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CONTINUA is a stereo dynamic sampler and multi-effect that doesn’t just play your sound back: it listens to how you play and reacts in real time, capturing, shaping and transforming your repeats through a wide range of controls including mix, tempo (TAP function included), pitch, sustain, freeze, glitch, dimension, lo-fi, downsampling, reverb, smear and filter.

In the meantime, your dry signal can remain completely untouched or be routed through the multi-effect section for further processing.

Born from the collaboration between AC noises and Andrea Degli Esposti from BunkerNoise, CONTINUA is designed for deep and hands-on interaction. It gives you access to both primary and secondary parameters, allowing you to sculpt your sound with precision. Shape its response by adjusting in-fx, sensibility, threshold, attack, release and stereo spread, or dive into effect-specific controls like lo-fi modulation, reverb decay and more.

Decide whether your repeats move forward or in reverse, and whether they emerge in full or dissolve into ghostly tails. Also, when things need to break apart, unleash pure chaos with the momentary tilt function.

CONTINUA offers two onboard presets, full MIDI implementation with input and output (mini-jack) and a USB-C connection for MIDI integration and firmware updates.

Routing options include:

Mono Input → Mono Output Mono Input → Stereo Output Stereo Input → Stereo Output It also features selectable buffered (which can be set in tail or hard bypass mode) or true bypass.

Power: 9v center negative

Current draw: ~ 250mA

The most powerful delay pedal ever.

TimeLine MX delivers stunning studio quality delays and a host of new professional features in an elegant and intuitive stage-ready design. Every sound is carefully tuned to react musically to your playing, and every control has been calibrated for an intuitive feel and response. From classic echoes dripping with vintage vibe to captivating and modern sounds that push the envelope, TimeLine MX is full of fresh inspiration.

From vintage videogame sound effects to glitched-out VHS artifacts, the Meris Ottobit X drenches guitars, synths, samples, and more in a wavering wash of ’80s nostalgia. This modular degradation and texture engine builds on the Meris Ottobit Jr. and Sr., expanding their gaming-inspired sound palette with a collection of lo-fi effects, advanced processing, and superior signal path control. A wealth of effects transforms even the most pristine of signals into a bugged-out dreamscape, including six distinct Glitch types, a trio of Filters, two Ambience options, five Pitch effects, four Preamp flavors, and five modes of Modulation. Factor in the graphic screen interface, four footswitches, and knob-based workflow, and the Ottobit X equally accommodates preset-based performance and players who prefer to sculpt their dream sounds from the ground up. Plus, you can also take dynamic in-the-moment control over your tone via the pedal’s robust MIDI implementation, by plugging in an expression pedal, or by diving into the Deep Modifier Section — the latter of which allows you to control effect parameters via LFOs, sequencers, the Hold Modifier footswitch, and more. Truly an instrument unto itself, the Meris Ottobit X gives you the power to push past traditional textures and experience the inspiring sonic anomalies of a bygone era.

Welcome to Dobbo: our first habitat, made for playful discovery. Dive into lush clouds or listen to rhythmic crystals forming.

Dobbo is a granular effect designed to spark curiosity and inspire new sonic directions. With elements of randomness, controlled chaos, and evolving textures, it invites you to explore sounds you didn’t know you were looking for.

Dobbo takes small bits of sound and rearranges them. It can stretch, pitch and blur these bits, or transform them into rhythmic textures.

Haze is a full stereo processor.

Haze turns sound into texture. Skips, stutters, and fluid time become rhythm and motion. Feed it a loop. Plug in an instrument. Let it mutate for hours.

Use Haze with instrument-level and consumer line-level sources. Professional line-level signals should be attenuated before entering the unit.

What is Haze?

Haze fuses the tropes of looping tape machine, glitched digital buffer, and sample juggler into a distinctive aesthetic.

What makes it unique?

Time fluidity. Haze wanders and drifts fearlessly as play and record heads drift out of sync. Suturing can be done mildly (OG on) or more aggressively (OG off).

What does the “Haze” knob do?

The namesake knob is a lo-fi lottery. Turning it away from noon increases the intensity of its effects. When turned counterclockwise, random jumps within the record buffer are introduced.

Is Haze a stereo effect?

Yes. Haze can output one or two channels of audio, either merged or independent. Listen in stereo or feed the two channels into separate sets of downstream effects.

Is Haze a delay effect?

It’s the strangest delay you’ll encounter. With Echo enabled and a single channel active, it can behave like a conventional echo. Add more channels, turn up Haze and introduce time instability, and it becomes something entirely different.

What’s the deal with that filter?

Yeah, it's ultra-liquid. Perfect for soft-focus distortion and shimmer.

Specifications

Input: Selectable TS mono or TRS stereo Output: Selectable TS mono or TRS stereo Max input level: +4 dBu (optimal saturation around 0 dBu) Switch-selectable gain: unity or +12 dB Latency: 1 ms Power: +9 VDC, 2.1 mm, negative tip PSU Current draw: 300 mA Input impedance: 1 MΩ Output impedance: 100 Ω Bypass: True output bypass Dimensions: 123 mm × 68 mm × 61 mm

Simple on the surface but full of character under your fingers, the Strymon Canoga delivers a classic silicon-based fuzz experience with a dynamic, player-responsive edge. Built around a tweaked vintage-inspired circuit, this all-analog pedal moves effortlessly from thick, saturated fuzz to gritty distortion, all while maintaining top-end presence. With just Drive and Level controls, dialing in your sound is immediate, but the real magic comes from how the pedal reacts to your guitar’s volume knob and your picking dynamics. Roll things back, and the Canoga delivers articulate, semi-clean tones that keep their bite, opening the door to a wide range of styles without ever stepping on another pedal. It’s a fuzz that invites interaction, rewarding subtle changes in touch and control with a surprisingly broad tonal palette.

Summary The Fender® Vintera III series delivers meticulously crafted vintage recreations that capture the authentic look, feel, and tone of iconic Fender guitars from the '50s, '60s, and '70s. The Vintera® III Mid '60s Jazzmaster® features an alder body and a maple neck with rosewood fingerboard that delivers that unmistakable Fender sound brimming with punch and crystal-clear articulation. The authentic mid '60s “C”-shaped neck profile offers an instantly familiar playing experience, while the 7.25" radius fingerboard with vintage-tall frets ensures supreme comfort and outstanding feel. At its heart, two meticulously crafted vintage-style mid '60s spec'd Jazzmaster pickups capture the bright, jangly tones and warm, woody midrange that established this model's reputation during this pivotal era. The vintage-style floating tremolo bridge with rhythm circuit switch offers authentic '60s versatility and vibrato, while period-correct vintage-style tuning machines deliver authentic looks with superior tuning precision. Embrace the authentic vintage spirit and legendary sound of Vintera® III – where every detail tells the story.

The HERO13 Black Creator Edition is an all-in-one content capturing powerhouse that makes vlogging, filmmaking and live streaming easier than ever. This complete system features pro-quality 5.3K60 video with HDR, Emmy® Award-winning HyperSmooth 6.0 video stabilization, over 5 hours of 4K recording time per charge, enhanced audio with the option to add an external mic and powerful LED lighting. It’s also compatible with the HB-Series Lenses that let you expand your capture capabilities to include ultra-wide shots, pro-quality anamorphic footage, closer-than-ever shots and motion blur effects using neutral density filters.

FOALS FJM7 ELECTRIC GUITAR SPECIFICATIONS

Body: North American Alder(upgraded) Finish: Upgraded imported thin PU lacquer(upgraded) Neck: Upgraded matte‑finish Canadian hard maple(upgraded) Fingerboard: Indian rosewood Fingerboard Radius: Upgraded 9.5 (upgraded) Tuners: Upgraded high‑precision vintage‑style locking tuners(upgraded) Bridge: Custom F2 brushed nickel stainless‑steel bridge Strings: FOALS Diamond Series 10–46 Pickups: Upgraded self‑developed FJM65 (German components)(upgraded) Tremolo System: Custom FT2 tremolo Electronics:

LEAD mode: 1 Volume, 1 Tone, 3‑way switch RHYTHM mode: Dual roller knobs (Neck pickup: 1 Volume, 1 Tone) Circuit: Custom JC7 circuit series Shielding: Full copper‑foil shielding in the control cavity Nut: Bone Inlays: White pearloid Frets: Medium‑jumbo, high‑oxidation‑resistance nickel‑silver frets (upgraded) Included Accessory: Dream‑Foam series gig bag

Vintage-looking parts add to the characteristic looks and sound of the original, while the alnico single-coil pickups offer highly dynamic, articulate sound. The Jazzmaster has a unique playing feel due to its standard scale-length and floating tremolo system.

Sunlight is a reverb pedal focused on motion and dynamics. Post-reverb delay, filtering, and volume control all can be modulated via the onboard LFO, letting you craft your own flanger, chorus, moving filter, or tremolo effects through different combinations of parameters. A dynamic knob lets you either create dynamically held trails or enveloping LFO rates. This counterpoint to Dark Star brings lightness and excitement, and sits perfectly on a pedalboard alongside it.

For integration into many different rigs, Sunlight has:

Stereo in and out with analog dry through

Trails or true bypass switching

Presets

Expression control over every knob

MIDI control over everything in the pedal, including MIDI clock in and out for external syncing

Controls

Dry to set dry volume

Dynamics to set either the reverb input threshold or rate envelope sensitivity

Decay to move from very short to indefinitely held reverb trails

Feedback to add feedback to the post-reverb delay

Rate, Depth, and Shape to determine the motion of the LFO

Time to set the post-reverb delay time

Freq to set the post-delay filter cutoff

Wet to set the overall wet volume

Aux switch to tap in tempo, indefinitely hold trails, or use as a preset switcher

Soft-touch On/Off footswitch with relay switching for minimal switch noise

For more information, see the Sunlight manual available here.

Requires 9V DC center negative 2.1mm jack power supply capable of 350mA (not included).

The art of Sunlight is by Jon Carling.

The perfect blend of vintage charm and modern performance – the American Professional Classic Jazzmaster®. Under the hood, vintage-inspired Coastline™ '65 Jazzmaster® pickups deliver depth, punch and sparkle while the sleek Modern "C" neck provides exceptional comfort and playability. Fender Staggered ClassicGear™ tuners deliver classic looks and precise tuning stability. Boasting custom-faded vintage and signature Fender® finishes, this professional-grade instrument looks as good as it sounds. From studio to stage, The American Professional Classic Jazzmaster® – All the soul of a golden-era Fender®, evolved for today's player.

Features Alder Body Coastline™ '65 Jazzmaster® pickups Modern "C"-shaped neck with 9.5"-radius fingerboard and Medium Jumbo frets Vintage-style Hardware and Staggered ClassicGear™ Tuners Greasebucket™ Tone System Included gigbag

Revive the timeless sound of the '50s with the Vintera® II Road Worn® '50s Jazzmaster® and experience the iconic looks, inspiring feel and incomparable tone that only a Fender can deliver.

Featuring a variety of vintage colors finished in Road Worn® aged nitrocellulose lacquer, the Vintera® II Road Worn® '50s Jazzmaster® recreates the look and feel of a well-played classic. The ‘50s “C”-shape maple neck with 7.25" radius rosewood fingerboard and vintage-tall frets provides supreme comfort and outstanding feel. Under the hood, you'll find a pair of vintage-style '50s single-coil pickups that deliver all the sweet and sparkling, warm and woody tone that made Fender® famous. Other features include a vintage-style floating tremolo for expressive vibrato and vintage-style tuning machines for enhanced tuning stability. Experience the unmistakable vintage feel and unmatched sound of a classic Fender® with the Vintera® II Road Worn® ‘50s Jazzmaster® today.

ABOUT The Beekeeper is a single channel, low wattage amplifier inspired by the “tweed” era Bassman amplifier. In typical Milkman fashion, the focus of the circuit is on the pristine clean and punchy tones that ride the edge of saturation rather than high gain. The clean fatness of the B style amplifier is kept in place while the wattage, size and weight get reduced.

The Beekeeper’s custom Soursound transformer set utilizes the same winding structure as the venerable Triad 45249 transformer - easily the most defining component in the original 5F6 Bassman amplifier. The output transformer has been re-tooled to run a pair of 6V6 output tubes with cathode bias (rather than the original 5881 in grid bias) and the interleaving matches the original seven section buildup, contributing to its open top end, coupling efficiency, and airy response. 6V6 have more of a honey sweet tone and put out less wattage – they are the perfect tube to reduce a 45W circuit down to 18 watts.

The Beekeeper will be aviable as a TV front 12” Combo with a Jupiter Ceramic or Alnico speaker, or as a TV front 4x8 with Jupiter Ceramic or Alnico speakers. Like all Milkman amplifiers, it is wired by hand with pushback cloth wire in San Francisco, CA with the highest quality components available.

WATTAGE 18W Class AB via 6V6 pair (cathode bias)

SPEAKER 12” Jupiter Ceramic, 8 ohm

12" Jupiter Alnico, 8ohm

4x8 Jupiter Ceramic 8ohm (2ohm total)

4x8 Jupiter Alnico 8ohm (2ohm total)

CONTROLS Volume, Treble, Midrange, Bass

DIMENSIONS & WEIGHT 12" Combo: 19-3/4" x 8-3/4" x 18" 32lbs

4x8 Combo: 22" x 9-1/2" x 20-3/4" 37lbs

The Encounter Ambient Delay+Reverb is a fully-loaded vessel of atmospheric discovery, thoughtfully designed to explore swirling celestial tones and deeply immersive soundscapes

Encounter is an Ambient Delay and Reverb collection, but it is more than simply a delay and reverb mushed together like two competing entrees on a single plate. Encounter is an ambience machine. Explore the widest (at least, in this dimension) array of space-and-time-bending effects in a single package. A masterpack of huge, ethereal tones, Encounter collides other-worldly whimsy with grounded, useful staples. Full MIDI support via 5-pin DIN jacks, 128 available preset slots, and a skyrocketing library of community preset sounds in a stunning new plugin-style Neuro Editor rounds out the package and reminds you why Source Audio pedals are built to stick around.

You will pilot Encounter using its 12-way Effect Selector Switch that loads a unique engine at each position. Either side of the pedal, labeled “Delay” and “Reverb” for your convenience, can be loaded with any of the 12 engines you see around this dial. Explore never before heard combinations of effects to your heart’s content and to your imagination’s outer limits—Encounter was meant to take you to these brand new places.

—The Source Audio Team

The Lüm is a limited edition experiment with elements of the Slö Reverb, Lore Reverse Reverb, and Fable Granular Generator. Lüm seeks to illuminate your path with three unique granular and textural reverb modes, momentary automation, and presets.

FEATURES

Lüm transforms your instrument with three unique modes into lush, shifting textures that scatter and reassemble your signal, creating immersive backdrops that move and shift with every note to blur the line between instrument and ambient sound design:

Mode I - Grain Cloud: A grain cloud with dual granular taps reading from a feedback delay line. X knob controls the grain size, or how frequently you’ll hear the “glitches” happen. Experiment stacking with other modulated or wet effects on your board to create all-new sounds.

Mode II - Grain Verb: A grain verb with dual granular taps reading from the delay memory of a reverb algorithm tank, which sounds like the grains took a bath in reverb. X knob controls the grain size, or how frequently you’ll hear the “glitches” happen. Tip - Lüm is a treat to put before high-gain pedals in mode two.

Mode III - Forward Reverse Verb: A forward reverb algorithm running into a reverse reverb algorithm. You’ll hear a playful rhythmic interaction between the forward and reverse reverbs. Use the stretch knob to change how fast or slow this interaction is. X knob controls the reverse reverb decay.

Moment Control - Lüm allows you to automate any one of the five knobs by holding the Moment switch to glide to a defined target, adding dynamic, expressive motion in real time.

Ramp - Holding bypass and adjusting the Mode toggle allows you to adjust the automation glide time between 10ms, 1000ms, and 5000ms.

Stretch Engine - Globally shift the sample rate from 0.5x to 2x speed, stretching time, and interacting uniquely with grain size, reverb decay, and filter tone.

Presets - Save and recall up to three onboard presets (Red, Green, Blue). Sounds fade seamlessly between presets for smooth live transitions.

Bypass Modes - Choose between Trails for natural decay or Instant Cut for abrupt, rhythmic stops.