hashimoto's activity

edited Goya Guitars F-19

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Goya F-19
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Goya Guitars F-19
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Goya Guitars

Sep 26, 2025

edited Goya Guitars GA400

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Goya GA400
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Goya Guitars GA400
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Goya Guitars

Sep 26, 2025

edited Goya Guitars Rangemaster Semi-hollow

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Goya Rangemaster Semi-hollow
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Goya Guitars Rangemaster Semi-hollow
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Goya Guitars

Sep 26, 2025

edited Goya Guitars Tarrega

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Goya Tarrega
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Goya Guitars Tarrega
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Goya Guitars

Sep 26, 2025

edited Goya Guitars Panther Fuzz

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Goya Panther Fuzz
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Goya Guitars Panther Fuzz
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Goya Guitars

Sep 26, 2025

edited Diamond Dark Cloud Delay

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The Dark Cloud Delay is an saturated Analog and also Digital Delay by Diamond.

Where analog warmth meets digital precision, the Dark Cloud redefines delay effects to create a pedal like no other.
True to the Diamond design ethos of our dBBD’s hybrid analog architecture, Dark Cloud unlocks a new frontier in delay technology unobtainable by standard BBD circuits.
Powered by an embedded system, the Dark Cloud seamlessly blends input and output signals, crafting Tape, Harmonic, and Reverse delays with the organic warmth of analog companding and the meticulous precision of digital control.
Combining the character of analog Companding and Anti-Aliasing with an embedded system delay line, the Dark Cloud flawlessly delivers the warmth and charm of an analog delay while offering three distinct and creative delay modes.
Inspired by the Counter Point, this mode delivers a warm, saturated delay with tape-like warble due to its perfectly synced modulation and up to 1000ms of delay time.
A favorite from Quantum Leap, it creates either a delayed octave or fifth above the input signal.
The analog feedback acts like a harmonic tone control, creating enchanting upward spirals like musical lightning in a dark sky.
This new feature plays a classic delay backward, offering a smooth and LoFi reversed delay with an expanded time range.
The analog feedback causes the repeats to alternate between reversed and forward playback, like echoes bouncing through a stormy canyon.
With Tab Tempo offering 3 distinct tap divisions including quarter note, eighth note and dotted eighth note settings, the Dark Cloud is always in perfect sync with the player.

Specs:

• Pedal type: Multi-Head Delay
• Input Impedance: > 1 MΩ
• Output Impedance: < 10 KΩ
• Switching: Buffered Bypass
• Power Requirement: 9VDC negative tip, 2.1mm Barrel Jack
• Current Draw @ 9V: 45mA
• Dimensions: 4.8” x 2.64” x 1.58”
• Weight: 280g
• Made In Canada

After:
The Dark Cloud Delay is an saturated Analog and also Digital Multi-Head Delay by Diamond.

Where analog warmth meets digital precision, the Dark Cloud redefines delay effects to create a pedal like no other.
True to the Diamond design ethos of our dBBD’s hybrid analog architecture, Dark Cloud unlocks a new frontier in delay technology unobtainable by standard BBD circuits.
Powered by an embedded system, the Dark Cloud seamlessly blends input and output signals, crafting Tape, Harmonic, and Reverse delays with the organic warmth of analog companding and the meticulous precision of digital control.
Combining the character of analog Companding and Anti-Aliasing with an embedded system delay line, the Dark Cloud flawlessly delivers the warmth and charm of an analog delay while offering three distinct and creative delay modes.
Inspired by the Counter Point, this mode delivers a warm, saturated delay with tape-like warble due to its perfectly synced modulation and up to 1000ms of delay time.
A favorite from Quantum Leap, it creates either a delayed octave or fifth above the input signal.
The analog feedback acts like a harmonic tone control, creating enchanting upward spirals like musical lightning in a dark sky.
This new feature plays a classic delay backward, offering a smooth and LoFi reversed delay with an expanded time range.
The analog feedback causes the repeats to alternate between reversed and forward playback, like echoes bouncing through a stormy canyon.
With Tab Tempo offering 3 distinct tap divisions including quarter note, eighth note and dotted eighth note settings, the Dark Cloud is always in perfect sync with the player.

Specs:

• Pedal type: Multi-Head Delay
• Input Impedance: > 1 MΩ
• Output Impedance: < 10 KΩ
• Switching: Buffered Bypass
• Power Requirement: 9VDC negative tip, 2.1mm Barrel Jack
• Current Draw @ 9V: 45mA
• Dimensions: 4.8” x 2.64” x 1.58”
• Weight: 280g
• Made In Canada

Sep 24, 2025

edited Diamond Dark Cloud Delay

Improved item description.

Revised item description. Show revisions
Before:
The Where analog warmth meets digital precision, the Dark Cloud redefines delay effects to create a pedal like no other.

True to the Diamond design ethos of our dBBD’s hybrid analog architecture, Dark Cloud unlocks a new frontier in delay technology unobtainable by standard BBD circuits.
Powered by an embedded system, the Dark Cloud seamlessly blends input and output signals, crafting Tape, Harmonic, and Reverse delays with the organic warmth of analog companding and the meticulous precision of digital control.
Combining the character of analog Companding and Anti-Aliasing with an embedded system delay line, the Dark Cloud flawlessly delivers the warmth and charm of an analog delay while offering three distinct and creative delay modes.
Inspired by the Counter Point, this mode delivers a warm, saturated delay with tape-like warble due to its perfectly synced modulation and up to 1000ms of delay time.
A favorite from Quantum Leap, it creates either a delayed octave or fifth above the input signal.
The analog feedback acts like a harmonic tone control, creating enchanting upward spirals like musical lightning in a dark sky.
This new feature plays a classic delay backward, offering a smooth and LoFi reversed delay with an expanded time range.
The analog feedback causes the repeats to alternate between reversed and forward playback, like echoes bouncing through a stormy canyon.
With Tab Tempo offering 3 distinct tap divisions including quarter note, eighth note and dotted eighth note settings, the Dark Cloud is always in perfect sync with the player.

Specs:

• Pedal type: Multi-Head Delay
• Input Impedance: > 1 MΩ
• Output Impedance: < 10 KΩ
• Switching: Buffered Bypass
• Power Requirement: 9VDC negative tip, 2.1mm Barrel Jack
• Current Draw @ 9V: 45mA
• Dimensions: 4.8” x 2.64” x 1.58”
• Weight: 280g
• Made In Canada

After:
The Dark Cloud Delay is an saturated Analog and also Digital Delay by Diamond.

Where analog warmth meets digital precision, the Dark Cloud redefines delay effects to create a pedal like no other.
True to the Diamond design ethos of our dBBD’s hybrid analog architecture, Dark Cloud unlocks a new frontier in delay technology unobtainable by standard BBD circuits.
Powered by an embedded system, the Dark Cloud seamlessly blends input and output signals, crafting Tape, Harmonic, and Reverse delays with the organic warmth of analog companding and the meticulous precision of digital control.
Combining the character of analog Companding and Anti-Aliasing with an embedded system delay line, the Dark Cloud flawlessly delivers the warmth and charm of an analog delay while offering three distinct and creative delay modes.
Inspired by the Counter Point, this mode delivers a warm, saturated delay with tape-like warble due to its perfectly synced modulation and up to 1000ms of delay time.
A favorite from Quantum Leap, it creates either a delayed octave or fifth above the input signal.
The analog feedback acts like a harmonic tone control, creating enchanting upward spirals like musical lightning in a dark sky.
This new feature plays a classic delay backward, offering a smooth and LoFi reversed delay with an expanded time range.
The analog feedback causes the repeats to alternate between reversed and forward playback, like echoes bouncing through a stormy canyon.
With Tab Tempo offering 3 distinct tap divisions including quarter note, eighth note and dotted eighth note settings, the Dark Cloud is always in perfect sync with the player.

Specs:

• Pedal type: Multi-Head Delay
• Input Impedance: > 1 MΩ
• Output Impedance: < 10 KΩ
• Switching: Buffered Bypass
• Power Requirement: 9VDC negative tip, 2.1mm Barrel Jack
• Current Draw @ 9V: 45mA
• Dimensions: 4.8” x 2.64” x 1.58”
• Weight: 280g
• Made In Canada

Sep 24, 2025

edited Diamond Dark Cloud Delay

Added item description. Improved item category. Added brand. Improved item image.

Revised item description. Show revisions
Before:
After:
The Where analog warmth meets digital precision, the Dark Cloud redefines delay effects to create a pedal like no other.

True to the Diamond design ethos of our dBBD’s hybrid analog architecture, Dark Cloud unlocks a new frontier in delay technology unobtainable by standard BBD circuits.
Powered by an embedded system, the Dark Cloud seamlessly blends input and output signals, crafting Tape, Harmonic, and Reverse delays with the organic warmth of analog companding and the meticulous precision of digital control.
Combining the character of analog Companding and Anti-Aliasing with an embedded system delay line, the Dark Cloud flawlessly delivers the warmth and charm of an analog delay while offering three distinct and creative delay modes.
Inspired by the Counter Point, this mode delivers a warm, saturated delay with tape-like warble due to its perfectly synced modulation and up to 1000ms of delay time.
A favorite from Quantum Leap, it creates either a delayed octave or fifth above the input signal.
The analog feedback acts like a harmonic tone control, creating enchanting upward spirals like musical lightning in a dark sky.
This new feature plays a classic delay backward, offering a smooth and LoFi reversed delay with an expanded time range.
The analog feedback causes the repeats to alternate between reversed and forward playback, like echoes bouncing through a stormy canyon.
With Tab Tempo offering 3 distinct tap divisions including quarter note, eighth note and dotted eighth note settings, the Dark Cloud is always in perfect sync with the player.

Specs:

• Pedal type: Multi-Head Delay
• Input Impedance: > 1 MΩ
• Output Impedance: < 10 KΩ
• Switching: Buffered Bypass
• Power Requirement: 9VDC negative tip, 2.1mm Barrel Jack
• Current Draw @ 9V: 45mA
• Dimensions: 4.8” x 2.64” x 1.58”
• Weight: 280g
• Made In Canada
Set Bypass to true bypass, buffered bypass
Set Analog/Digital to hybrid
Set Mono/Stereo to mono
Set Power to 9V

Sep 24, 2025

edited Fender Japan ST57-95LS Stratocaster 1994

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The ST57‑95LS Lace Sensor ’94 Stratocaster made in Fujigen Japan by Fender.

Is Part of Fender Japan’s “Vintage Series” 57 Stratocaster reissues, upgraded with Lace Sensor pickups.

Body Wood: Alder Colors: Gloss finishes in standard or special colors black, white, ... Pickguard: 1‑ply white pickguard in many examples; white plastics. Neck Wood: Maple one‑piece or multi‑piece Neck Shape: “Oval Type” or “Soft V / Vintage ‘57 style” C shape / oval, somewhat vintage feel. Number of Frets: 21 frets Fingerboard Radius: ~7.25″ radius (184 mm) Nut Width: ~42 mm (≈1.650 inch) Truss Rod: Vintage‑style, accessible head‑side or heel, with a skunk‑stripe on the back in many units. Pickups: Lace Sensor Gold single‑coil set , 3 x Single‑Coils Switching: 5‑way Selector Switch Controls: Master Volume, one Tone knob, Active Mid‑Boost the ST57‑95LS includes the Mid‑Boost Circuit Bridge: Vintage Style Synchronized Tremolo Saddles: Vintage Style (6‑saddle) Tuners: Vintage Style Tuners Hardware plating: Nickel/Chrome Typical Scale Length: 25.5 inches (648 mm) – standard Strat scale. Weight: 3.46 kg

After:
The ST57‑95LS Lace Sensor ’94 Stratocaster made in Fujigen Japan by Fender.

Is Part of Fender Japan’s “Vintage Series” 57 Stratocaster reissues, upgraded with Lace Sensor pickups.

Specs:

• Body Wood: Alder
• Colors: Gloss finishes in standard or special colors black, white, ...
• Pickguard: 1‑ply white pickguard in many examples; white plastics.
• Neck Wood: Maple one‑piece or multi‑piece
• Neck Shape: “Oval Type” or “Soft V / Vintage ‘57 style” C shape / oval, somewhat vintage feel.
• Number of Frets: 21 frets
• Fingerboard Radius: ~7.25″ radius (184 mm)
• Nut Width: ~42 mm (≈1.650 inch)
• Truss Rod: Vintage‑style, accessible head‑side or heel, with a skunk‑stripe on the back in many units.
• Pickups: Lace Sensor Gold single‑coil set , 3 x Single‑Coils
• Switching: 5‑way Selector Switch
• Controls: Master Volume, one Tone knob, Active Mid‑Boost the ST57‑95LS includes the Mid‑Boost Circuit
• Bridge: Vintage Style Synchronized Tremolo
• Saddles: Vintage Style (6‑saddle)
• Tuners: Vintage Style Tuners
• Hardware plating: Nickel/Chrome Typical
• Scale Length: 25.5 inches (648 mm) – standard Strat scale.
• Weight: 3.46 kg

Sep 23, 2025

edited Fender Japan ST57-95LS Stratocaster 1994

Added item description. Improved item image. Added brand. Improved item category.

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Before:
After:
The ST57‑95LS Lace Sensor ’94 Stratocaster made in Fujigen Japan by Fender.

Is Part of Fender Japan’s “Vintage Series” 57 Stratocaster reissues, upgraded with Lace Sensor pickups.

Body Wood: Alder Colors: Gloss finishes in standard or special colors black, white, ... Pickguard: 1‑ply white pickguard in many examples; white plastics. Neck Wood: Maple one‑piece or multi‑piece Neck Shape: “Oval Type” or “Soft V / Vintage ‘57 style” C shape / oval, somewhat vintage feel. Number of Frets: 21 frets Fingerboard Radius: ~7.25″ radius (184 mm) Nut Width: ~42 mm (≈1.650 inch) Truss Rod: Vintage‑style, accessible head‑side or heel, with a skunk‑stripe on the back in many units. Pickups: Lace Sensor Gold single‑coil set , 3 x Single‑Coils Switching: 5‑way Selector Switch Controls: Master Volume, one Tone knob, Active Mid‑Boost the ST57‑95LS includes the Mid‑Boost Circuit Bridge: Vintage Style Synchronized Tremolo Saddles: Vintage Style (6‑saddle) Tuners: Vintage Style Tuners Hardware plating: Nickel/Chrome Typical Scale Length: 25.5 inches (648 mm) – standard Strat scale. Weight: 3.46 kg

Sep 23, 2025

edited Morley 50th Anniversary Limited Edition Mini Power Wah Chrome Boxed Set and ABY Pedals Bundle

Added brand. Added item description. Improved item image. Improved item category.

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Before:
Morley 50th Anniversary Limited Edition Chrome Boxed Set Chrome Mini Power Wah and ABY Pedals Bundle
After:
Morley 50th Anniversary Limited Edition Mini Power Wah Chrome Boxed Set and ABY Pedals Bundle
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After:
The Mini Power Wah and ABY Pedals Bundle for the 50th Anniversary as Chrome Boxed Set Limited Edition by Morley.

The Chrome ABY creates a matching set while putting a wide range of switching capabilities.
This bundle includes a commemorative anniversary booklet, a microfiber cloth, and other exclusive items.
It is limited to 100 sets available in the USA and 250 worldwide.
The Morley Chrome ABY selector/combiner footswitch to choose between two inputs/one output or one input/two outputs.
You can run a signal to a pair of amps for true stereo effect, switch between two amps for dirty/clean tones (perfect for that old tube amp with separate channels), bypass that noisy boutique stompbox or your entire pedal setup altogether, simultaneously run a keyboard and guitar through your effects chain, and more.
You can route one signal to two outputs or two inputs to one output , then select between them or combine them.

Specs:

• Guitar or bass wah and volume combined
• Miniature pedal enclosure
• Equipped with Morley’s custom HQ2 inductor
• Wah level control
• Electro-optical circuitry for dependable operation
• True Tone Bypass for pure tone and signal maintenance in wah and volume mode
• Rugged cold-rolled steel housing
• Eye-catching chrome finish
• Routes 1 signal to 2 outputs or 2 inputs to 1 output
• Choose A, B, or A and B combined
• LEDs show you which signal is active
• 9-volt input (for optional adapter) and 9-volt battery door on the bottom
• Rugged cold-rolled steel housing
• Eye-catching chrome finish
Set Bypass to true bypass
Set Power to 9V

Sep 20, 2025

edited Schecter Sun Valley Super Shredder 7 III FR

Added item description. Improved item image. Improved item category. Added brand.

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After:
The Sun Valley Super Shredder 7 III FR by Schecter.

Colors: Sky Burst , Aurora Burst

The 7 String Electric Guitar features three EMG pickups in HSS configuration for a huge range of tones.
With a body crafted from Mahogany, and a neck made from Maple.
The Sun Valley SS 7 also features a 24 fret Maple fingerboard, Floyd Rose bridge, and Schecter machine heads.
The Sun Valley SS 7 is finished off with offset dot fretboard markers, black chrome hardware, and a stunning Aurora Burst Flame Maple finish, creating a beautiful looking guitar.

Specs:

• Model Name: Sun Valley Super Shredder 7 III
• Country of Origin: Indonesia
• Top: Quilted Maple
• Body: Mahogany
• Construction: Bolt-On
• Bridge: Floyd Rose 1500 Series
• Neck: Ebony
• Profile: Thin 'C'
• Scale Length: 26.5'' (673mm)
• Fingerboard: Maple
• Radius: 16'' (406mm)
• Thickness: @ 1st Fret- .787'' (20mm)/ @ 12th Fret- .866'' (22mm)
• Frets: 24 X-Jumbo
• Inlays: Offset/Reverse Dots
• Nut: Floyd Rose 1500 Series
• Nut Width: 1.874'' (47.6mm)
• Truss Rod: 2-Way Adjustable Rod
• Bridge Pickup: EMG Retro Active Hot 70 Humbucker
• Middle Pickup: EMG Retro Active Single-Coil
• Neck Pickup: EMG Retro Active Single-Coil
• Controls: Volume, Tone, 5-Way Switch
• Battery Compartment: 9-Volt Clip-In Battery Compartment
• Knobs: Metal Knurled w/Set Screw
• Tuners: Schecter
• Hardware: Black

Sep 19, 2025

edited Plinky Synth Plinky V3 Polyphonic Touch Synth

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The Plinky 8-Voice Polyphonic Touch Synthesiser by Plinky Synth.

The Plinky is an 8-voice polyphonic touch synthesiser that specialises in fragile, melancholic sounds.

It fits into 24HP eurorack cases, but can also be played as a standalone desktop mini-synth over CV or MIDI, with line-level stereo input and a headphone output, all powered by USB.
Plinky+ doubles the size of the play surface. It comes with a metal enclosure, a clear dustcover, a bigger display, symmetric 6.35mm audio outputs and a printed manual. It includes all the Eurorack I/O of Plinky and the Expander, and comes assembled or as a solderless DIY Kit.

Specs:

• 8-voice touch synth
• Internal synth engine
• Sampler/granular engine
• Built-in effects
• 64 Pads
• Arranged in 8 monophonic columns for expressive, string-like interface
• OLED screen for editing and observation
• Fits in a Eurorack case and can be powered by the rails
• Modular inputs for clock, gate, pitch, audio in and 4 assignable modulation inputs
• Modular outputs for left out, right out, clock, trigger, pitch hi, gate, pitch lo, and pressure
• USB Powered
• 3.5mm Audio input and output
• Patch import and export via online editor

After:
The Plinky 8-Voice Polyphonic Touch Synthesiser by Plinky Synth.

The Plinky is an 8-voice polyphonic touch synthesiser that specialises in fragile, melancholic sounds.

It fits into 24HP eurorack cases, but can also be played as a standalone desktop mini-synth over CV or MIDI, with line-level stereo input and a headphone output, all powered by USB.
Plinky+ doubles the size of the play surface. It comes with a metal enclosure, a clear dustcover, a bigger display, symmetric 6.35mm audio outputs and a printed manual.
It includes all the Eurorack I/O of Plinky and the Expander, and comes assembled or as a solderless DIY Kit.

Specs:

• 8-voice touch synth
• Internal synth engine
• Sampler/granular engine
• Built-in effects
• 64 Pads
• Arranged in 8 monophonic columns for expressive, string-like interface
• OLED screen for editing and observation
• Fits in a Eurorack case and can be powered by the rails
• Modular inputs for clock, gate, pitch, audio in and 4 assignable modulation inputs
• Modular outputs for left out, right out, clock, trigger, pitch hi, gate, pitch lo, and pressure
• USB Powered
• 3.5mm Audio input and output
• Patch import and export via online editor

Sep 14, 2025

edited Plinky Synth Plinky V3 Polyphonic Touch Synth

Added brand. Added item description. Improved item image. Improved item category.

Revised item name. Show revisions
Before:
Plinky Synth Plinky 8-Voice Polyphonic Touch Synthesiser
After:
Plinky Synth Plinky V3 Polyphonic Touch Synth
Revised item description. Show revisions
Before:
After:
The Plinky 8-Voice Polyphonic Touch Synthesiser by Plinky Synth.

The Plinky is an 8-voice polyphonic touch synthesiser that specialises in fragile, melancholic sounds.

It fits into 24HP eurorack cases, but can also be played as a standalone desktop mini-synth over CV or MIDI, with line-level stereo input and a headphone output, all powered by USB.
Plinky+ doubles the size of the play surface. It comes with a metal enclosure, a clear dustcover, a bigger display, symmetric 6.35mm audio outputs and a printed manual. It includes all the Eurorack I/O of Plinky and the Expander, and comes assembled or as a solderless DIY Kit.

Specs:

• 8-voice touch synth
• Internal synth engine
• Sampler/granular engine
• Built-in effects
• 64 Pads
• Arranged in 8 monophonic columns for expressive, string-like interface
• OLED screen for editing and observation
• Fits in a Eurorack case and can be powered by the rails
• Modular inputs for clock, gate, pitch, audio in and 4 assignable modulation inputs
• Modular outputs for left out, right out, clock, trigger, pitch hi, gate, pitch lo, and pressure
• USB Powered
• 3.5mm Audio input and output
• Patch import and export via online editor

Sep 14, 2025

edited Dunlop Robert Trujillo Warlord Custom Bass Picks 1.5mm

Added brand. Added item description. Improved item image. Improved item category.

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After:
The Robert Trujillo Warlord Custom Bass Picks in 1.5mm by Dunlop.

Robert Trujillo’s Warlord Custom Bass Pick gives you command over your low end, featuring a triangle shape for more material to grab hold of, along with tapered edges that allow you to change up your tone and technique without switching picks.

Sep 14, 2025

edited KHDK Electronics My Big Fat Rawk

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The My Big Fat Rawk Distortion Pedal by KHDK Electronics.

The My Big Fat Rawk is an Amp-like Distortion is ultra-versatile KHKD's engineer Antonin Salva.
Inspired by "Big Fat Rock" song from Brian and Joe's Record Grandpa Metal.

Controls:

• Hardness lets you control how much gain is pulsating through your circuit.
• Shrinkage is your passive low-pass filter.
• Girth controls the pre-distortion EQ and moves from tight bass to thick massive tone.
• Length is your volume which gets truly massive.
Set Bypass to true bypass
Set Analog/Digital to analog
Set Power to 9V

Sep 14, 2025

edited Moukey MAMX 1

Added item description. Improved item image. Added brand. Improved item category.

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After:
The MAMX 1 Compact Studio Audio Stereo Mixer by Moukey.

Stereo or Mono: The Stereo Versio Using 1/4-inch TRS male-to-male stereo audio cable for input and output connections, then press the toggle key.
The Mono VersionUsing 1/4-inch TS male-to-male stereo audio cable for input and output connection to mix 4 mono signal inputs into 1 mono signal output. (TRS / TS cables are not included in the packaging)
DC 5V Power Supply: Using the latest DC 5V power supply mode, which makes application scenarios no longer restricted. (NOTE: Not support power supply by PC and laptop.) (No adapter included)
Simple Control: The audio mixer collects sound from many different sources (guitar, bass and keyboard) into a monitoring position for monitoring or routing.
Each channel on the linear mixer has an independent volume control, independent input plugs and volume control for each channel, and a single output from an amplifier
Simplified Setup & Versatility: Ideal for multi-keyboard devices and recording, where multiple channels need to be mixed into one audio track.
Great for your keyboard, small stage set-up, drum set or submix. Modern design looks great on any desktop, easy to use without problem of tangling wires, clothes, etc
4 Channels & Low-noise & Distortion-free: Compact mixer has ultra-low noise operability, which produces the highest sound quality at all output levels and provides excellent audio performance.
Quickly mixing 4 line-level signals without complexity which produces the highest signal quality and integrity, even at the highest levels

Sep 14, 2025

edited Moukey Dynamic Microphone

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Before:
MouKey Dynamic Microphone
After:
Moukey Dynamic Microphone
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Before:
After:
Moukey

Sep 14, 2025

edited Moukey MMs-1

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After:
Moukey

Sep 14, 2025

edited Moukey MSC1

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Before:
Moukey MSc1
After:
Moukey MSC1
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Before:
After:
Moukey

Sep 14, 2025

edited Moukey Ultra Low-Noise 6 Channel Mixer

Added brand.

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After:
Moukey

Sep 14, 2025

edited Moukey MA20-2 Active Studio Monitors

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After:
Moukey

Sep 14, 2025

edited Dirtywave M8 Tracker Model 02

Added item description. Improved item image. Improved item category.

Revised item name. Show revisions
Before:
Dirtywave M8 Tracker Model 2
After:
Dirtywave M8 Tracker Model 02
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Before:
After:
The M8 Tracker Model 02 with a significant update to the M8 Tracker by Dirtywave

Same brains with improved physical features including:
• New machined aluminum design
• Larger 3.5" IPS TFT display (from the original 2.8")
• Improved battery - Up to 12 hours of battery life
• Built-in microphone for sampling
• USBC (device-mode only)

M8 Tracker Model 02 includes a soft microfiber bag, travel case, USBC cable, MIDI TRS-A to MIDI DIN adapter, and a 64GB microSD card with song demos, presets, and samples.
Revised item category. Show revisions
Before:
Drum Machines
After:
Production & Groove

Sep 14, 2025

edited Dirtywave M8 Tracker Model 01

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Before:
Dirtywave M8 Tracker Model 1
After:
Dirtywave M8 Tracker Model 01

Sep 14, 2025

edited Dirtywave M8 Tracker Model 01

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Dirtywave M8 Tracker
After:
Dirtywave M8 Tracker Model 1

Sep 14, 2025

edited Elta Music Solar 42F

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The Solar 42F Drone Synth by Elta Music.

In this 42N Version, the LFOs have been supplemented with a switch that can be used to change the speed range of the speed control.
The cartridge slot also benefits from a simplified loading procedure.

Ambient Machine:
• Drone & Ambient Synthesizer
• analog sound generation
• 8 oscillator units
• 4 "Classic Solar 50" Drone Voices with photosensors [Drone 1/2/4/5]
• 2 Morphing Waveform Oscillators with Sub VCO [VCO A/B]
• 2 "Papa Srapa" Drone Voices [Drone 3/6]
• 10-channel stereo mixer with panorama
• Stereo effects processor
• Dual 12dB LP/BP Polivoks filters with distortion
• 2 noise generators
• 2 Sample & Hold generators
• 2 LFOs with variable waveform
• 5-step step sequencer
• Envelope follower
• Preamp for external audio signals
• Contact microphone
• Touch controller with 12 stripes
• Joystick controller
• incl. 13 FX cartridges, 5 patch cables, power supply unit

With the Solar 42N, Elta Music presents the successor to the highly acclaimed Solar 50 and thus the current premier class of drone synthesizers.
With its eight drone voices and oscillators, the Solar 42N combines three different approaches to sound generation and merges them into a complete work. The stereo signal path contains two Polivoks filters, which can be used to control the overtones of the incredibly dense oscillator mix, as well as a modulatable effects processor that is operated with cartridges. The touch controller is the central element for playing notes. Furthermore, there are a number of modulation sources such as the CV joystick or the 5-step step sequencer. All in all, the Solar 42N is an extremely versatile and interesting candidate for soundtracking modern sci-fi films, creating dark atmospheres for video games, capturing the morning fog musically over the first coffee in the conservatory and for everything that involves constant interaction between musician and instrument in the context of electronic music.

F vs N generation As far as modulation options are concerned, the Solar 42N has plenty to offer.
There are two LFOs with variable waveforms, two Sample & Hold generators, a 5-step step sequencer, an envelope follower, a Preamp with contact microphone (similar to Mutable Instruments Ears), the opulent touch controller with 12 stripes and a joystick controller.
The touch controller comes closest to a normal keyboard.
Everything else provides cyclical modulations, meandering sound shifts and a whole lot of life of its own, from mild to wild.
Each CV input can be modulated by one of these control voltage sources.
Everything that generates or requires a Gate or Clock can also be linked together in other ways.
Instead of driving the step sequencer with the pulser, it is driven by the envelope follower and the S&H is controlled by the Gate of the touch controller.

The modulation sources of the Solar 42N
The Classic Solar 50 oscillators
The four similarly constructed drone oscillator groups 1, 2, 4 and 5 with the strange dome each contain five tunable sawtooth oscillators.
Technically speaking, they are somewhat idiosyncratic, as they do not follow the logarithmic or linear voltage control of conventional VCOs.
The first and second oscillators are tuned low, the third medium, the fourth and fifth high. Depending on the control setting, there are also overlaps that create pulsating, choral clusters.
The mute switch can be used to deactivate each oscillator individually, creating different variations of chords and triads.

In addition, pitch modulation can be switched on for each oscillator, which is modulated via a photosensor (the dome) or a voltage generated in the Solar 42N.
The photosensor is influenced by the ambient light; it behaves differently in bright rooms than in a darkened studio.
The large buttons 1, 2, 4 and 5 are used to trigger the attack/release envelope of the drone group, which influences the level curve in the signal mixer.
HOLD can be activated instead of the envelope, in which case the activated individual oscillators are constantly audible at the corresponding mixer input. The Classic Solar 50 oscillators
The Papa Srapa oscillators

The two blue Drone Voices 3 and 6 are based on the DIY noise synthesizers of the Russian electro shaman Papa Srapa, who produced electronic devices with similar sounds in the early 2000s. These drone voices can be used to imitate sirens, bird cries, the sounds of space monsters and gunfire as well as surf and wind noises. The circuitry of this obscure "sound machine" is based on two Trigger-Schmidt oscillators that operate in completely different frequency ranges. White noise and setting options for FM and AM sounds are also part of the repertoire. The large buttons 3 and 6 are used to trigger the attack/release envelope of the drone group, which influences the level curve in the signal mixer. HOLD can be activated instead of the envelope so that the drone voices are constantly audible at the corresponding mixer input.
The Papa Srapa oscillators

The Morphing Waveform Oscillators
The green VCOs A and B are classic 1V/oct triangle-core oscillators based on the famous AS3340 VCO chip.
Both oscillators offer the basic waveforms sine, triangle, sawtooth and square, invertible sawtooth and sine to triangle morphing as well as a switchable sub-oscillator.
Pulse width modulation, linear or exponential FM and a wide tuning range give you everything you need to create "ordinary" oscillator sounds. The two oscillators are largely identical, VCO A has a hardsync input and VCO B a waveform output.
Both VCOs are primarily played via twelve touch controllers, which are also normalized to the ADSR envelopes. As with the other voices, the envelopes have a direct influence on the level curve in the signal mixer.
HOLD can be activated instead of the envelope, in which case the oscillators are constantly audible at the corresponding mixer input.
A morphing waveform oscillator
The backend - mixer, filters & effects
All signal sources, i.e. the eight oscillators and drone voices, the external audio input and the Preamp flow together in the audio mixer.
The volume and panorama of each channel can be adjusted.
This is followed by two Polivoks filters for the left and right sides. The filters work in either Lowpass or bandpass mode and have a common CV input for modulating the cutoff parameters; an adjustable distortion is the crowning glory of this charismatic duo.
Which signal source ends up in which filter is determined by the panorama control; in the middle position, the signal passes through both filters.
The last element in the signal path is the cartridge-powered stereo effects processor. The Solar 42N is supplied with 13 cartridges, each of which has three effect programs sorted by theme.
One of these effects can be selected for the left and right side.
Both sides are adjusted simultaneously with the X/Y/Z parameters, which can also be modulated via the control voltage, regardless of the effect selected. Finally, there is the Master Volume controller with headphone output.

Sep 14, 2025

edited Elta Music Solar 42N

Added brand. Added item description. Improved item image. Improved item category.

Revised item description. Show revisions
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The Solar 42N Drone Synth by Elta Music.

In this 42N Version, the LFOs have been supplemented with a switch that can be used to change the speed range of the speed control.
The cartridge slot also benefits from a simplified loading procedure.

Ambient Machine:
• Drone & Ambient Synthesizer
• analog sound generation
• 8 oscillator units
• 4 "Classic Solar 50" Drone Voices with photosensors [Drone 1/2/4/5]
• 2 Morphing Waveform Oscillators with Sub VCO [VCO A/B]
• 2 "Papa Srapa" Drone Voices [Drone 3/6]
• 10-channel stereo mixer with panorama
• Stereo effects processor
• Dual 12dB LP/BP Polivoks filters with distortion
• 2 noise generators
• 2 Sample & Hold generators
• 2 LFOs with variable waveform
• 5-step step sequencer
• Envelope follower
• Preamp for external audio signals
• Contact microphone
• Touch controller with 12 stripes
• Joystick controller
• incl. 13 FX cartridges, 5 patch cables, power supply unit

With the Solar 42N, Elta Music presents the successor to the highly acclaimed Solar 50 and thus the current premier class of drone synthesizers.
With its eight drone voices and oscillators, the Solar 42N combines three different approaches to sound generation and merges them into a complete work. The stereo signal path contains two Polivoks filters, which can be used to control the overtones of the incredibly dense oscillator mix, as well as a modulatable effects processor that is operated with cartridges. The touch controller is the central element for playing notes. Furthermore, there are a number of modulation sources such as the CV joystick or the 5-step step sequencer. All in all, the Solar 42N is an extremely versatile and interesting candidate for soundtracking modern sci-fi films, creating dark atmospheres for video games, capturing the morning fog musically over the first coffee in the conservatory and for everything that involves constant interaction between musician and instrument in the context of electronic music.

F vs N generation As far as modulation options are concerned, the Solar 42N has plenty to offer.
There are two LFOs with variable waveforms, two Sample & Hold generators, a 5-step step sequencer, an envelope follower, a Preamp with contact microphone (similar to Mutable Instruments Ears), the opulent touch controller with 12 stripes and a joystick controller.
The touch controller comes closest to a normal keyboard.
Everything else provides cyclical modulations, meandering sound shifts and a whole lot of life of its own, from mild to wild.
Each CV input can be modulated by one of these control voltage sources.
Everything that generates or requires a Gate or Clock can also be linked together in other ways.
Instead of driving the step sequencer with the pulser, it is driven by the envelope follower and the S&H is controlled by the Gate of the touch controller.

The modulation sources of the Solar 42N
The Classic Solar 50 oscillators
The four similarly constructed drone oscillator groups 1, 2, 4 and 5 with the strange dome each contain five tunable sawtooth oscillators.
Technically speaking, they are somewhat idiosyncratic, as they do not follow the logarithmic or linear voltage control of conventional VCOs.
The first and second oscillators are tuned low, the third medium, the fourth and fifth high. Depending on the control setting, there are also overlaps that create pulsating, choral clusters.
The mute switch can be used to deactivate each oscillator individually, creating different variations of chords and triads.

In addition, pitch modulation can be switched on for each oscillator, which is modulated via a photosensor (the dome) or a voltage generated in the Solar 42N.
The photosensor is influenced by the ambient light; it behaves differently in bright rooms than in a darkened studio.
The large buttons 1, 2, 4 and 5 are used to trigger the attack/release envelope of the drone group, which influences the level curve in the signal mixer.
HOLD can be activated instead of the envelope, in which case the activated individual oscillators are constantly audible at the corresponding mixer input. The Classic Solar 50 oscillators
The Papa Srapa oscillators

The two blue Drone Voices 3 and 6 are based on the DIY noise synthesizers of the Russian electro shaman Papa Srapa, who produced electronic devices with similar sounds in the early 2000s. These drone voices can be used to imitate sirens, bird cries, the sounds of space monsters and gunfire as well as surf and wind noises. The circuitry of this obscure "sound machine" is based on two Trigger-Schmidt oscillators that operate in completely different frequency ranges. White noise and setting options for FM and AM sounds are also part of the repertoire. The large buttons 3 and 6 are used to trigger the attack/release envelope of the drone group, which influences the level curve in the signal mixer. HOLD can be activated instead of the envelope so that the drone voices are constantly audible at the corresponding mixer input.
The Papa Srapa oscillators

The Morphing Waveform Oscillators
The green VCOs A and B are classic 1V/oct triangle-core oscillators based on the famous AS3340 VCO chip.
Both oscillators offer the basic waveforms sine, triangle, sawtooth and square, invertible sawtooth and sine to triangle morphing as well as a switchable sub-oscillator.
Pulse width modulation, linear or exponential FM and a wide tuning range give you everything you need to create "ordinary" oscillator sounds. The two oscillators are largely identical, VCO A has a hardsync input and VCO B a waveform output.
Both VCOs are primarily played via twelve touch controllers, which are also normalized to the ADSR envelopes. As with the other voices, the envelopes have a direct influence on the level curve in the signal mixer.
HOLD can be activated instead of the envelope, in which case the oscillators are constantly audible at the corresponding mixer input.
A morphing waveform oscillator
The backend - mixer, filters & effects
All signal sources, i.e. the eight oscillators and drone voices, the external audio input and the Preamp flow together in the audio mixer.
The volume and panorama of each channel can be adjusted.
This is followed by two Polivoks filters for the left and right sides. The filters work in either Lowpass or bandpass mode and have a common CV input for modulating the cutoff parameters; an adjustable distortion is the crowning glory of this charismatic duo.
Which signal source ends up in which filter is determined by the panorama control; in the middle position, the signal passes through both filters.
The last element in the signal path is the cartridge-powered stereo effects processor. The Solar 42N is supplied with 13 cartridges, each of which has three effect programs sorted by theme.
One of these effects can be selected for the left and right side.
Both sides are adjusted simultaneously with the X/Y/Z parameters, which can also be modulated via the control voltage, regardless of the effect selected. Finally, there is the Master Volume controller with headphone output.

Sep 14, 2025

edited Gehirn Enterprises Pitch Druid

Improved item category. Improved item image. Added item description. Added brand.

Revised item description. Show revisions
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The Pitch Druid by Gehirn Enterprises

This Delay tap tempo got an Electric Druid Stomp LFO chip.
Tap tempo Mod Speed being able to sync a LFO that modulates delay time to your tempo is a wonderful and insanely cool thing.
If you use a ramped waveform you can get the repeats to shift up or down in pitch, kinda like a glitchy rainbow machine.
You can use a very short delay time and get a chorus or vibrato effect.
Turn the blend all the way up to get vibrato, and point it to 12:00 to get a chorus.
Sine, Triangle, Square waveforms will all sound great, but turning wave to random slopes will sound even better.
You can get some Shallow Water style sounds, with random pitch detune glitches apparate straight into your signal from the void.
It has a self oscillation.
The P1tch B1tch was excellent as a noise maker, and the druid is so much more powerful.
That Electric Druid LFO with it's 8x waveforms, wider range turns it into an absolute monster. With Random Levels S&H style sounds can be created, or random delay times. It has a EuroRack compatible clock sync and you can sync other external gear to the LFO. Can be used as a tap tempo controlled LFO/Random/S&H for your synth. Controls: Tap tempo (stomp), Bypass (stomp), Modulation Depth, Mod speed, Waveform, Delay time, Feedback, Wet/Dry Blend.

Chorus sounds, Vibrato sounds, Analog delay sounds, Tape delay sounds, Modulated delay sounds, Self Oscillation, Noise, S&H, Ring mod esq sounds, Wacky pitch shifting, subtle pitch shifting, randomized delay times, tap tempo control, randomized modulation, CLK sync, LFO out, and more.
Set Bypass to true bypass
Set Analog/Digital to analog
Set Mono/Stereo to mono
Set Power to 9V

Sep 14, 2025

edited Gehirn Enterprises The Gristle

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Revised item description. Show revisions
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The Gristle by Gehirn Enterprises is a Pedal based on The Gristleizer a modulation effect used by the Band Throbbing Gristle.

It's a Fuzz / Tremolo / Filter all in one and a lot of sounds can be made using it. It was a circuit designed by Roy Gwinn first published in an old electronics magazine, and modified by Chris Carter (of T.G.)
It's a Fuzz / Tremolo / Filter all in one and a lot of sounds can be made using it.
Early versions (see below) were based on the Fuzz Dog PCB's, the current version is built on a custom PCB designed by Gehirn, and has a new Expression Pedal jack.
There's a switch to select what the Expression pedal controls, either RATE or BIAS.
It also has a CV expansion option with Clock out, LFO out, Rate CV, Bias CV, or External LFO input. Completely hand built and hand wired.
Set Bypass to true bypass
Set Analog/Digital to analog
Set Power to 9V

Sep 14, 2025

edited Neural DSP Archetype: Rabea X

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The Archetype: Rabea X by Neural DSP is a Plugin Bundel inspired by the Artist Rabea.

Overlord Synth: Play a full-featured synth using any standard guitar, no keyboard or MIDI programming required.
Our subtractive monosynth incorporates proprietary note triggering, pitch tracking, and envelope tracking algorithms, allowing you to control the synth seamlessly with your guitar.
Featuring dual oscillators with unison options, a ladder-style filter, and a built-in arpeggiator, this intelligent device brings world-class synth sounds to the modern guitarist.
Use the Pre/Post switch to change the synth’s placement in the signal chain, allowing you to affect its signal with the other devices in the plugin.
Fully revamped UI including visual waveform representations for an even more intuitive tone-shaping experience.
Three new noise options for the oscillators: White, Pink, and Pulse.
A Glide knob for smoother transitions between notes.

Pre Effects : We distilled Rabea’s extensive experience with effects pedals into four incredible devices - a Dual Compressor, Octaver, Fuzz, and Overdrive - to cover everything from chimy blues to colossal distortion.
Use the vintage/modern switches on the Octaver, Fuzz, and Overdrive to toggle between independent algorithms with era-appropriate characteristics.

Amps: Three remarkable amplifiers, meticulously tweaked with Rabea to deliver a world of vintage and modern tones.

Clean: Traditional Cali cleans with added modern chime, this simplistic amp is truly one for the classic players.

Rhythm: An all-rounder by no exaggeration! This amplifier excels at edge-of-breakup, searing gain, and everything in between.

Lead: An incredibly malleable modern high-gain amplifier, delivering all the tight or saggy chugs you could ever possibly desire.

Cabsim: A comprehensive cabsim module with brand-new IRs captured by Neural DSP.
Featuring six virtual microphones that can be easily positioned around the speakers.
In addition to the included IRs, this module can be used to load your own impulse responses. An additional speaker has been added to the Lead Amp: V30

Room Mics: The Room Send controls in the cabsim module introduce a subtle room reverb effect, adding natural depth to your sound.

EQ: The onboard 4-band semi-parametric equalizer, now featuring high and low-pass filters, allows for total control over frequency response.
There’s one each for the Clean, Rhythm, and Lead amps.
Post-Effects: With somebody as renowned for their abundant use of delay and reverb as Rabea, we knew we’d have to bring two new algorithms to our post-effects section.

Stereo Delay: As analog as you can get in a plugin! This delay features all the usual parameters you’d expect, with Icicles and Cross-feed controls for infinite dreamy delay sounds.
Toggle the pre/post switch to position the delay before the amplifier for a vintage approach to tonecrafting.

Reverb: Vast, rich, and endlessly expansive, just as you’d imagine! Hit the Freeze button while playing a chord to suspend it in space, transforming it into a pad you can jam over while using the independent “Volume” and “Pitch” controls to change its sound.
Transpose & Doubler: Transpose: Pitch your guitar up or down by a constant interval (+12/-12 semitones).
Use this to easily change the tuning of your instrument.

Doubler: Project your signal to a simulated stereo field giving you the sound of a double-tracked recording.

Tuner: Now featuring an additional live tuner that displays at the bottom of the UI.

Metronome: To perfectly supplement your practice, the metronome allows you to control time signature, accent sounds, and note values (the metronome is only available in Standalone).

Standalone: No DAW? No problem! Run Archetype: Rabea X as a standalone app with no additional software required.

System Requirements: Archetype: Rabea X comes in 64-bit VST2 / VST3 / AU / AAX / Standalone.
Latest OS Compatibility for Windows & Mac, including Native Apple Silicon.
Set Plugin Format to VST, AU, AAX
Set Operating Systems to Mac, Windows

Sep 12, 2025

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