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Designed to get the most out of a compact cabinet, the BC112 from VOX features a semi-open-backed design with a unique oval port to deliver tight low-frequency sound and unparalleled sound projection. The Celestion V-Type speaker delivers a well-balanced sound with the rich mid-range chime that you expect from VOX. While portable and lightweight, the BC112 still offers plenty of volume and is the perfect companion for any amp head.

The ideal companion for the MV50, the BC108 is a compact, portable cabinet that is designed to enhance the low-frequency range to ensure rich, full guitar tone at any volume. The specially designed 8” speaker is mounted from the front, allowing for clearer tone and a wider dispersion of sound. Additionally, the cabinet has been designed with a semi-open back structure to ensure a tighter sound, especially in the low frequency range. While compact and lightweight, the BC108 still offers plenty of volume and is perfect for at-home practice.

Inspired by classic American amplifiers, The MV50 Clean provides natural clean tones and plenty of headroom.

• 50 Watts
• Analog pre-amp featuring Nutube
• Speaker & Line/Headphone Outputs

An evolution in iconic tone, MV50 AC serves up the classic chime and distinctive crunch of a VOX AC30.

• 50 Watts
• Analog pre-amp featuring Nutube
• Speaker & Line/Headphone Outputs

Designed to develop and maintain the strength and dexterity of your fingers, hands, and forearms, the D'Addario Varigrip features an ergonomic design and variable tension that is customizable for each individual finger. The reversible molded grip even uncovers simulated strings to help develop and maintain finger calluses when you are away from your instrument. D'Addario Varigrip, the ultimate conditioning tool for musicians.

The LT112 - a compact and portable enclosure with Celestion G12H 70th Anniversary speaker to match the tone of the L5-STUDIO - or any other amp.

PhazeVibe takes you to amazing unexplored soundscapes. It's a Phaser, a Hendrix Uni-vibe, a Wah-wah Vibe and a Leslie, and it's none of them at the same time-because it is so unique. It's an F-Pedals PhazeVibe.

A small and easy-to-use phase with huge sound that will fit in your pocket.

Malekko is super happy to introduce "PHASE", the Malekko Omicron Series analog phaser pedal.

Small and simple to use, this all analog, true bypass 4 stage phaser packs quite a punch, and all in a super-small little package. The color pot subtly shifts the phasing frequency. All the way left, more bass passes through, and all the way right, less. The speed pot will take you from slow chugging evolving phasing to super fast tilt-o-wheel craziness!

For even more flexibility, the internal trim pot is a coarse frequency range selector. Set all the way left will allow the lower frequencies to be phasing, all the way right allows more high end frequencies to pass. This combination of the internal trim pot and the color main pot work in conjunction so you can dial in your specific range perfectly!

A small and easy-to-use phase with huge sound that will fit in your pocket.

Malekko is super happy to introduce "PHASE", the Malekko Omicron Series analog phaser pedal.

Small and simple to use, this all analog, true bypass 4 stage phaser packs quite a punch, and all in a super-small little package. The color pot subtly shifts the phasing frequency. All the way left, more bass passes through, and all the way right, less. The speed pot will take you from slow chugging evolving phasing to super fast tilt-o-wheel craziness!

For even more flexibility, the internal trim pot is a coarse frequency range selector. Set all the way left will allow the lower frequencies to be phasing, all the way right allows more high end frequencies to pass. This combination of the internal trim pot and the color main pot work in conjunction so you can dial in your specific range perfectly!

The 5-watt T10HD amp head by Hiwatt offers an authentic tube sound in a compact, simple package. It has a 12AX7 preamp tube and an EL84 power amp tube as well as volume, tone, and gain controls so you can get a great sound quickly and easily. For your modulation and delay pedals, the T10HD also features an effects loop.

50 watts guitar tube-driven head. Combine ECC83 and EL84 tubes

Get a distinctly British tone with this amp head, which is driven by EL34 tubes in the output and ECC83 tubes in the preamp.

50 watts guitar tube-driven head. Combine ECC83 and EL84 tubes

Analog sound engine of the Voyager, but with analog controls old-school style.

The Channel 2 is housed in a micro sized enclosure. It has two knobs, one controlling Master Volume and the other controlling Gain, which sweeps from unity to +24dB. At low gains, the Channel 2 has an input impedance of 5 Million ohms, giving your guitar a very sparkly texture when plugging directly in, with no other pedals or tuner between. This will clear up even the longest, dullest-sounding guitar cord.

With the Master turned up, the Channel 2 is exactly the same as the famous Super Hard-On pedal! With the Master Volume turned down, the Gain can be used to create clear, natural sounding distortion. Or, if you prefer to overdrive your favorite amp, leave the Master up and let 'er rip!

Bass Guitar Preamp Pedal with 4-band EQ, Compressor, Exciter, Decimator, and Distortion

The Beta is designed to give you everything from mild Motown thump to a punchy, full-range push in a compact, easy to dial package. The Beta’s specially tuned JFET preamp and subtle germanium clipping offer a wide range of musical drive that is very tube like in its sonic characteristics. Although it can be subtle enough to be used as an always-on tone shaper, the Beta is by no means bland. With its tailored EQ and distinct gain structure, the Beta has just the right amount of attitude to cut without being overly assertive or fizzy. It is a great tool to add warmth to modern rigs or more edge to vintage setups. If you are looking for a great bass overdrive that is versatile without being vanilla, the Beta is for you.

Although the new Cream & Onyx Beta sports a fresh look the circuit itself has not been changed and is sonically identical to the original cream and orange version.

**Level Control: **Allows you to increase or reduce your volume level. **Drive Control: **Allows you to increase or decrease the amount of Drive. The tone will get slightly brighter, as you increase the level of distortion. **Tone: **Allows you to adjust the amount of bass or treble content. **True Bypass Switch: **Allows you to engage or bypass the effect.

The Beta is designed to give you everything from mild Motown thump to a punchy, full-range push in a compact, easy to dial package. The Beta’s specially tuned JFET preamp and subtle germanium clipping offer a wide range of musical drive that is very tube like in its sonic characteristics. Although it can be subtle enough to be used as an always-on tone shaper, the Beta is by no means bland. With its tailored EQ and distinct gain structure, the Beta has just the right amount of attitude to cut without being overly assertive or fizzy. It is a great tool to add warmth to modern rigs or more edge to vintage setups. If you are looking for a great bass overdrive that is versatile without being vanilla, the Beta is for you.

Although the new Cream & Onyx Beta sports a fresh look the circuit itself has not been changed and is sonically identical to the original cream and orange version.

The Beta is designed to give you everything from mild Motown thump to a punchy, full-range push in a compact, easy to dial package. The Beta’s specially tuned JFET preamp and subtle germanium clipping offer a wide range of musical drive that is very tube like in its sonic characteristics. Although it can be subtle enough to be used as an always-on tone shaper, the Beta is by no means bland. With its tailored EQ and distinct gain structure, the Beta has just the right amount of attitude to cut without being overly assertive or fizzy. It is a great tool to add warmth to modern rigs or more edge to vintage setups. If you are looking for a great bass overdrive that is versatile without being vanilla, the Beta is for you.

Although the new Cream & Onyx Beta sports a fresh look the circuit itself has not been changed and is sonically identical to the original cream and orange version.

**Level Control: **Allows you to increase or reduce your volume level. **Drive Control: **Allows you to increase or decrease the amount of Drive. The tone will get slightly brighter, as you increase the level of distortion. **Tone: **Allows you to adjust the amount of bass or treble content. **True Bypass Switch: **Allows you to engage or bypass the effect.

The ElectroMan is our vision of analog delay perfection. With 600ms of rich articulate delay time, a wide raging tone contour, FX insert, and custom Warp switch the ElectroMan is a true hybrid, giving users total creative control over their sound. Use the tone knob to shape your ideal delay voice, pushing your repeats forward in the mix or allowing them to dissolve into a beautifully murky wash. Generate new delay textures by applying your favorite effects to the wet signal via the FX Loop insert. Use the Warp switch to punctuate passages with a rising tide of oscillation. The choice is yours. With its unique feature set the ElectroMan is guaranteed to inspire.

The pedal that started it all! Yes, it is based on the classic Tube Screamer circuit, but it’s much more than that.

The Cusack Screamer is a “clean” overdrive, but has about twice the gain of a typical Tube Screamer. Many TS style pedals come off as “mid-rangey” or “muddy”, making them easy to get lost in a mix. This is where the Screamer offers much more clarity than a typical overdrive. It has been meticulously thought out, and tweaked for maximum tonal definition. You can actually hear the individual notes of complex chords that would normally be buried.

“Hey, what’s that toggle for?“

That is the Clip Selector, which allows you to select either the Standard, Crushed, or Asymmetrical LED clipping!

“Well, why is there an LED above that Clip Selector?“

We like to call it the LED Clip-O-Meter! That’s right boys and girls, you can SEE your guitar clipping! What’s more, if you drive it hard with another pedal, you can use it as a “strobe tuner”. Just hit your 5th fret, and the next open, just as you would tune by ear. When the Clip-O-Meter stops blinking, you are in tune! Neat-o!

The Beta is designed to give you everything from mild Motown thump to a punchy, full-range push in a compact, easy to dial package. The Beta's specially tuned JFET preamp and subtle germanium clipping offer a wide range of musical drive that is very tube like in its sonic characteristics. Although it can be subtle enough to be used as an always-on tone shaper, the Beta is by no means bland. With its tailored EQ and distinct gain structure, the Beta has just the right amount of attitude to cut without being overly assertive or fizzy. It is a great tool to add warmth to modern rigs or more edge to vintage setups. If you are looking for a great bass overdrive that is versatile without being vanilla, the Beta is for you.

The mini came into existence by request from many customers who loved the sound of the fuck overdrive but wished for a smaller package. I decided to pare down the functionality, yet add on some additional features so that the two pedals could live on a pedalboard together and each have their own strengths. More bass was added to the circuit to make it an enticing choice for bassists and keyboard players and the controls were streamlined to make it a more easy-to-digest pedal.

With the mini, you get the same lovely JFET overdrive at the core. A very simple bias knob allows the user to dial in saggy lo-fi, low-watt amp tones to clean chime-y hi-fi. With the addition of extra bass, a bass cut knob allows for a range of even cleaner, sparkle-y treble boost tones or huge low end suitable as a bass overdrive or full-range boost.

As with any smallsound/bigsound pedal, versatility and sound are paramount and the mini truly is a shining example.

Technically speaking, the mini is a modified Fuck Overdrive. You get the same lovely JFET overdrive at the core, but without the grungy blown-amp-crackle. Rather, it has been replaced with a very simple BIAS knob which allows the user to dial in saggy lo-fi gnar to clean chime-y hi-fi. An additional BASS knob has also been added to get even cleaner sparkle-y treble boost type tones or let the full (more bass than the fuck!) range pummel the JFETs for huge low end.