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The Equalizer 1 by ZL

The ZL Equalizer is a free, open-source parametric/dynamic EQ plugin for music production, offering flexible, high-quality equalization with up to 16 bands and advanced features like dynamic band control and multiple stereo modes.
It’s available on Windows, macOS, and Linux in AU and VST3 formats.

Specs:

• Type: Parametric / dynamic equalizer audio plugin (VST3, AU)
• Price: Free, open-source (GPL v3)
• Platforms: Windows, macOS, Linux
• Bands: Up to 16 frequency bands
• Filter types: 8 selectable filter types (e.g., bell, shelf, pass)
• Stereo modes: 5 stereo processing modes (e.g., L/R, Mid/Side)
• Slopes: 7 variable slopes for fine control
• Processing quality: 64-bit floating-point DSP for high-resolution audio
• EQ modes: Includes minimum-phase and (optional) linear-phase processing for transparent results
• Dynamic EQ: Per-band threshold, attack, release, and side-chain frequency controls (dynamic band shaping)
• Visualization: Interactive spectrum graph and real-time response curve
• Automation: Fully automatable parameters for integration in DAWs
• User interface: Modern UI with intuitive band editing and smart collision detection
• Use cases: Mixing, corrective EQ, surgical frequency shaping, dynamic EQ tasks

The Equalizer 1 by ZL

The ZL Equalizer is a free, open-source parametric/dynamic EQ plugin for music production, offering flexible, high-quality equalization with up to 16 bands and advanced features like dynamic band control and multiple stereo modes.
It’s available on Windows, macOS, and Linux in AU and VST3 formats.

Specs:

• Type: Parametric / dynamic equalizer audio plugin (VST3, AU)
• Price: Free, open-source (GPL v3)
• Platforms: Windows, macOS, Linux
• Bands: Up to 16 frequency bands
• Filter types: 8 selectable filter types (e.g., bell, shelf, pass)
• Stereo modes: 5 stereo processing modes (e.g., L/R, Mid/Side)
• Slopes: 7 variable slopes for fine control
• Processing quality: 64-bit floating-point DSP for high-resolution audio
• EQ modes: Includes minimum-phase and (optional) linear-phase processing for transparent results
• Dynamic EQ: Per-band threshold, attack, release, and side-chain frequency controls
• Visualization: Interactive spectrum graph and real-time response curve
• Automation: Fully automatable parameters for integration in DAWs
• User interface: Modern UI with intuitive band editing and smart collision detection
• Use cases: Mixing, corrective EQ, surgical frequency shaping, dynamic EQ tasks

The Equalizer 1 by ZL

The ZL Equalizer is a free, open-source parametric/dynamic EQ plugin for music production, offering flexible, high-quality equalization with up to 16 bands and advanced features like dynamic band control and multiple stereo modes.
It’s available on Windows, macOS, and Linux in AU and VST3 formats.

Specs:

• Type: Parametric / dynamic equalizer audio plugin (VST3, AU)
• Price: Free, open-source (GPL v3)
• Platforms: Windows, macOS, Linux
• Bands: Up to 16 frequency bands
• Filter types: 8 selectable filter types (e.g., bell, shelf, pass)
• Stereo modes: 5 stereo processing modes (e.g., L/R, Mid/Side)
• Slopes: 7 variable slopes for fine control
• Processing quality: 64-bit floating-point DSP for high-resolution audio
• EQ modes: Includes minimum-phase and (optional) linear-phase processing for transparent results
• Dynamic EQ: Per-band threshold, attack, release, and side-chain frequency controls (dynamic band shaping)
• Visualization: Interactive spectrum graph and real-time response curve
• Automation: Fully automatable parameters for integration in DAWs
• User interface: Modern UI with intuitive band editing and smart collision detection
• Use cases: Mixing, corrective EQ, surgical frequency shaping, dynamic EQ tasks

The Bluesbird Reintroduction by Guild

A Mid-1980s Guild solid-body Bluesbird variant reintroduced after the classic M-75 Bluesbird series.
It is visually and structurally similar to the earlier M-75 S Bluesbird, but it features different pickup configurations and electronics.
It was a transitional/bridge model between the classic M-75 Bluesbirds and later Bluesbird reissues of the 1990s onward , not a direct continuation of the vintage M-75 naming, which is why its catalog listing is generally just “Bluesbird Reintroduction.”

Specs:

• Manufacturer: Guild Guitars
• Number Of Strings: 6
• Number Of Frets: 22
• Tuner Layout: 3 by 3
• Neck Material: Mahogany
• TailpieceType: Tune-o-matic
• Fret Board Material: Rosewood
• Inlay Style: Block inlay
• Body Type: Solid
• Body Shape/Style/Series: Single Cutaway
• Body Material: Mahogany
• Body Finish: Sunburst • Pick Guard Color: Black
• Year From: 1985
• Year To: 1988
• Body style: Solid body single-cut electric guitar (similar to M-75 Bluesbird)
• Scale length: Typical Guild/Les Paul-style ~24½″–24¾″ range (inferred from similarity to M-75)
• Controls: Likely volume/tone plus selector and (when equipped) coil-tap switching , variation dependent on pickup config
• Neck: Set-in (common Guild design)
• Hardware: Tune-o-matic style bridge and stopbar tailpiece (typical for this line)
• Finish / Appearance: Solid color with Guild headstock and trim (varies by year/finish)
• Pickup configs (varied): 3 single-coil pickups or 2 single coils + humbucker with coil-tap switch options , unlike the earlier original Bluesbirds which had pair of humbuckers.

The Bluesbird Reintroduction by Guild

A Mid-1980s Guild solid-body Bluesbird variant reintroduced after the classic M-75 Bluesbird series.
It is visually and structurally similar to the earlier M-75 S Bluesbird, but it features different pickup configurations and electronics.
It was a transitional/bridge model between the classic M-75 Bluesbirds and later Bluesbird reissues of the 1990s onward , not a direct continuation of the vintage M-75 naming, which is why its catalog listing is generally just “Bluesbird Reintroduction.”

Specs:

• Manufacturer: Guild Guitars
• Number Of Strings: 6
• Number Of Frets: 22
• Tuner Layout: 3 by 3
• Neck Material: Mahogany
• TailpieceType: Tune-o-matic
• Fret Board Material: Rosewood
• Inlay Style: Block inlay
• Body Type: Solid
• Body Shape/Style/Series: Single Cutaway
• Body Material: Mahogany
• Body Finish: Sunburst • Pick Guard Color: Black
• Year From: 1985
• Year To: 1988
• Body style: Solid body single-cut electric guitar (similar to M-75 Bluesbird)
• Scale length: Typical Guild/Les Paul-style ~24½″–24¾″ range (inferred from similarity to M-75)
• Neck: Set-in (common Guild design)
• Hardware: Tune-o-matic style bridge and stopbar tailpiece (typical for this line)
• Finish / Appearance: Solid color with Guild headstock and trim (varies by year/finish)
• Controls: Likely volume/tone plus selector and (when equipped) coil-tap switching , variation dependent on pickup config
• Pickup configs (varied): 3 single-coil pickups or 2 single coils + humbucker with coil-tap switch options , unlike the earlier original Bluesbirds which had pair of humbuckers.

The Bluesbird Reintroduction by Guild

A Mid-1980s Guild solid-body Bluesbird variant reintroduced after the classic M-75 Bluesbird series.
It is visually and structurally similar to the earlier M-75 S Bluesbird, but it features different pickup configurations and electronics.
It was a transitional/bridge model between the classic M-75 Bluesbirds and later Bluesbird reissues of the 1990s onward , not a direct continuation of the vintage M-75 naming, which is why its catalog listing is generally just “Bluesbird Reintroduction.”

Specs:

• Manufacturer: Guild Guitars
• Number Of Strings: 6
• Number Of Frets: 22
• Tuner Layout: 3 by 3
• Neck Material: Mahogany
• TailpieceType: Tune-o-matic
• Fret Board Material: Rosewood
• Inlay Style: Block inlay
• Body Type: Solid
• Body Shape/Style/Series: Single Cutaway
• Body Material: Mahogany
• Body Finish: Sunburst • Pick Guard Color: Black
• Year From: 1985
• Year To: 1988
• Body style: Solid body single-cut electric guitar (similar to M-75 Bluesbird)
• Scale length: Typical Guild/Les Paul-style ~24½″–24¾″ range (inferred from similarity to M-75)
• Controls: Likely volume/tone plus selector and (when equipped) coil-tap switching , variation dependent on pickup config
• Neck: Set-in (common Guild design)
• Hardware: Tune-o-matic style bridge and stopbar tailpiece (typical for this line)
• Finish / Appearance: Solid color with Guild headstock and trim (varies by year/finish)
• Pickup configs (varied): 3 single-coil pickups or 2 single coils + humbucker with coil-tap switch options , unlike the earlier original Bluesbirds which had pair of humbuckers.

The Mum-8 Studio Monitor Pair by Present Day Production

A high-end, three-way active studio monitor system from PresentDayProduction designed for critical mixing and mastering.
Featuring premium drivers, modular/upgradable design, and integrated DSP with flexible amplification configuration, the MUM-8 aims for ultra-low distortion and highly accurate sound reproduction.

Specs:

• Type: Active three-way studio monitor pair (sealed enclosure)
• 8″ Purifi aluminium bass woofer
• 3″ midrange and 1″ tweeter (BlieSMa silk domes; upgradable to beryllium)
• Amplification: Integrated Hypex Class-D modules • Separate module for each driver; ~250 W LF, ~250 W MF, ~100 W HF
• Built-in DSP for crossover filtering, time alignment, and EQ presets
• Multiple EQ modes (including sub-integration and room tuning)
• OLED front display & remote control for input, presets, and volume
• Inputs: Balanced XLR, digital (AES/EBU), S/PDIF, optical TosLink (varies by configuration)
• Modular design: Detachable Amp Module allows rear cabinet mounting or external rack installation
• Frequency response: Extended low end (e.g., down to ~26 Hz -3 dB) thanks to driver and sealed design
• Build: Rigid, acoustically inert cabinet with internal damping
• Target use: Critical mixing, mastering, pro studio monitoring where accuracy and detail are priorities
• Dimensions (each monitor): ~520 mm H × 256 mm W × 320 mm D (~380 mm with amp mounted)
• Weight (each): ~19.25 kg

The Mum-8 Studio Monitor Pair by Present Day Production

A high-end, three-way active studio monitor system from PresentDayProduction designed for critical mixing and mastering.
Featuring premium drivers, modular/upgradable design, and integrated DSP with flexible amplification configuration, the MUM-8 aims for ultra-low distortion and highly accurate sound reproduction.

Specs:

• Type: Active three-way studio monitor pair (sealed enclosure)
• 8″ Purifi aluminium bass woofer
• 3″ midrange and 1″ tweeter (BlieSMa silk domes; upgradable to beryllium)
• Amplification: Integrated Hypex Class-D modules
• Separate module for each driver; ~250 W LF, ~250 W MF, ~100 W HF
• Built-in DSP for crossover filtering, time alignment, and EQ presets
• Multiple EQ modes (including sub-integration and room tuning)
• OLED front display & remote control for input, presets, and volume
• Inputs: Balanced XLR, digital (AES/EBU), S/PDIF, optical TosLink (varies by configuration)
• Modular design: Detachable Amp Module allows rear cabinet mounting or external rack installation
• Frequency response: Extended low end (e.g., down to ~26 Hz -3 dB) thanks to driver and sealed design
• Build: Rigid, acoustically inert cabinet with internal damping
• Target use: Critical mixing, mastering, pro studio monitoring where accuracy and detail are priorities
• Dimensions (each monitor): ~520 mm H × 256 mm W × 320 mm D (~380 mm with amp mounted)
• Weight (each): ~19.25 kg

The Mum-8 Studio Monitor Pair by Present Day Production

A high-end, three-way active studio monitor system from PresentDayProduction designed for critical mixing and mastering.
Featuring premium drivers, modular/upgradable design, and integrated DSP with flexible amplification configuration, the MUM-8 aims for ultra-low distortion and highly accurate sound reproduction.

Specs:

• Type: Active three-way studio monitor pair (sealed enclosure)
• 8″ Purifi aluminium bass woofer
• 3″ midrange and 1″ tweeter (BlieSMa silk domes; upgradable to beryllium)
• Amplification: Integrated Hypex Class-D modules (separate module for each driver; ~250 W LF, ~250 W MF, ~100 W HF)
• Built-in DSP for crossover filtering, time alignment, and EQ presets
• Multiple EQ modes (including sub-integration and room tuning)
• OLED front display & remote control for input, presets, and volume
• Inputs: Balanced XLR, digital (AES/EBU), S/PDIF, optical TosLink (varies by configuration)
• Modular design: Detachable amp module allows rear cabinet mounting or external rack installation for flexibility in studio setups
• Frequency response: Extended low end (e.g., down to ~26 Hz -3 dB) thanks to driver and sealed design
• Build: Rigid, acoustically inert cabinet with internal damping
• Target use: Critical mixing, mastering, pro studio monitoring where accuracy and detail are priorities
• Dimensions (each monitor): ~520 mm H × 256 mm W × 320 mm D (~380 mm with amp mounted)
• Weight (each): ~19.25 kg

The Mum-8 Studio Monitor Pair by Present Day Production

A high-end, three-way active studio monitor system from PresentDayProduction designed for critical mixing and mastering.
Featuring premium drivers, modular/upgradable design, and integrated DSP with flexible amplification configuration, the MUM-8 aims for ultra-low distortion and highly accurate sound reproduction.

Specs:

• Type: Active three-way studio monitor pair (sealed enclosure)
• 8″ Purifi aluminium bass woofer
• 3″ midrange and 1″ tweeter (BlieSMa silk domes; upgradable to beryllium)
• Amplification: Integrated Hypex Class-D modules • Separate module for each driver; ~250 W LF, ~250 W MF, ~100 W HF
• Built-in DSP for crossover filtering, time alignment, and EQ presets
• Multiple EQ modes (including sub-integration and room tuning)
• OLED front display & remote control for input, presets, and volume
• Inputs: Balanced XLR, digital (AES/EBU), S/PDIF, optical TosLink (varies by configuration)
• Modular design: Detachable Amp Module allows rear cabinet mounting or external rack installation
• Frequency response: Extended low end (e.g., down to ~26 Hz -3 dB) thanks to driver and sealed design
• Build: Rigid, acoustically inert cabinet with internal damping
• Target use: Critical mixing, mastering, pro studio monitoring where accuracy and detail are priorities
• Dimensions (each monitor): ~520 mm H × 256 mm W × 320 mm D (~380 mm with amp mounted)
• Weight (each): ~19.25 kg

The Mum-8 Studio Monitor Pair by Present Day Production

A high-end, three-way active studio monitor system from PresentDayProduction designed for critical mixing and mastering.
Featuring premium drivers, modular/upgradable design, and integrated DSP with flexible amplification configuration, the MUM-8 aims for ultra-low distortion and highly accurate sound reproduction.

Specs:

• Type: Active three-way studio monitor pair (sealed enclosure)
• 8″ Purifi aluminium bass woofer
• 3″ midrange and 1″ tweeter (BlieSMa silk domes; upgradable to beryllium)
• Amplification: Integrated Hypex Class-D modules (separate module for each driver; ~250 W LF, ~250 W MF, ~100 W HF)
• Built-in DSP for crossover filtering, time alignment, and EQ presets
• Multiple EQ modes (including sub-integration and room tuning)
• OLED front display & remote control for input, presets, and volume
• Inputs: Balanced XLR, digital (AES/EBU), S/PDIF, optical TosLink (varies by configuration)
• Modular design: Detachable amp module allows rear cabinet mounting or external rack installation for flexibility in studio setups
• Frequency response: Extended low end (e.g., down to ~26 Hz -3 dB) thanks to driver and sealed design
• Build: Rigid, acoustically inert cabinet with internal damping
• Target use: Critical mixing, mastering, pro studio monitoring where accuracy and detail are priorities
• Dimensions (each monitor): ~520 mm H × 256 mm W × 320 mm D (~380 mm with amp mounted)
• Weight (each): ~19.25 kg

The MIDI Grand Piano factory-installed in the 80s by Yamaha

The Yamaha MIDI Grand was an acoustic Yamaha grand piano fitted at the factory with an optical MIDI sensing system.
It allowed the piano to function as a full MIDI controller while retaining an entirely traditional acoustic action and sound.
It was produced in limited numbers and aimed mainly at professional studios and composers.

Specs:

• Type: Acoustic grand piano with MIDI output
• Base models: Yamaha C3E and C7E
• Keys: 88 keys
• MIDI: MIDI Out (performance data only)
• Sensing system: Optical (non-contact, no effect on touch)
• Sound generation: Purely acoustic (no internal digital sounds)
• Production: Limited / special factory version (late 1980s)
• Predecessor to: Yamaha Disklavier concept

The MIDI Grand Piano factory-installed in the 80s by Yamaha

The Yamaha MIDI Grand was an acoustic Yamaha grand piano fitted at the factory with an optical MIDI sensing system.
It allowed the piano to function as a full MIDI controller while retaining an entirely traditional acoustic action and sound.
It was produced in limited numbers and aimed mainly at professional studios and composers.

Specs:

• Type: Acoustic grand piano with MIDI output
• Base models: Yamaha C3E and C7E
• Keys: 88 keys
• MIDI: MIDI Out (performance data only)
• Sensing system: Optical (non-contact, no effect on touch)
• Sound generation: Purely acoustic (no internal digital sounds)
• Production: Limited / special factory version (late 1980s)
• Predecessor to: Yamaha Disklavier concept
• Factory-installed optical key & hammer sensors
• MIDI Out for controlling external synthesizers and samplers
• Velocity-sensitive MIDI output
• Key-release (note-off) velocity transmission
• Full 88-note MIDI range
• Selectable MIDI channel
• Local acoustic sound always active (no muting or silent mode)
• No internal sound engine (acoustic piano only)
• No recording or playback functions
• Designed for studio synchronization and sequencing

The MIDI Grand Piano factory-installed in the 80s by Yamaha

The Yamaha MIDI Grand was an acoustic Yamaha grand piano fitted at the factory with an optical MIDI sensing system.
It allowed the piano to function as a full MIDI controller while retaining an entirely traditional acoustic action and sound.
It was produced in limited numbers and aimed mainly at professional studios and composers.

Specs:

• Type: Acoustic grand piano with MIDI output
• Base models: Yamaha C3E and C7E
• Keys: 88 keys
• MIDI: MIDI Out (performance data only)
• Sensing system: Optical (non-contact, no effect on touch)
• Sound generation: Purely acoustic (no internal digital sounds)
• Production: Limited / special factory version (late 1980s)
• Predecessor to: Yamaha Disklavier concept

The Solo World Synth by TAQS.IM

World Synth is a cross‑platform virtual instrument plugin that blends authentic world music sounds with a hybrid synthesis engine. It’s designed for composers, producers, and musicians who want to add global musical flavors and expressive microtonal elements to their productions.

Features & Specs:

• Hybrid synthesis engine combining sample playback, analog‑modeled, phase distortion, and wave table oscillators for diverse tones.
• World music instrument library with authentic global sounds.
• Microtonal scale support includes “oriental‑style” scale converter and Maqam microtonal scales beyond Western 12‑tone tuning.
• MIDI Polyphonic Expression (MPE) support for expressive playing.
• Drag‑and‑drop MIDI phrase library in true microtonal scales.
• Deep sound editing with multiple oscillator types and filters (Ladder, SEM, etc.).
• Built‑in effects: Distortion, Phaser, Delay, Reverb and more.
• Resizable interface with optional full‑screen mode (added in recent updates).
• Preset browser with categorized sounds.
• Works on Windows & macOS (64‑bit).
• Plugin formats: VST3, AU, AAX
• Compatible with major DAWs like Logic Pro, Ableton Live, Cubase, FL Studio, Pro Tools, Reaper, etc.
• Mac version optimized for Apple Silicon (M1/M2).
• Import support for Korg KMP, SFZ and SoundFont2 samples.
• License allows activation on up to 5 devices.
• Regular updates adding new performance features like Round Robin modes and enhanced portamento/legato control.

The Classic 30-B Bass Amp by Liberty

The Liberty Classic 30‑B Bass Amp is a compact solid‑state bass combo amplifier intended mainly for home practice, rehearsal, or beginner bass players. It’s similar in concept to other small 30 W bass combos simple EQ controls, one speaker, and basic connectivity.

Specs:

• Type: Bass combo amplifier (solid‑state)
• Output Power: ~30 W RMS (common for “30‑B” practice amps)
• Speaker: Likely 10″ or 12″ speaker (standard in this class)
• Controls: Basic EQ (Bass/Treble or simple tone stack)
• Inputs: 1 × instrument input
• Outputs: Possibly headphone or line out (not certain)
• Use Case: Practice at home, beginners, small jam sessions

The Classic 30-B Bass Combo Amplifier by Liberty

The Liberty Classic 30‑B Bass Amp is a compact solid‑state bass combo amplifier intended mainly for home practice, rehearsal, or beginner bass players. It’s similar in concept to other small 30 W bass combos simple EQ controls, one speaker, and basic connectivity.

Specs:

• Type: Bass combo amplifier (solid‑state)
• Output Power: ~30 W RMS (common for “30‑B” practice amps)
• Speaker: Likely 10″ or 12″ speaker (standard in this class)
• Controls: Basic EQ (Bass/Treble or simple tone stack)
• Inputs: 1 × instrument input
• Outputs: Possibly headphone or line out (not certain)
• Use Case: Practice at home, beginners, small jam sessions

The Classic 30-B Bass Amp by Liberty

The Liberty Classic 30‑B Bass Amp is a compact solid‑state bass combo amplifier intended mainly for home practice, rehearsal, or beginner bass players. It’s similar in concept to other small 30 W bass combos simple EQ controls, one speaker, and basic connectivity.

Specs:

• Type: Bass combo amplifier (solid‑state)
• Output Power: ~30 W RMS (common for “30‑B” practice amps)
• Speaker: Likely 10″ or 12″ speaker (standard in this class)
• Controls: Basic EQ (Bass/Treble or simple tone stack)
• Inputs: 1 × instrument input
• Outputs: Possibly headphone or line out (not certain)
• Use Case: Practice at home, beginners, small jam sessions

The Brass Tones 20" Power Ride by Paiste

The Paiste Brass Tones 20″ Power Ride is a vintage ride cymbal from Paiste’s Brass‑Tones line is an entry‑level brass cymbal series made in Germany in the 1990s.
Built from brass alloy (MS63), it was aimed at beginner drummers and produced bright, basic ride tones with medium volume and durability suitable for early playing and practice drums.
As part of the Brass‑Tones series, it’s not a modern professional bronze cymbal but valued by some for its classic, simple sound and nostalgic character.

Specs:

• Model: Paiste Brass Tones 20″ Power Ride (brass cymbal, discontinued)
• Size: 20 inches diameter (≈ 50.8 cm)
• Alloy: Brass (MS63) entry‑level material common in beginner cymbals
• Series: Brass‑Tones (1990s beginner line, discontinued)
• Volume: Medium (suitable for practice and beginner setups)
• Weight: Medium‑weight brass cymbal (brass is softer than bronze)
• Sound Character: Bright, basic ride tone with balanced stick attack and simple wash not as complex or rich as bronze cymbals

The Stage Custom Advantage 5‑Piece Drumset by Yamaha**

The Yamaha Stage Custom Advantage 5‑Piece Drumset is a complete acoustic drum kit built for players ranging from beginners to gigging musicians.
It features 8‑ply wood shells (birch with mahogany/falkata) for balanced tone and projection, Yamaha’s YESS suspension mounting system for maximum resonance, and 700‑Series hardware for reliable performance.
This kit provides a professional‑sounding acoustic setup that’s versatile for practice, rehearsal, and stage use.

Specs:

• Configuration: 5‑piece drum set (shell pack + hardware)
• Shells: 8‑ply birch / mahogany / falkata for rich, articulate tone
• Bass Drum: 22″ × 17″ (classic pro size)
• Mounted Toms: 10″ × 9″ and 12″ × 10″
• Floor Tom: 16″ × 16″
• Snare Drum: 14″ × 5.5″ matching wood snare
• Mounting System: Yamaha YESS mounts on toms for maximum shell resonance
• Hardware: 700‑Series hardware included (stands, hi‑hat, snare stand, kick pedal)
• Finish Options: Available in multiple gloss/fade finishes
• Cymbals: Not included (sold separately)

The KSD-245 Snare Drum by Yamaha

The Yamaha KSD‑245 Steel Shell Snare Drum is a 14″ × 5.5″ steel‑shell snare built for bright, articulate tone with reliable tuning stability.
Featuring a sturdy steel shell, multi‑strand snare wires and Yamaha hardware, it’s great for both beginning players and more seasoned drummers who want a punchy snare with strong projection for practice, studio, or performance use.

Specs:

• Size: 14″ diameter × 5.5″ depth (standard snare dimensions)
• Shell Material: Steel (1.0 mm) bright, cutting tone with solid projection
• Hoops: Triple‑flange steel hoops for strong rimshot response
• Lugs: One‑piece tension lugs for consistent tuning
• Snare Wires: High‑carbon steel coiled wires (20‑strand typical) for crisp articulation
• Strainer: Yamaha B‑type strainer (standard snare release/tension)
• Heads: Coated top and clear bottom heads (often Remo‑type on Yamaha models)
• Finish: Chrome or polished steel finish (common on this class of snare)

The CM20B Combo Amp by Cort

The Cort CM20B is a small, solid‑state bass combo amp designed for practice, home use, and small jam sessions.
It offers straightforward controls, a 3‑band EQ, and useful features like an aux input and headphone out making it a good choice for beginners or bassists who need a simple, reliable amp with clear sound.

Specs:

• Type: Solid‑state bass combo amplifier • Model: Cort Basscombo CM20B • Output Power: 20 W RMS • Speaker: 1 × 8″ speaker (4 Ω) • EQ: 3‑band equalizer (Bass, Middle, Treble) • Controls: Volume, Bass, Middle, Treble, Mode switch (mid cut with bass/treble boost)
• 1× 1/4″ instrument input
• Aux In (3.5 mm) for playing along with music tracks
• Outputs: Headphone out (3.5 mm) for silent practice
• Effects: No built‑in effects, but Mode alters tone balance
• Power Supply: Mains powered (no battery operation)
• Dimensions: ~315 × 210 × 305 mm (W×D×H)
• Weight: ~6 kg

The CM20B Solid State Bass Combo Amplifier by Cort

The Cort CM20B is a small, solid‑state bass combo amp designed for practice, home use, and small jam sessions.
It offers straightforward controls, a 3‑band EQ, and useful features like an aux input and headphone out making it a good choice for beginners or bassists who need a simple, reliable amp with clear sound.

Specs:

• Type: Solid‑state Sass Combo Amplifier
• Model: Cort Basscombo CM20B
• Output Power: 20 W RMS
• Speaker: 1 × 8″ speaker (4 Ω)
• EQ: 3‑band equalizer (Bass, Middle, Treble)
• Controls: Volume, Bass, Middle, Treble, Mode switch (mid cut with bass/treble boost)
• 1× 1/4″ instrument input
• Aux In (3.5 mm) for playing along with music tracks
• Outputs: Headphone out (3.5 mm) for silent practice
• Effects: No built‑in effects, but Mode alters tone balance
• Power Supply: Mains powered (no battery operation)
• Dimensions: ~315 × 210 × 305 mm (W×D×H)
• Weight: ~6 kg

The CM20B Combo Amp by Cort

The Cort CM20B is a small, solid‑state bass combo amp designed for practice, home use, and small jam sessions.
It offers straightforward controls, a 3‑band EQ, and useful features like an aux input and headphone out making it a good choice for beginners or bassists who need a simple, reliable amp with clear sound.

Specs:

• Type: Solid‑state bass combo amplifier • Model: Cort Basscombo CM20B • Output Power: 20 W RMS • Speaker: 1 × 8″ speaker (4 Ω) • EQ: 3‑band equalizer (Bass, Middle, Treble) • Controls: Volume, Bass, Middle, Treble, Mode switch (mid cut with bass/treble boost)
• 1× 1/4″ instrument input
• Aux In (3.5 mm) for playing along with music tracks
• Outputs: Headphone out (3.5 mm) for silent practice
• Effects: No built‑in effects, but Mode alters tone balance
• Power Supply: Mains powered (no battery operation)
• Dimensions: ~315 × 210 × 305 mm (W×D×H)
• Weight: ~6 kg

The 600W 12-Band Bass Head by Trace Elliot

The Trace Elliot 600W 12‑Band Bass Head is a professional‑grade bass amplifier head with a powerful 600 W (4 Ω) output and a classic Trace Elliot 12‑band graphic EQ for detailed tone shaping.
It includes a suite of performance‑oriented features such as dual‑band compression, Pre‑Shape circuitry for classic Trace tone, a valve drive option for warm harmonic color, an effects loop, and balanced DI outputs making it ideal for studio use, live stage rigs, and players who want maximum control over their low‑end sound.

Specs:

• Model: Trace Elliot AH600‑12 Bass Head
• Output Power: 600 W into 4 Ω (power stage)
• EQ: 12‑Band classic graphic equalizer (footswitchable)
• Pre‑Shape circuit for classic Trace tone
• Valve drive circuit adds tube‑like warmth/overdrive
• Dual‑band Compressor (separate hi/lo controls)
• Effects Loop: Sophisticated loop with Hi‑Pass/Lo‑Pass/Full Range outputs, L/R/Mono returns, Series/Parallel switch and Level control
• Footswitch Included: Controls Pre‑Shape, Valve drive, Graphic EQ, Compressor, Effects Loop, and Output Mute
• DI & Line Outs: Electronically balanced XLR DI outputs (pre‑EQ and post‑preamp, L/R) plus L/R Line outputs
• Output Mute: Mutes all outputs except tuner output
• Build: Classic black “pimple” covering with metal handles and protective corners
• Weight: ~39.2 lb (≈17.8 kg)

The Power Amp EcoPower 100W by MET

The MET Power Amp EcoPower 100W is a compact Class-D power amplifier designed to boost line-level or pre-amped signals to drive a passive speaker cabinet.
It’s ideal for guitarists using pedalboards, modelers, preamps, or software amps who want a lightweight, efficient way to power a guitar cab without a traditional heavy amplifier head.

Specs:

• Type: Class-D power amplifier (no preamp)
• Output Power: Up to 100 W RMS into 4 Ω
• Channels: 1 mono power channel
• Inputs: 1 × P10 (instrument/preamp level input)
• Outputs: 1 × P10 speaker output (use proper speaker cable)
• Power Supply: DC 24 V (5 A) included, 110/220 V automatic bivolt
• Use Case: Pair with passive guitar/bass cabinets or speaker setups after pedals/modelers
• Weight & Size: Very compact and lightweight (small footprint)
• Characteristic: Full-range output (can be used for guitar, bass, keyboards, etc.) does not color tone significantly

Power Scaling by Impedance:

• ~100 W @ 4 Ω
• ~50 W @ 8 Ω
• ~25 W @ 16 Ω

Mirage Delay Pedal by Redshift

The RedShift Mirage is a feature-packed digital multi-delay guitar pedal that goes beyond a standard delay by adding modulation, reverse repeats, octave-up modes and expressive control options.
It’s designed for creative players looking for anything from classic echoes to ambient, chaotic, or swirling delay textures.

Specs:

• Type: Digital multi-delay effects pedal
• Delay Time: Up to ~3 seconds of delay
• Multi-delay with reverse or octave-up repeats
• Modulation mode with 4 filter types (tremolo, low-pass, high-pass, resonant)
• Swell mode for controlled oscillation/chaos
• Controls: Knobs for mix/decay/feedback etc. and multiple footswitch functions (including tap tempo)
• Connectivity: Expression/CV input to control mix or other parameters; external switch/CV gate to trigger buttons
• DSP: High-performance 32-bit DSP with 24-bit/192 kHz converters
• Bypass: True bypass switching
• Power: Standard 9 V DC, center-negative (approx. 200 mA)
• Current Draw: ~200 mA
• Extras: USB port for editor/patch saving on some units (varies by version)

GGS-12 Guitar Stand by Guitto

The Guitto Multi Guitar Rack Stand Foldable Universal Display Rack Portable Guitar Holder (model GGS-12) is a foldable multi-guitar rack designed to hold up to three guitars including electric, acoustic, and bass in a stable, compact setup.
It’s ideal for home, rehearsal, or stage use when you want to keep multiple instruments organized, protected, and easily accessible.

Specs:

• Type: Floor guitar rack / stand for up to 3 instruments
• Compatibility: Electric, acoustic, and bass guitars
• Material: Steel tube frame + high-intensity polyamide (durable & rigid)
• Protective Padding: Flexible plastic/foam on contact points to avoid scratches
• Foldable: Collapsible design for easy storage and transport
• Load Capacity: Up to ~30 kg total (about 10 kg per guitar)
• Color: Black
• Dimensions (open): Approx 65 cm (H) × 57 cm (W) × 50 cm (D)
• Weight: Around 2.7 kg

The Handmade Stratocaster John Cruz by FP Guitars

A high-end handmade Stratocaster by legendary builder John Cruz (often referred to as a Custom Shop Handmade Stratocaster John Cruz in practice this is a Fender Custom Shop Stratocaster Masterbuilt by John Cruz, a top-tier custom guitar.
The Matching Set John Cruz Masterbuilt 1960 Fender Stratocaster / similar John Cruz handmade Stratocaster is an elite-level, US-made Custom Shop electric guitar built by John Cruz, one of Fender’s most respected master builders.
These instruments are crafted with premium tonewoods, painstaking attention to detail, and hand-wound pickups, delivering classic Stratocaster tones with exceptional feel, resonance, and vintage-inspired playability.
Cruz guitars are highly sought by players and collectors alike, with long waiting lists and strong resale value.

Specs:

• Builder: Fender Custom Shop Masterbuilt by John Cruz (handmade)
• Body: Select alder (sometimes ash on certain models)
• Finish: Nitrocellulose lacquer with relic aging options available (vintage look)
• Neck: Quarter-sawn maple neck (Mid-‘60s Oval C profile typical)
• Scale Length: 25.5″ / 648 mm (standard Strat)
• Fingerboard: Rosewood (AAA or dark selection) with ~9.5″ radius (varies by model)
• Frets: 21 medium/6105 frets
• Pickups: Hand-wound John Cruz / Custom Shop single-coil set
• Controls: Master volume, 2 tone controls, 5-way switch (often with S-1 or blender options on some builds)
• Bridge: American Vintage synchronized tremolo
• Tuners: Vintage-style Fender tuners
• Hardware: Chrome/nickel finish
• Weight: ~3.4–3.6 kg (varies by wood and build)
• Case & Extras: Often includes Custom Shop hard case & certificate of authenticity
• Masterbuilt quality: Each guitar is individually crafted by John Cruz, known for meticulous setup and historic re-creation builds.
• Vintage-correct specs: Classic ‘60s feel and tone with modern reliability.
• Collector appeal: Extremely limited production and high demand.

The Ecocab Mini Reto American by MET

The Ecocab Mini Reto American is a compact guitar speaker cabinet (1×12″) designed for easy transport and practical use on small stages.
It can be built as a simple passive cabinet or as a 100 W active combo with the ECOPOWER class-D amp included.
It’s ideal for guitarists who need a lightweight, versatile cabinet (and can be customized with different speakers).

Specs:

Type: Guitar speaker cabinet / active combo (1×12″)
Speaker Size: 1 × 12″ (speaker chosen by buyer)
Power (Active Version): ~100 W RMS class-D Amplifier
Channels: 1 input channel
Impedance Range: Works with 4–8–16 Ω Speakers
Cabinet Material: Pinus ecológico (ecological pine wood)
Dimensions (approx): ~44 cm × 28 cm × 37 cm (cabinet alone)
Weight: ~5.3–5.5 kg without Speaker
Features: Includes tilt legs for inclined monitoring on stage
Power Supply (active): Bivolt automatic 110/220 V

The Ecocab Mini Reto American 1x12 Cabinet by MET

The Ecocab Mini Reto American is a compact guitar speaker cabinet (1×12″) designed for easy transport and practical use on small stages.
It can be built as a simple passive cabinet or as a 100 W active combo with the ECOPOWER class-D amp included.
It’s ideal for guitarists who need a lightweight, versatile cabinet (and can be customized with different speakers).

Specs:

Type: Guitar speaker cabinet / active combo (1×12″)
Speaker Size: 1 × 12″ (speaker chosen by buyer)
Power (Active Version): ~100 W RMS class-D Amplifier
Channels: 1 input channel
Impedance Range: Works with 4–8–16 Ω Speakers
Cabinet Material: Pinus ecológico (ecological pine wood)
Dimensions (approx): ~44 cm × 28 cm × 37 cm (cabinet alone)
Weight: ~5.3–5.5 kg without Speaker
Features: Includes tilt legs for inclined monitoring on stage
Power Supply (active): Bivolt automatic 110/220 V