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The Momo MI-5 8-String Bass by Musicvox.

An 8-String Bass by Musicvox “specialty” instruments, the MI-5 MOMO 8-String is somewhat rare/limited , there aren’t huge production numbers, so finds are often on secondary market.
Some versions have Block-Pearloid Inlays, triple binding (body, headstock, neck) depending on color/finish variant.

Specs:

• Body: Mahogany.
• Body shape: “MI-5” design , the distinctive Musicvox MI-5 body style.
• Construction: Neck-through-body.
• Neck: Canadian rock maple neck with rosewood fingerboard (or “rosewood eco-equivalent”, according to the spec sheet).
• Truss rods: Dual truss rods (twin double truss rods) for added stability , necessary because of the string tension from the 8-string setup.
• Nut / Neck Width: Nut width 2.126" (≈ 54 mm).
• Neck width at 21st fret: 2.67" (≈ 68 mm).
• Scale length: 34″ (long-scale).
• Frets: 21 frets.
• Bridge / Tailpiece: Musicvox custom 8-string bass stop-tail bridge / fully adjustable 8-saddle bridge.
• Tuners: Locking bass and locking guitar tuners (special Musicvox locking tuners).
• Pickups: Musicvox special humbucker bass pickups (for 8-string configuration) , capable of handling higher string tension and providing adequate output.
• Electronics: Switchable active/passive circuit. In active mode you get a 3-band EQ.
• Controls: 2 × Volume + 2 × Tone + a 3-way toggle switch (for pickup / circuit selection) according to spec sheet.
• Outputs: Dual (stereo) outputs , allowing separate routing of active and passive circuits to two amps or channels.
• Strings: Uses DR 10–46 gauge strings by default (per spec listing).

The Space Cadet 12-String Bass by Musicvox

Is a 12-String Bass with Humbuckers.

Specs:

• Scale length: 34″ (long scale)
• Neck-through Body: Mahogany
• Fingerboard: Rosewood.
• Neck: Maple Neck with Dual truss rods to handle the tension from twelve Strings.
• Nut: Early versions had a brass nut (some later may use graphite or similar) , helps with stability under tension.
• First-series 12-String Basses began in 1999, made in Korea.
• Some Versions have bound body/neck/headstock; others (especially early ones) did not.
• Pickups: Musicvox Humbuckers (Special 12-String Bass Humbuckers)
• Electronics: Active/passive design , you can choose active mode (with built-in 3-band EQ) or passive mode.
• Output: Dual outputs , one active, one passive. This allows (for example) splitting the signal to two amps for stereo or different tonal paths.
• Bridge / Tailpiece: Custom-cast, fully adjustable 8-saddle bridge and tailpiece for accurate intonation across all 12 Strings.
• Tuners: Locking tuners (on at least the first series) to improve tuning stability under heavy string tension.
• The 12-string configuration is “4 courses of 3 strings” , essentially like a standard 4-string bass, but each string is tripled (typically with octave strings accompanying each fundamental).
• Because of the extra strings and resulting tension, the dual-truss-rod neck, mahogany body, and locking tuners were chosen for stability and durability.
• The dual-output + active/passive design gives wide tonal flexibility , from mellow, piano-like resonance to full, huge 12-string bass sound (great for stereo rigs or just extra tonal options).
• There are different finish and build variations depending on series. For example, a limited-edition “Seafoam Green” finish was made in 2001 (very rare), besides the more common Sunburst, White etc.
• Some listings describe a bound body/headstock/neck with Block Pearloid (or black pearl) Inlays on the Rosewood Fingerboard.

The Nocturne Brain Preamp Pedal by Jr Barnyard.

The Jr Nocturne by Jr Barnyard is an Octal Tube style Preamp based on the Gibson EH-150 / EH-185 Amplifier.
A Pre-War Hot Preamp ( 1930's-40s octal tube amp character pedal).
Inspired by my Moonshine'39 Amp a repro of the 1939 Gibson EH-150 /185 pre war tweed amp and its octal tubes.
Created was a textured hot club style preamp to garner those early Charlie Christian flutey reedy amp tones to Texas Playboys Junior Barnard and Eldon Shamblin dirty octal tube Swingin Texas blues.

Specs:

• Width: ~ 2.60 in (≈ 66 mm) • Depth: ~ 4.80 in (≈ 122 mm) • Height: ~ 1.38 in (≈ 35 mm) • Circuit type: fully analog. • True bypass switching.

Controls:

• Body depth Switch (Deep / Flat), for adjusting tonal response depending on instrument type (guitar, bass, acoustic, etc.).
• Bright Switch (on the side) to shape brightness/tone.
• Two controls/knobs: One for Volume (preamp level) and one “Blend” knob (on newer single-stomp models) to blend between a “normal/clean” channel and a “hot/mic” channel.
• Two stomp-switches: One for engaging the pedal (normal vs bypass), and one (on “double-stomp” versions) to engage the hotter / boosted channel for more texture and gain.

The Nocturne Brain Preamp Pedal by Jr Barnyard.

The Jr Nocturne by Jr Barnyard is an Octal Tube style Preamp based on the Gibson EH-150 / EH-185 Amplifier.
A Pre-War Hot Preamp ( 1930's-40s octal tube amp character pedal).
Inspired by my Moonshine'39 Amp a repro of the 1939 Gibson EH-150 /185 pre war tweed amp and its octal tubes.
Created was a textured hot club style preamp to garner those early Charlie Christian flutey reedy amp tones to Texas Playboys Junior Barnard and Eldon Shamblin dirty octal tube Swingin Texas blues.

Specs:

• Width: ~ 2.60 in (≈ 66 mm)
• Depth: ~ 4.80 in (≈ 122 mm)
• Height: ~ 1.38 in (≈ 35 mm)
• Circuit type: fully analog.
• True bypass switching.

Controls:

• Body depth Switch (Deep / Flat), for adjusting tonal response depending on instrument type (guitar, bass, acoustic, etc.).
• Bright Switch (on the side) to shape brightness/tone.
• Two controls/knobs: One for Volume (preamp level) and one “Blend” knob (on newer single-stomp models) to blend between a “normal/clean” channel and a “hot/mic” channel.
• Two stomp-switches: One for engaging the pedal (normal vs bypass), and one (on “double-stomp” versions) to engage the hotter / boosted channel for more texture and gain.

The Nocturne Brain Preamp Pedal by Jr Barnyard.

The Jr Nocturne by Jr Barnyard is an Octal Tube style Preamp based on the Gibson EH-150 / EH-185 Amplifier.
A Pre-War Hot Preamp ( 1930's-40s octal tube amp character pedal).
Inspired by my Moonshine'39 Amp a repro of the 1939 Gibson EH-150 /185 pre war tweed amp and its octal tubes.
Created was a textured hot club style preamp to garner those early Charlie Christian flutey reedy amp tones to Texas Playboys Junior Barnard and Eldon Shamblin dirty octal tube Swingin Texas blues.

Specs:

• Width: ~ 2.60 in (≈ 66 mm) • Depth: ~ 4.80 in (≈ 122 mm) • Height: ~ 1.38 in (≈ 35 mm) • Circuit type: fully analog. • True bypass switching.

Controls:

• Body depth Switch (Deep / Flat), for adjusting tonal response depending on instrument type (guitar, bass, acoustic, etc.).
• Bright Switch (on the side) to shape brightness/tone.
• Two controls/knobs: One for Volume (preamp level) and one “Blend” knob (on newer single-stomp models) to blend between a “normal/clean” channel and a “hot/mic” channel.
• Two stomp-switches: One for engaging the pedal (normal vs bypass), and one (on “double-stomp” versions) to engage the hotter / boosted channel for more texture and gain.

The FutureVerb Reverb Plug-In by Valhalla.

Echo Mode Overview Modern Tape Digital Analog Detune Reverse ReverseOctUp ReverseOctDown ReverseOctUpDown Sparkle Swarm LoFi
The Echo Modes can be used to take the transparent and realistic reverb modes in FutureVerb™, and extend them into highly colored / dirty / surrealistic directions.
A fairly clean tape echo, with gentle chaotic modulation and warm overdrive, but with none of the noise found in real tape echoes.
Turn up the Spread control to transform the stereo tape delay into 4 parallel tape echos of different lengths that are all feeding into each other.
A digital delay model, based around a companded 12-bit delay (8-bits in the Dark and Studio modes).
A clean-ish delay, but with plenty of crunchy distortion and quantization noise on tap with the Drive control. 0/90/180/270 degree modulation for maximum spatial width and lush chorusing.
An idealized bucket brigade delay.
All of the warm compression of BBDs, but much brighter and cleaner than the real thing.
Sinusoidal up/down modulation, for adding some subtle chorusing - or switch the routing to Reverb->Echo for seasick modulated LoFi reverbs.
Two crystal clear detuned delays, with up/down detuning between the left and right channels.
Turn up the Spread control to add two more detuned delays, for lush detuned echoes and richly textured reverbs.
Reversed detuned granular delays. Use the Spread control to crossfade between two and eight(!) delays in parallel.
Turn up the feedback for truly mysterious delays and reverbs.
Similar to the Reverse mode, but with four of the eight reverse delays shifted up an octave.
Turn up the Spread to mix in the octave shifted delays, and crank up the Feedback for classic shimmer reverbs.
The Reverse mode, with four of the eight reverse detuned delays shifted down an octave. Ideal for dark and descending shimmer verbs, or for adding mysterious overtones to any sound.

Eight reversed delays: 4 detuned, 2 shifted up an octave, 2 shifted down an octave. A shimmer reverb ReverseOctUpDown.

A new type of pitch shifting.
Use the Spread control to fade between two and eight detuned granular delays, with VERY long grain durations, and four of the delays shifted up an octave. Ideal for stunningly clear and transparent shimmer reverbs, with none of the modulation noise of the Reverse modes.

The dark side of the Sparkle algorithm. Eight detuned and pitch shifted granular delays, tuned for maximum dissonance.
Turn up the Spread control, and slowly turn up the Detune knob to create tonal clusters that transform into rich octaves and fifths.
Wanna make a horror soundtrack? Love late 20th century composition? The Swarm mode is there for you.
A tape algorithm that has been used and abused without proper maintenance.
We start with our Tape algorithm, and add more overdrive, low frequency drift, and chaotic high frequency flutter.
The results are warm, noisy and mysterious. Perfect for adding a tape predelay to a reverb, for sparse chaotic reverbs (turn up the Spread control), or for truly vintage tape echoes.

Reverb Mode
Overview Room Chamber Plate Hall Cathedral Space Frozen Nonlin The Reverb Mode control in Valhalla FutureVerb™ switches between 8 unique reverberation algorithms.
The FutureVerb reverbs have been designed for maximum transparency and realism, with none of the coloration that is traditionally associated with algorithmic reverbs.
The modes are sorted by size, with the first 5 algorithms focused on real-world acoustic spaces, and the last 3 designed for huge ambient spaces and tight nonlinear reverbs.
All of the FutureVerb algorithms have been designed to sound good without any modulation being used.
That being said, these are still VALHALLA reverbs, with the lushest modulation ever found in any of our reverbs.
A realistic and versatile model of an enclosed space, ranging in size from small to fairly big.
The Room mode has a very open sound, with little resonance. This mode can be used for drums, vocals, and pretty much anything that needs reverb.
Fast attack, dense early reflections that can be dialed in or out by the Early/Late control, and a natural decay of high frequencies.
A realistic model of a reverb (“echo”) chamber.
More resonant than the Room mode, with a very fast onset of reverb, and a boomier low end that can be dialed in or out via the Low Freq EQ setting.
Based on a physical steel plate, with a lower resonance density than the other reverb modes.
Fast reverb onset, realistic dispersion for a more “metallic” sound, and a big low frequency decay that is controlled by the Low Freq EQ setting.
A realistic concert hall model, with a high echo and resonance density.
Medium fast to slow attack, controlled by the Early/Late control , turn this up to move the listener further back into the hall.
A huge open reverb, modeled after medieval cathedrals.
Slowish attack, huge low frequency decay (controlled by the Low Freq EQ setting), and a vast transparent sound.
For ballad vocals, giant synth spaces, and anywhere where a big, "expensive sounding" reverb is needed.
Transparent sound, lush modulation, and the ability to dial in attack times ranging from instant to glacially slow.
The reverb algorithm to FutureVerb™.
Frozen can be viewed as the largest nonlinear reverb ever.
Turn up the Size control to create reverbs that don't decay so much as hang in space for several seconds, or several tens of seconds.
Use the Attack control to have the sound hit instantly, or fade the reverb in over time.
Lush modulation on tap to make things that much more epic.

Compatibility:

• Windows: Windows 7/8/10/11
• Plugin formats: 64-bit VST2.4/VST3/AAX
• Mac: OSX 10.9/10.10/10.11, macOS 10.12/10.13/10.14/10.15, Big Sur, Monterey, Ventura, Sonoma, Sequoia, Tahoe
• Mac processors: Intel/M1/M2/M3/M4/M5
• Plugin Formats: 64-bit VST2.4/VST3/AAX/AU

The FutureVerb Reverb Plug-In by Valhalla.

Valhalla FutureVerb is a reverb + echo/delay plug-in for music production. It uses modern algorithmic reverb design (after 8 years of development) to deliver very transparent, realistic reverbs , from small rooms to huge halls or ambient-space effects.
It offers 8 different reverb modes (Room, Chamber, Plate, Hall, Cathedral, plus creative ones like Space, Frozen, Non-linear) that cover everything from natural spaces to huge, ambient, or experimental reverbs.
It also includes a powerful echo/delay section with 12 modes , from clean delays to tape-style, analogue, digital, reversed or pitch-shifted echos, giving you texture, character or surreal atmospheres.
Flexible signal flow: You can route echo before or after reverb (Echo → Reverb or Reverb → Echo), allowing for classic reverbs with pre-delay, vintage-style delay + reverb combos, or wild ambient textures.
Simple, yet powerful interface and tonal shaping: The plugin keeps controls accessible (mix, width, modulation, EQ) and offers quick tonal presets (“Color” modes: Bright / Neutral / Dark / Studio) to shape the character of the reverb/delay.

Compatibility:

• Windows: Windows 7/8/10/11
• Plugin formats: 64-bit VST2.4/VST3/AAX
• Mac: OSX 10.9/10.10/10.11, macOS 10.12/10.13/10.14/10.15, Big Sur, Monterey, Ventura, Sonoma, Sequoia, Tahoe
• Mac processors: Intel/M1/M2/M3/M4/M5
• Plugin Formats: 64-bit VST2.4/VST3/AAX/AU

The Rhino Guitar Plug-In by Aurora DSP.

7 sections for a virtually unlimited range of sounds: Each section can be expanded, revealing more controls, additional subsections, and options.
Despite this, the Main Window remains clear and simple, allowing you to quickly make general adjustments.
Standalone , No need to open your DAW to use Rhino.
Pick a preset, change a few main parameters, and you’re ready to go.
4 different packs built in.
12 custom IRs from Aurora DSP and 4 IRs from Jens Bogren.
A wide variety of tones chosen to complement each other perfectly to make the best out of the 4-file XY panel in Rhino.

Cross-Platform Presets:
• Exchange presets between Windows, macOS, iPad, and iPhone.

The Rhino Guitar Plug-In by Aurora DSP.

Standalone , No need to open your DAW to use Rhino.
Despite this, the Main Window remains clear and simple, allowing you to quickly make general adjustments.
Pick a preset, change a few main parameters.
A wide variety of tones chosen to complement each other perfectly to make the best out of the 4-file XY panel in Rhino.
7 sections for a virtually unlimited range of sounds: Each section can be expanded, revealing more controls, additional subsections, and options.
4 different packs built in.
12 custom IRs from Aurora DSP and 4 IRs from Jens Bogren.

Cross-Platform Presets:
• Exchange presets between Windows, macOS, iPad, and iPhone.

The Rhino Guitar Plug-In by Aurora DSP.

7 sections for a virtually unlimited range of sounds: Each section can be expanded, revealing more controls, additional subsections, and options.
Despite this, the Main Window remains clear and simple, allowing you to quickly make general adjustments.
Standalone , No need to open your DAW to use Rhino.
Pick a preset, change a few main parameters, and you’re ready to go.
4 different packs built in.
12 custom IRs from Aurora DSP and 4 IRs from Jens Bogren.
A wide variety of tones chosen to complement each other perfectly to make the best out of the 4-file XY panel in Rhino.

Cross-Platform Presets:
• Exchange presets between Windows, macOS, iPad, and iPhone.

The FutureVerb Reverb Plug-In by Valhalla.

Echo Mode Overview Modern Tape Digital Analog Detune Reverse ReverseOctUp ReverseOctDown ReverseOctUpDown Sparkle Swarm LoFi
The Echo Modes can be used to take the transparent and realistic reverb modes in FutureVerb™, and extend them into highly colored / dirty / surrealistic directions.
A fairly clean tape echo, with gentle chaotic modulation and warm overdrive, but with none of the noise found in real tape echoes.
Turn up the Spread control to transform the stereo tape delay into 4 parallel tape echos of different lengths that are all feeding into each other.
A digital delay model, based around a companded 12-bit delay (8-bits in the Dark and Studio modes).
A clean-ish delay, but with plenty of crunchy distortion and quantization noise on tap with the Drive control. 0/90/180/270 degree modulation for maximum spatial width and lush chorusing.
An idealized bucket brigade delay.
All of the warm compression of BBDs, but much brighter and cleaner than the real thing.
Sinusoidal up/down modulation, for adding some subtle chorusing - or switch the routing to Reverb->Echo for seasick modulated LoFi reverbs.
Two crystal clear detuned delays, with up/down detuning between the left and right channels.
Turn up the Spread control to add two more detuned delays, for lush detuned echoes and richly textured reverbs.
Reversed detuned granular delays. Use the Spread control to crossfade between two and eight(!) delays in parallel.
Turn up the feedback for truly mysterious delays and reverbs.
Similar to the Reverse mode, but with four of the eight reverse delays shifted up an octave.
Turn up the Spread to mix in the octave shifted delays, and crank up the Feedback for classic shimmer reverbs.
The Reverse mode, with four of the eight reverse detuned delays shifted down an octave. Ideal for dark and descending shimmer verbs, or for adding mysterious overtones to any sound.

Eight reversed delays: 4 detuned, 2 shifted up an octave, 2 shifted down an octave. A shimmer reverb ReverseOctUpDown.

A new type of pitch shifting.
Use the Spread control to fade between two and eight detuned granular delays, with VERY long grain durations, and four of the delays shifted up an octave. Ideal for stunningly clear and transparent shimmer reverbs, with none of the modulation noise of the Reverse modes.

The dark side of the Sparkle algorithm. Eight detuned and pitch shifted granular delays, tuned for maximum dissonance.
Turn up the Spread control, and slowly turn up the Detune knob to create tonal clusters that transform into rich octaves and fifths.
Wanna make a horror soundtrack? Love late 20th century composition? The Swarm mode is there for you.
A tape algorithm that has been used and abused without proper maintenance.
We start with our Tape algorithm, and add more overdrive, low frequency drift, and chaotic high frequency flutter.
The results are warm, noisy and mysterious. Perfect for adding a tape predelay to a reverb, for sparse chaotic reverbs (turn up the Spread control), or for truly vintage tape echoes.

Reverb Mode
Overview Room Chamber Plate Hall Cathedral Space Frozen Nonlin The Reverb Mode control in Valhalla FutureVerb™ switches between 8 unique reverberation algorithms.
The FutureVerb reverbs have been designed for maximum transparency and realism, with none of the coloration that is traditionally associated with algorithmic reverbs.
The modes are sorted by size, with the first 5 algorithms focused on real-world acoustic spaces, and the last 3 designed for huge ambient spaces and tight nonlinear reverbs.
All of the FutureVerb algorithms have been designed to sound good without any modulation being used.
That being said, these are still VALHALLA reverbs, with the lushest modulation ever found in any of our reverbs.
A realistic and versatile model of an enclosed space, ranging in size from small to fairly big.
The Room mode has a very open sound, with little resonance. This mode can be used for drums, vocals, and pretty much anything that needs reverb.
Fast attack, dense early reflections that can be dialed in or out by the Early/Late control, and a natural decay of high frequencies.
A realistic model of a reverb (“echo”) chamber.
More resonant than the Room mode, with a very fast onset of reverb, and a boomier low end that can be dialed in or out via the Low Freq EQ setting.
Based on a physical steel plate, with a lower resonance density than the other reverb modes.
Fast reverb onset, realistic dispersion for a more “metallic” sound, and a big low frequency decay that is controlled by the Low Freq EQ setting.
A realistic concert hall model, with a high echo and resonance density.
Medium fast to slow attack, controlled by the Early/Late control , turn this up to move the listener further back into the hall.
A huge open reverb, modeled after medieval cathedrals.
Slowish attack, huge low frequency decay (controlled by the Low Freq EQ setting), and a vast transparent sound.
For ballad vocals, giant synth spaces, and anywhere where a big, "expensive sounding" reverb is needed.
Transparent sound, lush modulation, and the ability to dial in attack times ranging from instant to glacially slow.

The reverb algorithm to FutureVerb™.
Frozen can be viewed as the largest nonlinear reverb ever.
Turn up the Size control to create reverbs that don't decay so much as hang in space for several seconds, or several tens of seconds.
Use the Attack control to have the sound hit instantly, or fade the reverb in over time.
Lush modulation on tap to make things that much more epic.

Compatibility:

• Windows: Windows 7/8/10/11 • Plugin formats: 64-bit VST2.4/VST3/AAX • Mac: OSX 10.9/10.10/10.11, macOS 10.12/10.13/10.14/10.15, Big Sur, Monterey, Ventura, Sonoma, Sequoia, Tahoe • Mac processors: Intel/M1/M2/M3/M4/M5 • Plugin Formats: 64-bit VST2.4/VST3/AAX/AU

The FutureVerb Reverb Plug-In by Valhalla.

Echo Mode Overview Modern Tape Digital Analog Detune Reverse ReverseOctUp ReverseOctDown ReverseOctUpDown Sparkle Swarm LoFi
The Echo Modes can be used to take the transparent and realistic reverb modes in FutureVerb™, and extend them into highly colored / dirty / surrealistic directions.
A fairly clean tape echo, with gentle chaotic modulation and warm overdrive, but with none of the noise found in real tape echoes.
Turn up the Spread control to transform the stereo tape delay into 4 parallel tape echos of different lengths that are all feeding into each other.
A digital delay model, based around a companded 12-bit delay (8-bits in the Dark and Studio modes).
A clean-ish delay, but with plenty of crunchy distortion and quantization noise on tap with the Drive control. 0/90/180/270 degree modulation for maximum spatial width and lush chorusing.
An idealized bucket brigade delay.
All of the warm compression of BBDs, but much brighter and cleaner than the real thing.
Sinusoidal up/down modulation, for adding some subtle chorusing - or switch the routing to Reverb->Echo for seasick modulated LoFi reverbs.
Two crystal clear detuned delays, with up/down detuning between the left and right channels.
Turn up the Spread control to add two more detuned delays, for lush detuned echoes and richly textured reverbs.
Reversed detuned granular delays. Use the Spread control to crossfade between two and eight(!) delays in parallel.
Turn up the feedback for truly mysterious delays and reverbs.
Similar to the Reverse mode, but with four of the eight reverse delays shifted up an octave.
Turn up the Spread to mix in the octave shifted delays, and crank up the Feedback for classic shimmer reverbs.
The Reverse mode, with four of the eight reverse detuned delays shifted down an octave. Ideal for dark and descending shimmer verbs, or for adding mysterious overtones to any sound.

Eight reversed delays: 4 detuned, 2 shifted up an octave, 2 shifted down an octave. A shimmer reverb ReverseOctUpDown.

A new type of pitch shifting.
Use the Spread control to fade between two and eight detuned granular delays, with VERY long grain durations, and four of the delays shifted up an octave. Ideal for stunningly clear and transparent shimmer reverbs, with none of the modulation noise of the Reverse modes.

The dark side of the Sparkle algorithm. Eight detuned and pitch shifted granular delays, tuned for maximum dissonance.
Turn up the Spread control, and slowly turn up the Detune knob to create tonal clusters that transform into rich octaves and fifths.
Wanna make a horror soundtrack? Love late 20th century composition? The Swarm mode is there for you.
A tape algorithm that has been used and abused without proper maintenance.
We start with our Tape algorithm, and add more overdrive, low frequency drift, and chaotic high frequency flutter.
The results are warm, noisy and mysterious. Perfect for adding a tape predelay to a reverb, for sparse chaotic reverbs (turn up the Spread control), or for truly vintage tape echoes.

Reverb Mode
Overview Room Chamber Plate Hall Cathedral Space Frozen Nonlin The Reverb Mode control in Valhalla FutureVerb™ switches between 8 unique reverberation algorithms.
The FutureVerb reverbs have been designed for maximum transparency and realism, with none of the coloration that is traditionally associated with algorithmic reverbs.
The modes are sorted by size, with the first 5 algorithms focused on real-world acoustic spaces, and the last 3 designed for huge ambient spaces and tight nonlinear reverbs.
All of the FutureVerb algorithms have been designed to sound good without any modulation being used.
That being said, these are still VALHALLA reverbs, with the lushest modulation ever found in any of our reverbs.
A realistic and versatile model of an enclosed space, ranging in size from small to fairly big.
The Room mode has a very open sound, with little resonance. This mode can be used for drums, vocals, and pretty much anything that needs reverb.
Fast attack, dense early reflections that can be dialed in or out by the Early/Late control, and a natural decay of high frequencies.
A realistic model of a reverb (“echo”) chamber.
More resonant than the Room mode, with a very fast onset of reverb, and a boomier low end that can be dialed in or out via the Low Freq EQ setting.
Based on a physical steel plate, with a lower resonance density than the other reverb modes.
Fast reverb onset, realistic dispersion for a more “metallic” sound, and a big low frequency decay that is controlled by the Low Freq EQ setting.
A realistic concert hall model, with a high echo and resonance density.
Medium fast to slow attack, controlled by the Early/Late control , turn this up to move the listener further back into the hall.
A huge open reverb, modeled after medieval cathedrals.
Slowish attack, huge low frequency decay (controlled by the Low Freq EQ setting), and a vast transparent sound.
For ballad vocals, giant synth spaces, and anywhere where a big, "expensive sounding" reverb is needed.
Transparent sound, lush modulation, and the ability to dial in attack times ranging from instant to glacially slow.
The reverb algorithm to FutureVerb™.
Frozen can be viewed as the largest nonlinear reverb ever.
Turn up the Size control to create reverbs that don't decay so much as hang in space for several seconds, or several tens of seconds.
Use the Attack control to have the sound hit instantly, or fade the reverb in over time.
Lush modulation on tap to make things that much more epic.

Compatibility:

• Windows: Windows 7/8/10/11
• Plugin formats: 64-bit VST2.4/VST3/AAX
• Mac: OSX 10.9/10.10/10.11, macOS 10.12/10.13/10.14/10.15, Big Sur, Monterey, Ventura, Sonoma, Sequoia, Tahoe
• Mac processors: Intel/M1/M2/M3/M4/M5
• Plugin Formats: 64-bit VST2.4/VST3/AAX/AU

The FutureVerb Reverb Plug-In by Valhalla.

Echo Mode Overview Modern Tape Digital Analog Detune Reverse ReverseOctUp ReverseOctDown ReverseOctUpDown Sparkle Swarm LoFi
The Echo Modes can be used to take the transparent and realistic reverb modes in FutureVerb™, and extend them into highly colored / dirty / surrealistic directions.
A fairly clean tape echo, with gentle chaotic modulation and warm overdrive, but with none of the noise found in real tape echoes.
Turn up the Spread control to transform the stereo tape delay into 4 parallel tape echos of different lengths that are all feeding into each other.
A digital delay model, based around a companded 12-bit delay (8-bits in the Dark and Studio modes).
A clean-ish delay, but with plenty of crunchy distortion and quantization noise on tap with the Drive control. 0/90/180/270 degree modulation for maximum spatial width and lush chorusing.
An idealized bucket brigade delay.
All of the warm compression of BBDs, but much brighter and cleaner than the real thing.
Sinusoidal up/down modulation, for adding some subtle chorusing - or switch the routing to Reverb->Echo for seasick modulated LoFi reverbs.
Two crystal clear detuned delays, with up/down detuning between the left and right channels.
Turn up the Spread control to add two more detuned delays, for lush detuned echoes and richly textured reverbs.
Reversed detuned granular delays. Use the Spread control to crossfade between two and eight(!) delays in parallel.
Turn up the feedback for truly mysterious delays and reverbs.
Similar to the Reverse mode, but with four of the eight reverse delays shifted up an octave.
Turn up the Spread to mix in the octave shifted delays, and crank up the Feedback for classic shimmer reverbs.
The Reverse mode, with four of the eight reverse detuned delays shifted down an octave. Ideal for dark and descending shimmer verbs, or for adding mysterious overtones to any sound.

Eight reversed delays: 4 detuned, 2 shifted up an octave, 2 shifted down an octave. A shimmer reverb ReverseOctUpDown.

A new type of pitch shifting.
Use the Spread control to fade between two and eight detuned granular delays, with VERY long grain durations, and four of the delays shifted up an octave. Ideal for stunningly clear and transparent shimmer reverbs, with none of the modulation noise of the Reverse modes.

The dark side of the Sparkle algorithm. Eight detuned and pitch shifted granular delays, tuned for maximum dissonance.
Turn up the Spread control, and slowly turn up the Detune knob to create tonal clusters that transform into rich octaves and fifths.
Wanna make a horror soundtrack? Love late 20th century composition? The Swarm mode is there for you.
A tape algorithm that has been used and abused without proper maintenance.
We start with our Tape algorithm, and add more overdrive, low frequency drift, and chaotic high frequency flutter.
The results are warm, noisy and mysterious. Perfect for adding a tape predelay to a reverb, for sparse chaotic reverbs (turn up the Spread control), or for truly vintage tape echoes.

Reverb Mode
Overview Room Chamber Plate Hall Cathedral Space Frozen Nonlin The Reverb Mode control in Valhalla FutureVerb™ switches between 8 unique reverberation algorithms.
The FutureVerb reverbs have been designed for maximum transparency and realism, with none of the coloration that is traditionally associated with algorithmic reverbs.
The modes are sorted by size, with the first 5 algorithms focused on real-world acoustic spaces, and the last 3 designed for huge ambient spaces and tight nonlinear reverbs.
All of the FutureVerb algorithms have been designed to sound good without any modulation being used.
That being said, these are still VALHALLA reverbs, with the lushest modulation ever found in any of our reverbs.
A realistic and versatile model of an enclosed space, ranging in size from small to fairly big.
The Room mode has a very open sound, with little resonance. This mode can be used for drums, vocals, and pretty much anything that needs reverb.
Fast attack, dense early reflections that can be dialed in or out by the Early/Late control, and a natural decay of high frequencies.
A realistic model of a reverb (“echo”) chamber.
More resonant than the Room mode, with a very fast onset of reverb, and a boomier low end that can be dialed in or out via the Low Freq EQ setting.
Based on a physical steel plate, with a lower resonance density than the other reverb modes.
Fast reverb onset, realistic dispersion for a more “metallic” sound, and a big low frequency decay that is controlled by the Low Freq EQ setting.
A realistic concert hall model, with a high echo and resonance density.
Medium fast to slow attack, controlled by the Early/Late control , turn this up to move the listener further back into the hall.
A huge open reverb, modeled after medieval cathedrals.
Slowish attack, huge low frequency decay (controlled by the Low Freq EQ setting), and a vast transparent sound.
For ballad vocals, giant synth spaces, and anywhere where a big, "expensive sounding" reverb is needed.
Transparent sound, lush modulation, and the ability to dial in attack times ranging from instant to glacially slow.

The reverb algorithm to FutureVerb™.
Frozen can be viewed as the largest nonlinear reverb ever.
Turn up the Size control to create reverbs that don't decay so much as hang in space for several seconds, or several tens of seconds.
Use the Attack control to have the sound hit instantly, or fade the reverb in over time.
Lush modulation on tap to make things that much more epic.

Compatibility:

• Windows: Windows 7/8/10/11 • Plugin formats: 64-bit VST2.4/VST3/AAX • Mac: OSX 10.9/10.10/10.11, macOS 10.12/10.13/10.14/10.15, Big Sur, Monterey, Ventura, Sonoma, Sequoia, Tahoe • Mac processors: Intel/M1/M2/M3/M4/M5 • Plugin Formats: 64-bit VST2.4/VST3/AAX/AU

The Generator Alnico V Humbucker Pick-Ups by Tonerider. Colors: Nickel, Aged Nickel, Gold, Zebra, Black , White , Cream

The Generator delivers maximum Alnico V punch for rock and metal styles.
Neck 7.8k / Bridge 15.7k / F-spaced Bridge 16.2k, Alnico 5

The Generator set delivers a high output Alnico 5 punch for rock and metal styles.
A full-bodied, harmonically rich neck pickup delivers rock and blues tones.
Rolling off the volume knob reveals great, useable, clean tones.
All Generator models are fully wax potted to avoid microphonic feedback, and come supplied with #3/48 screws, springs and an installation guide.
Available individually or as a set.
Four conductor wiring as standard on all models.
Neck 7.8k / Bridge 15.7k / F-spaced Bridge 16.2k, Alnico 5

Specs:

• Generator Neck Generator Bridge
• Model H2N H2B
• Magnet Alnico 5 Bar Alnico 5 Bar
• DCR 7.8k 15.7k (F-spaced 16.2k)
• Inductance 4.4H 7.6H
• Hookup Wire 4-Conductor 4-Conductor
• Baseplate Nickel Silver Nickel Silver
• Standard 50mm Uncovered Humbucker
• Standard 50mm Covered Humbucker
• F-spaced 52.4mm Uncovered Humbucker • F-spaced 52.4mm Covered Humbucker

Wiring Diagrams:

• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Vol)
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Tone)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle / Push-Pull Coil Split
• 1 Humbucker / 1 Vol
• 1 Humbucker / 1 Vol / 1 Tone
• 1 Humbucker / 1 Vol / 1 Tone / Push-Pull Coil Split (Volume)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle (50’s Wiring)
• 2 Humbuckers / 1 Vol / 1 Tone / 5-Way Lever

The Generator Alnico V Humbucker Pick-Ups by Tonerider.
Colors: Nickel, Aged Nickel, Gold, Zebra, Black , White , Cream

The Generator delivers maximum Alnico V punch for rock and metal styles.
Neck 7.8k / Bridge 15.7k / F-spaced Bridge 16.2k, Alnico 5
The Generator set delivers a high output Alnico 5 punch for rock and metal styles.
A full-bodied, harmonically rich neck pickup delivers rock and blues tones.
Rolling off the volume knob reveals great, useable, clean tones.
All Generator models are fully wax potted to avoid microphonic feedback, and come supplied with #3/48 screws, springs and an installation guide.
Available individually or as a set.
Four conductor wiring as standard on all models.

Specs:

• Generator Neck Generator Bridge
• Model H2N H2B
• Magnet Alnico 5 Bar Alnico 5 Bar
• DCR 7.8k 15.7k (F-spaced 16.2k)
• Inductance 4.4H 7.6H
• Hookup Wire 4-Conductor 4-Conductor
• Baseplate Nickel Silver Nickel Silver
• Standard 50mm Uncovered Humbucker
• Standard 50mm Covered Humbucker
• F-spaced 52.4mm Uncovered Humbucker • F-spaced 52.4mm Covered Humbucker

Wiring Diagrams:

• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Vol)
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Tone)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle / Push-Pull Coil Split
• 1 Humbucker / 1 Vol
• 1 Humbucker / 1 Vol / 1 Tone
• 1 Humbucker / 1 Vol / 1 Tone / Push-Pull Coil Split (Volume)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle (50’s Wiring)
• 2 Humbuckers / 1 Vol / 1 Tone / 5-Way Lever

The Generator Alnico V Humbucker Pick-Ups by Tonerider. Colors: Nickel, Aged Nickel, Gold, Zebra, Black , White , Cream

The Generator delivers maximum Alnico V punch for rock and metal styles.
Neck 7.8k / Bridge 15.7k / F-spaced Bridge 16.2k, Alnico 5

The Generator set delivers a high output Alnico 5 punch for rock and metal styles.
A full-bodied, harmonically rich neck pickup delivers rock and blues tones.
Rolling off the volume knob reveals great, useable, clean tones.
All Generator models are fully wax potted to avoid microphonic feedback, and come supplied with #3/48 screws, springs and an installation guide.
Available individually or as a set.
Four conductor wiring as standard on all models.
Neck 7.8k / Bridge 15.7k / F-spaced Bridge 16.2k, Alnico 5

Specs:

• Generator Neck Generator Bridge
• Model H2N H2B
• Magnet Alnico 5 Bar Alnico 5 Bar
• DCR 7.8k 15.7k (F-spaced 16.2k)
• Inductance 4.4H 7.6H
• Hookup Wire 4-Conductor 4-Conductor
• Baseplate Nickel Silver Nickel Silver
• Standard 50mm Uncovered Humbucker
• Standard 50mm Covered Humbucker
• F-spaced 52.4mm Uncovered Humbucker • F-spaced 52.4mm Covered Humbucker

Wiring Diagrams:

• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Vol)
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Tone)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle / Push-Pull Coil Split
• 1 Humbucker / 1 Vol
• 1 Humbucker / 1 Vol / 1 Tone
• 1 Humbucker / 1 Vol / 1 Tone / Push-Pull Coil Split (Volume)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle (50’s Wiring)
• 2 Humbuckers / 1 Vol / 1 Tone / 5-Way Lever

The Firepower Triple Ceramic Bar Humbucker Pick-Ups by Tonerider. Colors: Zebra, Black , White , Cream

Delivering thunderous lows and searing trebles, the Firepower set is perfect for metal, thrash and beyond.
Neck 15k, Ceramic Bar. Bridge 20k / F-spaced Bridge 20.6k, Triple Ceramic Bar.
Each pickup featuring two rows of symmetrically wound coils with large diameter screws for a super low noise floor.
A trio of custom ceramic magnets power the bridge pickup, and a single 5mm thick ceramic magnet powers the neck.
All Firepower pickups are fully wax potted to avoid microphonic feedback, and come supplied with #3/48 screws, springs and an installation guide.

Specs:

• Firepower Neck Firepower Bridge
• Model H5N H5B
• Magnet Ceramic Bar Triple Ceramic Bar
• DCR 15k 20k (F-spaced 20.6k)
• Inductance 7.7H 10.4H (F-spaced 10.5H)
• Hookup Wire 4-Conductor 4-Conductor
• Baseplate Nickel Silver Nickel Silver
• Firepower Standard 50mm Uncovered
• Firepower F-spaced 52.4mm Uncovered

Wiring Diagrams:

• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Vol)
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Tone)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle / Push-Pull Coil Split
• 1 Humbucker / 1 Vol
• 1 Humbucker / 1 Vol / 1 Tone
• 1 Humbucker / 1 Vol / 1 Tone / Push-Pull Coil Split (Volume)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle (50’s Wiring)
• 2 Humbuckers / 1 Vol / 1 Tone / 5-Way Lever

The Firepower Triple Ceramic Bar Humbucker Pick-Ups by Tonerider.
Colors: Zebra, Black , White , Cream

Delivering thunderous lows and searing trebles, the Firepower set is perfect for metal, thrash and beyond.
Neck 15k, Ceramic Bar. Bridge 20k / F-spaced Bridge 20.6k, Triple Ceramic Bar.
Each pickup featuring two rows of symmetrically wound coils with large diameter screws for a super low noise floor.
A trio of custom ceramic magnets power the bridge pickup, and a single 5mm thick ceramic magnet powers the neck.
All Firepower pickups are fully wax potted to avoid microphonic feedback, and come supplied with #3/48 screws, springs and an installation guide.

Specs:

• Firepower Neck Firepower Bridge
• Model H5N H5B
• Magnet Ceramic Bar Triple Ceramic Bar
• DCR 15k 20k (F-spaced 20.6k)
• Inductance 7.7H 10.4H (F-spaced 10.5H)
• Hookup Wire 4-Conductor 4-Conductor
• Baseplate Nickel Silver Nickel Silver
• Firepower Standard 50mm Uncovered
• Firepower F-spaced 52.4mm Uncovered

Wiring Diagrams:

• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Vol)
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Tone)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle / Push-Pull Coil Split
• 1 Humbucker / 1 Vol
• 1 Humbucker / 1 Vol / 1 Tone
• 1 Humbucker / 1 Vol / 1 Tone / Push-Pull Coil Split (Volume)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle (50’s Wiring)
• 2 Humbuckers / 1 Vol / 1 Tone / 5-Way Lever

The Firepower Triple Ceramic Bar Humbucker Pick-Ups by Tonerider.

Delivering thunderous lows and searing trebles, the Firepower set is perfect for metal, thrash and beyond.
Neck 15k, Ceramic Bar. Bridge 20k / F-spaced Bridge 20.6k, Triple Ceramic Bar.
Each pickup featuring two rows of symmetrically wound coils with large diameter screws for a super low noise floor.
A trio of custom ceramic magnets power the bridge pickup, and a single 5mm thick ceramic magnet powers the neck.
All Firepower pickups are fully wax potted to avoid microphonic feedback, and come supplied with #3/48 screws, springs and an installation guide.

Specs:

• Firepower Neck Firepower Bridge
• Model H5N H5B
• Magnet Ceramic Bar Triple Ceramic Bar
• DCR 15k 20k (F-spaced 20.6k)
• Inductance 7.7H 10.4H (F-spaced 10.5H)
• Hookup Wire 4-Conductor 4-Conductor
• Baseplate Nickel Silver Nickel Silver
• Firepower Standard 50mm Uncovered
• Firepower F-spaced 52.4mm Uncovered

Wiring Diagrams:

• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Vol)
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Tone)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle / Push-Pull Coil Split
• 1 Humbucker / 1 Vol
• 1 Humbucker / 1 Vol / 1 Tone
• 1 Humbucker / 1 Vol / 1 Tone / Push-Pull Coil Split (Volume)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle (50’s Wiring)
• 2 Humbuckers / 1 Vol / 1 Tone / 5-Way Lever

The Firepower Triple Ceramic Bar Humbucker Pick-Ups by Tonerider. Colors: Zebra, Black , White , Cream

Delivering thunderous lows and searing trebles, the Firepower set is perfect for metal, thrash and beyond.
Neck 15k, Ceramic Bar. Bridge 20k / F-spaced Bridge 20.6k, Triple Ceramic Bar.
Each pickup featuring two rows of symmetrically wound coils with large diameter screws for a super low noise floor.
A trio of custom ceramic magnets power the bridge pickup, and a single 5mm thick ceramic magnet powers the neck.
All Firepower pickups are fully wax potted to avoid microphonic feedback, and come supplied with #3/48 screws, springs and an installation guide.

Specs:

• Firepower Neck Firepower Bridge
• Model H5N H5B
• Magnet Ceramic Bar Triple Ceramic Bar
• DCR 15k 20k (F-spaced 20.6k)
• Inductance 7.7H 10.4H (F-spaced 10.5H)
• Hookup Wire 4-Conductor 4-Conductor
• Baseplate Nickel Silver Nickel Silver
• Firepower Standard 50mm Uncovered
• Firepower F-spaced 52.4mm Uncovered

Wiring Diagrams:

• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Vol)
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Tone)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle / Push-Pull Coil Split
• 1 Humbucker / 1 Vol
• 1 Humbucker / 1 Vol / 1 Tone
• 1 Humbucker / 1 Vol / 1 Tone / Push-Pull Coil Split (Volume)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle (50’s Wiring)
• 2 Humbuckers / 1 Vol / 1 Tone / 5-Way Lever

The Firepower Triple Ceramic Bar Humbucker Pick-Ups by Tonerider.

Delivering thunderous lows and searing trebles, the Firepower set is perfect for metal, thrash and beyond.
Neck 15k, Ceramic Bar. Bridge 20k / F-spaced Bridge 20.6k, Triple Ceramic Bar.
Each pickup featuring two rows of symmetrically wound coils with large diameter screws for a super low noise floor.
A trio of custom ceramic magnets power the bridge pickup, and a single 5mm thick ceramic magnet powers the neck.
All Firepower pickups are fully wax potted to avoid microphonic feedback, and come supplied with #3/48 screws, springs and an installation guide.

Specs:

• Firepower Neck Firepower Bridge
• Model H5N H5B
• Magnet Ceramic Bar Triple Ceramic Bar
• DCR 15k 20k (F-spaced 20.6k)
• Inductance 7.7H 10.4H (F-spaced 10.5H)
• Hookup Wire 4-Conductor 4-Conductor
• Baseplate Nickel Silver Nickel Silver
• Firepower Standard 50mm Uncovered
• Firepower F-spaced 52.4mm Uncovered

Wiring Diagrams:
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Vol)
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Tone)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle / Push-Pull Coil Split
• 1 Humbucker / 1 Vol
• 1 Humbucker / 1 Vol / 1 Tone
• 1 Humbucker / 1 Vol / 1 Tone / Push-Pull Coil Split (Volume)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle (50’s Wiring)
• 2 Humbuckers / 1 Vol / 1 Tone / 5-Way Lever

The Firepower Triple Ceramic Bar Humbucker Pick-Ups by Tonerider.

Delivering thunderous lows and searing trebles, the Firepower set is perfect for metal, thrash and beyond.
Neck 15k, Ceramic Bar. Bridge 20k / F-spaced Bridge 20.6k, Triple Ceramic Bar.
Each pickup featuring two rows of symmetrically wound coils with large diameter screws for a super low noise floor.
A trio of custom ceramic magnets power the bridge pickup, and a single 5mm thick ceramic magnet powers the neck.
All Firepower pickups are fully wax potted to avoid microphonic feedback, and come supplied with #3/48 screws, springs and an installation guide.

Specs:

• Firepower Neck Firepower Bridge
• Model H5N H5B
• Magnet Ceramic Bar Triple Ceramic Bar
• DCR 15k 20k (F-spaced 20.6k)
• Inductance 7.7H 10.4H (F-spaced 10.5H)
• Hookup Wire 4-Conductor 4-Conductor
• Baseplate Nickel Silver Nickel Silver
• Firepower Standard 50mm Uncovered
• Firepower F-spaced 52.4mm Uncovered

Wiring Diagrams:

• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Vol)
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Tone)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle / Push-Pull Coil Split
• 1 Humbucker / 1 Vol
• 1 Humbucker / 1 Vol / 1 Tone
• 1 Humbucker / 1 Vol / 1 Tone / Push-Pull Coil Split (Volume)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle (50’s Wiring)
• 2 Humbuckers / 1 Vol / 1 Tone / 5-Way Lever

The Firepower Triple Ceramic Bar Humbucker Pick-Ups by Tonerider.

Delivering thunderous lows and searing trebles, the Firepower set is perfect for metal, thrash and beyond.
Neck 15k, Ceramic Bar. Bridge 20k / F-spaced Bridge 20.6k, Triple Ceramic Bar.
Each pickup featuring two rows of symmetrically wound coils with large diameter screws for a super low noise floor.
A trio of custom ceramic magnets power the bridge pickup, and a single 5mm thick ceramic magnet powers the neck.
All Firepower pickups are fully wax potted to avoid microphonic feedback, and come supplied with #3/48 screws, springs and an installation guide.

Specs:

• Firepower Neck Firepower Bridge
• Model H5N H5B
• Magnet Ceramic Bar Triple Ceramic Bar
• DCR 15k 20k (F-spaced 20.6k)
• Inductance 7.7H 10.4H (F-spaced 10.5H)
• Hookup Wire 4-Conductor 4-Conductor
• Baseplate Nickel Silver Nickel Silver
• Firepower Standard 50mm Uncovered
• Firepower F-spaced 52.4mm Uncovered

Wiring Diagrams:
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Vol)
• 2 Humbuckers / 1 Vol / 1 Tone / 3-Way Toggle / Push-Pull Coil Split (Tone)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle / Push-Pull Coil Split
• 1 Humbucker / 1 Vol
• 1 Humbucker / 1 Vol / 1 Tone
• 1 Humbucker / 1 Vol / 1 Tone / Push-Pull Coil Split (Volume)
• 2 Humbuckers / 2 Vol / 2 Tone / 3-Way Toggle (50’s Wiring)
• 2 Humbuckers / 1 Vol / 1 Tone / 5-Way Lever

Experience the rich, warm tones of the Tonerider AC2N-ZA Alnico II Classic Vintage Neck Humbucker, crafted to deliver a truly authentic vintage sound. This pickup is perfect for guitarists seeking that classic rock and blues vibe, harnessing the power of Alnico II magnets to produce a smooth, expressive tone with a gentle midrange. The AC2N-ZA is meticulously engineered to provide a balanced output that retains clarity and detail, even at higher gain settings. Whether you're playing rhythm or lead, this humbucker offers a dynamic range that brings your music to life.

The Tonerider AC2N-ZA features a vintage-style construction that not only enhances its tonal characteristics but also ensures durability and reliability. Its wax-potted coils help prevent unwanted feedback, making it a dependable choice for both studio recording and live performances. With its straightforward installation process, this humbucker is a versatile upgrade for any guitarist looking to enhance their instrument's sonic capabilities.

Ideal for a range of musical styles, from jazz to rock, the AC2N-ZA delivers a rounded, articulate sound that complements any guitar setup. Its design pays homage to the classic humbuckers of the past while incorporating modern advancements to meet the demands of today's musicians.

Key Features:

• Alnico II magnets for smooth, expressive tones
• Wax-potted coils for reduced feedback
• Balanced output with clarity and detail
• Vintage-style construction for durability and reliability
• Easy installation for versatile upgrades

Experience the rich, warm tones of the Tonerider AC2N-ZA Alnico II Classic Vintage Neck Humbucker, crafted to deliver a truly authentic vintage sound. This pickup is perfect for guitarists seeking that classic rock and blues vibe, harnessing the power of Alnico II magnets to produce a smooth, expressive tone with a gentle midrange. The AC2N-ZA is meticulously engineered to provide a balanced output that retains clarity and detail, even at higher gain settings. Whether you're playing rhythm or lead, this humbucker offers a dynamic range that brings your music to life.

The Tonerider AC2N-ZA features a vintage-style construction that not only enhances its tonal characteristics but also ensures durability and reliability. Its wax-potted coils help prevent unwanted feedback, making it a dependable choice for both studio recording and live performances. With its straightforward installation process, this humbucker is a versatile upgrade for any guitarist looking to enhance their instrument's sonic capabilities.

Ideal for a range of musical styles, from jazz to rock, the AC2N-ZA delivers a rounded, articulate sound that complements any guitar setup. Its design pays homage to the classic humbuckers of the past while incorporating modern advancements to meet the demands of today's musicians.

Key Features:

• Alnico II magnets for smooth, expressive tones
• Wax-potted coils for reduced feedback
• Balanced output with clarity and detail
• Vintage-style construction for durability and reliability
• Easy installation for versatile upgrades

The Tonerider Jazz Plus is here to redefine your jazz guitar experience with its meticulously engineered design, tailored to deliver a rich, articulate tone. This pickup set is perfect for jazz enthusiasts seeking to enhance their instrument's natural sound with a warm, full-bodied output. Whether you're playing smooth chords or intricate solos, the Jazz Plus ensures every note is expressed with clarity and depth.

Designed to capture the nuances of your playing style, the Tonerider Jazz Plus features Alnico V magnets, which contribute to its balanced and dynamic tonal range. These pickups are known for their ability to maintain the harmonic complexity of your guitar while adding a slight touch of vintage warmth. Ideal for both seasoned professionals and budding jazz guitarists, this pickup set is a versatile addition to your musical toolkit, offering compatibility with a wide array of guitar models.

Key Features:

• Alnico V magnets for enhanced harmonic complexity
• Warm and full-bodied tonal output
• Versatile compatibility with various guitar models
• Ideal for capturing articulate jazz tones
• Designed for clear, dynamic sound across all playing styles

The Tonerider Jazz Plus is here to redefine your jazz guitar experience with its meticulously engineered design, tailored to deliver a rich, articulate tone. This pickup set is perfect for jazz enthusiasts seeking to enhance their instrument's natural sound with a warm, full-bodied output. Whether you're playing smooth chords or intricate solos, the Jazz Plus ensures every note is expressed with clarity and depth.

Designed to capture the nuances of your playing style, the Tonerider Jazz Plus features Alnico V magnets, which contribute to its balanced and dynamic tonal range. These pickups are known for their ability to maintain the harmonic complexity of your guitar while adding a slight touch of vintage warmth. Ideal for both seasoned professionals and budding jazz guitarists, this pickup set is a versatile addition to your musical toolkit, offering compatibility with a wide array of guitar models.

Key Features:

• Alnico V magnets for enhanced harmonic complexity
• Warm and full-bodied tonal output
• Versatile compatibility with various guitar models
• Ideal for capturing articulate jazz tones
• Designed for clear, dynamic sound across all playing styles

The Tonerider Octane Alnico 8 pickup is an electrifying choice for guitarists seeking powerful sound and dynamic range. Designed specifically for those who want to push their guitars to their full potential, this pickup features an Alnico 8 magnet, renowned for its ability to deliver a punchy, high-output performance while maintaining the warmth and clarity that guitarists love. Whether you're diving into heavy riffs or soaring solos, the Octane Alnico 8 ensures your tone remains clear and articulate.

This pickup is crafted with meticulous attention to detail, ensuring top-quality performance and durability for both stage and studio use. It's an excellent choice for those who want to upgrade their guitar's sonic capabilities without compromising on tonal quality. With its robust design and versatile tonal characteristics, the Tonerider Octane Alnico 8 is perfect for modern rock, metal, and other high-energy genres.

Key Features:

• Alnico 8 magnet for enhanced output and dynamic range
• High-output performance suitable for heavy music styles
• Clear and articulate tone across all frequencies
• Durable construction for reliable performance
• Ideal for both rhythm and lead guitar playing

The Tonerider Octane Alnico 8 pickup is an electrifying choice for guitarists seeking powerful sound and dynamic range. Designed specifically for those who want to push their guitars to their full potential, this pickup features an Alnico 8 magnet, renowned for its ability to deliver a punchy, high-output performance while maintaining the warmth and clarity that guitarists love. Whether you're diving into heavy riffs or soaring solos, the Octane Alnico 8 ensures your tone remains clear and articulate.

This pickup is crafted with meticulous attention to detail, ensuring top-quality performance and durability for both stage and studio use. It's an excellent choice for those who want to upgrade their guitar's sonic capabilities without compromising on tonal quality. With its robust design and versatile tonal characteristics, the Tonerider Octane Alnico 8 is perfect for modern rock, metal, and other high-energy genres.

Key Features:

• Alnico 8 magnet for enhanced output and dynamic range
• High-output performance suitable for heavy music styles
• Clear and articulate tone across all frequencies
• Durable construction for reliable performance
• Ideal for both rhythm and lead guitar playing

The Tribute Archtop Model by Tim Bram.

The Tribute Archtop Model is a Handcrafted Thin Line Hollow-Body Guitar by Tim Bram.
Each guitar is made with the finest Materials and Precision Craftsmanship.
Guitars can be individually Customized to your exact Preference and Needs.

​ Specs:

• 14.5" Lower Bout
• 25" Scale
• 12" Radius Fretboard
• 1-11/16" Nut
• 2" Sides for Thin Line Model
• 2.5" Sides for standard Model
• Custom hand-wound pickup in the Neck Position
• Nitro Cellulose Lacquer Finish (one color)
• Ebony Fretboard, Tail Piece, Bridge, and Finger Rest
• High Quality Tone Woods
• Sitka or European Spruce Tops
• Maple or Mahogany back Sides & Neck (or comparable)

*Custom Orders can be built to personal specs.

The Tribute Archtop Model by Tim Bram.

The Tribute Archtop Model is a Handcrafted Thin-Line Hollow-Body Guitar by Tim Bram.
It was conceived as a hybrid: combining the tonal and aesthetic character of a traditional carved-top hollow-body archtop with the comfort and playability of a smaller “Thinline” / Semi-Hollow instrument.
The design departs from classic large jazz-box shapes: the “lower bout” (the width of the body’s lower half) is only about 14.5" (or 14.6" in some variants) , much narrower than many traditional archtops , giving a more compact, ergonomic feel.

Each guitar is made with the finest Materials and Precision Craftsmanship.
Guitars can be individually Customized to your exact Preference and Needs.

​ Specs:

• 14.5" Lower Bout
• 25" Scale
• 12" Radius Fretboard
• 1-11/16" Nut
• 2" Sides for Thin Line Model
• 2.5" Sides for standard Model
• Custom hand-wound pickup in the Neck Position
• Nitro Cellulose Lacquer Finish (one color)
• Ebony Fretboard, Tail Piece, Bridge, and Finger Rest
• High Quality Tone Woods
• Sitka or European Spruce Tops
• Maple or Mahogany back Sides & Neck (or comparable)

*Custom Orders can be built to personal specs.

The Tribute Archtop Model by Tim Bram.

The Tribute Archtop Model is a Handcrafted Thin Line Hollow-Body Guitar by Tim Bram.
Each guitar is made with the finest Materials and Precision Craftsmanship.
Guitars can be individually Customized to your exact Preference and Needs.

​ Specs:

• 14.5" Lower Bout
• 25" Scale
• 12" Radius Fretboard
• 1-11/16" Nut
• 2" Sides for Thin Line Model
• 2.5" Sides for standard Model
• Custom hand-wound pickup in the Neck Position
• Nitro Cellulose Lacquer Finish (one color)
• Ebony Fretboard, Tail Piece, Bridge, and Finger Rest
• High Quality Tone Woods
• Sitka or European Spruce Tops
• Maple or Mahogany back Sides & Neck (or comparable)

*Custom Orders can be built to personal specs.

Designed in collaboration with Aya Matsuoka from the acclaimed band SHISHAMO, the Provision VJPB-SHISHAMO-AM001LA/VWH custom model is a testament to precision craftsmanship and musical innovation. This electric bass guitar fuses traditional aesthetics with modern performance capabilities, making it an ideal choice for both professional musicians and devoted enthusiasts. Its unique design ensures that it stands out visually, while the sound it produces is rich and versatile enough to handle any genre.

Equipped with high-quality pickups, this model delivers a dynamic range of tones, from punchy lows to sparkling highs. The sleek body design offers excellent playability, allowing for smooth transitions across the fretboard. Crafted with attention to detail, the hardware ensures durability and reliability, whether you're on stage or in the studio. Its collaboration with Aya Matsuoka not only adds a layer of authenticity but also guarantees that this model meets the demands of live performances.

Key Features:

• Custom-designed in collaboration with Aya Matsuoka of SHISHAMO
• High-quality pickups for a dynamic tonal range
• Sleek body design for enhanced playability
• Precision-crafted hardware for durability
• Versatile sound suitable for various music genres
• Ideal for both live performances and studio sessions

Designed in collaboration with Aya Matsuoka from the acclaimed band SHISHAMO, the Provision VJPB-SHISHAMO-AM001LA/VWH custom model is a testament to precision craftsmanship and musical innovation. This electric bass guitar fuses traditional aesthetics with modern performance capabilities, making it an ideal choice for both professional musicians and devoted enthusiasts. Its unique design ensures that it stands out visually, while the sound it produces is rich and versatile enough to handle any genre.

Equipped with high-quality pickups, this model delivers a dynamic range of tones, from punchy lows to sparkling highs. The sleek body design offers excellent playability, allowing for smooth transitions across the fretboard. Crafted with attention to detail, the hardware ensures durability and reliability, whether you're on stage or in the studio. Its collaboration with Aya Matsuoka not only adds a layer of authenticity but also guarantees that this model meets the demands of live performances.

Key Features:

• Custom-designed in collaboration with Aya Matsuoka of SHISHAMO
• High-quality pickups for a dynamic tonal range
• Sleek body design for enhanced playability
• Precision-crafted hardware for durability
• Versatile sound suitable for various music genres
• Ideal for both live performances and studio sessions

The Custom Shop 50th Anniversary '59 Reissue ES-335 VOS by Gibson.

The Gibson ’59 Reissue ES-335 VOS is a top-tier semi-hollow electric guitar aimed at musicians (or collectors) who want the authentic vibe, tone and feel of a late-’50s ES-335 , but with modern build reliability and day-one playability.
It’s often celebrated for delivering classic “PAF-style” tone, rich resonance, and vintage soul in a ready-to-play modern instrument.
The “’59 Reissue” refers to the fidelity of the design: the neck profile, body shape, materials, pickups and hardware are all tuned to replicate a 1959 original.
With a nitrocellulose lacquer finish treated to look and wear like a well-loved vintage instrument.

Specs:

• Body shape: ES-335 semi-hollow
• Body wood: 3-ply Maple/Poplar/Maple laminate
• Center-block: Solid Maple center block
• Finish: Nitrocellulose lacquer, VOS (“Vintage Original Spec” / lightly aged patina)
• Neck: Solid Mahogany, glued with long tenon and hide-glue (historic-accurate join)
• Neck profile: ‘50s Rounded Medium C
• Scale length: 24.75″ / 628.65 mm
• Fretboard: Indian Rosewood, 12″ radius (304.8 mm)
• Frets: 22 Authentic Medium-Jumbo
• Nut: Nylon, nut width about 1.687″ / 42.85 mm
• Pickups: 2 × Custombucker Humbuckers (Alnico III, unpotted) Neck + Bridge Positions
• Controls: 2 × Volume, 2 × Tone (CTS 500 k audio-taper pots + paper-in-oil capacitors) • 3-way Pickup selector Switch
• Bridge & Tailpiece: ABR-1 Tune-O-Matic bridge with nickel-plated brass saddles • Lightweight aluminium Stop-Bar Tailpiece
• Tuners: Kluson Single-Line / Single-Ring vintage-style tuners
• Hardware finish: Nickel (nickel-plated metal hardware)
• Pickguard: 5-ply wide-bevel black pickguard (typical for the period correct spec)
• Strings (factory): .010 – .046 gauge set
• Case: Custom Shop hard-shell case included + certificate of authenticity

The Custom Shop 50th Anniversary '59 Reissue ES-335 VOS by Gibson.

The Gibson ’59 Reissue ES-335 VOS is a top-tier semi-hollow electric guitar aimed at musicians (or collectors) who want the authentic vibe, tone and feel of a late-’50s ES-335 , but with modern build reliability and day-one playability.
It’s often celebrated for delivering classic “PAF-style” tone, rich resonance, and vintage soul in a ready-to-play modern instrument.
The “’59 Reissue” refers to the fidelity of the design: the neck profile, body shape, materials, pickups and hardware are all tuned to replicate a 1959 original.
With a nitrocellulose lacquer finish treated to look and wear like a well-loved vintage instrument.

Specs:

• Body shape: ES-335 semi-hollow
• Body wood: 3-ply Maple/Poplar/Maple laminate
• Center-block: Solid Maple center block
• Finish: Nitrocellulose lacquer, VOS (“Vintage Original Spec” / lightly aged patina)
• Neck: Solid Mahogany, glued with long tenon and hide-glue (historic-accurate join)
• Neck profile: ‘50s Rounded Medium C
• Scale length: 24.75″ / 628.65 mm
• Fretboard: Indian Rosewood, 12″ radius (304.8 mm)
• Frets: 22 Authentic Medium-Jumbo
• Nut: Nylon, nut width about 1.687″ / 42.85 mm
• Pickups: 2 × Custombucker Humbuckers (Alnico III, unpotted) Neck + Bridge Positions
• Controls: 2 × Volume, 2 × Tone (CTS 500 k audio-taper pots + paper-in-oil capacitors)
• 3-way Pickup selector Switch
• Bridge & Tailpiece: ABR-1 Tune-O-Matic bridge with nickel-plated brass saddles
• Lightweight aluminium Stop-Bar Tailpiece
• Tuners: Kluson Single-Line / Single-Ring vintage-style tuners
• Hardware finish: Nickel (nickel-plated metal hardware)
• Pickguard: 5-ply wide-bevel black pickguard (typical for the period correct spec)
• Strings (factory): .010 – .046 gauge set
• Case: Custom Shop hard-shell case included + certificate of authenticity

The Custom Shop 50th Anniversary '59 Reissue ES-335 VOS by Gibson.

The Gibson ’59 Reissue ES-335 VOS is a top-tier semi-hollow electric guitar aimed at musicians (or collectors) who want the authentic vibe, tone and feel of a late-’50s ES-335 , but with modern build reliability and day-one playability.
It’s often celebrated for delivering classic “PAF-style” tone, rich resonance, and vintage soul in a ready-to-play modern instrument.
The “’59 Reissue” refers to the fidelity of the design: the neck profile, body shape, materials, pickups and hardware are all tuned to replicate a 1959 original.
With a nitrocellulose lacquer finish treated to look and wear like a well-loved vintage instrument.

Specs:

• Body shape: ES-335 semi-hollow
• Body wood: 3-ply Maple/Poplar/Maple laminate
• Center-block: Solid Maple center block
• Finish: Nitrocellulose lacquer, VOS (“Vintage Original Spec” / lightly aged patina)
• Neck: Solid Mahogany, glued with long tenon and hide-glue (historic-accurate join)
• Neck profile: ‘50s Rounded Medium C
• Scale length: 24.75″ / 628.65 mm
• Fretboard: Indian Rosewood, 12″ radius (304.8 mm)
• Frets: 22 Authentic Medium-Jumbo
• Nut: Nylon, nut width about 1.687″ / 42.85 mm
• Pickups: 2 × Custombucker Humbuckers (Alnico III, unpotted) Neck + Bridge Positions
• Controls: 2 × Volume, 2 × Tone (CTS 500 k audio-taper pots + paper-in-oil capacitors), 3-way pickup selector switch
• Bridge & Tailpiece: ABR-1 Tune-O-Matic bridge with nickel-plated brass saddles, lightweight aluminium stop-bar tailpiece
• Tuners: Kluson Single-Line / Single-Ring vintage-style tuners
• Hardware finish: Nickel (nickel-plated metal hardware)
• Pickguard: 5-ply wide-bevel black pickguard (typical for the period correct spec)
• Strings (factory): .010 – .046 gauge set
• Case: Custom Shop hard-shell case included + certificate of authenticity

The Custom Shop 50th Anniversary '59 Reissue ES-335 VOS by Gibson.

The Gibson ’59 Reissue ES-335 VOS is a top-tier semi-hollow electric guitar aimed at musicians (or collectors) who want the authentic vibe, tone and feel of a late-’50s ES-335 , but with modern build reliability and day-one playability.
It’s often celebrated for delivering classic “PAF-style” tone, rich resonance, and vintage soul in a ready-to-play modern instrument.
The “’59 Reissue” refers to the fidelity of the design: the neck profile, body shape, materials, pickups and hardware are all tuned to replicate a 1959 original.
With a nitrocellulose lacquer finish treated to look and wear like a well-loved vintage instrument.

Specs:

• Body shape: ES-335 semi-hollow
• Body wood: 3-ply Maple/Poplar/Maple laminate
• Center-block: Solid Maple center block
• Finish: Nitrocellulose lacquer, VOS (“Vintage Original Spec” / lightly aged patina)
• Neck: Solid Mahogany, glued with long tenon and hide-glue (historic-accurate join)
• Neck profile: ‘50s Rounded Medium C
• Scale length: 24.75″ / 628.65 mm
• Fretboard: Indian Rosewood, 12″ radius (304.8 mm)
• Frets: 22 Authentic Medium-Jumbo
• Nut: Nylon, nut width about 1.687″ / 42.85 mm
• Pickups: 2 × Custombucker Humbuckers (Alnico III, unpotted) Neck + Bridge Positions
• Controls: 2 × Volume, 2 × Tone (CTS 500 k audio-taper pots + paper-in-oil capacitors) • 3-way Pickup selector Switch
• Bridge & Tailpiece: ABR-1 Tune-O-Matic bridge with nickel-plated brass saddles • Lightweight aluminium Stop-Bar Tailpiece
• Tuners: Kluson Single-Line / Single-Ring vintage-style tuners
• Hardware finish: Nickel (nickel-plated metal hardware)
• Pickguard: 5-ply wide-bevel black pickguard (typical for the period correct spec)
• Strings (factory): .010 – .046 gauge set
• Case: Custom Shop hard-shell case included + certificate of authenticity

The Custom Shop 50th Anniversary '59 Reissue ES-335 VOS by Gibson.

The Gibson ’59 Reissue ES-335 VOS is a top-tier semi-hollow electric guitar aimed at musicians (or collectors) who want the authentic vibe, tone and feel of a late-’50s ES-335 , but with modern build reliability and day-one playability.
It’s often celebrated for delivering classic “PAF-style” tone, rich resonance, and vintage soul in a ready-to-play modern instrument.
The “’59 Reissue” refers to the fidelity of the design: the neck profile, body shape, materials, pickups and hardware are all tuned to replicate a 1959 original.
With a nitrocellulose lacquer finish treated to look and wear like a well-loved vintage instrument.

Specs:

• Body shape: ES-335 semi-hollow
• Body wood: 3-ply Maple/Poplar/Maple laminate
• Center-block: Solid Maple center block
• Finish: Nitrocellulose lacquer, VOS (“Vintage Original Spec” / lightly aged patina)
• Neck: Solid Mahogany, glued with long tenon and hide-glue (historic-accurate join)
• Neck profile: ‘50s Rounded Medium C
• Scale length: 24.75″ / 628.65 mm
• Fretboard: Indian Rosewood, 12″ radius (304.8 mm)
• Frets: 22 Authentic Medium-Jumbo
• Nut: Nylon, nut width about 1.687″ / 42.85 mm
• Pickups: 2 × Custombucker Humbuckers (Alnico III, unpotted) Neck + Bridge Positions
• Controls: 2 × Volume, 2 × Tone (CTS 500 k audio-taper pots + paper-in-oil capacitors), 3-way pickup selector switch
• Bridge & Tailpiece: ABR-1 Tune-O-Matic bridge with nickel-plated brass saddles, lightweight aluminium stop-bar tailpiece
• Tuners: Kluson Single-Line / Single-Ring vintage-style tuners
• Hardware finish: Nickel (nickel-plated metal hardware)
• Pickguard: 5-ply wide-bevel black pickguard (typical for the period correct spec)
• Strings (factory): .010 – .046 gauge set
• Case: Custom Shop hard-shell case included + certificate of authenticity

The California II VT 4 HCA RFB by Sandberg.

The Sandberg California II VT4 HCA RFB is a modern take on the classic P/J-style bass, blending vintage vibe with high-end German craftsmanship.
It’s built from lightweight alder with a roasted maple neck, giving it a punchy, warm tone and exceptional stability.
The Hardcore Aged (HCA) finish makes each instrument look and feel like a naturally relic’d vintage bass, while the RFB treatment adds a unique, hand-aged character that’s different on every instrument.
What makes this bass special is its combination of classic simplicity and modern versatility.
The Sandberg Black Label P/J pickups deliver both the familiar thump of a Precision and the growl of a Jazz bridge pickup, and the active/passive preamp lets you switch between vintage warmth and modern clarity at the push of a button.
The build quality is extremely precise, the hardware is lightweight, and the bass plays effortlessly right out of the box.
In short, it’s a premium, road-ready hybrid of vintage tone and modern performance, with a distinctive aged finish that makes every instrument one of a kind.

Specs:

• Brand: Sandberg
• Model: California II VT4
• Finish: Hardcore Aged (HCA) – Reserve/Raw/Soft Aged (RFB)
• Body Wood: Alder
• Neck Wood: Roasted Maple
• Neck Construction: Bolt-on
• Fingerboard: Roasted Maple
• Scale Length: 34" (864 mm)
• Frets: 22
• Nut Width: 39.5 mm
• Nut Material: Sandberg Zero-Fret + Bone Nut
• Sandberg Black Label Split-Coil (P-style) – Neck
• Sandberg Black Label Single-Coil (J-style) – Bridge
• Sandberg 2-Band Active Preamp w/ Active–Passive Push/Pull
• Controls: Volume (Push/Pull Active-Passive), Balance, Treble, Bass
• Bridge: Sandberg Custom High-Mass Bridge
• Tuners: Sandberg Light Aluminium Tuners
• Pickguard: Tortoise (typical for VT4, varies by order)
• Hardware: Aged Chrome / Aged Nickel (matches HCA finish)
• Weight: Typically ~3.6–4.1 kg (varies with body wood)
• Case/Gig Bag: Sandberg Gig Bag (usually included)

Bring a classic touch of vintage warmth to your sound with the Danelectro 9100 Tube Reverb Unit, a notable addition to any guitarist's pedalboard. This reverb effects pedal is inspired by the rich, spacious tones of classic tube-driven reverb units from the past. Offering a real tube-driven circuit, the 9100 captures the essence of those sought-after reverb sounds, delivering a lush and immersive atmosphere that enhances your guitar's natural tone.

The unit is designed to produce a smooth, natural reverb effect that ranges from subtle ambiance to deep, surfy swells. Its user-friendly interface allows easy adjustments, making it suitable for both beginners and seasoned musicians. With its robust build and reliable performance, this pedal is perfect for live gigs as well as studio sessions.

The Danelectro 9100's unique ability to maintain clarity and definition in your tone, even at higher reverb settings, makes it stand out among its peers. Whether you're looking to add a touch of nostalgia to your modern setup or complement your vintage gear, the 9100 ensures your sound remains authentic and expressive.

Key Features:

• Real tube-driven reverb circuit for authentic vintage tones
• Smooth, natural reverb effect with adjustable settings
• User-friendly interface for easy control
• Suitable for both live performances and studio recordings
• Maintains clarity and definition at higher reverb levels

Bring a classic touch of vintage warmth to your sound with the Danelectro 9100 Tube Reverb Unit, a notable addition to any guitarist's pedalboard. This reverb effects pedal is inspired by the rich, spacious tones of classic tube-driven reverb units from the past. Offering a real tube-driven circuit, the 9100 captures the essence of those sought-after reverb sounds, delivering a lush and immersive atmosphere that enhances your guitar's natural tone.

The unit is designed to produce a smooth, natural reverb effect that ranges from subtle ambiance to deep, surfy swells. Its user-friendly interface allows easy adjustments, making it suitable for both beginners and seasoned musicians. With its robust build and reliable performance, this pedal is perfect for live gigs as well as studio sessions.

The Danelectro 9100's unique ability to maintain clarity and definition in your tone, even at higher reverb settings, makes it stand out among its peers. Whether you're looking to add a touch of nostalgia to your modern setup or complement your vintage gear, the 9100 ensures your sound remains authentic and expressive.

Key Features:

• Real tube-driven reverb circuit for authentic vintage tones
• Smooth, natural reverb effect with adjustable settings
• User-friendly interface for easy control
• Suitable for both live performances and studio recordings
• Maintains clarity and definition at higher reverb levels