jessebelanger

Better than the original dead horse deluxe I prefer the BC 109 transistors and also swapped out the original opamp for Burr-Brown 2604 fucking rips

Airis Effects aren't your same old "boutique pedal" with a new name and a new enclosure - these pedals really have their own thing going on, and are handmade in a one-man shop in Canada! If you're looking for a SUPER high gain preamp/distortion pedal, unlike anything else on the market, check out the Hades! Here's what the Airis Effects website says about the Hades: The Hades High Gain Preamp In a world of digital, it's nice to bring some organic analog tone back into the equation. That's where the Hades comes in. We've designed the Hades High Gain Preamp to be your "go to" pedal in any situation. Not only does it work amazingly well for direct recording with impulses, but it's an incredible backup rig or even main rig! Playing with a back line rig? Get some brutal tone out of it! Using something like a Torpedo Live cab simulator? Perfect! Run this straight into it for a light and portable rig that you don't have to worry about burning out tubes. Did we mention that it's also incredibly tight and heavy? Volume/Gain/Bass/Mids/Treble Controls Powered by 2.1mm 9volt Negative Tip adapter Hand built in Ontario, Canada 2 Year Warranty ---

The R1 Legend Amp Series pedal, one of most sought after high gain modern amplifiers now in pedal form, the Mesa Triple Rectifer*. Huge ultra modern distortion tone now able to fit on your crowded pedalboard. Sparkling tight chunky rhythm that will impress even the most demanding ears, and cutting powerful leads to make you stand out through any mix. If you're the player who likes your gain on 10, then this one goes to 11+. - The AMT Legend Amp Series guitar pedals provide excellent dynamics, nuances, and characteristics similar to that of tube driven amplifiers. - Tube-like range of volume control provides great sound density, playability, and power when playing at full volume and also in conjunction with your guitars volume knob. - TRUE BYPASS. The preamps of the Legend Amp Series pedals use passive true bypass circuitry, therefore no loss of guitar signal is noticed in your pedal chain. Similar to if no pedal was there at all when bypassed. - Features high level of output signal (+10dB in extreme position of Level knob) corresponds to the output levels similar of tube preamps. Thus, you have adjustable signal level allowing to hook up your preamp AND direct input of a power amplifier. - Controls include LEVEL, GAIN, LOW, MID, and HIGH. - TWO signal outputs: DIRECT AMPLIFIER OUT for guitar amplifier use and CAB SIMULATION OUT for mixer, or studio use. - Power saving mode. When the speaker simulation output jack is not in use, the pedal automatically switches to power saving mode. Current consumption (from 9V power unit) is less than 6m? (in power saving mode it drops to 4m?). AMT Electronics Legend Amp Series, the NEW STANDARD of Heavy Guitar Tone. BLOWING AWAY THE COMPETITION. * Names used in this document are trademarks of their respective owners, which are in no way are associated or affiliated with AMT Electronics. These trademarks of other manufactures were used to identify products whose sounds were reviewed in the making of this product.

The Menatone None More Black is a homage to all of my favorite high gain amps. Amps with very German sounding names and amps named after big rig fuel. While not specifically based on any of these amps I took the best aspects of each and melded together a new sound. Menatone None More Black MK3 Distortion Features: High gain overdrive Unique sound based of of classic high gain amps Rugged construction Made in U.S.A.

Product Description The Line 6 DT25 is the first highly portable amp to provide the combination of reconfigurable analog components, a fully analog tube output stage designed by celebrated boutique tube amp guru manufacturer, Reinhold Bogner, and Line 6 HD modeling technology wrapped in a straightforward and visually stunning package. The result is optimum tonal flexibility in a two-channel, four-voice design that has all of the touch sensitivity, tonal depth, and dynamics essential in a gigging amp. Why should you use a hybrid amp? Because low-wattage amps, when compared with 50- or 100-watt amps, have limited headroom and always "feel" small. DT25 solves that problem that with its powerful HD modeling providing the preamp. You get the headroom and reaction of a high-wattage amp because the preamp's power supply is not limited by what the power tubes need to use, and in return you get a much bigger sound in a small package. This versatility means you can get the tone and feel of a 100W amp, without lugging 100W transformers around. Four boutique tube amps in one, so you can find your tone. If your tone is your masterpiece, DT25 is your paintbrush. This portable 25W/10W tube amp from Line 6 and tube-amp guru Reinhold Bogner gives you four stunning, lust-worthy amp voicings and unprecedented versatility that lay the foundation for you to build your perfect tone. The powerful combination of reconfigurable analog components and HD modeling allows DT25 to be four amps in one capable of producing American cleans, British crunch, class A chime and modern high-gain. Selectable operating class, power tube mode and four Voicings (which offer the perfect combinations of negative feedback loop topology, and HD preamp and tone stack modeling) can dial in classic vintage tones or be shaped into highly customized originals - and each one drips with boutique tone and touch-response. Fine-tune each DT25 voicing by reconfiguring analog components and crafting original tones that transcend the classic templates. DT25 provides a truly wide tonal palette. Selectable analog components. Rather than being set in stone like those of most great tube amps, the analog components at the heart of DT25 are all totally reconfigurable to match the tones in your head. Select any of the amp's four voicings (which which offer the perfect combinations of negative feedback loop topology, and HD preamp and tone stack modeling), and the DT25 gives you analog settings to match. You can further alter settings such as output tube class (A or AB), power tube mode (pentode/triode) settings and more to take your tone beyond the traditional templates. Channel switching for instant flexibility. In addition to all of its voicing flexibility, DT25 features two entirely independent channels. A flick of its A/B switch or a tap of a latching footswitch is capable of causing a full analog and digital transformation - go from a tight, crystalline American clean to an open, jangly British crunch. Dial in two clean sounds or set one channel as a Boost. Set them any way you like - you're not forced to choose between just "clean" and "dirty." A brief history of tone: the HD modeling story. Over the last decade and a half, Line 6 has taken amp modeling from experimental to essential. POD HD Pro contains new HD models, which are a quantum leap forward in modeling quality, giving digital signal processing all the feel, dynamics and playability that makes players passionate about great tube amps. Players have come to refer to the core sound of any amp as its "voicing", the foundation of its tone. Voicings are usually described like the "classic American clean" (like a tone based on* a Fender Twin Reverb) or the "Class A Chime" (like a tone based on* a Vox AC30). DT25 amplifiers can produce four historic and hugely popular amp voicings: classic American clean, British Crunch, and modern high-gain distortion with all the character, detail and nuance that made them famous. Each DT25 voicing is the perfect blend of dynamic analog circuitry (which includes tube configuration and negative feedback loop topology) and HD amp modeling technology (which fuels the preamp and tone stack). Voicing I: Classic American Clean. High amount of negative feedback for a tight sound that's reminiscent of 60s-style American cleans. Voicing II: British Crunch. Medium amount of negative feedback for a looser tone that echoes classic English breakup. Voicing III: Class A Chime. Zero negative feedback for an open, dynamic feel. Voicing IV: Modern High-gain. High amount of negative feedback (and added low-frequency resonance). Bogner: A legend in tube-amp design. The man who revitalized Eddie Van Halen's famous #1 Marshall plexi, Reinhold Bogner is one of the most respected names in the world of tube amplifiers. Bogner was designing and building amps long before leaving Germany for California in 1989. Once settled in Los Angeles, he quickly earned a maniacally devoted following of discerning guitarists including Jerry Cantrell, Lyle Workman, Wes Borland, Chris DeGarmo, Keith Urban, Richie Sambora, Steve Stevens, Dan Huff, Allan Holdsworth, Mike Landau, Steve Vai and EVH. As Bogner continues to issue one legendary tube amp design after another, the list of devotees keeps growing. Low Volume mode. Way beyond a traditional master volume, switching to Low Volume mode lets you take the DT25 down to whisper-quiet levels for recording or late-night jamming, without losing an ounce of your crystalline clean or bone-crunching high-gain tones. The tubes distort less in Low Volume mode so the HD modeling technology picks up the slack and fills out the tone with rich power amp modeling so it still sounds like it's cranked up even at low levels. Celestion speakers for incomparable tone. The world over, Celestion speakers are the first name in tone and original equipment in countless classic tube amps. DT25 combos and extension cabinets include custom-voiced Celestion G12H-90 speakers for optimum tonal depth and clarity.

The AMT Legend Amps Series M1 Distortion Guitar Effects Pedal gets back to the roots of rock. It creates the classic gain of the JCM-800*, giving you Vintage Marshall* style distortion in a compact pedal form. Capture all the tones of one of the most respected, popular guitar amplifiers in rock history. The M1 will open up your sound pallate and playing options without having to spend thousands of dollars on a new rig. "AMT Legend Amps" is a new revolutionary series of one-channel preamps from AMT Electronics, developed with a new approach to guitar sound formation. Original circuitry was used to produce analog modeling of the physical processes occurring in real vacuum tubes. AMT Legend Amps possess a number of unique features found in real tube preamps and amplifiers: • Preamps included into AMT Legend Amps series provide excellent playing dynamics characteristic to real tube-based devices and are in no way inferior to them. • With the limitation range similar to tube channel the preamps of the series ensure terrific thickness and power to the resulting sound. Working with AMT Legend Amps preamps you won't feel the urge to cut out the most informative middle frequencies, which in turn will provide great readability of your guitar in the sound mix. • Like tube preamps AMT Legend amps provide gradual increase of the limiting stages number as the gain grows. • The series' preamps use passive circuits of tone shaping which are in full conformity with the tone controls during original tube overdrives. • The high level of output signal of AMT Legend Amps (+10 dB at max Level position) corresponds to the tube preamps' output signal levels. Thus you have adjustable signal level that makes it possible to connect the preamps to any input (RETURN, DIRECT, LINE etc.) including INPUT POWER AMP * Names used in this document are trademarks of their respective owners, which are in no way associated or affiliated with AMT Electronics. These trademarks of other manufactures were used to identify products whose sounds were reviewed in the making of this product. A preamp that puts classic British rock tones at your feet. FEATURES The AMT Legend Amp Series guitar pedals provide excellent dynamics, nuances, and characteristics similar to that of tube driven amplifiers Tube-like range of volume control provides great sound density, playability, and power when playing at full volume and also in conjunction with your guitars volume knob TRUE BYPASS. The preamps of the Legend Amp Series pedals use passive true bypass circuitry, therefore no loss of guitar signal is noticed in your pedal chain. Similar to if no pedal was there at all when bypassed Features high level of output signal (+10dB in extreme position of Level knob) corresponds to the output levels similar of tube preamps. Thus, you have adjustable signal level allowing to hook up your preamp AND direct input of a power amplifier Controls include LEVEL, GAIN, LOW, MID, and HIGH Add the sounds of a classic amp to your recording or performance rig. Order today.

AMT ELECTRONICS B1 LEGEND AMPS - JFET GUITAR PREAMP The B1 Legend Amp Series pedal, superior high gain quality distortion, as found in the Bogner Sharp Channel Amplifier. The sound of the AMT B1 is monstrous in tone, aggression, and provides massive amounts of gain. Thunderous lows, screaming highs, and scoopable mids leave you with unbeatable heavy distortion sounds. This one could be the "kick" your guitar rig has been needing. The AMT Legend Amp Series guitar pedals provide excellent dynamics, nuances, and characteristics similar to that of tube driven amplifiers. Tube-like range of volume control provides great sound density, playability, and power when playing at full volume and also in conjunction with your guitars volume knob. TRUE BYPASS. The preamps of the Legend Amp Series pedals use passive true bypass circuitry, therefore no loss of guitar signal is noticed in your pedal chain. Similar to if no pedal was there at all when bypassed. Features high level of output signal (+10dB in extreme position of Level knob) corresponds to the output levels similar of tube preamps. Thus, you have adjustable signal level allowing to hook up your preamp AND direct input of a power amplifier. Controls include LEVEL, GAIN, LOW, MID, and HIGH. TWO signal outputs: DIRECT AMPLIFIER OUT for guitar amplifier use and CAB SIMULATION OUT for mixer, or studio use.

Description : The TightMetal was created by adding additional stages in front of a carefully modified TightDrive. The resulting thicker and much heavier distortion is tweaked by a simple built-in output EQ curve, and can further be adjusted by the output Tone control. Features : True Bypass switch Tight Attack Control Gain, Tone, & Volume Controls Gate switch with Chomp setting for quick stops Mid switch with Thrash setting Effects Loop with Pre/Post switch..tracks On/Off Footswitch LED lit knobs when using a power supply Battery disconnect switch with red indicator Current: 12mA with 9V battery, 28mA with 9V adapter Works with 9V-18V supplies like 'variacing' your amp up and down DC Adapter jack, standard 2.1mm X 5.5mm, center ground Magnetic Battery access door opens w/o tools Handmade in the USA 5 Year Limited Warranty

The Fredric Effects Demon Fuzz is a new take on a classic pedal. The late 70s EH Muff Fuzz was a great-sounding mid-gain fuzz with only a volume control to fiddle with. Originals are rare, fragile and expensive, so Fredric Effects have used the basic IC (integrated circuit) Muff Fuzz as the basis for the Demon Fuzz. We've upped the gain a touch, added a switch for selecting silicon clipping diodes for a crunchier distortion or germanium for a vintage correct sound, and used the high quality buffered bypass from the Kl*n. The buffer is active in bypass, so this little pedal improves your tone whether it's on or off! This pedal is also available with regular true bypass.

Great pedal. Can do anything from overdrive tones to blazing leads.

Amazing pedal I'm very happy with the dynamics

Great open rounded lows and glassy bright highs The low en is structured around your amps mids and just brings everything to life. Buffered input for a consistent impedance so there's no problems with active pickups. Jfet buffer. And a bias knob on to control the amount of clipping for the germanium transistor

Loooooooove it Amazing. Ting"...".....".."".."

Love it more then boobs "................................".

I yan McCaffrey has spent a number of years making nearly forty mods of the Russian Big Muff circuit in an effort to make a Green Russian Muff Fuzz able to cut through a live band’s mix. The Green Vodka is the culmination of all this work. This pedal is capable of producing standard Russian Big Muff tones, but his addition of two further switches, ‘Pass & Beef’, make it capable of occupying its own discrete sonic location in any mix, live, or recorded. The control lay out of this pedal has the Sustain (fuzz) control, top centre, bottom left, Volume & bottom right the Tone control. This pedal’s Volume and Tone control interact and can produce a great variety of sounds, from overdrive, distortion to saturated fuzz.