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The R-31 Para-Verb Reverb by Joyo.

Specs:

• Reverb
• 9 selectable reverb modes: Room, Hall, Church, Cave, Plate, Spring, Reverse, Shimmer and Dream
• Footswitchable Infinite function for infinite reverb sounds
• Stereo inputs and outputs
• Hi and Low Cut
• Controls: Hi-Cut, Lo-Cut, Pre-Dly, Decay, Mix
• 9-way rotary controls for mode selection
• LED: Infinite on, Effect on
• Footswitch: Infinite bypass, Effect bypass
• True bypass
• Input L and R: 2 x 6.3 mm jack
• Output L and R: 2 x 6.3 mm jack
• Power supply adapter: Barrel connector 5.5 x 2.1 mm, centre negative
• Current consumption: 300 mA
• Power supply via 9 V DC power supply adapter
• Dimensions (W x D x H): 130 x 110 x 50 mm
• Weight: 416 g

The R-31 Para-Verb Reverb by Joyo.

The Joy Paraverb is a high-quality Reverb that produces studio-level, stereo effects.
9 selectable reverb modes: Room, Hall, Church, Cave, Plate, Spring, Reverse, Shimmer and Dream.

Specs:

• Reverb
• 9 selectable reverb modes: Room, Hall, Church, Cave, Plate, Spring, Reverse, Shimmer and Dream
• Footswitchable Infinite function for infinite reverb sounds
• Stereo inputs and outputs
• Hi and Low Cut
• Controls: Hi-Cut, Lo-Cut, Pre-Dly, Decay, Mix
• 9-way rotary controls for mode selection
• LED: Infinite on, Effect on
• Footswitch: Infinite bypass, Effect bypass
• True bypass
• Input L and R: 2 x 6.3 mm jack
• Output L and R: 2 x 6.3 mm jack
• Power supply adapter: Barrel connector 5.5 x 2.1 mm, centre negative
• Current consumption: 300 mA
• Power supply via 9 V DC power supply adapter
• Dimensions (W x D x H): 130 x 110 x 50 mm
• Weight: 416 g

The R-31 Para-Verb Reverb by Joyo.

Specs:

• Reverb
• 9 selectable reverb modes: Room, Hall, Church, Cave, Plate, Spring, Reverse, Shimmer and Dream
• Footswitchable Infinite function for infinite reverb sounds
• Stereo inputs and outputs
• Hi and Low Cut
• Controls: Hi-Cut, Lo-Cut, Pre-Dly, Decay, Mix
• 9-way rotary controls for mode selection
• LED: Infinite on, Effect on
• Footswitch: Infinite bypass, Effect bypass
• True bypass
• Input L and R: 2 x 6.3 mm jack
• Output L and R: 2 x 6.3 mm jack
• Power supply adapter: Barrel connector 5.5 x 2.1 mm, centre negative
• Current consumption: 300 mA
• Power supply via 9 V DC power supply adapter
• Dimensions (W x D x H): 130 x 110 x 50 mm
• Weight: 416 g

The APB-8 Analog Processing Box by McDSP.

The McDSP APB-8 Analog Processing Box is an 8-channel, Thunderbolt-compatible programmable analogue processor that merges the sonic fidelity of high-end analogue hardware with the precision and convenience of a modern digital workflow.
Each channel routes audio through real analogue circuitry, controlled in real time by plug-ins within your DAW, with full support for AAX, AU, and VST3 formats on macOS systems.
Unlike digital emulations, the APB-8 performs all audio processing in the analogue domain using premium analogue components, including multiple saturation stages and dynamic control circuits.
Every parameter is controlled directly by software, enabling seamless sample-accurate automation, full session recall, and preset management all within the DAW environment. Engineers can dial in warmth, punch, and analogue colouration with the precision and repeatability typically reserved for digital plug-ins.
At the heart of the APB-8 lies a powerful integration of digital control and analogue tone.
High-resolution 32-bit digital-to-analogue and analogue-to-digital converters ensure pristine audio fidelity throughout the signal path.
Thunderbolt 2 and 3 connectivity ensures high-speed, low-latency data transfer between the unit and host system. Audio enters the APB plug-in, combines with a control signal, and is routed via Thunderbolt to the hardware.
The analogue circuitry processes the signal according to the control values, and the result returns digitally to your session in real time.
The workflow remains simple, while the results sound unmistakably analogue.

Included APB Plug-ins The APB-8 includes a growing suite of plug-ins that control the hardware’s analogue circuits directly from your DAW.
Each plug-in provides full automation, preset handling, and sample-level timing, and more are being adding as McDSP design them.

• C673-A – A dynamics processor combining compression with rich analogue saturation
• El Moo – A variable analogue limiter featuring smooth saturation characteristics
• MooTube – A tube-based compressor offering classic, soft-knee dynamics control
• ChichenHead – A bold, aggressive compressor with heavy saturation response
• L-18 Limiter – A transparent analogue limiter with tonal shaping via Colour control
• C-18 Compressor – A clean, detailed compressor with level-dependent timing

The APB-8 eliminates the traditional compromise between analogue sound and digital convenience.
With its unique hybrid approach, it offers a DAW-controlled analogue signal path, allowing engineers to automate, save, and recall all processing settings with the speed and accuracy of digital workflows.
The included plug-in suite requires no additional licensing or purchase, and an iLok authorisation enables use across compatible macOS systems running Pro Tools 12.x or later, among other DAWs.
Each APB plug-in generates two outputs: the user’s audio signal and a control signal that defines the behaviour of the analogue hardware.
Both signals are transmitted via Thunderbolt to the APB-8 unit.
The control signal configures the analogue circuitry to match the selected processing algorithm, while the audio signal is processed accordingly.
The processed signal is converted back to digital and returned to the DAW, aligned with the session’s timing and automation.
The result is true analogue sound, executed with digital precision.
Designed for professional production, mixing, and mastering environments, the McDSP APB-8 sets a new standard for analogue integration.
It combines the warmth and character of traditional outboard gear with the speed, control, and reliability of modern digital systems , without compromise.

Specs:

• channels of programmable analogue processing
• 32-bit digital-to-analogue and analogue-to-digital conversion
• Multiple analogue saturation and dynamics circuits
• Thunderbolt 2 and 3 connectivity for low-latency integration
• Full DAW control via AAX, AU, and VST3 plug-ins
• Sample-accurate automation with complete session and preset recall
• Includes comprehensive APB plug-in suite with no extra cost

The EL-FTC Fatso Threshold Controller by Empirical Labs.

To Expand The FATSO's bandwidth and fine-tune the balance between the compression and saturation circuits with the EL-FTC FATSO Threshold Controller. The EL-FTC plugs directly into the sidechain inserts on the rear panel of the FATSO.
Allows for setting the compressor threshold for both channels after connection to the sidechain inserts.
Allows more specific control over compression and saturation.

Dimensions: 6.1″ x 2.8″

The EL-FTC Fatso Threshold Controller by Empirical Labs.

To Expand The FATSO's bandwidth and fine-tune the balance between the compression and saturation circuits with the EL-FTC FATSO Threshold Controller. The EL-FTC plugs directly into the sidechain inserts on the rear panel of the FATSO.
Allows for setting the compressor threshold for both channels after connection to the sidechain inserts.
Allows more specific control over compression and saturation.

Dimensions: 6.1″ x 2.8″

The EL-FTC Fatso Threshold Controller by Empirical Labs.

To Expand The FATSO's bandwidth and fine-tune the balance between the compression and saturation circuits with the EL-FTC FATSO Threshold Controller. The EL-FTC plugs directly into the sidechain inserts on the rear panel of the FATSO.
Allows for setting the compressor threshold for both channels after connection to the sidechain inserts.
Allows more specific control over compression and saturation.

Dimensions: 6.1″ x 2.8″

The EL-FTC Fatso Threshold Controller by Empirical Labs.

To Expand The FATSO's bandwidth and fine-tune the balance between the compression and saturation circuits with the EL-FTC FATSO Threshold Controller. The EL-FTC plugs directly into the sidechain inserts on the rear panel of the FATSO.
Allows for setting the compressor threshold for both channels after connection to the sidechain inserts.
Allows more specific control over compression and saturation.

Dimensions: 6.1″ x 2.8″

The EL-FTC Fatso Threshold Controller by Empirical Labs.

To Expand The FATSO's bandwidth and fine-tune the balance between the compression and saturation circuits with the EL-FTC FATSO Threshold Controller. The EL-FTC plugs directly into the sidechain inserts on the rear panel of the FATSO.
Allows for setting the compressor threshold for both channels after connection to the sidechain inserts.
Allows more specific control over compression and saturation.

The EL-FTC Fatso Threshold Controller by Empirical Labs.

To Expand The FATSO's bandwidth and fine-tune the balance between the compression and saturation circuits with the EL-FTC FATSO Threshold Controller. The EL-FTC plugs directly into the sidechain inserts on the rear panel of the FATSO.
Allows for setting the compressor threshold for both channels after connection to the sidechain inserts.
Allows more specific control over compression and saturation.

Dimensions: 6.1″ x 2.8″

The EL-FTC Fatso Threshold Controller by Empirical Labs.

To Expand The FATSO's bandwidth and fine-tune the balance between the compression and saturation circuits with the EL-FTC FATSO Threshold Controller. The EL-FTC plugs directly into the sidechain inserts on the rear panel of the FATSO.
Allows for setting the compressor threshold for both channels after connection to the sidechain inserts.
Allows more specific control over compression and saturation.

The Custom Shop TPDCE-1 Traditional Pro USA Dreadnought by Fender.

Premium solid woods, a mahogany neck, and ebony fretboard for a warm, rich acoustic guitar sound.
Built-in electronics make this guitar ready for you to take on stage or into the studio.
Soft-V shaped Neck , Spruce Top and solid Mahogany back and sides.
Fishman's Matrix Infinity Pickup System.

Specs:

• USA-made Custom Shop dreadnought acoustic-electric guitar
• Model / Series Custom Shop “Pro” acoustic series (Traditional)
• Solid Engelmann spruce top and solid mahogany back and sides provide big tone
• Fishman Matrix Infinity preamp sounds clear and transparent
• Finish Nitrocellulose lacquer finish (gloss)
• Body Shape Dreadnought with cutaway (the “CE” in TPDCE = cutaway electric)
• Top Solid Engelmann Spruce
• Back & Sides Solid Mahogany
• Bracing Forward‑shifted scalloped “X” bracing
• Neck Wood Mahogany (soft “V” profile)
• Fingerboard Ebony
• Number of Frets 20
• Bone Nut
• Bridge & Pins Ebony bridge, bone saddle & bone bridge pins
• Electronics / Pickup Fishman “Matrix Infinity”
• Scale Length ~25.625″ (approx. 25 5/8")
• Cutaway Venetian / smooth cutaway style for upper fret access
• Hardshell case included

The Medusa Distortion by Lichtlaerm Audio.

The Medusa is the successor of the probably most infamous pedal we created during Lichtlaerms first life: the Breathe//Die.
As a collaboration with local Berlin band “Breathe//Die” it was the first HM2-style pedal to feature a noise reduction circuit, boost and an extended feature set in a compact enclosure.
As it’s been one of the most requested pedals for Lichtlaerms to bring back re-launch but redesign the circuit to give you even more flexibility and the most cohesive package on the market.
First design and moved the boost into the core circuit resulting in up to three times the gain the classic chainsaw pedal offers you while also allowing you in to use our well-known cut control to shape the low end and create punchy palm mutes that the original was never capable of.
With all the gain and high output volume you can’t avoid a certain level of noise, that’s why a full version of our Key & Gate was added into the circuit: being triggered from the input like you’d to with modern noise gates and placed behind the loop so anything you blend with the Medusa profits from the gate as well. A parallel fx-loop to Medusa that allows you to blend her gnarly distortion with any other device: distortion, boost, overdrive or even the preamp of your favorite tube amp - or just leave the loop empty and use it as a clean blend.
Of course you can invert the phase of the loop to avoid phase cancellations or create interesting out-of-phase sounds.
Still the traditional HM2 EQ bands named low & grind to give you easy access to the well known grindy sounds we all love but added a parallel mids control (200-700hz) and a shelving high filter to add or tame presence.
Due to this Presence control the Medusa also lends itself perfectly to being used as a preamp.
Another switchable gain section: more modern, louder, more mid focused.
So now you can decide between the filthy distortion of the black/orange box made famous in Sweden or a modern in-your-face kind of saturation that still has access to the infamous EQ of the HM2.
The Graphic is a 3/4 portrait of Medusa, the most famous of the three Gorgon sisters of Greek mythology, by artist Kasia Jasmina.
The faceplate also features the circular Breathe//Die logo opposite the Lichtlaerm Audio monogram calling back to the collaboration that originally inspired the circuit.

Specs:
• HM-2-type pedal with switchable Modern/Classic gain stage
• 2x more gain & 3x more output level compared to Boss HM-2
• 4-band active EQ with parametric mids
• Integrated Blackmer VCA-based "The Key and The Gate" noise gate
• Parallel effects loop with phase toggle and Blend control
• Proprietary Cut control
• Lichtlaerm Audio Smart Relay technology
• Gain - Input gain
• Level - Master output volume
• Cut - Pre-gain high-pass filter
• Low - Active low frequency cut/boost (+/-16dB)
• Mid - Active parametric mid frequency cut/boost (+/-16dB)
• Grind - Active "dual mid peak" frequency cut/boost
• Presence - Active high frequency shelving (+/-16dB)
• Gate - Controls Key and Gate Blackmer-VCA noise gate
• Mid-Freq - Adjusts mid-frequency affected by the Mid control (200Hz to 700Hz)
• Blend - Clean/effects loop signal parallel mix (0-100%)
• Modern/Classic - Switches between Modern and Classic gain stages
• Polarity - Switches effects loop phase polarity
• Bypass footswitch - SmartRelay footswitch, engages and bypasses effect
• In - Signal input
• 9v - 9 volt, center negative power adaptor input
• Out - Signal output
• Rtn - Return signal of the FX-loop, mixable with Blend control
• Snd - Sends dry signal to external effects • Made in Germany

The Medusa Distortion by Lichtlaerm Audio.

The Medusa is the successor of the probably most infamous pedal we created during Lichtlaerms first life: the Breathe//Die.
As a collaboration with local Berlin band “Breathe//Die” it was the first HM2-style pedal to feature a noise reduction circuit, boost and an extended feature set in a compact enclosure.
As it’s been one of the most requested pedals for Lichtlaerms to bring back re-launch but redesign the circuit to give you even more flexibility and the most cohesive package on the market.
First design and moved the boost into the core circuit resulting in up to three times the gain the classic chainsaw pedal offers you while also allowing you in to use our well-known cut control to shape the low end and create punchy palm mutes that the original was never capable of.
With all the gain and high output volume you can’t avoid a certain level of noise, that’s why a full version of our Key & Gate was added into the circuit: being triggered from the input like you’d to with modern noise gates and placed behind the loop so anything you blend with the Medusa profits from the gate as well. A parallel fx-loop to Medusa that allows you to blend her gnarly distortion with any other device: distortion, boost, overdrive or even the preamp of your favorite tube amp - or just leave the loop empty and use it as a clean blend.
Of course you can invert the phase of the loop to avoid phase cancellations or create interesting out-of-phase sounds.
Still the traditional HM2 EQ bands named low & grind to give you easy access to the well known grindy sounds we all love but added a parallel mids control (200-700hz) and a shelving high filter to add or tame presence.
Due to this Presence control the Medusa also lends itself perfectly to being used as a preamp.
Another switchable gain section: more modern, louder, more mid focused.
So now you can decide between the filthy distortion of the black/orange box made famous in Sweden or a modern in-your-face kind of saturation that still has access to the infamous EQ of the HM2.
The Graphic is a 3/4 portrait of Medusa, the most famous of the three Gorgon sisters of Greek mythology, by artist Kasia Jasmina.
The faceplate also features the circular Breathe//Die logo opposite the Lichtlaerm Audio monogram calling back to the collaboration that originally inspired the circuit.

Specs:
• HM-2-type pedal with switchable Modern/Classic gain stage
• 2x more gain & 3x more output level compared to Boss HM-2
• 4-band active EQ with parametric mids
• Integrated Blackmer VCA-based "The Key and The Gate" noise gate
• Parallel effects loop with phase toggle and Blend control
• Proprietary Cut control
• Lichtlaerm Audio Smart Relay technology
• Gain - Input gain
• Level - Master output volume
• Cut - Pre-gain high-pass filter
• Low - Active low frequency cut/boost (+/-16dB)
• Mid - Active parametric mid frequency cut/boost (+/-16dB)
• Grind - Active "dual mid peak" frequency cut/boost
• Presence - Active high frequency shelving (+/-16dB)
• Gate - Controls Key and Gate Blackmer-VCA noise gate
• Mid-Freq - Adjusts mid-frequency affected by the Mid control (200Hz to 700Hz)
• Blend - Clean/effects loop signal parallel mix (0-100%)
• Modern/Classic - Switches between Modern and Classic gain stages
• Polarity - Switches effects loop phase polarity
• Bypass footswitch - SmartRelay footswitch, engages and bypasses effect
• In - Signal input
• 9v - 9 volt, center negative power adaptor input
• Out - Signal output
• Rtn - Return signal of the FX-loop, mixable with Blend control
• Snd - Sends dry signal to external effects
• Made in Germany

The Medusa Distortion by Lichtlaerm Audio.

The Medusa is the successor of the probably most infamous pedal we created during Lichtlaerms first life: the Breathe//Die.
As a collaboration with local Berlin band “Breathe//Die” it was the first HM2-style pedal to feature a noise reduction circuit, boost and an extended feature set in a compact enclosure.
As it’s been one of the most requested pedals for Lichtlaerms to bring back re-launch but redesign the circuit to give you even more flexibility and the most cohesive package on the market.
First design and moved the boost into the core circuit resulting in up to three times the gain the classic chainsaw pedal offers you while also allowing you in to use our well-known cut control to shape the low end and create punchy palm mutes that the original was never capable of.
With all the gain and high output volume you can’t avoid a certain level of noise, that’s why a full version of our Key & Gate was added into the circuit: being triggered from the input like you’d to with modern noise gates and placed behind the loop so anything you blend with the Medusa profits from the gate as well. A parallel fx-loop to Medusa that allows you to blend her gnarly distortion with any other device: distortion, boost, overdrive or even the preamp of your favorite tube amp - or just leave the loop empty and use it as a clean blend.
Of course you can invert the phase of the loop to avoid phase cancellations or create interesting out-of-phase sounds.
Still the traditional HM2 EQ bands named low & grind to give you easy access to the well known grindy sounds we all love but added a parallel mids control (200-700hz) and a shelving high filter to add or tame presence.
Due to this Presence control the Medusa also lends itself perfectly to being used as a preamp.
Another switchable gain section: more modern, louder, more mid focused.
So now you can decide between the filthy distortion of the black/orange box made famous in Sweden or a modern in-your-face kind of saturation that still has access to the infamous EQ of the HM2.
The Graphic is a 3/4 portrait of Medusa, the most famous of the three Gorgon sisters of Greek mythology, by artist Kasia Jasmina.
The faceplate also features the circular Breathe//Die logo opposite the Lichtlaerm Audio monogram calling back to the collaboration that originally inspired the circuit.

Specs:

• Gain - Input gain
• Level - Master output volume
• Cut - Pre-gain high-pass filter
• Low - Active low frequency cut/boost (+/-16dB)
• Mid - Active parametric mid frequency cut/boost (+/-16dB)
• Grind - Active "dual mid peak" frequency cut/boost
• Presence - Active high frequency shelving (+/-16dB)
• Gate - Controls Key and Gate Blackmer-VCA noise gate
• Mid-Freq - Adjusts mid-frequency affected by the Mid control (200Hz to 700Hz)
• Blend - Clean/effects loop signal parallel mix (0-100%)
• Modern/Classic - Switches between Modern and Classic gain stages
• Polarity - Switches effects loop phase polarity
• Bypass footswitch - SmartRelay footswitch, engages and bypasses effect
• In - Signal input
• 9v - 9 volt, center negative power adaptor input
• Out - Signal output
• Rtn - Return signal of the FX-loop, mixable with Blend control
• Snd - Sends dry signal to external effects

The Medusa Distortion by Lichtlaerm Audio.

The Medusa is the successor of the probably most infamous pedal we created during Lichtlaerms first life: the Breathe//Die.
As a collaboration with local Berlin band “Breathe//Die” it was the first HM2-style pedal to feature a noise reduction circuit, boost and an extended feature set in a compact enclosure.
As it’s been one of the most requested pedals for Lichtlaerms to bring back re-launch but redesign the circuit to give you even more flexibility and the most cohesive package on the market.
First design and moved the boost into the core circuit resulting in up to three times the gain the classic chainsaw pedal offers you while also allowing you in to use our well-known cut control to shape the low end and create punchy palm mutes that the original was never capable of.
With all the gain and high output volume you can’t avoid a certain level of noise, that’s why a full version of our Key & Gate was added into the circuit: being triggered from the input like you’d to with modern noise gates and placed behind the loop so anything you blend with the Medusa profits from the gate as well. A parallel fx-loop to Medusa that allows you to blend her gnarly distortion with any other device: distortion, boost, overdrive or even the preamp of your favorite tube amp - or just leave the loop empty and use it as a clean blend.
Of course you can invert the phase of the loop to avoid phase cancellations or create interesting out-of-phase sounds.
Still the traditional HM2 EQ bands named low & grind to give you easy access to the well known grindy sounds we all love but added a parallel mids control (200-700hz) and a shelving high filter to add or tame presence.
Due to this Presence control the Medusa also lends itself perfectly to being used as a preamp.
Another switchable gain section: more modern, louder, more mid focused.
So now you can decide between the filthy distortion of the black/orange box made famous in Sweden or a modern in-your-face kind of saturation that still has access to the infamous EQ of the HM2.
The Graphic is a 3/4 portrait of Medusa, the most famous of the three Gorgon sisters of Greek mythology, by artist Kasia Jasmina.
The faceplate also features the circular Breathe//Die logo opposite the Lichtlaerm Audio monogram calling back to the collaboration that originally inspired the circuit.

Specs:
• HM-2-type pedal with switchable Modern/Classic gain stage
• 2x more gain & 3x more output level compared to Boss HM-2
• 4-band active EQ with parametric mids
• Integrated Blackmer VCA-based "The Key and The Gate" noise gate
• Parallel effects loop with phase toggle and Blend control
• Proprietary Cut control
• Lichtlaerm Audio Smart Relay technology
• Gain - Input gain
• Level - Master output volume
• Cut - Pre-gain high-pass filter
• Low - Active low frequency cut/boost (+/-16dB)
• Mid - Active parametric mid frequency cut/boost (+/-16dB)
• Grind - Active "dual mid peak" frequency cut/boost
• Presence - Active high frequency shelving (+/-16dB)
• Gate - Controls Key and Gate Blackmer-VCA noise gate
• Mid-Freq - Adjusts mid-frequency affected by the Mid control (200Hz to 700Hz)
• Blend - Clean/effects loop signal parallel mix (0-100%)
• Modern/Classic - Switches between Modern and Classic gain stages
• Polarity - Switches effects loop phase polarity
• Bypass footswitch - SmartRelay footswitch, engages and bypasses effect
• In - Signal input
• 9v - 9 volt, center negative power adaptor input
• Out - Signal output
• Rtn - Return signal of the FX-loop, mixable with Blend control
• Snd - Sends dry signal to external effects • Made in Germany

The Medusa Distortion by Lichtlaerm Audio.

The Medusa is the successor of the probably most infamous pedal we created during Lichtlaerms first life: the Breathe//Die.
As a collaboration with local Berlin band “Breathe//Die” it was the first HM2-style pedal to feature a noise reduction circuit, boost and an extended feature set in a compact enclosure.
As it’s been one of the most requested pedals for Lichtlaerms to bring back re-launch but redesign the circuit to give you even more flexibility and the most cohesive package on the market.
First design and moved the boost into the core circuit resulting in up to three times the gain the classic chainsaw pedal offers you while also allowing you in to use our well-known cut control to shape the low end and create punchy palm mutes that the original was never capable of.
With all the gain and high output volume you can’t avoid a certain level of noise, that’s why a full version of our Key & Gate was added into the circuit: being triggered from the input like you’d to with modern noise gates and placed behind the loop so anything you blend with the Medusa profits from the gate as well. A parallel fx-loop to Medusa that allows you to blend her gnarly distortion with any other device: distortion, boost, overdrive or even the preamp of your favorite tube amp - or just leave the loop empty and use it as a clean blend.
Of course you can invert the phase of the loop to avoid phase cancellations or create interesting out-of-phase sounds.
Still the traditional HM2 EQ bands named low & grind to give you easy access to the well known grindy sounds we all love but added a parallel mids control (200-700hz) and a shelving high filter to add or tame presence.
Due to this Presence control the Medusa also lends itself perfectly to being used as a preamp.
Another switchable gain section: more modern, louder, more mid focused.
So now you can decide between the filthy distortion of the black/orange box made famous in Sweden or a modern in-your-face kind of saturation that still has access to the infamous EQ of the HM2.
The Graphic is a 3/4 portrait of Medusa, the most famous of the three Gorgon sisters of Greek mythology, by artist Kasia Jasmina.
The faceplate also features the circular Breathe//Die logo opposite the Lichtlaerm Audio monogram calling back to the collaboration that originally inspired the circuit.

Specs:

• Gain - Input gain
• Level - Master output volume
• Cut - Pre-gain high-pass filter
• Low - Active low frequency cut/boost (+/-16dB)
• Mid - Active parametric mid frequency cut/boost (+/-16dB)
• Grind - Active "dual mid peak" frequency cut/boost
• Presence - Active high frequency shelving (+/-16dB)
• Gate - Controls Key and Gate Blackmer-VCA noise gate
• Mid-Freq - Adjusts mid-frequency affected by the Mid control (200Hz to 700Hz)
• Blend - Clean/effects loop signal parallel mix (0-100%)
• Modern/Classic - Switches between Modern and Classic gain stages
• Polarity - Switches effects loop phase polarity
• Bypass footswitch - SmartRelay footswitch, engages and bypasses effect
• In - Signal input
• 9v - 9 volt, center negative power adaptor input
• Out - Signal output
• Rtn - Return signal of the FX-loop, mixable with Blend control
• Snd - Sends dry signal to external effects

The Jiachen an OTA Compressor and Boost hand-made by Gervana Pedals.

The Pedal serves as Overdrive , Boost , Compression and Sustain. OTA (Operational Transconductance Amplifier) compressor + “voiceless excitation” circuit in parallel. Emphasis in the marketing that the OTA design gives “purer and faster” compression, with more penetrating sound and richer layers. Tube Sim Switch which affects both boost and compression circuits, intended to simulate tube warmth / richer overtones.

Specs:

• Bypass / Buffer Buffered bypass, includes a built‑in “Klon style” buffer circuit between In / Out
• Sustain knob (compression amount / duration)
• Attack knob (sets the attack / “startup” character)
• Blend knob (mix between dry and compressed signal)
• Level knob (output / excitation level)
• Additional Switching / Modes
• Treble Boost switch • Adds boost in mid-high frequency region, adds “details”
• Power: 9 V DC (center negative)

The Jiachen an OTA Compressor and Boost hand-made by Gervana Pedals.

The Pedal serves as Overdrive , Boost , Compression and Sustain.
OTA (Operational Transconductance Amplifier) compressor + “voiceless excitation” circuit in parallel.
Emphasis in the marketing that the OTA design gives “purer and faster” compression, with more penetrating sound and richer layers.
Tube Sim Switch which affects both boost and compression circuits, intended to simulate tube warmth / richer overtones.

Specs:

• Bypass / Buffer Buffered bypass, includes a built‑in “Klon style” buffer circuit between In / Out
• Sustain knob (compression amount / duration)
• Attack knob (sets the attack / “startup” character)
• Blend knob (mix between dry and compressed signal)
• Level knob (output / excitation level)
• Additional Switching / Modes
• Treble Boost switch • Adds boost in mid-high frequency region, adds “details”
• Power: 9 V DC (center negative)

The Jiachen an OTA Compressor and Boost hand-made by Gervana Pedals.

The Pedal serves as Overdrive , Boost , Compression and Sustain. OTA (Operational Transconductance Amplifier) compressor + “voiceless excitation” circuit in parallel. Emphasis in the marketing that the OTA design gives “purer and faster” compression, with more penetrating sound and richer layers.

Specs:

• Bypass / Buffer Buffered bypass, includes a built‑in “Klon style” buffer circuit between In / Out
• Sustain knob (compression amount / duration)
• Attack knob (sets the attack / “startup” character)
• Blend knob (mix between dry and compressed signal)
• Level knob (output / excitation level)
• Additional Switching / Modes
• Treble Boost switch • Adds boost in mid-high frequency region, adds “details”
• Power: 9 V DC (center negative)
• Tube Sim switch – affects both boost and compression circuits, intended to simulate tube warmth / richer overtones

The Jiachen an OTA Compressor and Boost hand-made by Gervana Pedals.

The Pedal serves as Overdrive , Boost , Compression and Sustain. OTA (Operational Transconductance Amplifier) compressor + “voiceless excitation” circuit in parallel. Emphasis in the marketing that the OTA design gives “purer and faster” compression, with more penetrating sound and richer layers. Tube Sim Switch which affects both boost and compression circuits, intended to simulate tube warmth / richer overtones.

Specs:

• Bypass / Buffer Buffered bypass, includes a built‑in “Klon style” buffer circuit between In / Out
• Sustain knob (compression amount / duration)
• Attack knob (sets the attack / “startup” character)
• Blend knob (mix between dry and compressed signal)
• Level knob (output / excitation level)
• Additional Switching / Modes
• Treble Boost switch • Adds boost in mid-high frequency region, adds “details”
• Power: 9 V DC (center negative)

The Jiachen an OTA Compressor and Boost hand-made by Gervana Pedals.

The Pedal serves as Overdrive , Boost , Compression and Sustain. OTA (Operational Transconductance Amplifier) compressor + “voiceless excitation” circuit in parallel. Emphasis in the marketing that the OTA design gives “purer and faster” compression, with more penetrating sound and richer layers.

Specs:

• Bypass / Buffer Buffered bypass, includes a built‑in “Klon style” buffer circuit between In / Out
• Sustain knob (compression amount / duration)
• Attack knob (sets the attack / “startup” character)
• Blend knob (mix between dry and compressed signal)
• Level knob (output / excitation level)
• Additional Switching / Modes
• Treble Boost switch • Adds boost in mid-high frequency region, adds “details”
• Tube Sim switch – affects both boost and compression circuits, intended to simulate tube warmth / richer overtones
• Power: 9 V DC (center negative)

The Jiachen an OTA Compressor and Boost hand-made by Gervana Pedals.

The Pedal serves as Overdrive , Boost , Compression and Sustain. OTA (Operational Transconductance Amplifier) compressor + “voiceless excitation” circuit in parallel. Emphasis in the marketing that the OTA design gives “purer and faster” compression, with more penetrating sound and richer layers.

Specs:

• Bypass / Buffer Buffered bypass, includes a built‑in “Klon style” buffer circuit between In / Out
• Sustain knob (compression amount / duration)
• Attack knob (sets the attack / “startup” character)
• Blend knob (mix between dry and compressed signal)
• Level knob (output / excitation level)
• Additional Switching / Modes
• Treble Boost switch • Adds boost in mid-high frequency region, adds “details”
• Power: 9 V DC (center negative)
• Tube Sim switch – affects both boost and compression circuits, intended to simulate tube warmth / richer overtones

The Jiachen an OTA Compressor and Boost hand-made by Gervana Pedals.

The Pedal serves as Overdrive , Boost , Compression and Sustain. OTA (Operational Transconductance Amplifier) compressor + “voiceless excitation” circuit in parallel. Emphasis in the marketing that the OTA design gives “purer and faster” compression, with more penetrating sound and richer layers.

Specs:

• Bypass / Buffer Buffered bypass, includes a built‑in “Klon style” buffer circuit between In / Out
• Sustain knob (compression amount / duration)
• Attack knob (sets the attack / “startup” character)
• Blend knob (mix between dry and compressed signal)
• Level knob (output / excitation level)
• Additional Switching / Modes
• Treble Boost switch • Adds boost in mid-high frequency region, adds “details”
• Tube Sim switch – affects both boost and compression circuits, intended to simulate tube warmth / richer overtones
• Power: 9 V DC (center negative)

The Billy Pilgrim Overdrive by Bookworm Effects.

An TransparentOverdrive with EQ based off of the Classic Silverface Amps we all know and love with Treble and Bass.
A Switch that recreates the sounds of an Amp’s Power Tubes working from a light grit to a mid gain crunch.
Fliping the switch to the right, it recreates the unbalanced near-fuzz of an amp that has a power tube failing.
Pedal name and artwork inspired by Kurt Vonnegut’s “Slaughterhouse Five”.
Top mount jacks, true bypass relay switching, uses standard 9VDC power supplies, Carbon Comp Resistors, and a combination of modern and NOS transistors.

Specs:

• Power: 9 V DC (center negative)
• Bypass: True bypass
• One main level knob (adjusts output level)
• Toggle “Bomb” switch: Vintage / Modern clipping mode
• Toggle “Necklace” switch: Gain Cut (boosts mids + ~3 dB when engaged)
• Enclosure / Build Handmade in Morgantown, WV
• Tonal Character Transparent overdrive, with interaction between level knob and toggle switches to shape tone

The Lafayette Vintage Trumpet buid before 1963 by Couesnon made in Paris France.

The Lafayette a Vintage Trumpet buid before 1963 by Couesnon made in Paris, France.

Specs:

• Brand Couesnon
• Model Lafayette
• Color Lacquer
• Categories Trumpets
• Manufactured in the 1930’s
• Made in France

The Lafayette Vintage Trumpet buid before 1963 by Couesnon made in Paris France.

The Cypress and Spruce 2020 Custom Flamenco Guitar by David Jiménez Rodriguez.

A Hand-Made Custom Nylon String Guitar made in Spain.
With a patented bracing system for the soundboard invented by a man named Menduiña from Madrid.
Two braces parallel to the back run under the complete soundboard and are free-floating or only glued at certain spots.
The back joint is reinforced from the inside with quadratic rosewood blocks.

Specs:

• Sides and Back: Solid Cypress
• Soundboard (top): Solide Spruce
• Fingerboard: Ebony
• Weight: 1570 g
• Scale: 650 mm
• Halsbreite Obersattel: 52.0 mm
• Depth of neck at first fret: 22.5 mm
• 1st string to 6th string at nut: 42.5 mm
• 1st string to 6th string at saddle: 58.0 mm
• At the saddle: 8.9 mm
• At the 12th fret: 2.7 mm
• Varnish: French Polish
• Colour of Varnish: Orange
• Case: Hard Case
• Year 2020

The Carillon by Sonokinetic.

These Carillon bells are real clock tower bells weighing up to half a ton on the biggest set, so it's a very powerful sound which we captured in great detail. Large bells into the studio (with the help of some heavy lifting equipment) , set about recording them with two different mallet types.
With a rubbed articulation, with a sustained rub around the outside of the bell, either the sound bow or the waist, depending on the size of the bell. Although the strong and stoic timbres here are perfect for dramatic hits, also recorded plenty of softer strikes which can sound extremely melodic when you play at lower velocities.
With the onboard options for sound shaping and reversed articulations, these Carillon ended up being very versatile.

• Samples: 6300+
• Format: Komplete Kontrol
• Patches: All-In-One
• Audio Format : NCW 44.1KHz 24Bit
• Instruments: Full Size Carillon
• Microphones: 7
• Configurations Available: Download or USB

Features:

• NKS Compatible
• Mic Control
• MIC Positions IR
• Articulation Control
• Performance Control
• Standardized Grouping
• Tail Length Control
• KK & KP

The Life Support Drive Pedal by Intensive Care Audio.

The Life Support is a high fidelity, all analogue overdrive and distortion pedal for the treatment of Bland Guitar Syndrome and Excessive Aural Dryness.
Used regularly it can provide effective relief from these, and other music and instrumentation related conditions.
All Intensive Care Audio pedals are built in London, England, using high quality components and featuring soft touch, relay based trued bypass.
Life Support features 6 controls, there are therefore a range of available remedies.
Pre-Amp: Sets the gain of the overdrive, ranging from sparkly, chiming clean tones through to natural, tube like edge of break up and on into grittier distortion territory.

This control interacts interestingly with the Clipping Control

VOLUME: Sets the overall output volume, including when BOOST is engaged.

TOP: An extremely useful passive subtractive treble filter after the last gain stage used for taming high frequencies which can become more pronounced as gain is increased and clipping settings altered.

BOTTOM: A subtractive bass filter after the last gain stage which variably bypasses the output capacitor, just before hitting the output transformer.
As this control is in parallel with the output capacitor some crackle may be present when adjusted at lower gain settings.

CLIPPING: The clipping control allows you to blend between two very different but equally useful clipping options.
Fully clockwise is Led clipping, yielding a softer, more transparent break up.
Fully counter-clockwise is a parallel arrangement of a Mosfet and a Jfet which produces much harder, compressed and saturated clipping.
The ability to blend between these two clipping options, in conjunction with the Pre-Amp control allows for an extremely wide range of overdriven tones.

BOOST: Controls the gain of the boost circuit which drives the Front end of the overdrive circuit. This can not be used independently of the overdrive circuit, it is used to hit the front end harder, increase gain and compression and act as a boost for lead/solo situations.

• Supply using only 9-18v centre negative supply.
• Current Draw: 100mA

The 3 inch Wide Western Guitar Or Bass Strap by Couch Guitar Straps Color: Dark Brown or Graphite

It an extra wide 3 inch padded western bass strap or guitar strap hand made in USA , California.
Classic embossed deep western hand tooled pattern is made of the highest quality boutique upholstery vinyl.
Backed in heavy duty automotive upholstery vinyl.
Padded 3 inch section for over your shoulder reduces to an adjustable recycled seatbelt end with custom forged bronze hardware.
Made in USA by Couch.

The 3 inch Wide Western Guitar Or Bass Strap by Couch Guitar Straps
Color: Dark Brown or Graphite

It an extra wide 3 inch padded western bass strap or guitar strap hand made in USA , California.
Classic embossed deep western hand tooled pattern is made of the highest quality boutique upholstery vinyl.
Backed in heavy duty automotive upholstery vinyl.
Padded 3 inch section for over your shoulder reduces to an adjustable recycled seatbelt end with custom forged bronze hardware.
Made in USA by Couch.

The 3 inch Wide Western Guitar Or Bass Strap by Couch Guitar Straps Color: Dark Brown or Graphite

It an extra wide 3 inch padded western bass strap or guitar strap hand made in USA , California.
Classic embossed deep western hand tooled pattern is made of the highest quality boutique upholstery vinyl.
Backed in heavy duty automotive upholstery vinyl.
Padded 3 inch section for over your shoulder reduces to an adjustable recycled seatbelt end with custom forged bronze hardware.
Made in USA by Couch.