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*The No.1915 Vintage Semi-Hollow 4-String Bass Made in Japan in the early 70ties by Ibanez *

The Ibanez No.1915 Bass is a vintage early-1970s semi-hollow electric bass, produced in Japan between 1971 and 1972. It features a double-cutaway thinline body with f-holes, giving it a warm, resonant character that sits between an electric and upright-style tone. Equipped with dual humbucking pickups, the instrument offers a rich, rounded low end with smooth articulation, well-suited for jazz, blues, and vintage rock styles. Its construction reflects the “copy-era” design approach of early Ibanez instruments, with styling inspired by contemporary hollow-body basses of the time. The bolt-on neck and lightweight body make it comfortable to play while retaining a distinctive vintage aesthetic. Today, it is considered a rare and collectible model due to its short production run and unique design.

Specs:

• Model: Ibanez 1915
• Production years: 1971–1972
• Made in: Japan
• Body type: Semi-hollow / thinline with f-holes
• Body material: Mahogany (arched top, back, and sides)
• Neck: Bolt-on hard laminated maple
• Fingerboard: Rosewood with pearloid dot inlays
• Frets: 22 medium
• Scale / tuning: Standard E (E–A–D–G)

The Matter Version II Drum Wave Synthesizer by Folktek

The Folktek Matter II Drum Wave Synthesizer is an experimental Eurorack module that combines analogue drum synthesis with a highly unconventional pin matrix patching system for creating complex, organic sound structures. Instead of traditional patch cables, it uses a matrix of gold pins to internally reroute signals, enabling everything from tight percussive hits to chaotic noise, drones, and evolving textures. Designed as a refined version of the original Matter, it emphasizes improved playability while still offering deep exploratory sound design possibilities. The module features three independent sound sections that can be blended and modulated via CV, allowing dynamic control over rhythm and timbre. It can also process external audio through built-in fuzz, filtering, and distortion circuits for further sonic manipulation. Overall, it is known for its unpredictable, “alive” character and its ability to generate both rhythmic and atmospheric material.

Matter I → Matter II Upgrade

The Folktek Matter II is essentially a refined, more playable, and expanded evolution of the original Matter rather than a completely different instrument. The core analogue drum-wave synthesis remains the same, but the way you interact with it and the consistency of results has been significantly improved.
Matter I = raw, chaotic, highly experimental, but harder to control
Matter II = same sonic DNA, but cleaner interface, more control, better output, and deeper modulation

Specs::

• Module type: Drum wave Synth / Experimental Sound Generator
• Format: Eurorack Module
• Width: 18 HP
• Depth: ~25 mm (skiff-friendly)
• Power consumption: +12V ≈ 90 mA, −12V ≈ 20 mA, +5V = 0 mA
• Sound engine: 3 drum-wave synthesis sections with mix control
• Patching: Pin matrix (cordless internal routing with 2 mm pins)
• CV control: CV over each section’s control knob
• Inputs: 3× V+ (trigger/gate/CV) inputs
• Output: Audio output with vactrol-controlled dynamics
• Additional features: External audio processing (fuzz, filter, distortion), vactrol VCA, expansion capability

Improvements on Matter II:

• Pin matrix instead of jumper cables replaces the original’s Dupont wire patching with a cleaner, faster, and more reliable pin-based system
• Much improved usability & workflow patching is more intuitive and less fiddly, making it easier to explore sounds
• 3 structured sound channels clearer layout with dedicated sections, each with its own control and CV
• Added CV control over core parameters allows external modulation of the “resist” (tone-shaping) controls, which wasn’t as direct in v1
• Higher output level fixes the original Matter’s relatively low output signal
• Built-in vactrol amplitude control (VCA-like behavior) enables dynamic shaping of the overall output via CV/gate
• More predictable and tunable behavior still experimental, but less chaotic and easier to control musically
• Improved build & design more robust construction, clearer visual feedback (matrix illumination), and overall more polished hardware
• Expanded sound-shaping possibilities additional routing options and internal blending make certain patches possible that were difficult or impossible on v1

The RS-240 analogue frequency Shifter Module by Analogue Systems

The Analogue Systems RS-240 is a Bode-style analogue frequency shifter module designed for modular synthesizer systems, faithfully recreating the classic circuitry originally developed by Harald Bode. Unlike pitch shifters, it shifts the entire frequency spectrum of an incoming signal by a fixed amount, enabling unique inharmonic and experimental effects. The module offers both linear and exponential frequency shifting, allowing everything from subtle detuning to extreme spectral transformations. It provides simultaneous upward and downward shifted outputs, which can be used independently or blended together for complex textures. With multiple CV inputs and a wide range of scaling options, it is highly versatile for modulation and sound design. Additionally, a built-in squelch (noise gate) helps reduce unwanted noise and artifacts during quieter passages.

Specs:

• Module type: Analogue Bode frequency shifter
• Width: 24 HP
• Depth: ~122 mm (≈4.8")
• Power consumption: ~70 mA (+12V), 70 mA (−12V), 70 mA (+5V)
• Frequency shift range: up to approx. ±5 kHz (linear modes)
• Scale modes: Zero, EXP, 5 Hz, 50 Hz, 500 Hz, 5 kHz
• Control: Large manual pitch knob + scale selector switch
• CV inputs: 3 × CV inputs (±10V range, summed)
• Audio input: 1 × signal input (approx. ±10V, 30 Hz–16 kHz)
• Outputs:
• Out A (downward shifted)
• Out B (upward shifted)
• 3 × Mix outputs (blend of A & B)
• Additional features:
• Exponential & linear shifting modes
• Zero adjust calibration control
• Squelch (noise gate) with threshold control

The Jonas Bjerre Signature Guitar T.Family by Custom and Hand-Made in Finland by Vuorensaku Guitars

The Vuorensaku Guitars T.Family "Jonas Bjerre Signature" is a custom-made electric guitar built in Finland by luthier Saku Vuori under the Vuorensaku Guitars brand. It belongs to the T.Family series, which is known for highly individual, offset-inspired instruments with modern performance upgrades. This signature model was designed in collaboration with Jonas Bjerre and follows the brand’s philosophy of combining vintage-inspired styling with experimental and high-end craftsmanship. The guitar is built as a unique, made-to-order instrument rather than a mass-produced model. Like other T.Family guitars, it focuses on artistic design, premium materials, and versatile tone suitable for professional use. Overall, it is a boutique signature instrument aimed at collectors and serious players who want something highly unique.

Specs:

• Model: T.Family “Jonas Bjerre Signature”
• Builder/Brand: Vuorensaku Guitars (Finland)
• Series: T.Family custom offset series
• Type: Electric guitar (custom build)
• Body: Custom offset design (materials vary per build)
• Neck: Custom-spec bolt-on neck (builder selected woods)
• Fingerboard: Typically premium hardwood (varies by build)
• Frets: Usually 22–24 (T.Family standard range)
• Hardware: High-end boutique components (varies per order)
• Pickups: Custom Vuorensaku handmade pickups
• Scale length: Custom (depends on build spec)
• Controls: Custom wiring (volume/tone/switch variations)
• Construction: Handmade, build-to-order instrument
• Origin: Jyväskylä, Finland

The Grendel 727 in Tribal Green Color by Douglas

The Douglas Grendel 727 Tribal Green is a modern 7-string electric guitar designed for extended-range playing and heavy music styles. It features a double-cutaway basswood body with an arched top, making it lightweight and comfortable while still delivering a full, warm tone. The 27-inch scale length improves string tension, making it ideal for lower tunings and tight, precise riffing. A one-piece maple bolt-on neck combined with a rosewood fretboard ensures stability and smooth playability across all 24 jumbo frets. The reverse headstock and string-through-body design further enhance tuning stability and sustain. Overall, it is built for fast, aggressive playing with strong clarity and modern metal performance in mind.

Specs:

• Model: Douglas Grendel 727 Tribal Green
• Type: 7-string electric guitar
• Body: Basswood, double cutaway, arched top
• Neck: 1-piece maple, bolt-on
• Fingerboard: Rosewood, side dot markers only
• Frets: 24 jumbo frets (2.7 mm)
• Fingerboard radius: 13.7" (350 mm)
• Scale length: 27" (extended scale)
• Headstock: Reverse design
• Bridge: String-through body
• Nut width: 1 7/8" (approx. 47.6 mm)
• Neck thickness (1st fret): 7/8"
• String spacing at nut: 7 mm
• Weight: approx. 8 lbs (3.6 kg)
• Style: Modern metal / progressive / extended range

The CT-BB01 basicbits Synth Plug-In by Indie Developer Halley Labs

The CT-BB01 basicbits is an experimental chiptune-style synthesizer developed by Halley Labs, known for creating creative and unconventional audio tools. It focuses on low-bit digital sound generation, allowing users to design waveforms one bit at a time. The plugin is designed for glitchy, retro-inspired tones and supports a wide range of sound design techniques such as bit-depth manipulation and waveform shaping. Its interface and features are aimed at experimental music producers and chiptune artists. Overall, it is a niche creative tool rather than a traditional commercial synthesizer.

Specs:

• Developer/Brand: Halley Labs (Comet’s Tail ecosystem)
• Plugin format: VST3
• Sound type: Chiptune / low-bit / experimental synthesis
• Waveform design: Bit-by-bit wavetable creation
• Waveform length: 2–16 bits adjustable
• Features: Slew control, low-bit decoding, glitch generation
• Oscillator: Chorus oscillator with multiple detune modes
• Operating systems: Windows / macOS (depends on build)
• Distribution: Downloadable plugin
• License: Free / indie release

The CT-BB01 basicbits Synth Plug-In by Indie Developers Halley Labs

The CT-BB01 basicbits is an experimental chiptune-style synthesizer developed by Halley Labs, known for creating creative and unconventional audio tools. It focuses on low-bit digital sound generation, allowing users to design waveforms one bit at a time. The plugin is designed for glitchy, retro-inspired tones and supports a wide range of sound design techniques such as bit-depth manipulation and waveform shaping. Its interface and features are aimed at experimental music producers and chiptune artists. Overall, it is a niche creative tool rather than a traditional commercial synthesizer.

Specs:

• Developer/Brand: Halley Labs (Comet’s Tail ecosystem)
• Plugin format: VST3
• Sound type: Chiptune / low-bit / experimental synthesis
• Waveform design: Bit-by-bit wavetable creation
• Waveform length: 2–16 bits adjustable
• Features: Slew control, low-bit decoding, glitch generation
• Oscillator: Chorus oscillator with multiple detune modes
• Operating systems: Windows / macOS (depends on build)
• Distribution: Downloadable plugin
• License: Free / indie release

The CT-BB01 basicbits Synth Plug-In

The CT-BB01 basicbits is an experimental chiptune-style synthesizer developed by Halley Labs, known for creating creative and unconventional audio tools. It focuses on low-bit digital sound generation, allowing users to design waveforms one bit at a time. The plugin is designed for glitchy, retro-inspired tones and supports a wide range of sound design techniques such as bit-depth manipulation and waveform shaping. Its interface and features are aimed at experimental music producers and chiptune artists. Overall, it is a niche creative tool rather than a traditional commercial synthesizer.

Specs:

• Developer/Brand: Halley Labs (Comet’s Tail ecosystem)
• Plugin format: VST3
• Sound type: Chiptune / low-bit / experimental synthesis
• Waveform design: Bit-by-bit wavetable creation
• Waveform length: 2–16 bits adjustable
• Features: Slew control, low-bit decoding, glitch generation
• Oscillator: Chorus oscillator with multiple detune modes
• Operating systems: Windows / macOS (depends on build)
• Distribution: Downloadable plugin
• License: Free / indie release

The CT-BB01 basicbits Synth Plug-In by Indie Developer Halley Labs

The CT-BB01 basicbits is an experimental chiptune-style synthesizer developed by Halley Labs, known for creating creative and unconventional audio tools. It focuses on low-bit digital sound generation, allowing users to design waveforms one bit at a time. The plugin is designed for glitchy, retro-inspired tones and supports a wide range of sound design techniques such as bit-depth manipulation and waveform shaping. Its interface and features are aimed at experimental music producers and chiptune artists. Overall, it is a niche creative tool rather than a traditional commercial synthesizer.

Specs:

• Developer/Brand: Halley Labs (Comet’s Tail ecosystem)
• Plugin format: VST3
• Sound type: Chiptune / low-bit / experimental synthesis
• Waveform design: Bit-by-bit wavetable creation
• Waveform length: 2–16 bits adjustable
• Features: Slew control, low-bit decoding, glitch generation
• Oscillator: Chorus oscillator with multiple detune modes
• Operating systems: Windows / macOS (depends on build)
• Distribution: Downloadable plugin
• License: Free / indie release

The CT-BB01 basicbits Synth Plug-In

The CT-BB01 basicbits is an experimental chiptune-style synthesizer developed by Halley Labs, known for creating creative and unconventional audio tools. It focuses on low-bit digital sound generation, allowing users to design waveforms one bit at a time. The plugin is designed for glitchy, retro-inspired tones and supports a wide range of sound design techniques such as bit-depth manipulation and waveform shaping. Its interface and features are aimed at experimental music producers and chiptune artists. Overall, it is a niche creative tool rather than a traditional commercial synthesizer.

Specs:

•Developer/Brand: Halley Labs (Comet’s Tail ecosystem)
•Plugin format: VST3
•Sound type: Chiptune / low-bit / experimental synthesis
•Waveform design: Bit-by-bit wavetable creation
•Waveform length: 2–16 bits adjustable
•Features: Slew control, low-bit decoding, glitch generation
•Oscillator: Chorus oscillator with multiple detune modes
•Operating systems: Windows / macOS (depends on build)
•Distribution: Downloadable plugin
•License: Free / indie release

The CT-BB01 basicbits Synth Plug-In

The CT-BB01 basicbits is an experimental chiptune-style synthesizer developed by Halley Labs, known for creating creative and unconventional audio tools. It focuses on low-bit digital sound generation, allowing users to design waveforms one bit at a time. The plugin is designed for glitchy, retro-inspired tones and supports a wide range of sound design techniques such as bit-depth manipulation and waveform shaping. Its interface and features are aimed at experimental music producers and chiptune artists. Overall, it is a niche creative tool rather than a traditional commercial synthesizer.

Specs:

• Developer/Brand: Halley Labs (Comet’s Tail ecosystem)
• Plugin format: VST3
• Sound type: Chiptune / low-bit / experimental synthesis
• Waveform design: Bit-by-bit wavetable creation
• Waveform length: 2–16 bits adjustable
• Features: Slew control, low-bit decoding, glitch generation
• Oscillator: Chorus oscillator with multiple detune modes
• Operating systems: Windows / macOS (depends on build)
• Distribution: Downloadable plugin
• License: Free / indie release

The CT-BB01 basicbits Synth Plug-In

The CT-BB01 basicbits is a chiptune-inspired synthesizer plugin designed for creating retro, low-bit digital sounds. It allows users to build custom waveforms one bit at a time, giving precise control over the character of the sound. With adjustable waveform lengths from 2 to 16 bits, it can produce anything from simple tones to complex, glitchy textures. Additional features like slew, low-bit-depth decoding, and glitch options expand its sonic possibilities. A built-in chorus oscillator with multiple detune modes adds width and richness to the sound. Overall, it is a creative tool for experimental sound design and retro-style music production.

Specs:

• Plugin type: VST3 synthesizer
• Sound style: Chiptune / low-bit digital synthesis
• Waveform design: Bit-by-bit wavetable creation
• Waveform length: Adjustable (2–16 bits)
• Sound shaping: Slew control and low-bit-depth decoding
• Effects: Glitch options for experimental textures
• Oscillator: Chorus oscillator with multiple detune modes
• Version: v2023_12_27
• Use case: Sound design, retro game music, experimental production

The CT-BB01 basicbits Synth Plug-In

The CT-BB01 basicbits is an experimental chiptune-style synthesizer developed by Halley Labs, known for creating creative and unconventional audio tools. It focuses on low-bit digital sound generation, allowing users to design waveforms one bit at a time. The plugin is designed for glitchy, retro-inspired tones and supports a wide range of sound design techniques such as bit-depth manipulation and waveform shaping. Its interface and features are aimed at experimental music producers and chiptune artists. Overall, it is a niche creative tool rather than a traditional commercial synthesizer.

Specs:

•Developer/Brand: Halley Labs (Comet’s Tail ecosystem)
•Plugin format: VST3
•Sound type: Chiptune / low-bit / experimental synthesis
•Waveform design: Bit-by-bit wavetable creation
•Waveform length: 2–16 bits adjustable
•Features: Slew control, low-bit decoding, glitch generation
•Oscillator: Chorus oscillator with multiple detune modes
•Operating systems: Windows / macOS (depends on build)
•Distribution: Downloadable plugin
•License: Free / indie release

The CT-BB01 basicbits Synth Plug-In

The CT-BB01 basicbits is a chiptune-inspired synthesizer plugin designed for creating retro, low-bit digital sounds. It allows users to build custom waveforms one bit at a time, giving precise control over the character of the sound. With adjustable waveform lengths from 2 to 16 bits, it can produce anything from simple tones to complex, glitchy textures. Additional features like slew, low-bit-depth decoding, and glitch options expand its sonic possibilities. A built-in chorus oscillator with multiple detune modes adds width and richness to the sound. Overall, it is a creative tool for experimental sound design and retro-style music production.

Specs:

• Plugin type: VST3 synthesizer
• Sound style: Chiptune / low-bit digital synthesis
• Waveform design: Bit-by-bit wavetable creation
• Waveform length: Adjustable (2–16 bits)
• Sound shaping: Slew control and low-bit-depth decoding
• Effects: Glitch options for experimental textures
• Oscillator: Chorus oscillator with multiple detune modes
• Version: v2023_12_27
• Use case: Sound design, retro game music, experimental production

The History HTL-S-M Ash-SS VNT from 2021 by History

The History HTL-S-M Ash-SS VNT 2021 is a Japanese Telecaster-style electric guitar from the History Standard series, combining traditional design with modern upgrades. It features a lightweight ash body that delivers a clear, resonant tone with strong presence across all frequencies. The guitar is equipped with specially developed single-coil pickups using Alnico 5 magnets, designed for clarity, speed, and versatility in modern music styles. A standout feature is the humbucker mode switch, which allows both pickups to run in series for a more powerful, drive-focused tone. Its redesigned neck profile transitions smoothly from a soft V shape to a U shape, improving comfort across all playing positions. Overall, it offers excellent playability, stable tuning, and a wide tonal range suitable for both beginners and experienced players.

Specs:

Body: Light ash
Neck: Maple, bolt-on (Seamless Soft VU shape)
Fingerboard radius: 250R
Frets: 22 (C.F.S. – Circle Fretting System)
Pickups: 2x single-coil (Alnico 5, custom wiring front/rear)
Special feature: Humbucker mode switch (series wiring via tone knob)
Bridge: Tele-style fixed bridge
Tuners: Gotoh SD-91 (custom horizontal hole type)
Nut: Bone nut
Neck joint: Easy Access Joint Type I (heel cut)
Truss rod: Head-adjustable
Strings: History coated strings (.009–.042)
Output jack: With Nord-Lock washer (anti-loosening)

The Sun Never Double T Preamp Hand-Made in the UK by Bleak District Electric

The Bleak District Electric Sun?Never Double T Preamp is a dual-channel preamp/distortion pedal that expands on the original Sun?No concept, delivering a much more flexible take on the classic Sunn Model T-inspired sound. It essentially combines two independent channels in one unit, allowing players to switch between or stack different gain structures and EQ settings. Each side represents a different voicing—typically Vintage (cleaner, more headroom) and Reissue/Modern (higher gain, more saturation)—giving a wide tonal range from articulate crunch to massive doom distortion. The pedal uses cascading op-amp and JFET gain stages to achieve a highly dynamic, amp-like response with huge low-end presence. With multiple EQ modes per channel, it offers significantly more tone shaping than its single-channel predecessors. Overall, it’s a powerful “dual Model T preamp” designed for maximum versatility and heavy, textured tones.

Specs:

• Type: Dual-channel preamp / distortion pedal
• Circuit: Analog, cascading op-amp + JFET gain stages
• Channels: 2 independent channels (Vintage & Modern/Reissue style)
• Controls (per channel): Volume, Gain, Tone
• EQ modes: 3 per channel (Vintage / Modern / Custom)
• Switching: Independent footswitches for each channel
• Sound profile: Massive low end, high headroom to extreme saturation
• Inspiration: Sunn Model T amplifier-style preamp tone
• Construction: Handmade in the UK
• Power: 9V DC (center negative, typical for pedals) (implied standard, consistent with series)

Sunn Model T inspired Preamp

Born in the dark and forever since living in the shadows. The Sun? No is inspired by the infamous Sunn Model T amplifier.

Using multiple, hybrid gain stages, comprising of both op amp and NOS jfet transistor amplifiers. There are crushing amounts of volume and gain on tap. Always natural and organic from the bottom to the top of the range. The mode switch allows access to both 'vintage' and 'reissue' levels of saturation.

New for version 2, the EQ toggle switches between two different EQ variations for the active tone control. Always keeping that massive low end and mid-range clarity the Model T is famous for.

The Bleak District Electric Sun?No V2 is a high-gain preamp/distortion pedal inspired by the legendary Sunn Model T amplifier, known for its massive low end and doom-heavy tones. It uses a hybrid circuit combining op-amps and NOS JFET transistors to recreate the amp-like response and dynamic feel of the original. The pedal delivers everything from relatively clean, high-headroom tones to crushing, saturated distortion suited for stoner, doom, and experimental music. A key feature is the Vintage/Reissue mode switch, letting you toggle between classic lower-gain tones and more aggressive modern saturation. Version 2 adds an EQ toggle, giving two different tone control voicings while maintaining clarity and depth. Overall, it’s designed as a powerful “amp-in-a-box” with a strong focus on low-end punch and organic gain structure. Specs:

• Type: Preamp / distortion pedal
• Circuit: Analog, hybrid (op-amp + NOS JFET gain stages)
• Gain stages: Multiple cascading stages for high output and saturation
• Controls: Volume, Gain, Tone
• Switches:
• Vintage / Reissue mode (different gain structures)
• EQ toggle (two tone voicings, added in V2)
• Sound profile: Massive low end, strong mids, amp-like response
• Designed for: Guitar and bass compatibility
• Power supply: 9V DC, center negative
• Construction: Handmade in the UK
• Dimensions: approx. 60 × 113 × 80 mm

Sunn Model T inspired Preamp

Born in the dark and forever since living in the shadows. The Sun? No is inspired by the infamous Sunn Model T amplifier.

Using multiple, hybrid gain stages, comprising of both op amp and NOS jfet transistor amplifiers. There are crushing amounts of volume and gain on tap. Always natural and organic from the bottom to the top of the range. The mode switch allows access to both 'vintage' and 'reissue' levels of saturation.

New for version 2, the EQ toggle switches between two different EQ variations for the active tone control. Always keeping that massive low end and mid-range clarity the Model T is famous for.

The Bleak District Electric Sun?No V2 is a high-gain preamp/distortion pedal inspired by the legendary Sunn Model T amplifier, known for its massive low end and doom-heavy tones. It uses a hybrid circuit combining op-amps and NOS JFET transistors to recreate the amp-like response and dynamic feel of the original. The pedal delivers everything from relatively clean, high-headroom tones to crushing, saturated distortion suited for stoner, doom, and experimental music. A key feature is the Vintage/Reissue mode switch, letting you toggle between classic lower-gain tones and more aggressive modern saturation. Version 2 adds an EQ toggle, giving two different tone control voicings while maintaining clarity and depth. Overall, it’s designed as a powerful “amp-in-a-box” with a strong focus on low-end punch and organic gain structure.

Specs:

• Type: Preamp / distortion pedal
• Circuit: Analog, hybrid (op-amp + NOS JFET gain stages)
• Gain stages: Multiple cascading stages for high output and saturation
• Controls: Volume, Gain, Tone
• Switches:
• Vintage / Reissue mode (different gain structures)
• EQ toggle (two tone voicings, added in V2)
• Sound profile: Massive low end, strong mids, amp-like response
• Designed for: Guitar and bass compatibility
• Power supply: 9V DC, center negative
• Construction: Handmade in the UK
• Dimensions: approx. 60 × 113 × 80 mm

Sunn Model T inspired Preamp

Born in the dark and forever since living in the shadows. The Sun? No is inspired by the infamous Sunn Model T amplifier.

Using multiple, hybrid gain stages, comprising of both op amp and NOS jfet transistor amplifiers. There are crushing amounts of volume and gain on tap. Always natural and organic from the bottom to the top of the range. The mode switch allows access to both 'vintage' and 'reissue' levels of saturation.

New for version 2, the EQ toggle switches between two different EQ variations for the active tone control. Always keeping that massive low end and mid-range clarity the Model T is famous for.

Sunn Model T inspired Preamp

Born in the dark and forever since living in the shadows. The Sun? No is inspired by the infamous Sunn Model T amplifier.

Using multiple, hybrid gain stages, comprising of both op amp and NOS jfet transistor amplifiers. There are crushing amounts of volume and gain on tap. Always natural and organic from the bottom to the top of the range. The mode switch allows access to both 'vintage' and 'reissue' levels of saturation.

New for version 2, the EQ toggle switches between two different EQ variations for the active tone control. Always keeping that massive low end and mid-range clarity the Model T is famous for.

The Bleak District Electric Sun?No V2 is a high-gain preamp/distortion pedal inspired by the legendary Sunn Model T amplifier, known for its massive low end and doom-heavy tones. It uses a hybrid circuit combining op-amps and NOS JFET transistors to recreate the amp-like response and dynamic feel of the original. The pedal delivers everything from relatively clean, high-headroom tones to crushing, saturated distortion suited for stoner, doom, and experimental music. A key feature is the Vintage/Reissue mode switch, letting you toggle between classic lower-gain tones and more aggressive modern saturation. Version 2 adds an EQ toggle, giving two different tone control voicings while maintaining clarity and depth. Overall, it’s designed as a powerful “amp-in-a-box” with a strong focus on low-end punch and organic gain structure. Specs:

• Type: Preamp / distortion pedal
• Circuit: Analog, hybrid (op-amp + NOS JFET gain stages)
• Gain stages: Multiple cascading stages for high output and saturation
• Controls: Volume, Gain, Tone
• Switches:
• Vintage / Reissue mode (different gain structures)
• EQ toggle (two tone voicings, added in V2)
• Sound profile: Massive low end, strong mids, amp-like response
• Designed for: Guitar and bass compatibility
• Power supply: 9V DC, center negative
• Construction: Handmade in the UK
• Dimensions: approx. 60 × 113 × 80 mm

The Tapescape analog Tape Delay and Modulation Hand-Made in the UK by Bleak District Electric

The Bleak District Electric Tapescape is an analog, tape-style delay pedal designed to recreate the unstable, worn character of aging magnetic tape machines. Rather than emulating a specific unit, it focuses on the imperfections of tape—introducing wow, flutter, filtering, and gradual signal degradation for a highly organic sound. It can produce everything from tight slapback echoes to expansive, ambient soundscapes with evolving texture. A standout feature is its interactive “Swell” footswitch, which ramps feedback into self-oscillation for dramatic, expressive effects. With extensive controls and modulation options, it’s especially suited for ambient, post-rock, and experimental players. Overall, it acts less like a standard delay and more like a creative “magnetic ambience generator.”

Specs:

• Type: Analog modulated tape-style delay pedal
• Maximum delay time: up to ~1100 ms
• Minimum delay time: ~30 ms
• Controls: Time, Feedback, Mix, Wow, Flutter (Rate), Swell, filtering options
• Modulation: Adjustable wow & flutter with multiple modes (random / sine)
• Toggle switches: Type (modulation), LPF (tone shaping), Dry (dry signal on/off)
• Special feature: Momentary “Swell” footswitch for feedback ramping/self-oscillation
• Expression input: Controls delay time or modulation rate
• Bypass: Buffered bypass with quiet switching
• Power: 9V DC (center negative), ~49 mA
• Construction: Handmade in the UK
• Dimensions: approx. 121 × 102 × 80 mm

The PRX In-Ear Monitors by KZ Audio

The KZ PRX in-ear monitors are budget-friendly audiophile earphones that stand out for their use of a planar magnetic driver, delivering detailed and fast sound reproduction. Unlike typical dynamic-driver IEMs, the planar design provides a wider soundstage and improved clarity, especially in high frequencies. They are aimed at musicians, gamers, and critical listeners who want high-resolution audio without spending a premium. The PRX features a detachable silver-plated cable and ergonomic in-ear fit for comfort during long listening sessions. With a balanced tuning that emphasizes clarity and detail, they perform well across music genres and monitoring applications. Overall, they offer impressive technical performance for their price range.

Specs:

• Driver type: Planar magnetic driver
• Frequency response: 20 Hz – 40,000 Hz
• Impedance: 15 Ω
• Sensitivity: 94 ± 3 dB
• Cable: Detachable silver-plated OFC cable
• Cable length: ~120 cm
• Connector: 3.5 mm jack
• Pin type: 0.75 mm 2-pin
• Wearing style: In-ear ergonomic fit
• Replaceable cable: Yes
• Included accessories: Ear tips (S/M/L), cable, manual

The Tone Mallet Bass Pre-Amp and DI Box by DemonFx

The DemonFx Tone Mallet is a bass preamp and DI pedal designed to deliver powerful tone shaping and flexible sound control for live and studio use. It is inspired by the Aguilar Tone Hammer, offering a similar warm, punchy character with added versatility at a more affordable price point. The pedal features a fully adjustable EQ section and gain structure, allowing players to sculpt anything from clean tones to saturated overdrive. A standout feature is its Adaptive Gain Shaping (AGS), which dynamically adjusts EQ and gain for a more “vintage-style” response as you increase drive. It also functions as a direct box, making it suitable for recording or sending a signal straight to a mixing console. Overall, it’s a compact yet powerful all-in-one tone tool for bassists.

Specs: • Type: Bass preamp / overdrive / DI pedal
• Analog circuit design
• Controls: Gain, Bass, Mid, Mid Frequency, Treble, Master
• EQ ranges:
Bass: ±18 dB @ 40 Hz
Treble: ±18 dB @ 4 kHz
Mid: ±17 dB (180 Hz – 1 kHz sweepable)
• AGS (Adaptive Gain Shaping) footswitch for dynamic gain/EQ shaping
• Engage footswitch (true bypass-style on/off)
• Built-in DI output (for direct connection to PA/recording)
• Additional features: Aux-in, headphone out (on some versions)
• Power supply: 9V DC (center negative)
• Construction: Metal enclosure
• Dimensions: approx. 114 × 136 × 67 mm
• Weight: approx. 989 g

The Tone Mallet Bass Pre-Amp and DI Box by DemonFx

The DemonFx Tone Mallet is a bass preamp and DI pedal designed to deliver powerful tone shaping and flexible sound control for live and studio use. It is inspired by the Aguilar Tone Hammer, offering a similar warm, punchy character with added versatility at a more affordable price point. The pedal features a fully adjustable EQ section and gain structure, allowing players to sculpt anything from clean tones to saturated overdrive. A standout feature is its Adaptive Gain Shaping (AGS), which dynamically adjusts EQ and gain for a more “vintage-style” response as you increase drive. It also functions as a direct box, making it suitable for recording or sending a signal straight to a mixing console. Overall, it’s a compact yet powerful all-in-one tone tool for bassists.

Specs: • Type: Bass preamp / overdrive / DI pedal
• Analog circuit design
• Controls: Gain, Bass, Mid, Mid Frequency, Treble, Master
• EQ ranges:
• Bass: ±18 dB @ 40 Hz
• Treble: ±18 dB @ 4 kHz
• Mid: ±17 dB (180 Hz – 1 kHz sweepable)
• AGS (Adaptive Gain Shaping) footswitch for dynamic gain/EQ shaping
• Engage footswitch (true bypass-style on/off)
• Built-in DI output (for direct connection to PA/recording)
• Additional features: Aux-in, headphone out (on some versions)
• Power supply: 9V DC (center negative)
• Construction: Metal enclosure
• Dimensions: approx. 114 × 136 × 67 mm
• Weight: approx. 989 g

The Tone Mallet Bass Pre-Amp and DI Box by DemonFx

The DemonFx Tone Mallet is a bass preamp and DI pedal designed to deliver powerful tone shaping and flexible sound control for live and studio use. It is inspired by the Aguilar Tone Hammer, offering a similar warm, punchy character with added versatility at a more affordable price point. The pedal features a fully adjustable EQ section and gain structure, allowing players to sculpt anything from clean tones to saturated overdrive. A standout feature is its Adaptive Gain Shaping (AGS), which dynamically adjusts EQ and gain for a more “vintage-style” response as you increase drive. It also functions as a direct box, making it suitable for recording or sending a signal straight to a mixing console. Overall, it’s a compact yet powerful all-in-one tone tool for bassists.

Specs: • Type: Bass preamp / overdrive / DI pedal
• Analog circuit design
• Controls: Gain, Bass, Mid, Mid Frequency, Treble, Master
• EQ ranges:
Bass: ±18 dB @ 40 Hz
Treble: ±18 dB @ 4 kHz
Mid: ±17 dB (180 Hz – 1 kHz sweepable)
• AGS (Adaptive Gain Shaping) footswitch for dynamic gain/EQ shaping
• Engage footswitch (true bypass-style on/off)
• Built-in DI output (for direct connection to PA/recording)
• Additional features: Aux-in, headphone out (on some versions)
• Power supply: 9V DC (center negative)
• Construction: Metal enclosure
• Dimensions: approx. 114 × 136 × 67 mm
• Weight: approx. 989 g

The CTK-54 Vintage portable 61-key Electronic Keyboard

The Casio CTK-541 is a portable 61-key electronic keyboard released in the late 1990s, designed mainly for beginners and casual players. It features a wide selection of built-in tones, rhythms, and songs, allowing users to explore different musical styles and practice easily. The keyboard includes touch-sensitive keys, giving players more expressive control over dynamics. With built-in speakers, MIDI connectivity, and auto-accompaniment functions, it offers a versatile and self-contained playing experience. Its onboard display provides helpful visual feedback such as notes, chords, and tempo, making it ideal for learning. Overall, it’s a solid entry-level keyboard with classic Casio functionality.

Specs:

• 61 full-size keys (5 octaves) with touch response
• 16-note polyphony (8 for some tones)
• 100 tones, 100 rhythms, 100 built-in songs
• Auto-accompaniment with 2 fingering modes • MIDI In/Out connectivity (5-part multitimbral)
• Built-in speakers: 2 × 2W output
• LCD display with notation, chords, and indicators
• Transpose: –6 to +5 semitones; tuning adjustable (A4 ≈ 440 Hz ±50 cents)
• Outputs: headphone/line-out, sustain pedal jack
• Power: 9V DC adapter or 6 × D batteries
• Dimensions: 961 × 376 × 143 mm
• Weight: approx. 5.7 kg (without batteries)

The Alien Booster by MG Music

The MG Music ALIEN BOOSTER is a boutique, hand-built guitar boost pedal inspired by classic 1960s Rangemaster circuits. It uses a vintage-style germanium transistor to deliver a warm, organic boost that enhances harmonics and pushes tube amplifiers into natural overdrive. Unlike traditional single-band treble boosters, it features additional tone-shaping controls, allowing players to switch between full-range, mid, and bass-boosted sounds. This makes it more versatile across different rigs and musical styles. The pedal is known for achieving iconic vintage tones associated with players like Eric Clapton and Brian May. Built in Brazil with high-quality components, it combines retro tone with modern usability.

Specs:

• Type: Boost / Preamp pedal
• Circuit: Germanium-based (OC44-style transistor)
• Controls: Gain knob + Tone control
• Tone Modes: 3-way switch (Full Range / Mid / Bass)
• Bypass: True bypass switching
• Power Supply: 9V DC (negative center)
• Construction: Hand-built, metal enclosure (Hammond-style)
• Components: Alpha potentiometers, metal film capacitors, Switchcraft jacks
• Indicator: LED status light
• Origin: Brazil (boutique production)

The Alien Booster by MG Music

The MG Music ALIEN BOOSTER is a boutique, hand-built guitar boost pedal inspired by classic 1960s Rangemaster circuits. It uses a vintage-style germanium transistor to deliver a warm, organic boost that enhances harmonics and pushes tube amplifiers into natural overdrive. Unlike traditional single-band treble boosters, it features additional tone-shaping controls, allowing players to switch between full-range, mid, and bass-boosted sounds. This makes it more versatile across different rigs and musical styles. The pedal is known for achieving iconic vintage tones associated with players like Eric Clapton and Brian May. Built in Brazil with high-quality components, it combines retro tone with modern usability.

MG Music Alien Booster The MG Music Alien Booster is a boutique treble booster handcrafted in São Paulo, Brazil by luthier and builder Marcelo Giangrande. Rooted in the classic Dallas Rangemaster circuit, it takes that vintage germanium foundation and expands it with modern usability in mind. At its core is a vintage Philips OC44 germanium transistor, the same component found in the original Rangemasters that defined the British rock tone of the 1960s. The result is a warm, touch-sensitive boost with natural harmonic breakup that responds beautifully to playing dynamics and guitar volume knob adjustments. Beyond the classic Rangemaster blueprint, the Alien Booster adds a Gain knob, a Tone control, and a 3-way tone selector switch that lets you choose between Full Range, Mid, and Bass modes. This combination opens up a wide range of tones from the cutting treble bite associated with Eric Clapton's "Beano" era sound and Brian May's compressed sustain, to the darker, heavier roar favored by Tony Iommi. The pedal is built to last, featuring a hand-finished metal enclosure, Alpha pots, Switchcraft jacks, metal film capacitors, true bypass switching, and a green jewel LED indicator. It runs on standard 9V center-negative power (adapter not included). It excels in front of low-wattage tube amps, where it can push the front end into natural breakup, but it holds its own with larger rigs as well. Joe Bonamassa has been noted using a similar MG booster circuit as his sole pedal driving multiple high-powered Twin Tweed amplifiers. A silicon transistor variant, the Exile on 72, is also available for players chasing a Keith Richards "Exile on Main Street" tone. Specs: Germanium transistor (Philips OC44) / Gain, Tone controls / 3-way tone selector (Full Range, Mid, Bass) / True bypass / 9V center-negative / Handmade in Brazil

Specs:

• Type: Boost / Preamp pedal
• Circuit: Germanium-based (OC44-style transistor)
• Controls: Gain knob + Tone control
• Tone Modes: 3-way switch (Full Range / Mid / Bass)
• Bypass: True bypass switching
• Power Supply: 9V DC (negative center)
• Construction: Hand-built, metal enclosure (Hammond-style)
• Components: Alpha potentiometers, metal film capacitors, Switchcraft jacks
• Indicator: LED status light
• Origin: Brazil (boutique production)

The T-550 Telecaster Classic Series by Tagima

The Tagima T-550 Telecaster Classic Series is a modern take on the traditional Tele-style electric guitar, offering vintage looks with upgraded components. It features an alder body and maple neck that provide a bright, balanced tone with strong resonance and sustain. The guitar comes equipped with a versatile pickup set combining a single-coil Alnico and a lipstick Alnico, delivering both classic twang and warmer tonal options. Its 25.5" scale length and 22 frets make it comfortable for traditional Tele playing styles while still allowing modern flexibility. Designed for reliability and value, the T-550 is popular among players looking for an affordable yet professional-quality workhorse guitar.

Specs:
• Body: Alder
• Neck: Maple (C-shape profile)
• Fingerboard: Maple or Techwood, 22 frets
• Scale length: 25.5"
• Nut: Bone, 43 mm
• Pickups: 1x Alnico single-coil + 1x Alnico lipstick pickup
• Controls: 1 Volume, 1 Tone, 3-way selector switch
• Bridge: Fixed traditional Tele-style bridge
• Tuners: Vintage-style machine heads
• Finish options: Sunburst, Black, Candy Apple Red
• Special Features: Classic Tele design, Alnico-equipped pickups, upgraded Classic Series construction

The Hazyboy Reverb Harmonizer by Lone Wolf Audio

The Lone Wolf Audio Hazyboy Reverb Harmonizer is a boutique digital multi-effect pedal combining reverb and polyphonic pitch shifting in a compact, performance-focused design. It features two distinct reverb modes Haze and Taste , ranging from lush studio ambience to darker, more experimental shimmer textures. The DA Wae mode adds a powerful dual polyphonic harmonizer capable of octave tracking and complex interval shifts for expressive lead and ambient work. Advanced expression control support allows real-time parameter morphing for highly dynamic sound shaping. Designed for creative guitarists, the Hazyboy excels in ambient, experimental, and modern lead soundscapes where texture and pitch manipulation are key.

Specs:

• Pedal Type: Digital reverb + polyphonic pitch harmonizer
• Modes: Haze (studio-style reverb), Taste (dark shimmer reverb), DA Wae (dual polyphonic harmonizer)
• Pitch Function: Full polyphonic tracking with octave and interval harmony support
• Controls: Multi-parameter controls with fine attenuation sweep shaping
• Expression Input: Dual parameter expression jack with assignable functions
• Signal Type: Digital processing (high-resolution DSP)
• Power: 9V DC isolated, regulated power supply required (no daisy-chain)
• Bypass: True bypass switching (typical boutique implementation)
• Special Features: Real-time expression morphing, experimental shimmer textures, advanced harmonic pitch shifting
• Construction: Boutique metal enclosure, pedalboard-friendly format