reference in the segment of amplified speakers, total ease of use, unparalleled feature set and the most affordable price of JBL. With a simple touch on the Tone and Locate buttons you choose the best equalization among five presets and three more for the application, two inputs combined between microphone and instrument with automatic switching between microphone and line as you turn the volume knob. Play music, soundtracks, or playback tracks with Bluetooth audio streaming or relax listening to your favorite music through MP3 via USB with folder switching on a high-quality display. A uniquely shaped cabinet for pedestal applications with two range choices, monitor mode positioning or hoisted via three lifting points, a sturdy steel grille with a modern, harmonious design that supports an itinerant lifestyle.

Installations in churches, theaters , or venues that require professional sound quality with ease of use and minimal setup time. • Five Tone adjustment presets for easy sound optimization. • Three Locate presets to match the setup to the venue. Bluetooth integration enables music streaming, soundtracks, and playback. • MP3 player for hours of interference-free playback. • Frequency response with strong bass and clear treble. • Robust, lightweight design. • Two XLR/TRS combo input jacks, one P2 auxiliary input, and one XLR output for system expansion. The XLR/TRS inputs accept direct connection of microphones and musical instruments. Ergonomic handles make transport quick and easy. Dual-angle pedestal stand expands system configuration options. Automatic gain adjustment between microphone and line levels. Amplified, two-way, 12 inches , Molded polypropylene 128 dB SPL Maximum* , 65 Hz - 16.5 kHz . 55 Hz - 19 kHz , 100°(horizontal) x 60°(vertical) nominal 300 WRMS (Class D, LF) + 50 WRMS (Class AB, HF) , Audio streaming, Bluetooth version 5.0 Functions TONETOUCH and LOCATE Independent Limiters and Compressors , 2 x Combo(XLR/P10), 1 x P2, 1 x USB** , 100 kΩ , 1 x XLR , 35mm pedestal bracket , 110-127V or 220-240V selectable , T6.3AL/250V , 15.9kg (35 lb) , 629x365x355mm (24.76x14.37x13.98 inches) , 18.55kg (40.9 lb) , 690x445x445mm (27.16x17.52x17.52 inches)

Grab & Go JBL Go 3 features bold styling and rich JBL Pro Sound. With its new eye-catching edgy design, colorful fabrics and expressive details this a must-have accessory for your next outing. Your tunes will lift you up with JBL Pro Sound, it’s IP67 waterproof and dustproof so you can keep listening rain or shine, and with its integrated loop, you can carry it anywhere. Go 3 comes in completely new shades and color combinations inspired by current street fashion. JBL Go 3 looks as vivid as it sounds. JBL Go 3 Compact Portable Waterproof Speaker Short and sweet, the JBL Go 3 is the perfect compact speaker option to stick in your pockets and take out on your adventures. At just 8.8cm in height and weighing in at 0.21kg, the Go 3 won’t weigh you down and comes complete with lots of handy features such as Bluetooth 5.1, IP67 weather rating and 5-hour battery life. Handy, compact size perfect for taking on the go Bluetooth 5.1 for a fast and stable connection IP67 weather rating 5-hour battery life JBL Go 3 features bold styling and rich JBL Pro Sound. With its new eye catching edgy design, colourful fabrics and expressive details are a must-have accessory for your next outing. Your tunes will lift you up with JBL Pro Sound, it's IP67 waterproof and dustproof so you can keep listening rain or shine, and with its integrated loop, you can carry it anywhere. . Original JBL Pro Sound . JBL Pro Sound delivers surprisingly big audio and punchy bass from Go 3's ultra-compact size . 5 hours of playtime . Don't sweat the small stuff like charging your battery . Go 3 gives you up to 5 hours of playtime on a single charge . IP67 waterproof and dustproof - To the pool. To the park. JBL Go 3 is IP67 waterproof and dustproof, so you can bring your speaker anywhere . Wireless Bluetooth streaming - Wirelessly stream music from your phone, tablet, or any other Bluetooth-enabled device . Approximate package dimensions (mm) H85 W130 D45 . Package weight 0.301 kg

Ready to Rock Wherever You Go m Get to know our team of experts! The show never stops when JBL's Flip 6 Bluetooth speaker delivers the tunes. This portable party starter boasts a 2-way speaker system with a racetrack-shaped woofer for clear and pronounced lows and mids matched with a separate tweeter to handle high frequencies. Whether it's the beach, the boat, or the bathtub, the Flip 6's IP67 waterproof rating stands up to drips, drops, and splashes during use. Sweetwater's audio experts were happy to find up to 12 hours of playtime available on a single charge, ensuring the Flip 6 delivers the goods into the early morning hours. Need to kick the night into high gear? With the Flip 6's PartyBoost function, you can link another PartyBoost-compatible speaker for a complete stereo system. Pair it with the JBL Portable app, and gain access to sound-shaping features that fine-tune your Flip 6 to taste. JBL Lifestyle Flip 6 Portable Waterproof Bluetooth Speaker Features:

Portable, durable Bluetooth speaker with 2-way speaker system Racetrack-shaped woofer delivers clear lows and mids; separate tweeter for crisp highs IP67 waterproof rating makes it great for the pool or beach Up to 12 hours of use on a single charge PartyBoost function connects to an additional speaker for a stereo setup JBL Portable app updates your speaker and allows for sound tweaking right from your phone

The Apple Mac Studio here we got the Apple M2 Ultra Chip with 24‑core CPU and 60‑core GPU, 1TB SSD Apple M2 Ultra with 24‑core CPU, 60‑core GPU, 32‑core Neural Engine 64GB unified memory 1TB SSD storage Front: Two Thunderbolt 4 ports, one SDXC card slot Back: Four Thunderbolt 4 ports, two USB-A ports, one HDMI port, one 10Gb Ethernet port, one 3.5mm headphone jack Apple Intelligence Mac Studio with M2 Max and M2 Ultra Features:

M2 Ultra chip for phenomenal performance 24-core CPU packs up to 3.3x faster performance than 27-inch iMac to push the boundaries of your most demanding workflows (1) Up to 76-core GPU with up to 6.1x faster performance than 27-inch iMac for graphics-intensive pro workflows (2) 32-core Neural Engine for advanced machine learning Up to of 192GB unified of memory to run multiple demanding pro apps Up to 8TB of superfast SSD storage launches apps and opens files in an instant (3) Fast Wi-Fi 6E wireless connectivity (4) Six Thunderbolt 4 ports, two USB-A ports, HDMI port, 10Gb Ethernet port, SDXC card slot, headphone jack Supports up to eight external displays Remarkably compact 7.7-inch-square, 3.7-inch-tall design in Silver macOS Ventura gives you powerful ways to get more done, share, and collaborate—and works great with iPhone and iPad (5)

Testing conducted by Apple in April and May 2023 using preproduction Mac Studio systems with Apple M2 Ultra, 24-core CPU, 76-core GPU, and 192GB of RAM, and production 3.6GHz 10-core Intel Core i9-based 27-inch iMac systems with Radeon Pro 5700 XT graphics with 16GB of GDDR6, and 128GB of RAM. All systems configured with 8TB SSD. Open source project built with Xcode 14.3 with Apple Clang 14.0.3, Ninja 1.10.0.git, and CMake 3.25.0. Mac Studio systems tested with an attached 5K display. Performance tests are conducted using specific computer systems and reflect the approximate performance of Mac Studio and iMac. (2) Testing conducted by Apple in April and May 2023 using preproduction Mac Studio systems with Apple M2 Ultra, 24-core CPU, 76-core GPU, and 192GB of RAM, and production 3.6GHz 10-core Intel Core i9-based 27-inch iMac systems with Radeon Pro 5700 XT graphics with 16GB of GDDR6, and 128GB of RAM. All systems configured with 8TB SSD. OTOY Octane X Prime 2022.1.1 tested using a scene with complex materials and 35 million triangles. Mac Studio systems tested with an attached 5K display. Performance tests are conducted using specific computer systems and reflect the approximate performance of Mac Studio and iMac. 1GB = 1 billion bytes and 1TB = 1 trillion bytes; actual formatted capacity less. Wi-Fi 6E connectivity available in countries were supported. Requires iCloud and internet connection. Tech Specs: Model: Mac Studio Operating System: macOS CPU: Apple M2 Max chip with 24-core CPU and 16-core Neural Engine Graphics/Video: 60-core GPU Memory - Included: 64GB unified memory Storage - Included: 1TB SSD Thunderbolt Ports: 4 x Thunderbolt 4 (supports DisplayPort, USB 4, USB 3.1 Gen 2) USB Ports: 2 x USB-C, 2 x USB Type A Card Slots: SDXC card slot Ethernet: 1 x RJ45 (Nbase-T Ethernet with 1GB/2.5GB/5GB/10GB support) WiFi: 802.11ax Wi-Fi 6 wireless networking, IEEE 802.11a/b/g/n/ac compatible Bluetooth: Yes, v5.3 Audio Outputs: 1 x 1/8" (headphones), built-in speaker Height: 3.7" Width: 7.7" Depth: 7.7" Weight: 5.9 lbs. Manufacturer Part Number: MQH63LL/A

The Casio GZ-5 (mini keyboard with MIDI-out) This was likely the world smallest MIDI keyboard with integrated sound and speaker. But it has only 10 preset sounds, no rhythm, and despite Casio gladly called it "midi master keyboard", also the MIDI playability is very restricted since it not only lacks velocity but even the pitch and modulation wheels are fake and only behave like buttons instead of sending intermediate analogue values. In MIDI mode the internal sound is disabled and the preset sound buttons control MIDI parameters. 2 slide switches set the velocity and keyboard octave range with each 6 steps, but really annoying is that the pitch & velocity wheels have only 1 step (like a button switch). The internal sound mode is not interesting at all; there are only 10 preset sounds (taken from Casio SA-1) and no rhythm; unfortunately even the octave and velocity slide switches don't work here; only pitchbend works and the modulation wheel adds a vibrato. (Note: This keyboard is not worth to buy for its internal sound unless you want the pitchbend, vibrato and 4 note polyphonic mini keys; other SA-series keyboards sound is more versatile. The GZ-5 is mainly interesting for laptop musicians or mini keys freaks those want to use MIDI, but even for this it is nothing great, thus do not pay too much for it.) main features:

32 mini keys built-in small speaker main voice polyphony 4 notes 10 OBS preset sounds {piano, e. piano, vibraphone, organ, e. guitar, e. bass, strings, brass, flute, synth-lead} pitchbend wheel (up/ down, each 1 step) modulation wheel (only up, 1 step) volume +/- buttons (6 steps) in MIDI mode: velocity slide switch with 6 steps {pp, p, mp, mf, f, ff} octave shift slide switch with 6 steps {C1..C6} OBS preset sound buttons select MIDI functions {program change, velocity, volume, pan, expression, hold 1, soft, effect depth, fine tune, coarse tune} and act as cipher buttons {0..9} buttons "control", "MIDI ch.", "bend sense" volume buttons control "bend curve", "mod. depth" sound hardware like Casio SA-series (with less static noise than SA-1) CPU "OKI M6387-A23, 5102304, Japan" (30 narrow pin DIL) jacks for AC- adapter & MIDI- out The pitchbend and modulation wheel of this instrument are a similarly bad hoax like the scratch disc of Casio Rapman RAP-1, because they contain no analogue potentiometers but only mechanically simulate button presses on silicone contacts (on and off). At least their value range can be apparently adjusted somehow by entering numbers in MIDI mode. Casio really should have added real analogue controls here, since these fake wheels disqualify this self- claimed "MIDI master keyboard" far more for serious use than the lack of velocity sensing keys. The PCB looks like classic SA-series single chip hardware. (I haven't examined the hardware closer yet.)

In "internal" (sound) mode only the pitchbend range can be adjusted among 4 depths; press "bend sense", type a cipher between 0 and 3 for the number of semitones per direction and press "enter" (i.e. 0=off). The pitchbend always glides quite fast when the wheel is moved. The modulation wheel adds a 6Hz vibrato so long it is pressed. The 10 OBS preset sounds are simply a subset of Casio SA-1; "e. piano" corresponds to its "elec piano", "organ" to "jazz organ", "e. guitar" to "elec guitar", "e. bass" to "elec bass", "brass" to the famous tooting "brass ens.", "flute" to "quena", "synth-lead" to "synth-reed". (If you like the vibrato sound style of this thing, also watch out for the fullsize MIDI keyboard Kawai PH50, which has plenty more of such sounds with genuine continuous pitchbend and modulation control through a joystick.)

Like with midsize SA-series keyboards (see Casio PA-31) the main voice is 4 note polyphonic and hisses less than those 2 note polyphonic mini keyboards, and like there the volume control and preset sound selection does not change held notes, which can be used for live play tricks; here even the buttons don't play disturbing click noises. But the very limited count of preset sounds and the total lack of rhythm makes the internal sound source quite useless. Possibly there was too little ROM memory in the single chip CPU to implement the MIDI functions together with complete SA-series 100 ToneBank. But even when it were more expensive; a fully functional SA-1 with MIDI- out, MIDI- in, working octave switch and real analogue pitch and mod wheels would have been much more fun than this crippled thing. For a highly compact laptop MIDI keyboard the large speaker section and bulky case of the GZ-5 only wastes space, thus the GZ-5 is not really good for anything. (The SA-1 case was smaller and much lower.)

The Yamaha Storia I Electro Acoustic Guitar is a stylish new guitar that's designed to offer a combination of tone, playability, and aesthetic beauty. Invites Creativity At A Glance

These guitars come complete with with statement-making finishes, and gorgeous fine details, such as shimmering inlays, brass adornments, and eye-catching champagne-gold tuners. Yamaha Storia I Electro Acoustic Guitar Highlights

Affordable, high-quality Concert-style electro acoustic Solid Spruce top, with a Mahogany back and sides Walnut fingerboard sitting atop a smooth, slim-profiled Nato neck Narrow string spacing and lower action, for easy playability Passive undersaddle pickup Superb value for money Home Delivery options available

High Quality Construction

With the Storia I, Yamaha have opted to combine a Solid Sitka Spruce top piece, with a Mahogany back and sides.

This tonewood combination results in a balanced tone, with a surprisingly well-projected voice, despite the smaller body size of the guitar.

The natural tonal properties of the Mahogany on the back and sides emphasises the bass and treble frequencies, for an overall "woody" sound that's ideally suited to a wide variety of musical styles. Comfortable To Play

In addition to the smaller Concert-size body, Yamaha have opted to fit their new Storia guitars with a sleek, comfortable Nato neck. Amongst the performance-enhancing features on this neck you'll find:

Narrower String Spacing, for easier chord forming Lower action, to alleviate stress on your fretting hand Slimmer neck shape, with hand-rolled fingerboard edges

The end result is a guitar that offers a truly comfortable playing experience, and is suitable to players of all shapes, sizes, and playing experience. Stylish-Appointments

Yamaha have really upped the style aspect of these guitars, in a number of subtle ways. To begin with, each of the Storia guitars features a unique rosette, and a vibrant, silk-screened interior label.

Then there's the classy open-gear tuners on the headstock, which are a beautiful "Champagne-Gold" colour.

In addition to this the bridge pins on this guitar are made of Brass, which not only adds visual flare, but brings additional sustain and a thick midrange tone to the play. Yamaha Storia I Electro Acoustic Guitar Specs

Body Shape: FS (Concert) Top Material: Solid Spruce Back/Side Material: Mahogany Fingerboard/Bridge Material: Walnut Neck Material: Nato Nut/Saddle Material: Urea Tuners: Open Gear Champagne-Gold Bridge Pins: Brass Electronics: Passive Undersaddle Pickup Connections: 1/4" Line Out Scale Length: 25" (634mm) Nut Width: 1-11/16" (43mm) String Spacing: 25/64" (10mm) Fingerboard Radius: 15-3/4" (400mm) Body Length: 19-9/16" (497mm) Total Length: 40-3/16" (1021mm) Body Width: 14-15/16" (380mm) Body Depth: 3-9/16"- 4 & 5/16" (90-110mm) Accessories: Hex Wrench

Fender Blacktop Telecaster HH Candy Apple Red Instead of launching the umpteenth reissue of a catalog instrument, Fender decided to innovate by mounting high-output passive humbuckers on a new series called Black Top. This new product range includes a Telecaster, a Jaguar and a Stratocaster equipped with the same pickup combination based on two humbuckers. The Jazzmaster gets a more original pickup combination with one humbucker (Hot Vintage Alnico Bridge Humbucking Pickup) and one P-90 in the neck position. Originally, the humbucker pickup was invented by Gibson’s engineers to suppress unwanted noise by electrically and magnetically linking two single-coil pickups in series and out of phase. From the “practical” standpoint, guitar players know the properties of such pickups: a powerful, round and warm sound. As a consequence, humbucker pickups are the best solution for distortion sounds. Fender has a strong personality due to its single-coil pickups that provide a crystal-clear sound (they can be heard on many legendary rock albums). However, they could never really take the lead in the humbucker market — controlled by Gibson since the 1950's. Fender Blacktop Series The series is entirely produced in Fender’s factory in Mexico. All bodies are made out of alder with bolt-on maple necks with 9.5" fingerboards and 22 medium-jumbo frets (except for the Jazzmaster). By standardizing the design and finish Fender can actually lower the price to a MSRP of $450! Most models are available with two different fretboards: maple or rosewood. The latter gives a warmer, rounder and more precise tone. Considering the price, we guess that the bodies are not made out of premium-quality wood but rather out of two or three glued pieces of wood. Just being realistic: with such prices, you cannot expect to get the same resonance as from a massive-wood, one-piece body. All guitars have a perfect skin: a polyurethane varnish with a faultless glossy finish. The neck finish is the same as on the Classic Reissue Series. It is very thick and protects the wood perfectly, providing excellent grip and optimal playing comfort while allowing to quickly access every point of the neck. The truss rod adjustment is accessible on the top of the neck, which is a modern and very convenient feature. The nickel/chrome hardware and the tone and volume knobs on all models recall the look of Fender amps. We must admit that this is a very original idea but it won’t be everybody’s taste.

Fender Blacktop Telecaster HH Candy Apple Red Introducing the Fender® Blacktop series. Absolutely the most easily affordable humbucking pickup-equipped models Fender has ever brought you, in utterly cool new versions of our four most venerable guitars-the Stratocaster®, Telecaster®, Jazzmaster® and Jaguar®. The Blacktop Telecaster HH is a no-nonsense dual-bucker Tele that’ll blow your mind without breaking the bank. Vintage-style Fender Blacktop alnico humbucking pickups deliver the hot high-gain power of today’s most aggressive sounds; other distinctive touches include skirted black amp knobs, reversed control plate and a vintage-style hard-tail bridge with six grooved saddles for optimum string alignment. Features include an alder body, maple neck, 9.5”-radius rosewood or maple fretboard, 22 medium jumbo frets, gloss urethane finish and nickel/chrome hardware.

Blacktop Telecaster® HH Colors: (506) Black, (509) Candy Apple Red, (591) Silver Series: Blacktop Series Body Shape: Telecaster® Body Material: Alder Neck: Maple Neck Finish: Gloss Urethane Fretboard: Rosewood or Maple Fretboard Radius: 9.5" Radius (241 mm) Frets: 22, Medium Jumbo Position Inlays: Black Dots on Maple, White Dots on Rosewood Scale Length: 25.5" (648 mm) Nut Width: 1.650” (42 mm) String Nut: Synthetic Bone Truss Rod Nut: 3/16" Adjustable Hex Nut Pickups: Hot Vintage Alnico Bridge Humbucking Pickup with Nickel Cover Hot Vintage Alnico Neck Humbucking Pickup with Nickel Cover Pickup Switching: 3-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups, Position 3. Neck Pickup Controls: Master Volume, Master Tone Hardware: Nickel/Chrome Tuning Keys: Standard Cast/Sealed Tuning Machines Bridge: Strings-Through-Body Hardtail Bridge With 6 Cast Saddles Strap Buttons: Vintage Style Strap Buttons Control Knobs: Skirted Amp Knobs Pickguard: 3-Ply Black Strings: Super 250L's, NPS (.009-.042 Gauges) Incl. Accessories: Truss Rod Adjustment Wrench, Saddle Height Adjustment Wrench

Fender Blacktop Telecaster HH Candy Apple Red Instead of launching the umpteenth reissue of a catalog instrument, Fender decided to innovate by mounting high-output passive humbuckers on a new series called Black Top. This new product range includes a Telecaster, a Jaguar and a Stratocaster equipped with the same pickup combination based on two humbuckers. The Jazzmaster gets a more original pickup combination with one humbucker (Hot Vintage Alnico Bridge Humbucking Pickup) and one P-90 in the neck position. Originally, the humbucker pickup was invented by Gibson’s engineers to suppress unwanted noise by electrically and magnetically linking two single-coil pickups in series and out of phase. From the “practical” standpoint, guitar players know the properties of such pickups: a powerful, round and warm sound. As a consequence, humbucker pickups are the best solution for distortion sounds. Fender has a strong personality due to its single-coil pickups that provide a crystal-clear sound (they can be heard on many legendary rock albums). However, they could never really take the lead in the humbucker market — controlled by Gibson since the 1950's. Fender Blacktop Series The series is entirely produced in Fender’s factory in Mexico. All bodies are made out of alder with bolt-on maple necks with 9.5" fingerboards and 22 medium-jumbo frets (except for the Jazzmaster). By standardizing the design and finish Fender can actually lower the price to a MSRP of $450! Most models are available with two different fretboards: maple or rosewood. The latter gives a warmer, rounder and more precise tone. Considering the price, we guess that the bodies are not made out of premium-quality wood but rather out of two or three glued pieces of wood. Just being realistic: with such prices, you cannot expect to get the same resonance as from a massive-wood, one-piece body. All guitars have a perfect skin: a polyurethane varnish with a faultless glossy finish. The neck finish is the same as on the Classic Reissue Series. It is very thick and protects the wood perfectly, providing excellent grip and optimal playing comfort while allowing to quickly access every point of the neck. The truss rod adjustment is accessible on the top of the neck, which is a modern and very convenient feature. The nickel/chrome hardware and the tone and volume knobs on all models recall the look of Fender amps. We must admit that this is a very original idea but it won’t be everybody’s taste.

This is a Modified Fender Blacktop Telecaster HH White Dots Inlays , Rosewood Fredboard, HH , Blach Tuners Hardware, Candy Apple Red.

The American Professional II Telecaster® draws from more than seventy years of innovation, inspiration and evolution to meet the demands of today's working player.

Fender's popular Deep "C" neck sports smooth rolled fingerboard edges, a "Super-Natural" satin finish and a sculpted neck heel for a supremely comfortable feel and easy access to the upper register. V-Mod II Telecaster single-coil pickups are more articulate than ever while delivering the twang, snap and snarl that made the Tele famous. The top-load/string-through bridge with compensated "bullet" saddles is Fender's most comfortable, flexible Tele bridge yet - retaining classic brass-saddle tone and providing excellent intonation and flexible setup options, allowing you to tailor the tension and tone of each string to your liking.

These stellar instruments are now being offered in a Limited Edition thinline configuration, with semi-hollow ash bodies and four beautiful transparent finish options. These won't last long!

Features • Semi-hollow ash body • Two V-Mod II single-coil Telecaster pickups • Top-load/string-through Telecaster bridge with compensated brass "bullet" saddles • Deep "C"-shaped neck profile with rolled fingerboard edges • Includes Deluxe Molded hardshell case

Specifications General SERIES: American Professional II ORIENTATION: Right-Hand COLOR: White Blonde COUNTRY OF ORIGIN: US

Neck NECK MATERIAL: Maple NECK FINISH: "Super-Natural" Satin Urethane Finish on Back of Neck with Gloss Urethane Headstock Face NECK SHAPE: Deep "C" NECK CONSTRUCTION: 4-Bolt FINGERBOARD RADIUS: 9.5" (241 mm) FINGERBOARD MATERIAL: Maple POSITION INLAYS: Black Dot SIDE DOTS: Black NUMBER OF FRETS: 22 STRING NUT: Bone NUT WIDTH: 1.685" (42.8 mm) NUT MATERIAL: Bone

Body BODY: Semi-Hollow Ash BODY FINISH: Gloss Urethane BODY SHAPE: Telecaster® BODY STYLE: Solid Body BODY MATERIAL: Semi-Hollow Ash

Hardware BRIDGE: 3-Saddle Top-Load/String-Through Tele® with Compensated Brass "Bullet" Saddles PICKGUARD: 4-Ply Tortoiseshell PICKUP COVERS: Neck: Chrome; Bridge: Black CONTROL KNOBS: Knurled Dome SWITCH TIP: Black HARDWARE FINISH: Nickel/Chrome TUNING MACHINES: Fender® Standard Cast/Sealed Staggered STRINGS: Fender® USA 250L Nickel Plated Steel (.009-.042 Gauges), PN 0730250403 NECK PLATE: 4-Bolt STRAP BUTTONS: Vintage-Style Electronics BRIDGE PICKUP: V-Mod II Single-Coil Tele® NECK PICKUP: V-Mod II Single-Coil Tele® PICKUP CONFIGURATION: SS CONTROLS: Master Volume, Master Tone SWITCHING: 3-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups, Position 3. Neck Pickup AUXILIARY SWITCHING: Push-Push Tone Control Activates Series Mode

Towa Bird Guitar Picks Artist: Towa Bird Six Custom Towa Bird Guitar Picks in Custom Case To get over Interscope Records.

Harley Benton Delta Blues T Acoustic Guitar Style: Vintage Style Travel Size Mahogany body with quarter sawn tapered spruce bracing Dovetail construction Neck: Mahogany Fingerboard: Ovangkol Dot fingerboard inlays Scale: 580 mm Nut width: 43 mm ABS nut 20 Frets Black/green abalone rosette Ovangkol bridge Chrome-plated die-cast tuners Dual action truss rod Strings: Bronze .011 - .052 Dimensions: 87 x 30 x 8.5 cm Colour: Bourbon Vintage Satin Burst

Harley Benton TE-20 BK Standard Series Bolt-on neck Body: Poplar Neck: Maple Neck profile: Modern C Fretboard: Armaranth Fretboard radius: 305 mm (12") Dot fretboard inlays 22 Frets Scale: 648 mm Nut width: 42 mm Dual action truss rod Pickups: 2 TE-style single coils 1 Volume control, 1 tone control 3-Way toggle switch Hardware: Chrome Die-cast machine heads String gauges: .009 - .042 Colour: Black, high-gloss

The STEF B-8 See-Thru Purple by ESP Custom Shop in Tokyo MIJ Signature Series Guitars / Stephen Carpenter —DEFTONES— Stephen Carpenter is the guitarist in California alt-metal gurus Deftones. From 6- to 7- to 8-string guitars, Stephen has never been afraid to push the limits of what a guitar is meant to sound like. With an unmistakable style, he has turned to ESP since the 90’s to build guitars that meet his every need. Stephen’s guitars were built to handle the heaviest of breakdowns, the richest clean tones, and everything in between.

8-String , Baritone, Floyd Rose Tremolo Gold Hardware, Lockin Tuners Gold Hardware, Fishman Fluence Humbucker Pick Ups, Ebony fretboard, 24x frets, Scale 27" , Radius 305 m, Nut width 55 mm

The STEF B-8 See-Thru Purple by ESP Custom Shop in Tokyo MIJ Signature Series Guitars / Stephen Carpenter —DEFTONES— Stephen Carpenter is the guitarist in California alt-metal gurus Deftones. From 6- to 7- to 8-string guitars, Stephen has never been afraid to push the limits of what a guitar is meant to sound like. With an unmistakable style, he has turned to ESP since the 90’s to build guitars that meet his every need. Stephen’s guitars were built to handle the heaviest of breakdowns, the richest clean tones, and everything in between.

8-String , Baritone, Floyd Rose Tremolo Gold Hardware, Sperzel Locking Tuners Gold Hardware, Fishman Fluence Active Humbucker Pick Ups, Neck Contour Thin U, Ebony fretboard, 24x frets, Scale 27" , Radius 305 m, Nut width 55 mm

The STEF B-8 See-Thru Purple by ESP Custom Shop Signature Series Guitars / Stephen Carpenter —DEFTONES— Stephen Carpenter is the guitarist in California alt-metal gurus Deftones. From 6- to 7- to 8-string guitars, Stephen has never been afraid to push the limits of what a guitar is meant to sound like. With an unmistakable style, he has turned to ESP since the 90’s to build guitars that meet his every need. Stephen’s guitars were built to handle the heaviest of breakdowns, the richest clean tones, and everything in between.

The STEF B-8 See-Thru Purple by ESP Custom Shop in Tokyo MIJ Signature Series Guitars / Stephen Carpenter —DEFTONES— Stephen Carpenter is the guitarist in California alt-metal gurus Deftones. From 6- to 7- to 8-string guitars, Stephen has never been afraid to push the limits of what a guitar is meant to sound like. With an unmistakable style, he has turned to ESP since the 90’s to build guitars that meet his every need. Stephen’s guitars were built to handle the heaviest of breakdowns, the richest clean tones, and everything in between.

8-String , Baritone, Floyd Rose Tremolo Gold Hardware, Lockin Tuners Gold Hardware, Fishman Fluence Humbucker Pick Ups, Ebony fretboard, 24x frets, Scale 27" , Radius 305 m, Nut width 55 mm

The STEF B-8 See-Thru Purple by ESP Custom Shop Signature Series Guitars / Stephen Carpenter —DEFTONES— Stephen Carpenter is the guitarist in California alt-metal gurus Deftones. From 6- to 7- to 8-string guitars, Stephen has never been afraid to push the limits of what a guitar is meant to sound like. With an unmistakable style, he has turned to ESP since the 90’s to build guitars that meet his every need. Stephen’s guitars were built to handle the heaviest of breakdowns, the richest clean tones, and everything in between.