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The Ge Spot is an updated take on the timeless two transistor fuzz circuit from the 60’s that features Volume, Fuzz, and Bias controls (external) plus a Pre-Gain control (internal) that gives you complete sound-shaping control. With a twist of the volume knob on your guitar you can go from a sweetened clean tone to a defined, raging wall of tarpit madness. And unlike the original, the Ge Spot doesn’t need to have the Volume and Fuzz turned all the way up to sound good - there’s plenty of germanium-fueled goodness to tap into.

Often called a banjolele, simply strum a few chords and you will be taken to a land without the stress and distractions of the daily routine. The nylon strings make playing easy on your fingers and the small size and light weight allows you to take this instrument with you literally anywhere - the beach, the office, camping, boating - you name it! Made in America.

A truly unique instrument, thanks to its grain, knotholes and man-made imperfections. Features in the new limited-edition model include a pair of V-Mod single-coil Jazzmaster pickups, 22 narrow-tall frets, a 9.5”-radius maple fingerboard and an improved tremolo and bridge that incorporate a screw-in arm and brass Mustang saddles.

Speedy, powerful and articulate, the Jazz Bass quickly carved out a niche for itself when it was released in 1960. The 2017 Limited Edition American Professional Jazz Bass combines modern features with a stunning figured maple top to create an instrument that looks as beautiful as it sounds.

The brand-new V-Mod single-coil Jazz Bass pickups use a carefully selected blend of alnico magnet types for balanced tone with authentic Fender sonic DNA. Designed for comfort and performance, the slim modern “C”-shaped neck profile feels just right nestled in your hand while the 20 narrow-tall frets provide a familiar playing feel and perfect intonation. The four-saddle HiMass™ Vintage string-through-body bridge features nickel-plated brass saddles for a touch of extra ‘zip’ in the tone.

With its authentic, original-era sound and updated modern style, the 2017 Limited Edition American Professional Jazz Bass FMT is a rare, inspiring example of Fender’s world-class craftsmanship.

How much performance can you pack into one guitar? The Ibanez Axion Label S61AL explores the answer to that question. It all starts with a resonant nyatoh body, whose warmth, fullness, and sustain is augmented by the snap and bite of an eye-catching flamed maple top. Beyond that, a comfortable Macassar ebony-capped, 5-piece Nitro Wizard neck ensures maximum playability. Experience the full gamut of aggressive yet articulate high-gain tones, thanks to a duo of Fishman Fluence Modern Humbuckers. Tuning stability is rock solid, thanks to a Gibraltar II hardtail bridge, and Gotoh locking tuners make string changes a breeze. Luminescent side dots and an attractive satin finish round out the S61AL’s generous feature set.

The ZEPHYR ZMX52 is a 5-channel mixer with all the essential inputs, outputs, and EQ for solo gigs and multimedia studios. It features one mono channel with a microphone input (with Phantom Power), balanced TRS input, and a two-band EQ. It also delivers two stereo channels with two balanced TRS inputs each. There's even two-track inputs for things such as audio playback. The ZMX52 is the perfect compact take-anywhere professional mixer.

The Buchla Easel Command is the newly updated 208C in a standalone desktop form with MIDI and CV control. The 208C is the module itself for use in a Buchla 200e system.

Buchla’s own Joel Davel led the charge to create a new version of the legendary Music Easel instrument with more modular flexibility and independence, while also providing the means to easily interface with more devices, such as the various DAWs like Ableton and MIDI controllers, including the very expressive Sensel Morph. It’s still fully analog in its default configuration and provides the unique and exquisite Buchla experience with greater functionality at a lower cost.

The SEM was Oberheim's first official analog synthesizer. SEM stands for Synthesizer Expander Module. It was conceived with the notion of being used as a backup synth connected to a sequencer for layering or beefing up your existing monophonic analog synths. The SEM itself was a keyboard-less module with two analog oscillators, a 2-pole multimode filter, ADR envelopes, and an LFO. Each of the two oscillators offer triangle or rectangular waveforms. But unlike the Moog and ARP counterparts of the time, the SEM's 2-pole (12dB/oct) filter was a little thin. The others used a 4-pole (24dB/oct) filter which has a steeper roll-off and so it sounds much better. But the SEM's filter offered many modes in addition to low-pass, including high-pass, band-pass and band-reject. Vintage Synth

Conqueror of old lands and cursed with the unholy horned bastard son, King Minos has returned, filled with anger to deliver those ancient tones of fuzz-history! The Minos is KMA Audio Machines’ modern approach to the old-fashioned and beloved three-stage germanium fuzz sound, derived from and inspired by the legendary Tonebender MKII and the unique, but now hard-to-find Superfuzz pedals.

However, much more than just mere recreations of these classics, Minos is a versatile tool for many different styles of fuzz sounds and music. With the INPUT control, you can dial in the perfect amount of pre-gain and bass input. Turn it to the left and it gives you a gritty and crisp overdriven tone, which is perfect for garage and blues, while turning it in the other direction gives you a thick and woolly fuzz. Our attempt of the ‘Tonebender-ish’ style of pedal has a much broader range of gain structures though. Sweep through any shades of dirty tone, from raunchy low gain distortion to thick angry fuzz. Every combination of amp and instrument behaves differently, so to help tailor the pedal to your own rig, we added some additional tone-shaping controls. Tailor the bass response at the output with the three-way switch. This allows you to choose between lo-fi jangle, punchy low mid or a deep and boomy fuzz that will tear down everything! If it is all too shrill though, you can modify the high-end with the tone-cut, which tames the brightness on full gain. The overall character of the fuzz can be changed with two internal trim-pots which set the bias of the second and third transistor. Change that bias at your own risk though, as it may unleash the wrath of the Minotaur!

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, approx. 5mA current draw)

Every pedal is designed, assembled, silkscreened, tested and numbered by hand in our small workshop. We use doublesided PCBs which are designed, tested and assembled by ourselfs, to guarantee a high quality standard and keep the price of our pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures a maximum durability.

The SRX-97 Jon Lord’s Rock Organ is a Special Edition and Rare Roland Expansion Board. Crucial to the sound of many vintage rock outfits, the tone wheel organ is back in a big way, and more and more of today’s bands are including the organ in their keyboard rigs. Roland’s SRX-97 “Jon Lord’s Rock Organ” expansion board contains twelve dedicated organ patches recorded by the master rock organ player himself. The same classic kit has been used to create the sound Jon made famous as Deep Purple’s keyboard player.

19" Rackmount breakout box for use with the Cirklon CVIO option. Gives 16 CV and 8 gate outputs on 3.5mm sockets. User-configurable front or rear facing analogue bus port.

Swift, deadly and affordable, Jackson JS Series guitars take an epic leap forward, making it easier than ever to get classic Jackson tone, looks and playability without breaking the bank. The formidable Warrior™ JS32 has a poplar body and a bolt-on maple speed neck with graphite reinforcement for rock-solid stability. Hosting 24 jumbo frets and pearloid sharkfin inlays, the 12”-16” compound radius fully bound amaranth fingerboard creates the ideal playing surface for fat riffs and easy chording near the nut while gradually flattening in the upper registers for lightning-quick solos and wide bends without fear of fretting out.

A pair of Jackson high-output humbucking pickups with ceramic magnets cranks out clear tone with plenty of girth, and can be shaped with a three-way toggle switch and single volume and tone controls. The Warrior JS32 also features a Jackson-branded Floyd Rose double-locking tremolo bridge and die-cast tuners.

This angular and battle-tested axe is offered in Black with White Bevels, Satin Black or Snow White with black hardware.

Introducing the Fender American Ultra Stratocaster: Fender's high-performance iteration of the modern Stratocaster. It offers several upgrades over traditional designs, including Fender's latest Ultra Noiseless Vintage Strat pickups, a 10"–14" compound radius fingerboard on an effortless Modern "D" neck, and S-1 switching to roll in fat neck tones on pickup positions 1 and 2. Even if you're a traditionally bent player, don't be dismayed: the American Ultra Stratocaster is a Strat through and through. Its lightweight body is built from traditional Strat tonewoods (alder or ash, dependent on color) and outfitted with a flawless gloss poly finish and coordinating pickguard. Sealed locking tuners and a 2-point Deluxe Synchronised Trem with pop-in arm equip today's players for classic Strat colorization with demanding modern intonation. One feature all our reviewers were quick to note is the tapered low-profile neck heel, which gives you access to fret positions you'd never dare into on your vintage Strat. The whole instrument has been thought out and designed in painstaking detail, all the way down to the embossed Fender headstock logo and extra comfortable trem arm.

The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

The JHS Pedals 3 Series Chorus offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation. The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power and consumes 70mA.

The Solid Cedar Top line features Acacia back and sides with a Padauk rosette and binding. Cedar has gained in popularity due to its soft, lush tone. The Solid Cedar Top lends well to finger style playing.

“He who does not expect the unexpected, will not find it” - Heraklit

Jump into spaceship Horizont and begin your trek into star-filled galaxies, all while discovering the incredible vastness of the sounds created by this interdimensional multi-spatial stereo JFET Phaser. The unexpected is waiting for you behind the far away horizon and it will be a journey you'll never forget!

The Horizont’s mission is to push way beyond the classic phasing sounds of yesteryear, and take you to uncharted phaser worlds the second you plug in. By combining lush analog JFET phasing with digitally controlled dynamics, Horizont creates a vivid and expressive modulation experience, all while providing experimental and creative features that’ll kick phasing well into the 21st century.

KoAloha is one of the finest ukulele makers in the world and this concert ukulele is a prime example of why that is. KoAloha's unique bracing system gives their ukes an unforgettable sweet tone and the "musubi" soundhole makes it easy to distinguish from the rest.

The Hawaiian Koa is gleaming in all it's glory with a light gloss finish showing it off proudly. The famous KoAloha five point headstock is gorgeously inlayed with Paua Abalone as is the ebony fretboard. The KoAloha friction tuners have been replaced with the ultra lightweight Graphtech Planetary Tuners that stay in tune! Smooth playability and great tone are hallmarks of KoAloha.

The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power and consumes 9mA.

The Blackstar HT Stage 100 tube amp head uses a quartet of selected EL34 power tubes to deliver 100W of British dynamics with 3 channels, delivering 6 modes for amazing tonal versatility. The 'boutique' style clean channel has 2 modes: 'British Class A' and 'dynamic US'. Each of the amp head's 2 ISF (Infinite Shape Feature)-equipped overdrive channels accesses a further 2 modes.

The Clean Channel has 2 modes, 'boutique' and 'modern' and its own Tone control provides a wide range of clean tones. The Voice switch reconfigures both the preamplifier voicing and gain structure, and the power amplifier damping, to reproduce either ringing Class A Performance in the 'boutique' mode, or very clean and tight Class AB tones in the amp head's 'modern' setting.

The Overdrive Channel on the Blackstar guitar amp head has its own EQ section and a Voice switch that allows the character of the channel to be changed, providing a wide variety of overdriven tones. The channel is characterized by a tone that's high in gain, but lacks any of the detached top-end 'fizz' often found in similar designs. This is a result of unique preamplifier and power amplifier shaping techniques, which cleans up the overdrive beautifully as the guitar volume is reduced. Even at the most extreme settings, the overdrive channel remains natural sounding. The Blackstar Venue HT-100H amp head's ISF control is unique to Blackstar Amplification and represents a major step forward in tone shaping flexibility.

The ISF control shifts the response of the 3-control tone stack between a US-type response at one end, and at the other a UK-type response. The Blackstar Venue tube amp head has an infinite number of alternative tone choices in between the 2 extremes that would be otherwise unavailable.

The Blackstar HT-100H amp head also features a completely natural sounding digital reverb, which is outstandingly musical on both clean and crunch tones and raises the benchmark for guitar amplifier specific reverb design. A Dark/Bright switch allows the overall reverb characteristics to be modified to suit different tastes and playing styles.

The Ibanez RG652AHM Prestige solidbody electric guitar was created to be a supremely playable, great-sounding guitar. The ash RG body gives the guitar a strong treble response, and it's decked out in a sharp Nebula Green Burst transparent finish. You'll love the feel of the fast, 5-piece maple/walnut Super Wizard HP neck. The RG652AHM Prestige uses DiMarzio Tone Zone and Air Norton humbuckers to push your amp for crunchy rhythms or hot leads. Get your hands on this RG652AHM Prestige and find out how far it can take your playing.

Control expression for two effects at the same time.

Pigtronix Dual Expression has two outputs, letting the musician control expression functions on two separate effects at the same time. There is currently no other expression pedal in the world that has this ability. In addition to the dual functionality of the Pigtronix EXP, the unit also has a polarity reversal switch to let you move the parameters of two separate effects in opposite directions. A good example would be increasing the speed of the EP2 Envelope Phaser while decreasing the delay time on the PHI Echolution, simultaneously. This type of complex, multiple parameter manipulation allows guitarists to think more like a producer, achieving sonic textures that have never before been possible on stage.

Industry standard TRS wiring and 20K impedance allows the Pigtronix expression pedal to connect to effects devices from virtually every manufacturer. Made in the USA by Mission Engineering for Pigtronix, who believe it is the world's finest expression pedal. The custom made, sealed potentiometer is precision engineered to exactly match the throw of the foot pedal in order to achieve the full range of expression from your stompboxes. High quality Neutrik jacks and an automotive grade, textured green finish make this expression pedal both handsome and indestructible.

Pigtronix Dual Expression has two outputs, letting the musician control expression functions on two separate effects at the same time. There is currently no other expression pedal in the world that has this ability. In addition to the dual functionality of the Pigtronix EXP, the unit also has a polarity reversal switch to let you move the parameters of two separate effects in opposite directions. A good example would be increasing the speed of the EP2 Envelope Phaser while decreasing the delay time on the PHI Echolution, simultaneously. This type of complex, multiple parameter manipulation allows guitarists to think more like a producer, achieving sonic textures that have never before been possible on stage.

Industry standard TRS wiring and 20K impedance allows the Pigtronix expression pedal to connect to effects devices from virtually every manufacturer. Made in the USA by Mission Engineering for Pigtronix, who believe it is the world's finest expression pedal. The custom made, sealed potentiometer is precision engineered to exactly match the throw of the foot pedal in order to achieve the full range of expression from your stompboxes. High quality Neutrik jacks and an automotive grade, textured green finish make this expression pedal both handsome and indestructible.

The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power and consumes 9mA.

The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

The JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power and consumes 8mA.

The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

The JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.

Our Strat pickup covers are designed to have exactly the same physical dimensions as a Fender American Standard Strat pickup cover. They will fit all of our SSL-model single coils (with the exception of the Quarter Pound models, which are too large for a cover). This is a set of three covers, with our without the Seymour Duncan logo printed in silver. The black glossy finish is designed to match the color of Fender’s black covers. The cream colored glossy finish is designed to look like an old ‘aged white’ cover. The off-white parchment colored glossy finish is designed to match Fender’s standard white color.

The Prelude line of instruments is built with the beginning musician in mind. The Prelude FL711 flute by Conn-Selmer is easy to play and offers great quality at an affordable price. The FL711 flute provides students with a focused and centered sound. The offset G key follows the natural contour of student's hands and makes playing more comfortable. Top adjusting screws provide ease of repair and adjustment to keys. The split E mechanism makes the third octave E natural easier to play and speak more clearly.