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TheSwitch-Track A/B/Y Switcher Pedal by Mesa/Boogie

The Mesa/Boogie Switch-Track A/B/Y Switcher Pedal is a professional-grade signal routing pedal designed to seamlessly switch between two amplifiers, two instrument paths, or run both simultaneously. Built with Mesa/Boogie’s rugged touring-quality construction, the Switch-Track offers silent and reliable switching for live and studio applications while preserving signal integrity. Its intuitive layout allows players to quickly toggle between A, B, or Y modes, making it ideal for dual-amp rigs, wet/dry setups, or instrument changes on stage. The pedal also includes transformer-isolated outputs and phase correction features to minimize ground loop noise and phase issues commonly encountered in multi-amp configurations. Compact and road-ready, the Switch-Track is engineered for guitarists seeking professional signal management without tone loss.

Specs:

• A/B/Y signal routing and amplifier switching pedal
• Supports amplifier switching, dual-output routing, and simultaneous output operation
• Transformer-isolated outputs for reduced hum and noise
• Phase correction / polarity reverse functionality
• Silent footswitch operation for live performance use
• Designed for dual-amp, wet/dry, and stereo rigs
• Heavy-duty metal chassis construction
• High-quality buffered signal path for signal integrity
• Power Supply: 9V DC
• Category: Utility / Switcher Pedal

The Breaker low-Gain Overdrive Distortion and Fuzz by Darta Effects

The Darta Effects BREAKER is a low-gain overdrive pedal inspired by the legendary Marshall Bluesbreaker MKI, enhanced with modern modifications for greater versatility and performance. Designed for players seeking transparent drive tones with added flexibility, it features multiple clipping options and a dedicated presence control to better shape the sound for both single-coil and humbucker pickups. Unlike the original Bluesbreaker, which had relatively low output volume, the BREAKER includes an integrated boost stage at the end of the circuit for stronger signal output and improved response. The pedal also incorporates an intelligent true-bypass system with soft-click switching and both normal and momentary activation modes for smoother live performance use. Compact yet robust, the BREAKER is ideal for guitarists looking for classic blues-style breakup with modern control and reliability.

Specs:

• Based on the Marshall Bluesbreaker MKI circuit with custom modifications
• Low-gain overdrive pedal with multiple clipping options
• Presence control for tone adjustment with single-coil or humbucker pickups
• Integrated output boost stage for increased signal level
• Intelligent true-bypass system with soft-click switching
• Two switching modes: normal and momentary
• Power Supply: 9V DC (center negative / Boss standard)
• Current Consumption: 60mA
• Dimensions: 110 × 65 × 40 mm (W × L × H)
• Weight: Approx. 400g
• Category: Overdrive / Distortion / Fuzz pedal

Discover the Guirian S3M, an acoustic guitar that merges classic craftsmanship with modern innovation. As a part of the steel-string acoustic family, this instrument is designed for both budding musicians and seasoned players, offering rich, resonant sound that fills any room. The Guirian S3M stands out with its solid spruce top, which is known for enhancing tonal quality and projection, making it an ideal choice for live performances and studio sessions alike.

The back and sides are crafted from mahogany, a wood prized for its ability to produce warm, full-bodied tones. This combination of materials ensures that every chord strummed or note picked delivers clarity and depth. The dovetail neck joint adds structural integrity and contributes to the guitar's overall resonance, allowing for sustained notes and a harmonious balance across all frequencies.

With a sleek, smooth neck, players will find it easy to move swiftly between chords, making it suitable for fast-paced genres or gentle ballads. The Guirian S3M is not only about sound but also comfort, featuring a finely finished fretboard that reduces hand fatigue during extended play. Whether you're a performer on stage or a hobbyist at home, this guitar promises a responsive and immersive playing experience.

Key Features:

• Solid spruce top for enhanced tonal projection
• Mahogany back and sides for a rich, warm sound
• Dovetail neck joint for superior resonance
• Sleek, smooth neck for easy playability
• Finely finished fretboard to reduce hand fatigue during long sessions

Discover the Gurian S3M, an acoustic guitar that merges classic craftsmanship with modern innovation. As a part of the steel-string acoustic family, this instrument is designed for both budding musicians and seasoned players, offering rich, resonant sound that fills any room. The Guirian S3M stands out with its solid spruce top, which is known for enhancing tonal quality and projection, making it an ideal choice for live performances and studio sessions alike.

The back and sides are crafted from mahogany, a wood prized for its ability to produce warm, full-bodied tones. This combination of materials ensures that every chord strummed or note picked delivers clarity and depth. The dovetail neck joint adds structural integrity and contributes to the guitar's overall resonance, allowing for sustained notes and a harmonious balance across all frequencies.

With a sleek, smooth neck, players will find it easy to move swiftly between chords, making it suitable for fast-paced genres or gentle ballads. The Guirian S3M is not only about sound but also comfort, featuring a finely finished fretboard that reduces hand fatigue during extended play. Whether you're a performer on stage or a hobbyist at home, this guitar promises a responsive and immersive playing experience.

Key Features:

• Solid spruce top for enhanced tonal projection
• Mahogany back and sides for a rich, warm sound
• Dovetail neck joint for superior resonance
• Sleek, smooth neck for easy playability
• Finely finished fretboard to reduce hand fatigue during long sessions

Luthier Michael Gurian built quality classical and steel string acoustic guitars, as well as being a major American wood supplier. He debuted his classical designs in 1965 and offered steel string designs four years later. In 1971, at the encouragement of vintage retailer Matt Umanov, Gurian designed a cutaway model that later became a regular part of the product line. In the early 1970s, Gurian moved his production facilities from New York City, NY to Hinsdale, NH. Gurian's four story mill building housed a large band saw (for slabbing logs), two resaws (cutting slabs to dimension), and various planers. During this time period, Gurian imported ebony, rosewood, mansonia, and spruce; his U.S. sources supplied walnut, maple, and other woods. Disaster struck in 1979, as a fire consumed their current stock of guitars as well as tooling and machinery. Gurian rebuilt by later that year in West Swanzey, NJ and continued producing guitars until 1982. Michael Gurian may have stopped offering guitars in 1982, but he still continues to be a major presence in the guitar building industry. Gurian serves as a consultant in guitar design, and his company offers guitar fittings (such as bridge pins) and supplies, custom built marquetry, and guitar-building tools based on his designs. Gurian was perhaps one of the first smaller guitar producers to combine production techniques with hand crafted sensibilities. Guitars produced at the New Hampshire site were built in three distinct phases. In Phase One, the basic guitar parts (tops, backs, necks, fingerboards, etc.) were produced in large lots and inventoried. Gurian's factory did use carving lathes to "rough out" the neck blanks, and heated hydraulic presses to bend the guitar sides. During Phase Two, the company's luthiers would choose "kits" from the part supplies and construct the guitar individually. This allowed the luthiers control over individual guitar's construction and tuning. Finally, in Phase Three, the finished guitars were sent to the finishing technicians to spray the finish. This method would guarantee a similarity in the finishes from one guitar to the next. It is estimated that around 5,000 Gurian guitars were built. Sources: The Alembic Report Guitar Player magazine, and Tom Wheeler, American Guitars, and David Johnson. Instruments previously built in New York City, NY, Hinsdale, NH, and West Swanzey, NJ between 1965 and 1981/82.

The 3Ch Dual Rectifier Solo (Non Multi Watt) by Mesa/Boogie

The Mesa/Boogie Dual Rectifier Solo Head is the final pre–Multi-Watt version of Mesa’s iconic high-gain tube amplifier line, produced from 2000 to 2009. Featuring three fully independent channels, it became widely known for its aggressive modern metal tone, massive low end, and tight high-gain response used across countless rock and metal recordings throughout the 2000s. Unlike the later Multi-Watt models introduced in 2010, this version runs at a fixed 100 watts and does not include switchable per-channel wattage modes. The amp uses Mesa’s classic silicon diode or tube rectifier options, giving players flexibility between tighter attack or a looser vintage-style feel. Many players still prefer the Non Multi-Watt version for its rawer, more aggressive character and distinctive “classic Rectifier” sound.

Specs:

• Production Years: 2000–2009
• Power Output: 100 Watts (fixed, non Multi-Watt)
• Channels: 3 Fully Independent Channels
• Modes: Clean, Pushed, Raw, Vintage, Modern
• Power Tubes: 4x 6L6GC (switchable compatibility with EL34s)
• Preamp Tubes: 5x 12AX7
• Rectification: Selectable Silicon Diode or Tube Rectifier
• Effects Loop: Series FX Loop
• Footswitching: Channel Select, Solo Boost, FX Loop
• Outputs: Multiple 4Ω and 8Ω speaker outputs
• Construction: All-tube head amplifier
• Origin: Handmade in Petaluma, California, USA
• Successor Model: Dual Rectifier Multi-Watt Solo Head (2010 onward)

The 3Ch Dual Rectifier Solo (Non Multi Watt) by Mesa/Boogie

The Mesa/Boogie Dual Rectifier Solo Head is the final pre–Multi-Watt version of Mesa’s iconic high-gain tube amplifier line, produced from 2000 to 2009. Featuring three fully independent channels, it became widely known for its aggressive modern metal tone, massive low end, and tight high-gain response used across countless rock and metal recordings throughout the 2000s. Unlike the later Multi-Watt models introduced in 2010, this version runs at a fixed 100 watts and does not include switchable per-channel wattage modes. The amp uses Mesa’s classic silicon diode or tube rectifier options, giving players flexibility between tighter attack or a looser vintage-style feel. Many players still prefer the Non Multi-Watt version for its rawer, more aggressive character and distinctive “classic Rectifier” sound.

Specs:

• Production Years: 2000–2009
• Power Output: 100 Watts (fixed, non Multi-Watt)
• Channels: 3 Fully Independent Channels
• Modes: Clean, Pushed, Raw, Vintage, Modern
• Power Tubes: 4x 6L6GC (switchable compatibility with EL34s)
• Preamp Tubes: 5x 12AX7
• Rectification: Selectable Silicon Diode or Tube Rectifier
• Effects Loop: Series FX Loop
• Footswitching: Channel Select, Solo Boost, FX Loop
• Outputs: Multiple 4Ω and 8Ω speaker outputs
• Construction: All-tube head amplifier
• Origin: Handmade in Petaluma, California, USA

The 3Ch Dual Rectifier Solo (Non Multi Watt) by Mesa

The Mesa/Boogie Dual Rectifier Solo Head is the final pre–Multi-Watt version of Mesa’s iconic high-gain tube amplifier line, produced from 2000 to 2009. Featuring three fully independent channels, it became widely known for its aggressive modern metal tone, massive low end, and tight high-gain response used across countless rock and metal recordings throughout the 2000s. Unlike the later Multi-Watt models introduced in 2010, this version runs at a fixed 100 watts and does not include switchable per-channel wattage modes. The amp uses Mesa’s classic silicon diode or tube rectifier options, giving players flexibility between tighter attack or a looser vintage-style feel. Many players still prefer the Non Multi-Watt version for its rawer, more aggressive character and distinctive “classic Rectifier” sound.

Specs:

• Production Years: 2000–2009
• Power Output: 100 Watts (fixed, non Multi-Watt)
• Channels: 3 Fully Independent Channels
• Modes: Clean, Pushed, Raw, Vintage, Modern
• Power Tubes: 4x 6L6GC (switchable compatibility with EL34s)
• Preamp Tubes: 5x 12AX7
• Rectification: Selectable Silicon Diode or Tube Rectifier
• Effects Loop: Series FX Loop
• Footswitching: Channel Select, Solo Boost, FX Loop
• Outputs: Multiple 4Ω and 8Ω speaker outputs
• Construction: All-tube head amplifier
• Origin: Handmade in Petaluma, California, USA
• Successor Model: Dual Rectifier Multi-Watt Solo Head (2010 onward)

The 3Ch Dual Rectifier Solo (Non Multi Watt) by Mesa/Boogie

The Mesa/Boogie Dual Rectifier Solo Head is the final pre–Multi-Watt version of Mesa’s iconic high-gain tube amplifier line, produced from 2000 to 2009. Featuring three fully independent channels, it became widely known for its aggressive modern metal tone, massive low end, and tight high-gain response used across countless rock and metal recordings throughout the 2000s. Unlike the later Multi-Watt models introduced in 2010, this version runs at a fixed 100 watts and does not include switchable per-channel wattage modes. The amp uses Mesa’s classic silicon diode or tube rectifier options, giving players flexibility between tighter attack or a looser vintage-style feel. Many players still prefer the Non Multi-Watt version for its rawer, more aggressive character and distinctive “classic Rectifier” sound.

Specs:

• Production Years: 2000–2009
• Power Output: 100 Watts (fixed, non Multi-Watt)
• Channels: 3 Fully Independent Channels
• Modes: Clean, Pushed, Raw, Vintage, Modern
• Power Tubes: 4x 6L6GC (switchable compatibility with EL34s)
• Preamp Tubes: 5x 12AX7
• Rectification: Selectable Silicon Diode or Tube Rectifier
• Effects Loop: Series FX Loop
• Footswitching: Channel Select, Solo Boost, FX Loop
• Outputs: Multiple 4Ω and 8Ω speaker outputs
• Construction: All-tube head amplifier
• Origin: Handmade in Petaluma, California, USA
• Successor Model: Dual Rectifier Multi-Watt Solo Head (2010 onward)

The 3Ch Dual Rectifier Solo (Non Multi Watt) by Mesa

The Mesa/Boogie Dual Rectifier Solo Head is the final pre–Multi-Watt version of Mesa’s iconic high-gain tube amplifier line, produced from 2000 to 2009. Featuring three fully independent channels, it became widely known for its aggressive modern metal tone, massive low end, and tight high-gain response used across countless rock and metal recordings throughout the 2000s. Unlike the later Multi-Watt models introduced in 2010, this version runs at a fixed 100 watts and does not include switchable per-channel wattage modes. The amp uses Mesa’s classic silicon diode or tube rectifier options, giving players flexibility between tighter attack or a looser vintage-style feel. Many players still prefer the Non Multi-Watt version for its rawer, more aggressive character and distinctive “classic Rectifier” sound.

Specs • Production Years: 2000–2009 • Power Output: 100 Watts (fixed, non Multi-Watt) • Channels: 3 Fully Independent Channels • Modes: Clean, Pushed, Raw, Vintage, Modern • Power Tubes: 4x 6L6GC (switchable compatibility with EL34s) • Preamp Tubes: 5x 12AX7 • Rectification: Selectable Silicon Diode or Tube Rectifier • Effects Loop: Series FX Loop • Footswitching: Channel Select, Solo Boost, FX Loop • Outputs: Multiple 4Ω and 8Ω speaker outputs • Construction: All-tube head amplifier • Origin: Handmade in Petaluma, California, USA • Successor Model: Dual Rectifier Multi-Watt Solo Head (2010 onward)

The 3Ch Dual Rectifier Solo (Non Multi Watt) by Mesa

The Mesa/Boogie Dual Rectifier Solo Head is the final pre–Multi-Watt version of Mesa’s iconic high-gain tube amplifier line, produced from 2000 to 2009. Featuring three fully independent channels, it became widely known for its aggressive modern metal tone, massive low end, and tight high-gain response used across countless rock and metal recordings throughout the 2000s. Unlike the later Multi-Watt models introduced in 2010, this version runs at a fixed 100 watts and does not include switchable per-channel wattage modes. The amp uses Mesa’s classic silicon diode or tube rectifier options, giving players flexibility between tighter attack or a looser vintage-style feel. Many players still prefer the Non Multi-Watt version for its rawer, more aggressive character and distinctive “classic Rectifier” sound.

Specs:

• Production Years: 2000–2009
• Power Output: 100 Watts (fixed, non Multi-Watt)
• Channels: 3 Fully Independent Channels
• Modes: Clean, Pushed, Raw, Vintage, Modern
• Power Tubes: 4x 6L6GC (switchable compatibility with EL34s)
• Preamp Tubes: 5x 12AX7
• Rectification: Selectable Silicon Diode or Tube Rectifier
• Effects Loop: Series FX Loop
• Footswitching: Channel Select, Solo Boost, FX Loop
• Outputs: Multiple 4Ω and 8Ω speaker outputs
• Construction: All-tube head amplifier
• Origin: Handmade in Petaluma, California, USA
• Successor Model: Dual Rectifier Multi-Watt Solo Head (2010 onward)

Unleash your tonal creativity with the Mesa/Boogie Dual Rectifier 3 Channel Solo Head, a powerhouse of versatility and precision. This 100-watt tube amplifier head is the ultimate tool for guitarists demanding both power and flexibility in their sound. With three distinct channels, each offering two modes, you can effortlessly switch between shimmering cleans, crunchy rhythms, and searing leads. The intuitive control layout features Master, Presence, Treble, Mid, Bass, and Gain, allowing you to sculpt your sound to perfection.

The Dual Rectifier’s robust design ensures it’s ready for both stage and studio, offering the ability to assign wattage to one channel or split 50 watts across two channels for tailored output. Whether you're navigating a delicate ballad or a heavy rock anthem, this amp head responds with precision and authority. Its signature Rectifier tone circuit delivers the iconic growl and sustain that Mesa/Boogie is renowned for, making it a staple for musicians who want to make an impact.

Join a community of musicians who appreciate quality and reliability. With its unrivaled performance and adaptability, the Mesa/Boogie Dual Rectifier is more than an amplifier—it's a statement of your sound.

Key Features:

• 100-watt tube amplifier head
• Three channels with two modes each
• Controls: Master, Presence, Treble, Mid, Bass, and Gain
• Assignable wattage: 100 watts to one channel or 50 watts across two channels
• Signature Rectifier tone circuit for classic Mesa/Boogie sound
• Ideal for both stage and studio use

The 3Ch Dual Rectifier Solo (Non Multi Watt) by Mesa

The Mesa/Boogie Dual Rectifier Solo Head is the final pre–Multi-Watt version of Mesa’s iconic high-gain tube amplifier line, produced from 2000 to 2009. Featuring three fully independent channels, it became widely known for its aggressive modern metal tone, massive low end, and tight high-gain response used across countless rock and metal recordings throughout the 2000s. Unlike the later Multi-Watt models introduced in 2010, this version runs at a fixed 100 watts and does not include switchable per-channel wattage modes. The amp uses Mesa’s classic silicon diode or tube rectifier options, giving players flexibility between tighter attack or a looser vintage-style feel. Many players still prefer the Non Multi-Watt version for its rawer, more aggressive character and distinctive “classic Rectifier” sound.

Specs • Production Years: 2000–2009 • Power Output: 100 Watts (fixed, non Multi-Watt) • Channels: 3 Fully Independent Channels • Modes: Clean, Pushed, Raw, Vintage, Modern • Power Tubes: 4x 6L6GC (switchable compatibility with EL34s) • Preamp Tubes: 5x 12AX7 • Rectification: Selectable Silicon Diode or Tube Rectifier • Effects Loop: Series FX Loop • Footswitching: Channel Select, Solo Boost, FX Loop • Outputs: Multiple 4Ω and 8Ω speaker outputs • Construction: All-tube head amplifier • Origin: Handmade in Petaluma, California, USA • Successor Model: Dual Rectifier Multi-Watt Solo Head (2010 onward)

The Hardstyle 2 for Instachord 2 by W.A. Production

is a preset expansion pack created specifically for the InstaChord 2 MIDI composition plugin. Designed for modern Hardstyle production, it includes aggressive chord progressions, energetic strum patterns, and festival-style melodic sequences tailored for euphoric and raw Hardstyle tracks. The pack helps producers quickly generate powerful riffs, supersaw harmonies, driving buildups, and anthem-style chord progressions without needing advanced music theory knowledge. All presets are fully editable inside InstaChord 2’s advanced pattern editor, allowing deep customization of rhythms, voicings, and playback behavior. The expansion integrates seamlessly with InstaChord 2’s AI-assisted chord generation and MIDI drag-and-drop workflow, making it ideal for fast EDM songwriting and sound design. It is aimed at both beginner and professional Hardstyle producers looking for instant inspiration and workflow speed.

Specs:

• Product Type: Preset Expansion Pack
• Developer: W.A. Production
• Required Software: InstaChord 2
• Genre Focus: Hardstyle / Euphoric Hardstyle / Rawstyle
• Content Included: 40 InstaChord 2 Presets & Patterns
• Features: Chord progressions, strum sequences, melodic patterns
• Compatibility: Works exclusively with InstaChord 2
• Preset Customization: Fully editable within InstaChord 2
• Workflow Features: AI chord generation & MIDI drag-and-drop support
• Formats Supported by Host Plugin: VST, VST3, AU, AAX
• Operating Systems: Windows 10/11 & macOS 10.15+
• License: 100% Royalty-Free
• Bundle Availability: Included in InstaChord 2 & Expansions bundle

The RAW-Kick 2 Plug-Ins by Rob Papen

Rob Papen RAW-Kick 2 is a dedicated kick drum synthesizer designed for modern electronic music production, including EDM, Hardstyle, DnB, Hip-Hop, House, and R&B. Developed by Rob Papen in collaboration with hardcore producers DJ Promo and DJ Free-K, the plugin focuses on creating powerful, customizable kick drums using layered synthesis and sample processing. RAW-Kick 2 features a flexible 3-layer engine where each layer can operate in either synthesized “Model” mode or sample-based mode, allowing deep sound design possibilities. The updated version introduces a redesigned main interface, granular sample controls, advanced modulation, and a Ribbon Controller for dynamic performance-based sound manipulation. It also includes over 1300 presets and more than 2100 layer presets covering a wide range of electronic music styles. The plugin supports all major DAW formats for both Windows and macOS systems.

Specs:

• Type: Kick Drum Synthesizer Plugin
• Developer: Rob Papen
• Sound Engine: Hybrid synthesis + sample-based kick design
• Layers: Up to 3 independent layers
• Layer Modes: Model Kick or Sample Mode per layer
• Presets Included: 1300+ factory presets
• Layer Presets: 2100+ layer presets
• Sample Support: WAV and AIFF import
• Granular Engine: Yes
• Filters: 48 filter modes with Ring Mod, AM, Shift+, Shift-
• Effects: 25 distortion types + 17 studio FX
• Modulation: 8-slot Mod Matrix per layer
• Ribbon Controller: Tempo-sync spring-back modulation control
• EQ Section: Dual 4-band EQs with HP/LP filters
• Supported Formats: VST, VST3, AU, AAX
• Operating Systems: Windows 7+ / macOS 10.15+
• Apple Silicon Support: Yes
• GUI Scaling: 100%, 125%, 150%, 200%
• Activation: Online registration required

The eXplorer 11 Plug-Ins by Rob Papen

Rob Papen eXplorer 11 is a comprehensive music production suite that combines synthesizers, drum machines, effects processors, and sound design tools into one package. The bundle includes 36 plug-ins plus optional legacy products, making it one of the most complete collections in the Rob Papen software lineup. Designed for EDM, cinematic scoring, hip-hop, pop, and experimental music production, it offers thousands of presets alongside deep editing capabilities for advanced sound designers. New additions in version 11 include RAW-Kick 2, a powerful kick drum synthesizer, and FilterField, an advanced morphing filter effect. The package also includes Prisma, a layering tool that allows users to combine up to four Rob Papen instruments into one multi-layered sound environment. It supports modern DAW formats on both Windows and macOS systems.

Specs:

• Type: Virtual Instrument & Effects Bundle
• Developer: Rob Papen
• Included Plug-ins: 36 plug-ins + 11 optional legacy products
• Main Categories: Synthesizers, Drum Machines, Effects, Vocoders, Delays, Reverbs, EQs
• New in Version 11: RAW-Kick 2 & FilterField
• Included Layering Tool: Prisma multi-layer instrument host
• Supported Formats: VST, VST3, AU, AAX
• Operating Systems: Windows 7+ / macOS 10.15+
• Apple Silicon Support: Yes
• Bit Version: 64-bit
• Notable Instruments: Predator-3, BLUE-III, Punch-2, BIT-2, Blade-2, SubBoomBass-2
• Effects Included: RP-Delay, RP-Verb 2, RP-Distort 2, DelGrain, RevSane
• Presets: Tens of thousands of factory sounds
• Activation: Online registration required

The Vintage Charvette 170 by Charvel

The Charvel Charvette 170 is a late-1980s to early-1990s “superstrat” style electric guitar designed for hard rock and metal players. It was part of the affordable Charvette lineup, offering fast playability, aggressive styling, and shred-friendly features inspired by higher-end Charvel and Jackson models. The guitar is known for its slim neck, pointed headstock, locking tremolo system, and versatile pickup setup, making it suitable for both heavy riffs and clean tones. Many early examples were made in Japan and are considered better quality than later Korean-made versions. Its 24-fret neck and compact 24.75" scale length gave it a fast, comfortable feel popular with 80s guitarists. Today, the Charvette 170 has become a collectible budget vintage guitar among fans of classic shred-era instruments.

Specs:

• Body Style: Superstrat double-cutaway
• Scale Length: 24.75"
• Neck: Bolt-on maple neck
• Fingerboard: Rosewood
• Frets: 24 jumbo frets
• Pickup Configuration: S-S-H (2 single coils, 1 humbucker)
• Controls: 1 Volume, 3-way selector switch
• Bridge: Charvel JT-6 locking tremolo / Floyd Rose-style tremolo
• Headstock: Pointed/reverse-style Charvel headstock
• Hardware: Black hardware
• Made In: Japan (early models) / Korea (later production)
• Finish Options: Black, White, Blue, Red Crackle, and other 80s-style finishes

The Little Sister boutique mid-frequency Boost to Push the Amp by Berserker Electronics

The Berserker Electronics Little Sister is a boutique mid-frequency boost pedal designed to help a guitar sit more clearly and prominently in a mix without drastically altering its core tone. Instead of simply increasing volume, it focuses on sculpting the midrange to add presence, punch, and definition, making it especially effective for cutting through dense band arrangements. A three-position frequency selector allows you to choose between 500Hz, 800Hz, and 1kHz, letting you tailor the emphasis from warm and thick to sharp and aggressive. With high headroom and a simple, intuitive layout, it can be used as an always-on tone shaper, an amp pusher, or a focused boost for solos and lead parts. The pedal is known for its ability to enhance clarity and “forwardness” without sounding harsh or overly processed.

Specs:

• Boutique mid-frequency boost / tone sculpting pedal
• Selectable frequency bands: 500Hz / 800Hz / 1kHz
• Designed to enhance presence, clarity, and mix cut
• High-headroom boost circuit for clean signal integrity
• Can push amps into natural breakup or tighten fuzz/overdrive
• Simple control layout (level/output + frequency selector)
• Transparent boost with targeted midrange emphasis
• Works well as an always-on tone enhancer or solo boost
• Compact handmade enclosure
• True bypass switching
• Mono operation
• 9V DC center-negative power supply
• Handmade by Berserker Electronics in the USA

The Virtue Signal Boost by Berserker Electronics

The Berserker Electronics Virtue Signal is a boutique clean boost and tone enhancer designed to subtly improve clarity, presence, and perceived “life” in your guitar signal without significantly altering its core character. Rather than pushing heavy gain or obvious coloration, it focuses on increasing headroom and harmonic definition so that your existing tone feels more open, immediate, and dimensional. Built around a refined op-amp clean boost circuit with an internal voltage boost for extra headroom, it maintains clarity even with high-output pickups or complex pedal chains. It works especially well as an always-on foundation pedal, adding polish to clean tones or tightening the front end of overdrive and fuzz pedals. The result is a transparent but supportive enhancement that makes everything in your signal chain feel slightly bigger, clearer, and more responsive.

Specs:

• Boutique clean boost / tone enhancer pedal
• Based on op-amp clean boost architecture
• Internal +18V charge pump for increased headroom
• Burr-Brown FET op-amp design
• Fixed-gain style boost with minimal coloration
• Designed to enhance clarity, presence, and articulation
• Works as an always-on foundation pedal
• Improves response of downstream overdrive and fuzz pedals
• Low-noise, high-headroom signal path
• Compact boutique stompbox enclosure
• True bypass switching
• Mono operation
• 9V DC center-negative power supply (internally stepped up to +18V)
• Handmade by Berserker Electronics in the USA

The Velcrow Fuzz by Berserker Electronics

The Berserker Electronics Velcrow is a boutique gated fuzz pedal designed to deliver aggressive, tightly controlled fuzz tones with a strong emphasis on percussive attack and dynamic decay. It is inspired by cult-style gated fuzz circuits like the Way Huge Conquistador, but reworked for more headroom, greater usability, and a broader tonal range. The pedal uses a modified Tonebender-style foundation combined with a refined gating system that allows notes to snap, choke, or bloom depending on playing dynamics. It excels at producing everything from tight, staccato riff textures to chaotic, sputtering fuzz that still sits clearly in a mix. Despite its extreme character, the Velcrow is designed to remain playable and musical rather than purely experimental.

Specs:

• Boutique gated fuzz pedal
• Inspired by Way Huge Conquistador-style gated fuzz circuits
• Reworked Tonebender MkIII-style foundation
• Controls for Gain, Tone/EQ shaping, and Gate response (implementation varies by revision)
• Tight, percussive gating with adjustable decay behavior
• Capable of sputtery fuzz, choppy staccato riffs, and high-gain chaos
• Enhanced headroom and output compared to classic gated fuzz designs
• Mid-forward, mix-friendly voicing with controlled low-end
• Designed for experimental rock, noise, shoegaze, and industrial styles
• Compact boutique enclosure
• True bypass switching
• Mono operation
• 9V DC center-negative power supply
• Handmade by Berserker Electronics in the USA

The Autopilot boutique Overdrive by Berserker Electronics

The Berserker Electronics Autopilot is a boutique overdrive pedal based on the legendary Ibanez TS10 Tube Screamer circuit, reworked for greater clarity, responsiveness, and amp-like feel. Designed as a refined “always-on” drive, the Autopilot delivers smooth mid-focused overdrive while retaining more openness and articulation than many traditional Tube Screamer-style pedals. It excels at pushing already-driven amplifiers, tightening fuzz pedals, or providing dynamic low-to-medium gain breakup for blues, rock, and indie tones. Players often praise the pedal for its touch sensitivity and balanced voicing, allowing it to cut through a mix without sounding overly compressed or nasal. Due to its limited production and cult following among pedal enthusiasts, the Autopilot has become a difficult-to-find boutique drive with a strong reputation for musicality and versatility.

Specs:

• Boutique TS10-style overdrive pedal
• Inspired by the Ibanez TS10 Tube Screamer circuit
• Low-to-medium gain overdrive voicing
• Enhanced clarity and touch responsiveness
• Mid-focused drive designed for amplifier boosting
• Excellent for stacking with fuzz and distortion pedals
• Dynamic pick-sensitive response
• Compact handmade boutique enclosure
• Through-hole component construction
• True bypass switching
• Mono operation
• 9V DC center-negative power supply
• Handmade by Berserker Electronics in the USA

The Moldy Peach Overdrive & Fuzz by Berserker Electronics

The Berserker Electronics Moldy Peach is a boutique hard-clipping overdrive and fuzz pedal designed to move from tight, articulate drive tones into unstable, collapsing fuzz textures. Inspired by RAT-style distortion circuits but heavily modified for greater dynamic range and low-frequency control, the Moldy Peach delivers everything from transparent boost sounds to thick shoegaze and noise-rock saturation. Its unique “Mold” control shapes the low-frequency gain structure, allowing players to dial in tighter overdrive response or massive fuzzy chaos without losing clarity. The pedal responds extremely well to pick dynamics and guitar volume changes, making it feel lively and amp-like despite its aggressive gain range. Known for its gritty, decaying character and highly interactive controls, the Moldy Peach has become a cult favorite among experimental, post-rock, and ambient players looking for versatile fuzz-driven textures.

Specs:

• Boutique hard-clipping overdrive / fuzz pedal
• Modified RAT-inspired gain structure
• Controls: Rot, Pulp, Mold, Volume
• Capable of clean boost, overdrive, distortion, and fuzz tones
• “Mold” control adjusts low-frequency gain response
• Dynamic and touch-sensitive clipping character
• Designed for shoegaze, post-rock, experimental, and noise tones
• Retains chord clarity even at high gain settings
• Works well with ambient and reverb-heavy signal chains
• Through-hole component construction
• True bypass switching
• Mono operation
• 9V DC center-negative power supply
• Some versions support 9V battery operation
• Handmade by Berserker Electronic in the USA

The Sasquash Natural Compressor by Berserker Electronics

The Berserker Electronics Sasquash Natural Compressor is a boutique analog compressor pedal designed to deliver smooth, musical compression without sacrificing the natural feel and dynamics of the guitar. Based on a heavily modified Ross-style circuit, the Sasquash focuses on preserving pick attack, touch sensitivity, and amplifier response while adding sustain and tonal consistency. Unlike many traditional compressors, it avoids overly squashed or lifeless tones by using a carefully tuned frequency-dependent clean blend that keeps the original signal feeling cohesive and articulate. The pedal is equally effective as a subtle always-on tone enhancer or as a stronger compression effect for tighter, more controlled playing. With intuitive controls for Intensity, Presence, and Clamp, players can shape everything from open, breathing compression to tighter, more sustained responses while maintaining clarity and responsiveness.

Specs:

• Boutique analog compressor pedal
• Heavily modified Ross-style compression circuit
• Designed for natural, touch-sensitive compression
• Frequency-dependent clean blend built into the circuit
• Controls: Intensity, Presence, Clamp, Volume
• Preserves pick attack and amplifier dynamics
• Capable of subtle sustain enhancement or stronger compression
• Works especially well before overdrive and fuzz pedals
• Smooth release behavior adjustable from open to tight response
• True bypass switching
• Mono operation
• 9V DC center-negative power supply
• Handmade by Berserker Electronics in the USA

The Dead Zone Lo-Fi Filter by Berserker Electronics

The Berserker Electronics Dead Zone is a lo-fi filter and distortion pedal designed to recreate the gritty, bandwidth-limited sound of old AM/FM radio broadcasts and degraded recordings. Inspired by the cult-classic Ibanez LF7 Lo-Fi Filter, the Dead Zone reshapes your guitar tone into a compressed, mid-focused signal filled with vintage “broadcast” character and broken-speaker textures. It excels at creating experimental, industrial, shoegaze, noise-rock, and found-footage style tones that sound intentionally damaged and unstable. The pedal combines filtering and gain stages to produce everything from subtle cassette-style degradation to aggressive, narrow-band distortion. Despite its chaotic personality, the Dead Zone remains tight and articulate, making it useful for both ambient textures and punchy rhythmic playing.

Specs:

• Lo-fi filter and distortion pedal
• Inspired by the Ibanez LF7 Lo-Fi Filter circuit
• Simulates AM/FM radio and degraded recording tones
• Bandwidth-limited EQ filtering with gritty midrange emphasis
• Capable of “small speaker,” cassette, and found-audio textures
• Works well with delay, reverb, and preamp pedals
• Designed for experimental, shoegaze, industrial, and noise tones
• Tight, percussive low-fidelity distortion response
• Compact boutique stompbox enclosure
• True bypass switching
• Mono operation
• 9V DC center-negative power supply
• Handmade by Berserker Electronics in the USA

The Hydronaut by Berserker Electronics

The Berserker Electronics Hydronaut is a boutique-style delay and echo pedal designed to blend the warmth of vintage analog delays with the clarity and extended functionality of modern digital units. Built for ambient textures, slapback echoes, and atmospheric lead sounds, it delivers smooth repeats that sit naturally behind the dry guitar signal instead of overpowering it. The pedal is carefully tuned by ear to achieve a rich, musical response that works exceptionally well with overdrive, fuzz, and modulation effects. With its simple control layout and highly responsive repeats, the Hydronaut offers an intuitive experience while still covering a wide range of delay tones. Its analog-voiced character gives players the feel of classic tape and bucket-brigade echoes while retaining modern reliability and extended delay time capabilities.

Specs:

• Analog-voiced digital delay / echo pedal
• Designed for ambient, tape-style, and slapback delay sounds
• Up to 600ms of delay time
• Warm, slightly submerged analog-style repeats
• Clear and articulate repeat voicing for live mix clarity
• Controls for Delay Time, Feedback, and Blend
• Repeats sit subtly behind the dry signal for reverb-like ambience
• Works well with overdrive, fuzz, and modulation pedals
• Compact boutique stompbox enclosure
• True bypass switching
• Handmade by Berserker Electronics in the USA

The Hydronaut Delay by Berserker Electronics

The Berserker Electronics Hydronaut is a boutique-style delay and echo pedal designed to blend the warmth of vintage analog delays with the clarity and extended functionality of modern digital units. Built for ambient textures, slapback echoes, and atmospheric lead sounds, it delivers smooth repeats that sit naturally behind the dry guitar signal instead of overpowering it. The pedal is carefully tuned by ear to achieve a rich, musical response that works exceptionally well with overdrive, fuzz, and modulation effects. With its simple control layout and highly responsive repeats, the Hydronaut offers an intuitive experience while still covering a wide range of delay tones. Its analog-voiced character gives players the feel of classic tape and bucket-brigade echoes while retaining modern reliability and extended delay time capabilities.

Specs:

• Analog-voiced digital delay / echo pedal
• Designed for ambient, tape-style, and slapback delay sounds
• Up to 600ms of delay time
• Warm, slightly submerged analog-style repeats
• Clear and articulate repeat voicing for live mix clarity
• Controls for Delay Time, Feedback, and Blend
• Repeats sit subtly behind the dry signal for reverb-like ambience
• Works well with overdrive, fuzz, and modulation pedals
• Compact boutique stompbox enclosure
• True bypass switching
• Handmade by Berserker Electronics in the USA

The Hydronaut by Berserker Electronics

The Berserker Electronics Hydronaut is a boutique-style delay and echo pedal designed to blend the warmth of vintage analog delays with the clarity and extended functionality of modern digital units. Built for ambient textures, slapback echoes, and atmospheric lead sounds, it delivers smooth repeats that sit naturally behind the dry guitar signal instead of overpowering it. The pedal is carefully tuned by ear to achieve a rich, musical response that works exceptionally well with overdrive, fuzz, and modulation effects. With its simple control layout and highly responsive repeats, the Hydronaut offers an intuitive experience while still covering a wide range of delay tones. Its analog-voiced character gives players the feel of classic tape and bucket-brigade echoes while retaining modern reliability and extended delay time capabilities.

Specs:

• Analog-voiced digital delay / echo pedal
• Designed for ambient, tape-style, and slapback delay sounds
• Up to 600ms of delay time
• Warm, slightly submerged analog-style repeats
• Clear and articulate repeat voicing for live mix clarity
• Controls for Delay Time, Feedback, and Blend
• Repeats sit subtly behind the dry signal for reverb-like ambience
• Works well with overdrive, fuzz, and modulation pedals
• Compact boutique stompbox enclosure
• True bypass switching
• Handmade by Berserker Electronics in the USA

The Citadel JFET Master Lead by Electronic Audio Experiments

The Electronic Audio Experiments Citadel JFET Master Lead is a preamp-style overdrive pedal inspired by the classic British amplifier tones of the 1960s and 1970s. Designed to capture everything from warm clean sounds to aggressive plexi-style lead tones, it combines the feel of vintage tube amps with modern flexibility. The pedal uses a JFET-based circuit to emulate both preamp and power amp behavior, giving it a highly responsive and amp-like character. Its dual gain controls allow players to blend bright, cutting tones with darker, thicker voicings for a wide range of rock and blues sounds. The Citadel also works exceptionally well as the centerpiece of an ampless rig or as a powerful standalone drive pedal.

Specs:

• Preamp-style JFET overdrive / amp-in-a-box pedal
• Inspired by vintage British “plexi” amplifier tones
• Dual-channel gain structure: Bright Gain & Normal Gain
• 3-band FMV tone stack (Bass, Midrange, Treble)
• Master Volume control with high output capability
• Relay switching with true bypass
• Input impedance: 500kΩ
• Output impedance: 1kΩ
• Power requirement: 9V DC, center-negative (2.1 mm)
• Current draw: 65 mA
• Requires regulated isolated power supply (100 mA minimum)
• No battery operation supported
• Made in the United States

Nick Johnston Traditional HSS by Schecter

The Schecter Nick Johnston Traditional HSS – Atomic Ink is a versatile signature electric guitar built for players who want classic Strat-style comfort with modern playability and expanded tonal flexibility. Designed in collaboration with virtuoso guitarist Nick Johnston, it features an HSS pickup configuration that delivers everything from sparkling cleans to powerful rock and fusion tones. The roasted maple neck and smooth 14" fretboard radius provide an exceptionally fast, comfortable playing experience suited for technical lead work and expressive bends. A Schecter Diamond Vintage tremolo and locking tuners ensure excellent tuning stability while maintaining a traditional feel. Finished in the sleek Atomic Ink color, the guitar combines understated aesthetics with premium craftsmanship, making it a popular choice among modern session players and progressive guitarists.

Specs:

• Solid alder body
• Bolt-on roasted maple neck
• Roasted maple fingerboard
• Thin “C” neck profile
• 25.5" (648 mm) scale length
• 14" fretboard radius
• 22 X-Jumbo frets
• Graph Tech XL Black Tusq nut
• 42 mm nut width
• Schecter Diamond ’78 humbucker (bridge)
• Schecter Diamond Nick Johnston single-coil pickups (middle & neck)
• HSS pickup configuration
• Push-pull coil split on tone control
• 5-way pickup selector switch
• Schecter Diamond Vintage tremolo bridge
• Schecter locking tuners
• Chrome hardware
• Brass circle inlays
• Ernie Ball Regular Slinky .010–.046 strings
• Atomic Ink gloss finish
• Made in Indonesia
• Optional SGR hard case sold separately

The Q1 Ultra 8K Wireless Mechanical Keyboard (Black, Keychron Silk POM Banana Switches) by Keychron

The Keychron Q1 Ultra 8K Wireless Custom Mechanical Keyboard is a high-end 75% custom mechanical keyboard designed for enthusiasts, gamers, and professionals who want ultra-fast responsiveness combined with premium typing acoustics. Its CNC-machined aluminum body, double-gasket mount, and layered acoustic foam create a smooth, solid, and satisfyingly dampened typing feel. Equipped with Keychron Silk POM Banana tactile switches, the keyboard offers a soft tactile bump with exceptionally smooth travel that many users describe as “creamy” and comfortable for extended typing sessions. The Q1 Ultra supports 2.4 GHz wireless, Bluetooth 5.3, and wired USB-C connectivity while delivering up to an 8000 Hz polling rate for extremely low latency performance. Powered by ZMK firmware and fully programmable through the Keychron Launcher web app, it provides deep customization for macros, RGB lighting, and layouts across both macOS and Windows systems.

Specs:

• 75% compact mechanical keyboard layout
• CNC-machined full aluminum body
• Keychron Silk POM Banana tactile switches
• Hot-swappable PCB (3-pin & 5-pin MX compatible)
• Double-gasket mounting design
• Multi-layer acoustic foam system
• 2.4 GHz wireless, Bluetooth 5.3, and USB-C wired connectivity
• Up to 8000 Hz polling rate (wired & 2.4 GHz)
• ZMK firmware support
• Fully programmable via Keychron Launcher web app
• KSA profile double-shot PBT keycaps
• Per-key RGB and dual-zone Mix RGB lighting
• Compatible with macOS and Windows
• Dedicated rotary knob control
• Up to 660 hours battery life (backlight off)
• Screw-in PCB stabilizers
• Supports multiple connected devices
• Includes Mac and Windows keycap sets
• Black finish with customizable RGB backlighting

The A5 Ultra Fretless Bass Guitar by Godin

The Godin A5 Bass Ultra Fretless Natural is a premium semi-acoustic 5-string bass designed for players who want the expressive tone of an upright bass combined with modern electric bass versatility. Its fretless Richlite fingerboard delivers smooth “mwah” articulation and fluid slides, making it ideal for jazz, fusion, ambient, and acoustic settings. The dual pickup system blends a Lace Sensor magnetic pickup with custom L.R. Baggs saddle transducers, allowing players to switch between warm acoustic resonance and punchy electric tones with ease. A chambered Canadian Laurentian basswood body and solid spruce top give the instrument a rich, resonant voice while keeping it lightweight and comfortable to perform with. Built in Canada, the A5 Ultra is widely praised for its craftsmanship, dynamic response, and highly adaptable tonal range.

Specs:

• 5-string fretless semi-acoustic bass
• Two-chambered Canadian Laurentian basswood body
• Solid spruce top
• Hard rock maple neck
• Richlite fretless fingerboard
• 34" (864 mm) scale length
• 16" fingerboard radius
• Graph Tech nut – 1.825" (46.35 mm) width
• LR Baggs saddle transducers + Lace Sensor magnetic pickup
• Custom onboard preamp with bass, mid, treble, volume, saturation, and Fat-Switch controls
• Separate volume and tone controls for magnetic pickup
• Three output options: electric, acoustic, and mixed signal
• Ebony bridge
• 20:1 ratio machine heads
• Semi-gloss natural finish
• Includes gig bag
• Made in Canada

The M9 Carbine™ Head by Mesa/Boogie

The Mesa/Boogie M9 Carbine Head is a high-powered hybrid bass amplifier head designed for professional live and studio use. Introduced as part of Mesa/Boogie’s Carbine series, it combines a tube-driven preamp with a MOSFET solid-state power section to deliver fast response, tight low-end punch, and detailed articulation. The M9 became popular among touring bassists for its immense headroom, flexible EQ shaping, and onboard studio-quality compressor. Its 9-band graphic EQ and selectable voice controls allow players to fine-tune tones ranging from vintage warmth to aggressive modern attack. Despite its heavy-duty construction and weight, the amp is highly regarded for reliability, dynamic feel, and the signature Mesa/Boogie clarity and power.

Specs:

• Type: Hybrid bass amplifier head
• Power Output: 600 watts @ 4 or 2 ohms / 320 watts @ 8 ohms
• Preamp: 1 × Mesa 12AX7 vacuum tube
• Power Section: Trans-Class™ MOSFET power amp with 8 power MOSFETs
• EQ Section: 9-band graphic EQ with footswitchable operation
• Tone Controls: Active Bass, Passive Mid, Active Treble
• Voice Control: 5-position active Mid-Voice switch
• Compressor: Built-in studio-quality compressor with Threshold & Ratio controls
• Inputs: 1 × 1/4" instrument input
• Outputs: 2 × Speakon/1/4" combo speaker outputs
• DI Output: Balanced XLR direct output with Pre/Post, Level, and Ground Lift controls
• Effects Loop: Buffered series FX loop with automatic true bypass
• Cooling: Fan cooled
• Footswitch: Included (controls EQ and Mute)
• Formats: Standard head or 2-space rackmount version
• Construction: Aluminum chassis with Baltic Birch enclosure
• Dimensions: 8" H × 23" W × 15" D
• Weight: Approximately 50 lbs (22.7 kg)
• Manufacturer: Mesa/Boogie

The AES/EBU Expansion Card by Digital Audio Denmark

The Digital Audio Denmark AES/EBU Expansion Card is a professional digital audio interface card designed for expanding DAD and NTP modular audio systems with additional AES3/EBU connectivity. It is commonly used in broadcast facilities, recording studios, and high-end post-production environments where reliable digital audio routing is essential. The card provides multiple channels of AES3 digital input and output with integrated sample-rate conversion for improved compatibility between digital devices. Its modular design allows it to integrate seamlessly into systems such as the Penta 720, AX Center, and other DAD routing platforms. Engineers value the card for its low-latency performance, high audio fidelity, and dependable synchronization in complex professional audio networks.

Specs:

• Type: AES3/EBU digital audio expansion card
• Compatibility: Digital Audio Denmark / NTP modular systems
• Model: CARD-8AES
• Inputs: 8 × AES3 digital inputs
• Outputs: 8 × AES3 digital outputs
• Total Channels: 16-channel digital audio I/O
• Sample Rates: 44.1 kHz to 384 kHz
• Conversion: Built-in Sample Rate Conversion (SRC) on inputs
• Connector Type: LFH60 breakout connection
• Audio Format: AES3 / AES-EBU digital audio
• Application: Broadcast, studio, routing, and post-production systems
• Integration: Compatible with Penta 720, AX Center, Thunder | Core, and related DAD systems
• Performance: Low-latency professional digital signal routing
• Manufacturer: Digital Audio Denmark

The Vintage B2000 Super Bass Amp Head by Earth Sound Research

The Earth Sound Research Super Bass B2000 is a vintage all-tube bass amplifier head produced in the 1970s in the United States. It became known for its warm, powerful tone that closely resembles classic Fender Bassman-style amplifiers from the same era. The amp features rugged point-to-point wiring and heavy-duty transformers, giving it a loud, punchy sound suitable for both bass and guitar. Many players appreciate its thick low-end response, natural tube saturation, and distinctive “tuck and roll” cosmetic design. Because of its age, most surviving units require servicing or restoration, but well-maintained examples are valued for their vintage character and unique sound.

Specs:

• Type: All-tube bass amplifier head
• Era: 1970s
• Power Output: Approximately 100–130 watts RMS
• Power Tubes: 4 × 6L6GC tubes
• Channels: 2 channels (Normal/Bright inputs)
• Inputs: 4 × 1/4" inputs
• EQ Controls: Bass, Middle, Treble controls for each channel
• Speaker Outputs: Multiple 1/4" speaker outputs
• Impedance: Typically designed for 4-ohm cabinets
• Construction: Point-to-point wired chassis
• Covering: Vinyl “Tuck and Roll” finish
• Made In: United States
• Use: Bass and guitar applications
• Weight: Heavy-duty vintage steel chassis design