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Lincoln uses this as his primary sidechain plugin for kicks.
After bouncing tracks from FL Studio 11, Lincoln mixes and masters in Cubase 5.5 with a variety of plugins.
Lincoln uses these in the studio to work on music late at night.
The bass samples in Zombass 3 are taken from an Ibanez 6-string bass. Lincoln uses this in the studio for certain real bass layering with Trilian Bass VST.
While producing in the studio, Lincoln uses a blend of Trilian Bass VST and Zombass 3 for real bass sounds in productions.
Lincoln uses Sytrus, a VSTi in FL Studio 11, to make simple synths that he uses as layers.
Lincoln uses Toxic Biohazard, a VSTi from FL Studio 11 for certain synths, specifically brighter layers and leads.
After pre-production, Lincoln uses EastWest Quantum Leap Symphonic Orchestra - Gold Edition for genuine-sounding layers and strings.
Lincoln uses Harmless Synth for certain sounds and layering.
For writing music, Lincoln uses reFX Nexus 2 as a pre-production synth for Pianos and Strings.
Sylenth1, along with Massive, are two of Lincoln's most favorite and used synths.
Massive is one of the main synths Lincoln uses in the studio.
Recently, due to the limitations of 32-bit Cubase 5.5, Lincoln switched to FL Studio 11 Producer Edition for all writing and programming.
Late night in the studio or on-the-go, Lincoln uses a pair of these for mixing and listening to music overall. He uses a compensation EQ to flatten out the frequency response.of the headphones.
For monitoring, Lincoln uses a accurate and budget-friendly pair of JBL LSR2325s.
Being in an apartment has some space limitations, but the Launchpad Mini does the job.
When not producing on-the-go, Lincoln uses a rack-mounted Tascam US-1800 recording interface with his laptop.
Lincoln uses the Asus N56VM as his main computer for producing on-the-go, and in his bedroom studio.