hashimoto's activity

edited a deleted item

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SolidGoldFX Sasori
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Solid Gold FX Sasori (Dublicate)
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Solid Gold FX

Apr 22, 2026

edited Solid Gold FX Horizon Compressor

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SolidGoldFX Horizon Compressor
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Solid Gold FX Horizon Compressor
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Solid Gold FX

Apr 22, 2026

edited Solid Gold FX EM-III Multi-Head Octave Echo

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SolidGoldFX EM-III Multi-Head Octave Echo
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Solid Gold FX EM-III Multi-Head Octave Echo
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Solid Gold FX

Apr 22, 2026

edited Solid Gold FX Stutter-lite Tremolo

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SolidGoldFX Stutter-lite Tremolo
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Solid Gold FX Stutter-lite Tremolo
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Solid Gold FX

Apr 22, 2026

edited Solid Gold FX 76 MKII Octave Fuzz

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SolidGoldFX 76 MKII Octave Fuzz
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Solid Gold FX 76 MKII Octave Fuzz
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Solid Gold FX

Apr 22, 2026

edited Solid Gold FX Electroman MKII Modulated Delay

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SolidGoldFX Electroman MKII Modulated Delay
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Solid Gold FX Electroman MKII Modulated Delay
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Solid Gold FX

Apr 22, 2026

edited Solid Gold FX Funk-Lite Envelope Filter

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SolidGoldFX Funk-Lite Envelope Filter
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Solid Gold FX Funk-Lite Envelope Filter
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Solid Gold FX

Apr 22, 2026

edited Solid Gold FX If 6 Was 9

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SolidGoldFX If 6 Was 9
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Solid Gold FX If 6 Was 9
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Solid Gold FX

Apr 22, 2026

edited Ibanez TTR 35B Talman Intertour

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The TTR35B Talman Intertour by Ibanez

The Ibanez Talman Intertour TTR35B is a rare late-‘90s acoustic-electric bass from the Talman Intertour series, designed to blend electric bass playability with an acoustic-style body. It features a compact hollow body with a spruce top and mahogany back/sides, giving it a warm, rounded tone with more projection than a solid-body bass. The 5-string setup extends the low-end range, making it suitable for modern styles while still keeping a lightweight, comfortable feel. Equipped with a built-in B-Band pickup system and preamp, it performs best when amplified, delivering a clear and defined sound. Today, it’s considered a niche and collectible model due to its short production run and unique hybrid design.

Specs:

• Type: Acoustic-electric 5-string bass
• Body: Hollow body (mahogany back & sides, spruce top)
• Shape: Talman double cutaway
• Neck: 3-piece maple
• Fretboard: Rosewood
• Scale Length: 34″ (864 mm)
• Frets: 22
• Nut Width: 42 mm
• Nut: Ivorex II
• Pickup: Ibanez EMF B-Band (under-saddle)
• Preamp: Ibanez AEQ2C (2-band EQ)
• Controls: Volume, Bass, Treble
• Bridge: Rosewood (19 mm string spacing)
• Machine Heads: Ibanez die-cast
• Output: ¼″ jack (endpin)
• Power: 9V battery
• Hardware: Nickel
• Production: 1999–2000, Made in South Korea
Marked item as Vintage or Discontinued

Apr 22, 2026

edited Jet Guitars JT-450 QTPK

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The JT-450 QTPK is a modern T-style Electric Guitar by JET Guitars

The JET Guitars JT-450 QTPK is a modern T-style electric guitar that blends classic Tele-inspired design with upgraded features and eye-catching aesthetics. Its quilted maple top in transparent pink gives it a premium, standout look, while the roasted maple neck and fretboard provide stability and a smooth, broken-in feel. Designed for versatility, the HH pickup configuration with coil-splitting allows it to cover everything from warm cleans to punchy, higher-gain tones. The guitar is built with player-friendly specs like a Modern C neck profile and locking tuners for reliable tuning stability. Overall, it’s a well-rounded instrument aimed at players who want modern performance with bold styling.

Specs:

Machine Head Chrome Locking
Neck Canadian Roasted Maple
Shape Modern C
Fretboard Roasted Maple
Radius 9,5″
Nut Width 1,65″
Nut Bone / Polymer Fibre since 2025
Truss Rod Double Action
string Scale 25,5″
Number of Frets 22
Body Roasted Poplar with Quilted Maple
Pickup HH, Alnico, Made in Korea
Bridge Fixed
Controls 1V, 1T, 3 Way Switch, Push Pull
Hardware Chrome, Locking Tuners
Color Quilted Transparent Pink

Apr 22, 2026

edited Boss CE-2 Chorus Japan Black Label

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The Vintage CE-2 Chorus from the 80ties also called "Black Label"

The Boss CE-2 Chorus Japan Black Label is one of the earliest and most sought-after versions of the classic compact chorus pedal. Produced in Japan in the early 1980s, it’s known for its warm, lush analog modulation and simple two-knob control layout (Rate and Depth). These early units helped define the iconic ‘80s chorus sound, with a rich, slightly dark character and strong mid presence. Built with high-quality components like the MN3007 BBD chip, they’re prized for their durability and musical response. Today, the Black Label versions are considered collectible due to their age, tone, and “Made in Japan” build quality.

Specs:

• Effect Type: Analog Chorus
• Controls: Rate, Depth
• Circuit: MN3007 BBD chip with MN3101 clock
• Input Impedance: 470 kΩ
• Signal-to-Noise Ratio: 90 dB or higher
• Power: 9V DC (ACA adaptor) / battery
• Current Draw: ~9 mA
• Construction: Made in Japan (MIJ)
• Output: Mono in / Mono out
Set Bypass to buffered bypass
Set Analog/Digital to analog
Set Mono/Stereo to mono
Set Power to 9V

Apr 22, 2026

edited Axis Wrecking Ball Beater

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The Wrecking Ball Beater by Axis

The Axis Wrecking Ball Beater is a high-performance bass drum beater designed for drummers who want maximum impact and precision. It features a unique spherical head that delivers a punchy, consistent attack with excellent projection, making it ideal for heavier music styles. The beater is engineered with a lightweight yet durable shaft, helping maintain speed while increasing power. Its innovative design also reduces unwanted vibration, giving players better control and feel. Overall, it’s built for drummers who need both speed and aggressive tone without sacrificing accuracy.

Specs:

• Beater Head: Solid spherical “wrecking ball” design
• Material: High-density rubber or composite head with metal shaft
• Shaft Type: Lightweight, precision-balanced metal
• Sound Profile: Punchy, powerful attack with strong low-end presence
• Compatibility: Fits most standard bass drum pedals
• Use Case: Ideal for rock, metal, and high-impact playing styles

Apr 22, 2026

edited Neumann VMS-80

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Combo Decks
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Mixers

Apr 21, 2026

edited Neumann VMS-80

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The VMS-80 is a legendary high-precision vinyl cutting lathe by Neumann

The Neumann VMS-80 is a legendary high-precision vinyl cutting lathe developed by Neumann for mastering lacquer discs used in professional record production. It is widely regarded as one of the most advanced analog cutting systems ever built, forming the backbone of high-end vinyl mastering studios around the world. The system is used to engrave audio directly onto lacquer or copper discs, which are then used to press vinyl records. Its design emphasizes extreme mechanical stability, precision control, and compatibility with cutting heads like the SX series. Even today, refurbished VMS-80 systems remain in use in elite mastering facilities due to their unmatched analog sound quality and engineering reliability.

Specs:

• Type: Vinyl lacquer disc cutting lathe (mastering system)
• Function: Cuts audio grooves directly into lacquer or copper discs
• Cutting Compatibility: Typically used with Neumann cutting heads (e.g., SX-series systems)
• Drive System: Precision mechanical lathe bed system (low-vibration design)
• Application: Professional vinyl mastering / record production
• Output: Lacquer or Direct Metal Master (DMM-compatible workflows in some setups)
• Era: Originally developed as part of Neumann’s high-end mastering equipment line (late 20th century)
• Usage: Still used in restored form in top-tier mastering studios today
• Status: Discontinued (no longer manufactured, only maintained/refurbished units exist)
Marked item as Vintage or Discontinued

Apr 21, 2026

edited Strymon Canoga Vintage Silicon Fuzz

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Simple on the surface but full of character under your fingers, the Strymon Canoga delivers a classic silicon-based fuzz experience with a dynamic, player-responsive edge. Built around a tweaked vintage-inspired circuit, this all-analog pedal moves effortlessly from thick, saturated fuzz to gritty distortion, all while maintaining top-end presence. With just Drive and Level controls, dialing in your sound is immediate, but the real magic comes from how the pedal reacts to your guitar’s volume knob and your picking dynamics. Roll things back, and the Canoga delivers articulate, semi-clean tones that keep their bite, opening the door to a wide range of styles without ever stepping on another pedal. It’s a fuzz that invites interaction, rewarding subtle changes in touch and control with a surprisingly broad tonal palette.

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The Canoga Vintage Silicon Fuzz by Strymon

Simple on the surface but full of character under your fingers, the Strymon Canoga delivers a classic silicon-based fuzz experience with a dynamic, player-responsive edge. Built around a tweaked vintage-inspired circuit, this all-analog pedal moves effortlessly from thick, saturated fuzz to gritty distortion, all while maintaining top-end presence. With just Drive and Level controls, dialing in your sound is immediate, but the real magic comes from how the pedal reacts to your guitar’s volume knob and your picking dynamics. Roll things back, and the Canoga delivers articulate, semi-clean tones that keep their bite, opening the door to a wide range of styles without ever stepping on another pedal. It’s a fuzz that invites interaction, rewarding subtle changes in touch and control with a surprisingly broad tonal palette.

The Strymon Canoga Vintage Silicon Fuzz is a compact, all-analog fuzz pedal that blends classic ’60s silicon fuzz character with modern clarity and responsiveness. Based on a modified Fuzz Face–style circuit, it delivers everything from saturated fuzz to lighter, almost overdrive-like tones depending on your guitar’s volume control. Designed as part of Strymon’s Series A lineup, it emphasizes simplicity with just two knobs while maintaining a wide tonal range. Its dynamic interaction with your guitar and amp allows for expressive cleanup and bright, articulate tones even at lower volumes. Despite its minimal controls, it’s a highly touch-sensitive pedal aimed at players who value feel and vintage-inspired sound.

Specs:

• Type: All-analog silicon fuzz pedal
• Circuit: Modified vintage Fuzz Face-style design
• Controls: Drive, Level (2-knob layout)
• Bypass: True bypass switching
• Power: 9V DC (standard pedalboard supply, ~50mA)
• Features: Cleans up with guitar volume, retains high-end clarity
• Internal Option: Startup-state jumper (engaged/bypassed)
• Design: Unbuffered, low input impedance (best first in chain)
• Series: Strymon Series A (analog-focused lineup)
• Origin: Designed and built in USA
Set Bypass to true bypass
Set Analog/Digital to analog
Set Power to 9V

Apr 21, 2026

edited ESP EDWARDS Karmaster Platinum Edition

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ESP EDWARDS Platinum Edition Karmaster
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ESP EDWARDS Karmaster Platinum Edition

Apr 21, 2026

edited ESP EDWARDS Karmaster Platinum Edition

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ESP EDWARDS Platinum Edition KARMASTER 2024
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ESP EDWARDS Platinum Edition Karmaster
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The Karmaster Platinum Edition Signature Guitar of Yoshimitsu Taki by ESP EDWARDS

The ESP EDWARDS Platinum Edition KARMASTER 2024 is a high-quality Japanese-made electric guitar designed as the signature model of Yoshimitsu Taki, known for its minimalist control layout and aggressive tonal character. Built with premium tonewoods and ESP’s Custom Lab hardware, it delivers a tight, articulate sound suited for rock and heavier genres. Its lightweight construction and bolt-on design provide a responsive feel with strong sustain and clarity. The use of Seymour Duncan SH-6 pickups ensures powerful output with rich harmonics and punchy mids. Overall, it combines boutique-level craftsmanship with practical performance features, making it a versatile yet focused instrument.

Specs:

• Body: Alder
• Neck: Hard Maple (CT System)
• Fingerboard: Pau Ferro, 22 frets
• Scale Length: 648 mm (25.5")
• Nut: Bone
• Construction: Bolt-on (ESP Custom Lab Titan Plate)
• Tuners: GOTOH SG360-P7 MG-T
• Bridge: ESP Custom Lab Fixed Bridge (string-through-body)
• Pickups: Seymour Duncan SH-6n (neck) & SH-6b (bridge)
• Controls: Master Volume, Mini Toggle Pickup Selector
• Inlays: Acrylic Dot
• Weight: Approx. 2.31 kg
• Made in: Japan
• Accessories: Gig bag included

Apr 21, 2026

edited Satellite Amplifiers Niveus

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Satellite Amplifiers niveus
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Satellite Amplifiers Niveus

Apr 21, 2026

edited Satellite Amplifiers Niveus

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The Niveus 7Watts Tube-Amp by Satellite Amplifiers

The Satellite Amplifiers Niveus is a boutique, low-wattage tube guitar amplifier designed for rich, dynamic tone at manageable volumes. Built with a minimalist control layout, it focuses on delivering pure, touch-sensitive response rather than heavy onboard features. With its single-ended Class A-style design and tube rectifier, the amp produces warm cleans that break up smoothly into natural overdrive when pushed. Its low power output makes it ideal for studio recording, home use, or mic’d live situations where controlled volume is important. Like many boutique amps, it emphasizes high-quality components and vintage-inspired tone over versatility.

Specs:

• Type: All-tube guitar amplifier
• Power Output: 7 watts
• Tubes: 1× 6V6 (power), 1× 12AX7 (preamp), 1× 5Y3 (rectifier)
• Controls: Volume, Tone
• Inputs: High and Low input options
• Switches: Standby / Off / On
• Speaker Outputs: Switchable 4, 8, or 16 ohms
• Configuration: Available as head or 1×12 combo (Celestion Alnico Blue option)
• Design: Boutique, hand-built style construction
• Use Case: Studio, home, and low-volume performance applications
Set Amp Type to tube

Apr 21, 2026

edited Bastl Instruments Kastle 2 Wave Bard

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The Kastle 2 Wave Bard Semi-Modular Groovebox by Bastl Instruments

The Bastl Instruments Kastle 2 Wave Bard is a compact, experimental stereo sample player and semi-modular groovebox designed for creative sound exploration. It combines sample playback with patchable modulation, allowing users to generate evolving rhythms, melodies, and textures through its built-in pattern generator and LFO. Despite its small size, it offers deep functionality including onboard effects, scale quantization, and extensive CV/Gate routing for modular-style interaction. The instrument encourages a semi-autonomous workflow, where patterns and sequences can evolve organically rather than being strictly programmed. With USB MIDI support and the ability to load custom samples via a web app, it bridges portable hardware jamming with modern digital production setups.

Specs:

• Type: Patchable stereo sample player / semi-modular groovebox
• Sample Engine: User-loadable samples via web app (banks & sequencing)
• Polyphony: Sample-based playback (bank-based triggering system)
• Effects: Built-in filter, delay, chorus/flanger
• Modulation: CV/Gate pattern generator, LFO, envelope, extensive patch points
• Sequencing: Pattern generator with adjustable step length and polyrhythms
• MIDI: USB MIDI in/out (notes, clock, CC)
• Audio I/O: Stereo input and output, sync in/out
• Power: USB-C or 3× AA batteries (approx. 15–18 hours)
• Bit Depth / Rate: 16-bit / 44 kHz stereo processing
• Portability: Pocket-sized, standalone operation

Apr 21, 2026

edited D. Kowalski Amplifiers Enigma Custom Amp Head

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D. Kowalski Amplifiers

Apr 21, 2026

edited LOW BOY Standard Wood Beater in Natural with Black Stripes

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The Standard Wood Beater in Natural with Black Stripes by Low Boy

The Low Boy Standard Wood Beater in Natural with Black Stripes is a minimalist, vintage-inspired bass drum beater designed for players who want a clean, articulate attack with a natural wood tone. Its solid wood striking head delivers a punchy, focused sound that sits well in both acoustic and amplified settings. The natural finish with black stripe detailing gives it a distinctive handmade aesthetic that stands out without being flashy. Built for stability and consistency, it is designed to work smoothly with most standard bass drum pedals. It’s especially suited for drummers looking for a balance between classic feel and modern precision.

Specs:

• Type: Bass drum pedal beater
• Material: Solid wood striking head with metal shaft
• Finish: Natural wood with black stripe detailing
• Sound Character: Bright, punchy, and articulate attack
• Compatibility: Fits most standard bass drum pedals
• Design Style: Minimalist, vintage-inspired aesthetic

Apr 21, 2026

edited Yamaha SG1000 “Rainbow Goblins” (1981 Custom)

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The e Yamaha SG1000 “Rainbow Goblins” Custom

The Yamaha SG1000 “Rainbow Goblins” (1981 Custom) is a highly unique, artist-modified version of the classic SG1000, made famous by Masayoshi Takanaka during his Rainbow Goblins era. Originally a late-1970s SG1000, the guitar was heavily customized in 1981 with a striking rainbow finish and modified electronics for stage performance. It became visually iconic during Takanaka’s theatrical live shows, especially the legendary performances tied to his album The Rainbow Goblins. Sonically, it retained the SG1000’s warm, sustaining tone but gained additional versatility through pickup and wiring changes. Today, the original instrument is considered a rare collector’s piece, with uncertain whereabouts and occasional reappearances fueling its legendary status.

Specs:

• Model Base: Yamaha SG1000 (late ’70s platform)
• Body: Mahogany with carved maple top
• Neck: Set neck (mahogany/maple construction)
• Fingerboard: Ebony
• Pickups: Modified (reportedly replaced with aftermarket humbuckers)
• Electronics: Coil-split (“Bi-Sound”) system retained/modified
• Controls: 2× Volume, 2× Tone, 3-way selector + coil-split switching
• Finish: Custom rainbow paint (“Rainbow Goblins” theme)
• Year of Customization: 1981
• Origin: Japan (customized outside Yamaha factory)
• Status: One-off custom / artist-associated vintage instrument

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The Yamaha SG1000 “Rainbow Goblins” Custom

The Yamaha SG1000 “Rainbow Goblins” (1981 Custom) is a highly unique, artist-modified version of the classic SG1000, made famous by Masayoshi Takanaka during his Rainbow Goblins era. Originally a late-1970s SG1000, the guitar was heavily customized in 1981 with a striking rainbow finish and modified electronics for stage performance. It became visually iconic during Takanaka’s theatrical live shows, especially the legendary performances tied to his album The Rainbow Goblins. Sonically, it retained the SG1000’s warm, sustaining tone but gained additional versatility through pickup and wiring changes. Today, the original instrument is considered a rare collector’s piece, with uncertain whereabouts and occasional reappearances fueling its legendary status.

Specs:

• Model Base: Yamaha SG1000 (late ’70s platform)
• Body: Mahogany with carved maple top
• Neck: Set neck (mahogany/maple construction)
• Fingerboard: Ebony
• Pickups: Modified (reportedly replaced with aftermarket humbuckers)
• Electronics: Coil-split (“Bi-Sound”) system retained/modified
• Controls: 2× Volume, 2× Tone, 3-way selector + coil-split switching
• Finish: Custom rainbow paint (“Rainbow Goblins” theme)
• Year of Customization: 1981
• Origin: Japan (customized outside Yamaha factory)
• Status: One-off custom / artist-associated vintage instrument

Apr 21, 2026

edited Yamaha SG1000 “Rainbow Goblins” (1981 Custom)

Marked as Vintage or Discontinued. Added item description.

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The e Yamaha SG1000 “Rainbow Goblins” Custom

The Yamaha SG1000 “Rainbow Goblins” (1981 Custom) is a highly unique, artist-modified version of the classic SG1000, made famous by Masayoshi Takanaka during his Rainbow Goblins era. Originally a late-1970s SG1000, the guitar was heavily customized in 1981 with a striking rainbow finish and modified electronics for stage performance. It became visually iconic during Takanaka’s theatrical live shows, especially the legendary performances tied to his album The Rainbow Goblins. Sonically, it retained the SG1000’s warm, sustaining tone but gained additional versatility through pickup and wiring changes. Today, the original instrument is considered a rare collector’s piece, with uncertain whereabouts and occasional reappearances fueling its legendary status.

Specs:

• Model Base: Yamaha SG1000 (late ’70s platform)
• Body: Mahogany with carved maple top
• Neck: Set neck (mahogany/maple construction)
• Fingerboard: Ebony
• Pickups: Modified (reportedly replaced with aftermarket humbuckers)
• Electronics: Coil-split (“Bi-Sound”) system retained/modified
• Controls: 2× Volume, 2× Tone, 3-way selector + coil-split switching
• Finish: Custom rainbow paint (“Rainbow Goblins” theme)
• Year of Customization: 1981
• Origin: Japan (customized outside Yamaha factory)
• Status: One-off custom / artist-associated vintage instrument
Marked item as Vintage or Discontinued

Apr 21, 2026

edited Nikon D3500

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The D3500l DSLR Camera by Nikon

The Nikon D3500 is an entry-level DSLR camera designed for beginners who want high-quality photography with simple, intuitive controls. It features a 24.2-megapixel APS-C (DX-format) sensor that delivers sharp images with strong detail and natural colors, even in challenging lighting conditions. The camera is well known for its lightweight body, long battery life, and “Guide Mode,” which helps new users learn photography step by step. Despite its simplicity, it offers solid performance with fast autofocus and continuous shooting, making it suitable for everyday shooting, travel, and basic action photography. Although discontinued, it remains popular on the used market due to its reliability and excellent image quality for the price.

Specs:

• Camera Type: Digital DSLR (entry-level)
• Sensor: 24.2 MP APS-C (DX-format CMOS)
• Lens Mount: Nikon F-mount (interchangeable lenses)
• ISO Range: 100 – 25,600
• Autofocus: 11-point AF system (Multi-CAM 1000)
• Continuous Shooting: Up to 5 fps
• Video: Full HD 1080p up to 60 fps
• Screen: 3.0" fixed LCD display
• Connectivity: Bluetooth (SnapBridge), no Wi-Fi
• Battery Life: Approx. 1500 shots per charge
• Weight: Approx. 415 g (body only)

Apr 21, 2026

edited Poison Noises The Hauntings

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The Hauntings Screamer Overdrive by Poison Noises

The Poison Noises “The Hauntings” is a Tube Screamer–style overdrive pedal created in collaboration with the punk band The Hauntings, designed to deliver a punchy, expressive drive with plenty of attitude. It leans toward classic mid-focused overdrive tones but with a more aggressive edge, making it suitable for punk, alternative, and gritty rock sounds. Like many Poison Noises pedals, it likely features a simple but effective control layout focused on shaping gain and output rather than complex tweaking. Its ability to run at higher voltages gives it added headroom and dynamic response compared to standard 9V drives. Overall, it’s a characterful, limited-style boutique pedal aimed at players who want a familiar overdrive foundation with a louder, more raw personality.

Specs:

• Effect Type: Overdrive (Tube Screamer–style)
• Circuit: Analog (typical for TS-style designs)
• Controls: Likely Volume, Gain, Tone (standard layout; exact naming may vary)
• Bypass: True bypass (common for boutique Poison Noises pedals)
• Power: 9V–18V DC (center-negative)
• Headroom: Increased when running at 18V
• Collaboration: Designed with the band “The Hauntings”
• Format: Compact stompbox enclosure
• Availability: Boutique / limited production (often treated as discontinued on the market)
Marked item as Vintage or Discontinued
Set Bypass to true bypass
Set Analog/Digital to analog
Set Power to 9V, 18V

Apr 21, 2026

edited Reez Effects "Black Lagoon" Torn's Peaker Clone

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Reez "Black Lagoon" Torn's Peaker Clone
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Reez Effects "Black Lagoon" Torn's Peaker Clone
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Reez Effects

Apr 21, 2026

edited Reez Effects "Black Lagoon" Torn's Peaker Clone

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Reez Torn's Peaker Clone
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Reez "Black Lagoon" Torn's Peaker Clone

Apr 21, 2026

edited Reez Effects "Black Lagoon" Torn's Peaker Clone

Marked as Vintage or Discontinued. Added item description. Improved item image. Added brand.

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The Torn's Peaker Clone Fuzz and Overdrive by reez

The “Black Lagoon” Torn’s Peaker clone is a boutique-style fuzz/distortion effects pedal based on the original Devi Ever Torn’s Peaker circuit, known for its aggressive, raw, and chaotic character. Like most clones, it captures the signature “broken speaker” style tone—ranging from gritty overdrive to heavily saturated, noisy fuzz with a lo-fi edge. The pedal typically emphasizes dynamics and unpredictability, making it popular for garage rock, psychedelic, and experimental sounds. Many builders add custom tweaks (such as oscillation or bias mods), giving versions like the “Black Lagoon” their own personality while staying true to the original circuit. Overall, it’s valued for its wild gain structure and ability to cut through a mix with sharp, biting presence.

Specs:

• Effect Type: Fuzz / Overdrive hybrid
• Circuit: Silicon transistor-based Torn’s Peaker clone
• Controls: Volume, Intensity/Texture (varies by builder)
• Additional Mods: Often includes bias or oscillation switch (builder-dependent)
• Bypass: True bypass switching
• Power Supply: 9V DC (standard center-negative) or battery (depending on build)
• Enclosure: Compact stompbox format (typically MXR-sized)
• Construction: Handmade / boutique with premium components (varies by builder)
• Sound Character: From light overdrive to extreme, noisy fuzz with compression and chaotic textures
Marked item as Vintage or Discontinued
Set Bypass to true bypass
Set Analog/Digital to analog
Set Power to 9V

Apr 21, 2026

edited Yamaha SA-15D

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The Vintage SA-15D Semi-Holly Body Made in Japan by Yamaha

The Yamaha SA-15D is a vintage semi-hollow electric guitar from the late 1960s, known for its distinctive double-cutaway body and stylish, slightly futuristic design. Built during Yamaha’s early expansion into electric instruments, it reflects a blend of Japanese craftsmanship and Western influence. The guitar delivers a warm, resonant tone thanks to its hollow construction, while its single-coil pickups provide clear articulation with a slightly bright edge. It’s especially favored by collectors and players interested in retro tones suited for jazz, blues, and early rock styles. Visually, the SA-15D stands out with its elegant contours, bound body, and classic sunburst or natural finishes.

Specs:

• Body: Semi-hollow, double-cutaway design
• Neck: Set neck construction
• Fingerboard: Rosewood
• Pickups: 2 single-coil pickups
• Controls: Individual volume and tone controls, pickup selector switch
• Bridge: Adjustable bridge with trapeze tailpiece
• Scale Length: Approx. 24.75"
• Frets: Typically 22
• Finish Options: Sunburst or natural
• Era: Late 1960s to early 1970s

Apr 20, 2026

hashimoto's Activity