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UltraTap is a unique multi-tap effect capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells and extraordinary modulation. It’s the perfect tool for creating drum fills, vocal choruses, swelling guitar chords and other evolving effects — everything from reversed reverbs to a massed church choir singing a Gregorian chant in Notre-Dame Cathedral!

Ultra Responsive

Think of UltraTap as the mother of all Echoplexes and you won’t be too far off. That’s basically how it operates but with the flexibility to add as many ‘tape-heads’ as you want and expressively control their positions and levels.

Designed for real-time manipulation, UltraTap features The Ribbon, an innovative control which allows you to program two settings for any combination of the controls and seamlessly transition between them.

The programmable HotSwitch allows you to instantly jump to an alternate setting at the push of a button. This combination of controls is intended to bring you as close as possible to the experience of tweaking real hardware.

UltraReverb brings you our best reverb effects from our most prestigious hardware products and combines these with full multi-effect capabilities all within a single plug-in. Create acoustically natural or other-worldly environments with 9 reverb algorithms including Plates, Halls, Chambers and Ambience. Our most comprehensive reverb plug-in, UltraReverb emulates every aspect of the sound of a real physical environment – from the complex early reflections, to the natural way in which the echo density increases with time, to the smooth Gaussian decay of the reverb tail. Control the structure of the reverb by fine-tuning the controls - including PreDelay, Decay, Room Size, Diffusion, and Pre/Post EQ.

Features

• Nine Reverb effects: Hall 1 & 2, Chamber 1 & 2, Room 1 & 2, Plate 1 & 2 and Ambience
• Packed with over 300 killer presets for mixing, mastering, post production, and sound design
• Includes Artist Presets designed by top engineers and recording professionals
• Stereo Delays (pre or post reverb) with Tempo sync to lock delays in time with your session
• Compressor (pre or post reverb) with key input
• Pre-EQ, Post-EQ, Reverb EQ and Delay EQ – Four independent, three band parametric equalizers
• Reverb Tail Randomization based on the legendary H949 Harmonizer® Random setting
• Modulation Rate and Depth controls
• LoFi control for subtle grit or all out mangling

Transform Your Mixes with Three Essential Production Tools

Designed as the ultimate toolset for producers, engineers and sound designers, the Ultra Essentials Bundle features three of our most powerful plugins: UltraChannel, UltraReverb and UltraTap. Whether you are mixing or tracking a record, live sound or post production, our Ultra Essentials will not only make everyday tasks easier but fire your imagination.

The bundle comes with more than 600 presets across the three plug-ins, many designed by Eventide artists including Andrew Scheps, Chris Carter, Richard Devine, Sasha, ROCASound, Brian Montgomery, Matt Lange and many more. Valued at over $500 if purchased separately, bundles are the most affordable way to own Eventide's award-winning tools.

A Room of Your Own Developed with legendary producer, musician, and engineer Tony Visconti, Tverb provides an extremely customizable room reverb with some unique techniques and features. Within this virtual room (modeled on the legendary Meistersaal at Berlin’s Hansa Tonstudios) you can mix three virtual channels: one main mic with subtle ambience and two moveable mics capturing the lush room reverb.

Near & Far Tverb is a reverb unlike any other. Start with a perfect room and configure it to taste by adjusting the standard reverb controls of decay, diffusion and EQ to create the ambience that brings your tracks to life. Now, place a couple of additional microphones anywhere in that room. Move them around until the track sits perfectly in your mix. Set the mics gates to open with the dynamics of the track. Tverb, gives you control all of these parameters and more. And because Tverb is algorithmic, you can do it all in real time (which wouldn’t be possible with a convolution reverb). You can even have your mics dance around the room in real-time. Impossible in real life; a snap in Tverb.

Open the Gates With analog-modeled compression on the main channel and gating on the reverb channels, Tverb is a unique tool for audio with wide dynamic range. The inspiration for the plug-in was the setup Visconti used to capture the incredible dynamic range of David Bowie’s vocals while recording Heroes. Tverb builds on Visconti’s technique and opens up undreamed of possibilities.

"Little did I know that setting up three microphones in a very specific configuration 40 years ago would result in such a versatile plug-in for the new age of recording. Eventide’s Tverb is the result of a two-year collaboration between Eventide and me. This is not a one-trick-pony just to get the David Bowie ‘Heroes’ vocal effect. The applications are limitless. I love the dancing microphones." — Tony Visconti

A Room of Your Own

Developed with legendary producer, musician, and engineer Tony Visconti, Tverb provides an extremely customizable room reverb with some unique techniques and features. Within this virtual room (modeled on the legendary Meistersaal at Berlin’s Hansa Tonstudios) you can mix three virtual channels: one main mic with subtle ambience and two moveable mics capturing the lush room reverb.

Near & Far

Tverb is a reverb unlike any other. Start with a perfect room and configure it to taste by adjusting the standard reverb controls of decay, diffusion and EQ to create the ambience that brings your tracks to life. Now, place a couple of additional microphones anywhere in that room. Move them around until the track sits perfectly in your mix. Set the mics gates to open with the dynamics of the track. Tverb, gives you control all of these parameters and more. And because Tverb is algorithmic, you can do it all in real time (which wouldn’t be possible with a convolution reverb). You can even have your mics dance around the room in real-time. Impossible in real life; a snap in Tverb.

Open the Gates

With analog-modeled compression on the main channel and gating on the reverb channels, Tverb is a unique tool for audio with wide dynamic range. The inspiration for the plug-in was the setup Visconti used to capture the incredible dynamic range of David Bowie’s vocals while recording Heroes. Tverb builds on Visconti’s technique and opens up undreamed of possibilities.

Little did I know that setting up three microphones in a very specific configuration 40 years ago would result in such a versatile plug-in for the new age of recording. Eventide’s Tverb is the result of a two-year collaboration between Eventide and me. This is not a one-trick-pony just to get the David Bowie ‘Heroes’ vocal effect. The applications are limitless. I love the dancing microphones.

— Tony Visconti

TriceraChorus is inspired by the classic tri-choruses and stompbox choruses of the 1970s and early 1980s. These units used bucket brigade delay (BBD) chips to create chorusing. TriceraChorus pairs rich BBD-style trichorusing with another classic effect of the 1980s: Eventide MicroPitch detuning. This effect can be used to thicken the sound, to add static chorusing, and to spread the stereo field by detuning the left and right signals in opposite directions.

TriceraChorus has three chorus voices: Left (L), Center (C), and Right (R). Each voice uses a dedicated LFO to modulate a delay at the frequency set by the RATE knob. The modulated signals for the Left and Right voices are -120 and 120 degrees out of phase relative to the Center modulation signal. The combination of the three modulated delays creates lush chorus sounds.

The DEPTH L / DEPTH C / DEPTH R knobs control the depth of the respective voices. Larger depth values increase the amount of delay modulation, creating greater changes in pitch. When a depth control is set to OFF, that voice is removed from the output, and the volume levels of the other voices will be automatically adjusted to maintain a constant level.

Spring Reverb models the sound and character of popular spring reverbs found in guitar amplifiers, popularized by Surf, Garage and Rockabilly music. Spring takes this a step further by allowing manipulation of physical parameters not normally available in a real spring tank. The results vary from faithful recreations of real springs to distinctive new sounds that push the physical boundaries of reverb.

This vintage reverb sound originally derived from the reflections of sound waves traveling through springs has been given an overhaul for the 21st century and beyond. Eventide Spring contains two different sized ‘spring tanks’ along with ability to morph between one and three springs. Easily program The Ribbon to seamlessly transition between any two settings in real time! The added tube-amp-style tremolo can be routed before or after the spring resulting in an unrivaled ability to craft your own unique reverb sound. Alter the intensity by changing the tremolo depth and adjust the tremolo rate in Hz, or note value when tempo-sync’d to your project.

Want more control of your tone? Spring has controls to independently manipulate the damping frequency for both the Low and High end. Get even more ring from your spring by adjusting the amount of metallic Resonance present in the High Damping frequency. Guitarists love the revered surfer vibe but all creative musicians will find that Spring makes any synthesizer, drum, or vocal stand out in a mix.

Features

• Artist presets by Matt Lange, Nick Hook, and Nu-Trix.
• Tempo Sync reverb decay to your DAW
• Craft original sounds by changing the number of springs and damping frequency
• Alter overall resonance by selecting the size of the spring tank
• Tube-amp-style tremolo that can be routed pre- or post-reverb
• Create chorus-like effects by altering Modulation Level
• The Ribbon controller allows for dynamic modification of several knobs at once to easily morph between settings
• Programmable Hotswitch provides ability to jump instantly to an alternate sound at the push of a button
• iOS version works as a standalone app, AudioUnit v3 effect, or Inter-App Audio effect
• Mac/Windows plug-in version works as VST, AU, AAX

Reverb Time Machine

The SP2016 was the first programmable effects box available on the market. It introduced the concept of the ‘plug-in’ to the pro audio world back in 1982, with actual hardware chips that would be plugged in under the hood. Revered for its signature reverbs, the SP2016 was notably used by Dave Pensado, George Massenburg, Alan Sides, Roy Hendrickson, Jack Douglas, and Mick Guzauski. The lush reverb can be heard on countless hit records by Talking Heads, Adele, Mariah Carey, Eminem, and more. Now, 36 years later, this signature sound is available for your DAW.

Six Distinct Reverbs

The SP2016 reverbs have attracted a loyal user base by using a particular blend of art and science - the end result is an effect that sounds natural and distinctive. The plug-in includes authentic emulations of Room, Stereo Room, and Hi-Density Plate algorithms, each available in two versions: Vintage and Modern. The Vintage algorithms are true to the original box, all the way down to the bit-depth. The Modern algorithms are brighter, more diffuse, and use a higher bit-depth.

The algorithms naturally emulate every aspect of the sound of a real physical environment – from the complex early reflections, to the natural way in which the echo density increases with time, to the smooth Gaussian decay of the reverb tail. It’s a powerful simulation that lends itself to parametric control.

Features three distinct reverb types: - Room: Your basic no-nonsense, no-frills ambient “room.” It’s a mono effect with stereo outputs. The extreme Pre-Delay range makes it possible to use this effect for reverberant doubling and single echoes. - Stereo Room: Recreates the ambience of a large concert hall, with very clear, natural reverberation. - Hi-Density Plate: Plate-type reverb with dual pickups simulating the effect of a bigger, heavier plate. This reverb allows you to make vocals, guitars and percussive instruments appear much bigger and brighter than they actually are.

Also includes a variety of presets including some by Dave Pensado, Richard Devine, Joe Chiccarelli, Sasha, George Massenburg, The Butcher Bros., Buda & Grandz, Erin Tonkon and more.

Move Towards the Light

ShimmerVerb combines a massively lustrous reverb with parallel pitch shifters to add ethereal layers making any signal, well, "shimmer." Oftentimes, producers would achieve the effect by using Eventide pitch shifting hardware such as the H910, H949, or H3000 or other rack mount units in combination with a reverb. This production technique was popularized by Daniel Lanois and Brian Eno on U2's The Unforgettable Fire. Now, this iconic sound has been refined and extended with a modern, unified interface that is great for adding dreamy ambiance to guitars, keys, synths, samples, and vocals. In typical Eventide fashion, features have been added such as the ability to infinitely feedback the signal, resulting in cascading reverbs that smear into oblivion. Feedback can be further fine-tuned by specifying which frequencies are fed back through the low/mid/high cross-over network.

ShimmerVerb shines via its playable, performance-based parameters. THE RIBBON is an easy to program performance macro allowing users to morph between two settings with one control. Desktop users can plug in a MIDI keyboard and gain tactile command over this function via the modulation wheel. Ribbon mappings are great for Feedback swells, moving the Pitch knobs, or changing the Size for a massive detuning result. ShimmerVerb also boasts a HOTSWITCH for calling up another state of parameters inside the same preset. Use this for changing octaves, turning off/on the pitch shifters, or simply turning the Mix up or down while crafting your performance. Finally, the FREEZE button allows you to make smeared textures out of single voices, full pads, or percussive elements resulting in metallic "shimmers."

Features

• Unique reverb plug-in with parallel pitch-shifters on the reverb tail
• Easily pitch with perfect fourths, fifths, and octaves
• MicroPitch tuning available around perfect intervals
• Four octaves of pitch shifting (from two octaves down to two octaves up)
• Delay pitched signals up to one second or sync them to your DAW's tempo
• FEEDBACK determines how much delayed signal is fed back into the input of the reverb
• Low, Mid, and High cross-over network determines which frequencies are fed back
• FREEZE holds the current state of the reverb in a smeared texture
• The RIBBON allows for real-time modification of several parameters at once
• HOTSWITCH allows for instant switching between two sets of parameters within one preset

Swirly Leslie Cab Modulation

Rotary Mod is a rotating speaker effect that simulates a Leslie cabinet. Just like the original sound derived from the uber-famous Hammond organ’s Leslie speaker cabinet, the plug-in produces a pulse-like vibrato effect depending on the speed of rotation. Rotary offers precise control to dial in the exact amount of movement you need. This classic, swirly effect has been used on countless hit records to drastically transform guitars, bass, synths and even vocals. Notably used by The Beatles, Beach Boys, The Band, Cream, and Pink Floyd, this iconic emulation brings that classic ’60s whirling modulation bliss into the 21st century on your laptop or the palm of your hand.

Features

• Change the speed of the rotor and horn independently and adjust the mix of the two to produce pulsing effects and special vibratos
• Add frequency modulation to the rotor and horn speed using secondary LFO with selectable modulation source
• Choose cabinet size (Standard or Giant) to alter the sweetness of your tone
• Craft the exact sound you need with included Hicut control
• Use Tap Tempo to sync effect to the BPM of your song
• Incredibly easy to use with included presets
• Innovative Ribbon control allows for changing any combination of parameters simultaneously
• Use Mix Lock to scroll through presets while keeping the wet-dry mix constant
• Also available as an Audio Units AUv3 plug-in, Inter-App Audio, and Standalone app

Intuitive Compositions

Quadravox is a unique composition tool designed to inspire songwriting, stack harmonies, widen instruments and offers creative innovative rhythmic sequences. With Quadravox, you can take any incoming tones, including drums, and generate up to four voices based on the chosen key and timing interval. It’s optimized for multiple instances so your tracks can interact with each other by way of beautiful harmonies and groovy sequences.

Quadravox controls are intuitive, allowing you to quickly adjust parameters or type in values. Each of the four voices can be independently manipulated by level, panning, delay time with feedback and pitch, including the type of musical interval. The effect can even be sync’d to your DAW tempo for killer, melodic, rhythmic delays.

Features

Whether you are an electronic musician, singer/songwriter or guitarist, Quadravox has got you covered with more than 60 presets to breathe new life into your musical ideas.

• Unique Notation Grid presents pitches on a traditional music staff with a quantized grid for placing notes over time allowing for a more musical programming experience. Color and brightness indicate pan and level for each voice.
• Optimized for multiple instances and works great on monophonic synths, guitar and vocals
• MixLock keeps the wet/dry mix of the effect static as you scroll through presets or user-defined snapshots. KeyLock does the same for the Key and Scale.
• Randomize function randomizes an amount of micro pitch shift resulting in simulation of natural character for each of the 4 voices.
• Pitch-tracking "off" mode allows it to shine on polyphonic and rhythmic sounds.

Scrub in for Surgery

Precision Time Align is a high precision, sub-sample delay that can slide a track forward or backward in time. It will help you get perfectly synchronized double-tracked recordings and significantly eliminate timing anomalies and phase issues from your mix on multi-mic'd drums, vocals and instruments.

Blowout Comb

Precision Time Align allows for synchronizing signals to microsecond accuracy, up to 1/64th of a sample. Recording drums, an electric guitar cabinet or vocals with more than one mic can be challenging. While the sound recorded from each microphone might sound good on its own, mixing them together can introduce phase anomalies like comb filtering (phased, hollow sound) or low frequency attenuation. Editing in your DAW can help with time-alignment on a sample level, but Precision Time Align gives you much, much finer control - 64x higher resolution, in fact.

Features

Whether you wish to combine multiple tracks of a single instrument, compensate for phasing from different mics on a kick drum, or align audio segments for a tracking-only session, Precision Time Align is ideal for these critical engineering tasks.

• Synchronize signals to microsecond accuracy, up to 1/64th of a sample.
• Phase Invert button fixes mirror-image acoustical phasing.
• Precise Coarse and Fine controls optimize time shift in recordings.
• Perform negative delays, moving the track up in time relative to other tracks in the recording.
• Four different methods for calibrating the signal to achieve perfect signal matching.
• Precision Time Delay also included for use with DAW.s lacking delay compensation.
• Much faster and more accurate workflow than trying to manually align in your DAW

The Ultimate Creative Tool

Physion is the first plug-in to use our ground-breaking Structural Effects technology - A new method for processing audio. With Physion, you can split a sound into its transient and tonal parts, independently manipulate them using Eventide's world-class effects and then fuse them back together. With the ability to add effects and dynamic controls to the transient and tonal sections, you can produce a wide range of effects, from the subtle to the extreme.

Features

• Split audio into “Transient” and “Tonal” components
• Radically re-shape a sound by soloing the Tonal and Transient channels. Tighten up drums by dropping the tonal section, or tune a guitar into an ambient sweep by losing the transients
• Split, modify and reassemble any sound
• Fine-tune the split using the four “Structural Split” controls.
• Six Transient effects available: Delay, Tap Delay, Dynamics, Phaser, Reverb, Gate + EQ
• Seven Tonal effects available: Delay, Compressor, Pitch, Chorus, Reverb, Tremolo, EQ
• Waveform display for clear tracking of Transient/Tonal audio in real time
• Artists presets include Richard Devine, Chris Carter, Suzanne Ciani, Joe Chiccarelli, John Agnello, Stewart Lerman, Steve Rosenthal, Kaitlyn Aurelia Smith and more.

Dynamics Processor with Attitude!

Introduced in the early 1970s, the Omnipressor® was the first dynamics effects processor of any kind. Originally invented by Eventide's founder, Richard Factor (and later redesigned for production by John Paul), the Omnipresssor made a host of effects possible. It featured variable control of all aspects of dynamic modification. It also introduced the notion of the 'side chain' and foretold techniques that today we take for granted like 'look ahead' processing.

The Omnipressor plug-in is a faithful emulation of the "black-face" unit and is popular among some of the world's leading producers and engineers as a dynamics-modifier with variable expressive controls of all aspects of a signal's dynamics. The Function control allows you to set compression and expansion ratios over a wide, continuous range from extreme expansion to infinite compression and beyond - dynamic reversal which reverses a sound’s envelope, making loud sounds quiet and quiet sounds loud.

One of our first customers was a young Brian May, lead guitarist of Queen. With the Omnipressor in his rig, his sound was never the same again.

Features

• Dynamics processing for creating otherwordly sounds
• Variable control of attack and release time
• Variable control of maximum gain and maximum attenuation
• Function control sets ratio over a continuous range from extreme expansion to infinite compression and beyond to dynamic reversal
• Gating: Set a threshhold and signals whose amplitudes fall below the threshhold value are 'squooshed'
• Expansion: Widen a signal's dynamic range. Loud gets louder, soft gets softer
• Compression: Variable control of compression ratio
• Infinite compression: Obliterates a signal's dynamics - everything comes out at the same level
• Limiting: Versatile, fast limiter
• Dynamic Reversal: First of its kind. Soft signals come out loud, loud signals come out soft. Simulates tape reversal
• Intuitive interface makes it simple to operate with the use of a function dial
• Dozens of presets to help you explore the unique and inspirational sounds of the tool used on countless hit records

Instant Inspiration

Level up your composition skills with Octavox's unique time-based diatonic Harmonizer® technology. Octavox is an inspiring tool that takes any incoming tones—even drums—and outputs up to eight voices based on the chosen key and timing interval. Based on technology from our flagship H8000 hardware effects processor, Octavox will take your melodies and ideas to new heights. Stack harmonies, widen instruments and create innovative rhythmic sequences. Whether you are an electronic musician, singer/songwriter or guitarist, Octavox has got you covered with more than 70 presets to boost your creativity and productivity.

Taming the Octopus

Octavox controls have been designed in the most intuitive way, allowing you to quickly adjust parameters or type in values. Each of the eight voices can be independently manipulated by level, panning, delay time with feedback, and pitch, including the type of musical interval. The effect can even be sync’d to your DAW tempo for killer, melodic, rhythmic delays. Octavox has also been updated with expanded MIDI functionality. Each voice interval can be set via MIDI note, voice shift amount by MIDI Pitch Bend, and “Randomize” by MIDI Modulation Wheel.

Dual Voice Pitch-Shifter + Special FX

MicroPitch is a fine-resolution pitch shifter for subtle tone fattening, plus delays for dramatic slap back effects. MicroPitch is the latest incarnation of an iconic effect originated by Eventide in the 1970s. With each generation, Eventide has added refined, enhanced and built-on it's legendary predecessors.

MicroPitch can take you beyond the run-of-mill stereo spread effects of simple micropitch plugins. It goes above and beyond by allowing you to mix in detuned and delayed versions of your source, creating depth and dimensions not possible before. With its expanded controls you can achieve deep pitch dives, haunting echoes, and pristine chorusing effects.

And, like all H9 series plug-ins, MicroPitch is designed to 'play'. The RIBBON lets you sweep the effect between two completely different settings. Turn your sweetening shift into a delay-throw and back, or change your delays from dark to bright for transitional effects. Use the Ribbon to add a bit of 'life' while you're mixing. For desktop users, plug in a MIDI keyboard and gain control of the Ribbon via the mod wheel for tactile control of this intuitive performance macro.

Own the First Studio Phaser

Released in 1972, the Eventide Instant Phaser began the studio effects revolution by successfully simulating tape flanging, an effect that’s been at the core of legendary albums for the last five decades. Modeled on the original hardware unit, the Instant Phaser Mk II plug-in accomplishes the same legendary sound with all the analog personality, smooth modulations, and inherent musicality. Its capabilities have been expanded, and now you can even take your phaser on an excursion from the 70s far into the future with the delightfully characteristic “Age” knob. Outfitted with a complete host of control options, the Instant Phaser Mk II is out of the rack and into your plugin arsenal.

Aged not Old

The Instant Phaser Mk II perfectly captures the unique, imprecise analog character of the original hardware. During development we discovered that the values of some of the components change with age; they drift further and further from their marked values. The result is that an Instant Phaser which has been powered up for years will sound different than it did on day one. The new plug-in features an innovative Age knob, which allows you simulate this aging of the components of the phase shift networks and the LFO. Once we started down this path, in a salute to entropy, we decided to extrapolate far into the future.

Classic Flanging for a Modern Mix The Instant Flanger Mk II brings the great sound of vintage tape flanging to your plug-in toolbox. An authentic emulation of the original 1975 studio rackmount, the Instant Flanger was famously used on David Bowie’s “Ashes to Ashes” and Cyndi Lauper’s “Time After Time." A truly versatile tool, engineers and producers have used it for stereo sweetening, subtle modulations, double tracking, and extreme flanging effects.

Spread the Sound Around with Pseudo Stereo Turn flat mono guitars into huge stereo leads or have your single channel synthesizer fill out the sides of your mix with pseudo stereo. The Instant Flanger Mk II has dual outputs that create three different sonic images - “Shallow”, “Deep”, and “Wide”. Combining “Wide” Mode with the “Low Cut” control is an easy way to place multiple harmonies behind the lead. Fine-tune the resonance of your flanging effect by using the “Depth” and “Feedback” controls.

True End-to-end Emulation Tape machines use servo motors to run at constant speed and when an engineer pressed a thumb on the flange and then suddenly let go, the capstan motor servo reacts - overshooting and undershooting as it seeks to recover proper speed. In other words, it ‘bounces’. The Instant Flanger convincingly mimicked this behavior with its innovative "Bounce" control knob. Use this feature to add a real world groove to your tracks.

The H910 Harmonizer was the world's first digital effects processor. With its unique combinations of pitch shifting, modulation and delay, the H910 can be heard on countless ground-breaking works by artists from AC/DC to David Bowie to Frank Zappa. Simply put, nothing sounds quite like it. A powerful creative tool, the H910 plug-in is a faithful recreation of the original hardware. Use the H910's pitch changing ability to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic de-tuning to synths or add slap-back delays to vocals. At extreme settings, you can create unheard-of mechanical sounds, drone effects or robot language using self-oscillation, delay, and anti-feedback. When you purchase the H910 Harmonizer plug-in, you also receive Eventide's exclusive H910 Dual Harmonizer. This version recreates the popular technique of running two H910 units in parallel to create lush doubling and other interesting effects. Features NEW Keyboard and MIDI mapping - The original H910 featured a keyboard remote control which was used live by several artists including Elton John. With the H910 plug-in you can easily use MIDI to control pitch and harmonization in real-time. NEW Envelope Follower -Engineers and producers discovered that sending a control voltage to the hardware H910 could be used to slightly (or massively) vary the pitch, creating entirely new sounds. The built-in envelope follower makes exploring these possibilities easy. NEW OUT2 Delay Group - adds inspiring attributes to your sound. True analog modeling of highly nonlinear electronics for faithful reproduction of the original H910's juiciness and grit. Perform perfect pitch changes controlled manually, via MIDI or with Anti-Feedback. Anti-Feedback modulates the pitch around unity for a subtle or wild effect. Optional "glitching" of original H910 hardware to create unpredictable sounds as it alters pitch. Modify pitch by musical intervals (diatonic) to harmonize vocals or solo instruments. Delay rhythms and melodies to create everything from slap-back echoes to feedback chaos. Create colorful, unique sound effects and drones through self-oscillation. Individually control delay outputs and dry/wet mix. Mix Lock allows for scrolling through presets or settings while keeping the dry/wet mix constant. BONUS: H910 Dual H910 Dual recreates two H910 units running in parallel to create doubling effects and other unique sounds. H910 Dual easily fattens and thickens instruments when assigning opposite pitch ratios. H910 Dual Stereo (cross-unit) Feedback can cause the incoming signal to shift up and then down continuously.

Introducing the H9 Plugin Series Bundle, an iconic collection of powerful effects from the H9 Harmonizer®. Built for the modern producer, the H9 Plug-in Series Bundle has everything you need to reverberate, modulate, delay, crush, pitch shift and saturate your audio. Valued at over $1100 if purchased separately, this collection has some of the most sought-after Eventide effects. It's a must-have toolkit for all producers, engineers, sound designers and musicians who want to add expressive effects to their sound. The H9 Series Bundle is comprised of 11 Eventide effects, spanning a wide array of key components for a creative producer's plug-in toolbox. Discover cavernous and other-worldly spaces with the massive, ambient terrain of Blackhole. Push the physical boundaries of a classic spring reverb tank with the dreamy flutters of Spring. Layer pitch-shifted sheen into ethereal reverb for a creatively inspired glow with ShimmerVerb. Peel paint off the walls with the industrious and fuzzed-out decays of MangledVerb. Mellow your mix with the syrupy and smooth spatial tones of TriceraChorus®. Revisit a 60s and 70s staple with the vintage cab tones and refined whirling of Rotary Mod. Create sustain, shape, and rhythmic flux with the evolving textures of Undulator. Range from hazy saturation to thick octave grit and sputtering busted noise with the varied distortion tones of CrushStation®. Add UltraTap to bring stutters, glitches, zips, and chops to life in a fresh multi tap delay format - and don’t forget to turn up the “Slurm”. Fine-tune left and right delay channels with MicroPitch for depth and sweetening; doubles as a mainstay delay. Finally, smear, sweep, and cascade through the signature pitch-shifted reverse delays of Crystals. All H9 Series plugins feature the groundbreaking RIBBON control, which lets you sweep the effect between two different settings. This makes automation for sweeps, transitions, and effect throws much more gratifying and simplified. You can plug-in a MIDI keyboard and gain control of the Ribbon via the mod wheel for a tactile advantage. Additionally, many of the H9 Series plugins offer unique performance buttons, so be on the lookout for "Freeze", "Flex", "Swirl", and the Hotswitch. There’s still more, the H9 Series plugins double as studio quality effects and live performance tools. The bundle comes with over 500 presets across all plugins, including artist presets by Richard Devine, Matt Lange, Vernon Reid, Chris Carter, Sasha, Damian Taylor, Black Violin, Flood & Alan Moulder, Nick Hook, Dälek, Lady Starlight and more. The award-winning H9 Harmonizer® effects processor is used by many popular artists in different genres including St. Vincent, Imagine Dragons, Carlos Santana, Peter Frampton, Richard Devine, Suzanne Ciani and many more. Now, you can access some of the H9's most popular sounds in your favorite DAW.

A re-creation of several algorithms from the original H3000 Harmonizer that combine pitch, delay, modulation, and filtering in a new modular interface. Includes over 450 presets and over 100 new artist presets. Available effects blocks include delays, amplitude modulators, envelope followers, pitch shifters, filters, and low frequency oscillators. The Function Generator features nineteen waveshapes, a white noise generator, MIDI control, and a sidechain input. All delays and LFOs can be locked to system tempo. Each delay can be looped and offers a low pass filter. The filters are selectable band pass, high pass, and low pass with variable Q, and can be swept and modulated without audible artifacts.

The H3000 Band Delays plug-in is dereived from the H3000 Harmonizer® studio processor. This unique plug-in is capable of everything from standard delays and filtering, to stereo-widening and killer rhythmic effects. With the H3000 Band Delays you can play an effect like an instrument. Every parameter can be automated or manipulated in real time via MIDI. Play filter with a keyboard controller to get not only rhythmic, but also musical results. Features 8 voices, each of which can be altered by frequency, resonance, filter type, delay time, volume and panning. Filters assignable as band pass, low pass, high pass, all pass, or notch filter Assign the H3000 Function Generator to several parameters to create movement and bring life to drums and stringed instruments. Beat grid gives visual representation for creating unique rhythms from your sound. Route a MIDI keyboard to the plugin to play the filters as musical notes. Includes presets from original H3000 hardware in addition to many new inspiring choices. MixLock keeps the wet/dry mix of the effect static as you scroll through presets or user-defined snapshots

Crystals is a classic Eventide effect – twin reverse pitch changers, with independently adjustable delays and feedback with added reverb.

Eventide Crystals combines twin reverse pitch shifters with reverse delays and reverb. This iconic H3000 Harmonizer® effect can be used to create out-of-this-world climbing and cascading pitched delays and unique sounding reverbs. It features two reverse granular delays that can be manipulated by length and pitch. Crystals excels at adding life to synths, guitar, and vocals making them sound huge and majestic. From sound design to other-worldly solos, Crystals will spark inspiration. The innovative RIBBON control allows you to modulate many parameters at once. Manipulate the pitches to play it like an instrument or slowly increase feedback to make your signal explode into infinity. Need some extra gusto? Hold down the FLEX button to shift one octave up from the current pitch.

• Two pitch-shifters, each with a four-octave range from two octaves down to two octaves up
• Two independently adjustable delays, up to 4 seconds each, with their own individual feedback
• Reverb with 100 seconds of decay -Make it musical by micro-pitching each voice around the 4th (500 cents), 5th (700 cents), or octave (1200 cents)
• Smooth out delay grains by applying up to 4 seconds of delay for each voice
• RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice
• FLEX shifts both voices up one octave at the push of a button
• MIXLOCK keeps MIX control constant as you audition presets
• Available for Mac and PC as VST, AAX, and AU plug-in

A German-engineered preamp and DI stomp box for acoustic players.

Following on from the overwhelming success of the Basswitch IQ DI, Lehle is pleased to introduce their second product, the Acouswitch IQ DI: a high-caliber acoustic guitar preamp and DI stomp box dedicated to the acoustic instrument player's needs.

The Acouswitch IQ DI acoustic guitar preamp opens up a new dimension in acoustic guitar pre-amplification and signal routing, offering an all-in-one solution for acoustic guitar players, whether used in stand-alone mode or as the control centre of a pedal board. The Acouswitch IQ DI features: an A/B-input switcher, a high-end preamp, a clean booster, a parametric EQ, an FX Loop switcher and last but not least, professional quality DI signal routing.

German manufacturing and best brand components provide maximum reliability and optimal treatment of the electrical signal from your acoustic instrument, whether from a magnetic or a piezo pickup. Uncompromising in sound, build quality and flexibility, this high-end acoustic guitar preamp will prepare you for any situation, be it in live performance or recording sessions.

A German-engineered preamp and DI stomp box for acoustic players.

Following on from the overwhelming success of the Basswitch IQ DI, Lehle is pleased to introduce their second product, the Acouswitch IQ DI: a high-caliber acoustic guitar preamp and DI stomp box dedicated to the acoustic instrument player's needs.

The Acouswitch IQ DI acoustic guitar preamp opens up a new dimension in acoustic guitar pre-amplification and signal routing, offering an all-in-one solution for acoustic guitar players, whether used in stand-alone mode or as the control centre of a pedal board. The Acouswitch IQ DI features: an A/B-input switcher, a high-end preamp, a clean booster, a parametric EQ, an FX Loop switcher and last but not least, professional quality DI signal routing.

German manufacturing and best brand components provide maximum reliability and optimal treatment of the electrical signal from your acoustic instrument, whether from a magnetic or a piezo pickup. Uncompromising in sound, build quality and flexibility, this high-end acoustic guitar preamp will prepare you for any situation, be it in live performance or recording sessions.

CrushStation is an overdrive/distortion command center with controls that drive your tone anywhere from a creamy saturation to a brutal sonic assault, with everything in between. Originally from the Eventide H9 Harmonizer pedal, CrushStation has been refined for experimentation on numerous sound sources from behind your desk or laptop. Crush some octaves into the mix, or turn up the Sag to bring the whole sound to its knees. An added bonus, CrushStation is a true stereo distortion. CrushStation is an extremely versatile plugin, capable of adding spice and flair to a variety of production styles. Perfect for drum dirt, the Grit control adds preamp-style distortion that can help bring out kicks in the mix. Vocals benefit from the subtle distortion along with lower octaves for unique pitch blending effects. Further fine tune your sound using the three-band EQ which can help tame cymbals and vocal sibilance. Sure it rips for guitars and basses, but when you need a little warmth and saturation, add gusto to any synth.

The Art of Reverb

The 2016 Stereo Room reverb plug-in was crafted to simulate a great sounding ‘room’. Delay lengths, reflections, and other properties of the virtual room were carefully considered in the modeling. This combination of art and science results in a natural, yet distinctive sounding reverb. The simple intuitive controls allow you to fine tune the perfect space for your sound - whether it’s a dark hallway or a bright studio vocal room.

Originally found on the SP2016 rackmount, which has been used on hit records for decades, the 2016 Stereo Room plug-in features hand crafted artist presets from Joe Chiccarelli, George Massenburg, and Dave Pensado. Capable of both lush and subtle sounds, it’s also easy on your CPU. Use multiple instances to bring out the character of different parts of a track - 20 instances in one session? Go for it!

Features

• Natural and distinctive sounding room reverb
• Simple, intuitive parametric controls that prevent unnatural results
• Complex early reflections resembling those of an actual great-sounding room
• Smooth decay tail that sits in the mix
• Novel Position control for precise mic placement in the virtual room
• Diffusion alters the character of the space - from sharp to rich
• Dedicated EQ controls to further sculpt your sound
• Low CPU hit - use as many instances as you want!

Eventide: pioneering digital effects for over four decades

In the 1970s, Eventide put digital effects on the map with their groundbreaking Digital Delay and Harmonizer units. In the early '80s came the first rackmount multi-effects processor, the SP2016. Every studio worth its salt had to have one for its reverbs alone, much less for the other one-of-a-kind effects on tap. The SP2016’s successor, the H3000, introduced a cornucopia of new effects and was the must-have rackmount processor of the '90s. The H4000 and H8000 followed, introducing the concept of surround sound reverb — which the H9000 takes to even greater heights of stunning realism. Meanwhile, Eventide began porting their effects expertise to the design of high-end guitar multi-effects pedals. And as computer audio began to become a force majeure in music and sound production, Eventide plunged into the software arena with a series of plug-ins emulating their acclaimed hardware.

Eventide Anthology XI Included Plug-ins: - Blackhole - Extraterrestrial reverb that creates virtual spaces that could never exist in the real world - Tverb - Unique virtual room reverb developed with legendary producer/engineer Tony Visconti - 2016 Stereo Room - Renowned reverb from Eventide's classic SP2016 rackmount unit - MangledVerb - Good reverb breaking bad; blends reverb with distortion - UltraReverb - Modern reverb with 9 unique algorithms - Physion - Groundbreaking Structural Effects technology that splits sound into its transient and tonal components which may then be independently manipulated via effects and dynamics - UltraTap - Delay that lets you create drum fills, vocal choruses, swelling guitar chords, and more - EQ65 Filter Set - Includes high- and low-cut 18dB/octave filters, and 2 band-reject or bandpass filters with variable depth - EChannel - Includes a gate, compressor/limiter with sidechain, and 5-band 48-bit double precision parametric EQ - UltraChannel - Deluxe channel strip with user-configurable signal path, with a gate, de-esser, Omnipressor or compressor/limiter with sidechain, 5-band 48-bit double precision parametric EQ, stereo delays, and Harmonizer micro-pitch shifter - EQ45 - A faithful re-creation of the vintage analog 4-band parametric equalizer - Precision Time Align - Useful for bringing close-miked drums, overhead mics, and room mics into phase alignment - Octavox - Delivers 8 voices of diatonic Harmonizer pitch shifting, each voice with individual delay adjustment and pan control - Quadravox - Offers 4 voices of diatonic Harmonizer pitch shifting, each voice with individual delay adjustment and pan control - Instant Phaser - Simulates the world's first phaser, heard on Led Zeppelin's "Kashmir" - Instant Flanger - The plug-in re-creation of one of the first hardware products to faithfully simulate tape flanging - Omnipressor - So dubbed because of its unique ability to compress, limit, expand, and dynamically reverse audio; the first dynamics FX unit with side chain functionality - H910 - The re-creation of the very first Harmonizer-brand effects processor - H910 Dual - Two ganged H910s; capable of jaw-dropping stereo effects - H949 - Pitch changing with the world's first intelligent de-glitching algorithm - H949 Dual - Two independent H949 units with cross feedback and stereo width controls - H3000 Band Delays - Features 8 voices of tempo-based filtered delays with pan and volume controls - H3000 Factory - Based on the ever-popular Factory algorithms from the H3000 and the ultimate effects tool kit - Eventide Reverb - Comprised of the best Halls, Plates, Rooms, Chambers, and Ambience from Eventide's top-of-the-line H8000 hardware processor

Eventide: pioneering digital effects for over four decades

In the 1970s, Eventide put digital effects on the map with their groundbreaking Digital Delay and Harmonizer units. In the early '80s came the first rackmount multi-effects processor, the SP2016. Every studio worth its salt had to have one for its reverbs alone, much less for the other one-of-a-kind effects on tap. The SP2016’s successor, the H3000, introduced a cornucopia of new effects and was the must-have rackmount processor of the '90s. The H4000 and H8000 followed, introducing the concept of surround sound reverb — which the H9000 takes to even greater heights of stunning realism. Meanwhile, Eventide began porting their effects expertise to the design of high-end guitar multi-effects pedals. And as computer audio began to become a force majeure in music and sound production, Eventide plunged into the software arena with a series of plug-ins emulating their acclaimed hardware.

Eventide Anthology XI Included Plug-ins:

• Blackhole - Extraterrestrial reverb that creates virtual spaces that could never exist in the real world
• Tverb - Unique virtual room reverb developed with legendary producer/engineer Tony Visconti
• 2016 Stereo Room - Renowned reverb from Eventide's classic SP2016 rackmount unit
• MangledVerb - Good reverb breaking bad; blends reverb with distortion
• UltraReverb - Modern reverb with 9 unique algorithms
• Physion - Groundbreaking Structural Effects technology that splits sound into its transient and tonal components which may then be independently manipulated via effects and dynamics
• UltraTap - Delay that lets you create drum fills, vocal choruses, swelling guitar chords, and more
• EQ65 Filter Set - Includes high- and low-cut 18dB/octave filters, and 2 band-reject or bandpass filters with variable depth
• EChannel - Includes a gate, compressor/limiter with sidechain, and 5-band 48-bit double precision parametric EQ
• UltraChannel - Deluxe channel strip with user-configurable signal path, with a gate, de-esser, Omnipressor or compressor/limiter with sidechain, 5-band 48-bit double precision parametric EQ, stereo delays, and Harmonizer micro-pitch shifter
• EQ45 - A faithful re-creation of the vintage analog 4-band parametric equalizer
• Precision Time Align - Useful for bringing close-miked drums, overhead mics, and room mics into phase alignment
• Octavox - Delivers 8 voices of diatonic Harmonizer pitch shifting, each voice with individual delay adjustment and pan control
• Quadravox - Offers 4 voices of diatonic Harmonizer pitch shifting, each voice with individual delay adjustment and pan control
• Instant Phaser - Simulates the world's first phaser, heard on Led Zeppelin's "Kashmir"
• Instant Flanger - The plug-in re-creation of one of the first hardware products to faithfully simulate tape flanging
• Omnipressor - So dubbed because of its unique ability to compress, limit, expand, and dynamically reverse audio; the first dynamics FX unit with side chain functionality
• H910 - The re-creation of the very first Harmonizer-brand effects processor
• H910 Dual - Two ganged H910s; capable of jaw-dropping stereo effects
• H949 - Pitch changing with the world's first intelligent de-glitching algorithm
• H949 Dual - Two independent H949 units with cross feedback and stereo width controls
• H3000 Band Delays - Features 8 voices of tempo-based filtered delays with pan and volume controls
• H3000 Factory - Based on the ever-popular Factory algorithms from the H3000 and the ultimate effects tool kit
• Eventide Reverb - Comprised of the best Halls, Plates, Rooms, Chambers, and Ambience from Eventide's top-of-the-line H8000 hardware processor

Eventide: pioneering digital effects for over four decades

In the 1970s, Eventide put digital effects on the map with their groundbreaking Digital Delay and Harmonizer units. In the early '80s came the first rackmount multi-effects processor, the SP2016. Every studio worth its salt had to have one for its reverbs alone, much less for the other one-of-a-kind effects on tap. The SP2016’s successor, the H3000, introduced a cornucopia of new effects and was the must-have rackmount processor of the '90s. The H4000 and H8000 followed, introducing the concept of surround sound reverb — which the H9000 takes to even greater heights of stunning realism. Meanwhile, Eventide began porting their effects expertise to the design of high-end guitar multi-effects pedals. And as computer audio began to become a force majeure in music and sound production, Eventide plunged into the software arena with a series of plug-ins emulating their acclaimed hardware.

Eventide Anthology XI Included Plug-ins: Blackhole - Extraterrestrial reverb that creates virtual spaces that could never exist in the real world Tverb - Unique virtual room reverb developed with legendary producer/engineer Tony Visconti 2016 Stereo Room - Renowned reverb from Eventide's classic SP2016 rackmount unit MangledVerb - Good reverb breaking bad; blends reverb with distortion UltraReverb - Modern reverb with 9 unique algorithms Physion - Groundbreaking Structural Effects technology that splits sound into its transient and tonal components which may then be independently manipulated via effects and dynamics UltraTap - Delay that lets you create drum fills, vocal choruses, swelling guitar chords, and more EQ65 Filter Set - Includes high- and low-cut 18dB/octave filters, and 2 band-reject or bandpass filters with variable depth EChannel - Includes a gate, compressor/limiter with sidechain, and 5-band 48-bit double precision parametric EQ UltraChannel - Deluxe channel strip with user-configurable signal path, with a gate, de-esser, Omnipressor or compressor/limiter with sidechain, 5-band 48-bit double precision parametric EQ, stereo delays, and Harmonizer micro-pitch shifter EQ45 - A faithful re-creation of the vintage analog 4-band parametric equalizer Precision Time Align - Useful for bringing close-miked drums, overhead mics, and room mics into phase alignment Octavox - Delivers 8 voices of diatonic Harmonizer pitch shifting, each voice with individual delay adjustment and pan control Quadravox - Offers 4 voices of diatonic Harmonizer pitch shifting, each voice with individual delay adjustment and pan control Instant Phaser - Simulates the world's first phaser, heard on Led Zeppelin's "Kashmir" Instant Flanger - The plug-in re-creation of one of the first hardware products to faithfully simulate tape flanging Omnipressor - So dubbed because of its unique ability to compress, limit, expand, and dynamically reverse audio; the first dynamics FX unit with side chain functionality H910 - The re-creation of the very first Harmonizer-brand effects processor H910 Dual - Two ganged H910s; capable of jaw-dropping stereo effects H949 - Pitch changing with the world's first intelligent de-glitching algorithm H949 Dual - Two independent H949 units with cross feedback and stereo width controls H3000 Band Delays - Features 8 voices of tempo-based filtered delays with pan and volume controls H3000 Factory - Based on the ever-popular Factory algorithms from the H3000 and the ultimate effects tool kit Eventide Reverb - Comprised of the best Halls, Plates, Rooms, Chambers, and Ambience from Eventide's top-of-the-line H8000 hardware processor

Eventide: pioneering digital effects for over four decades

In the 1970s, Eventide put digital effects on the map with their groundbreaking Digital Delay and Harmonizer units. In the early '80s came the first rackmount multi-effects processor, the SP2016. Every studio worth its salt had to have one for its reverbs alone, much less for the other one-of-a-kind effects on tap. The SP2016’s successor, the H3000, introduced a cornucopia of new effects and was the must-have rackmount processor of the '90s. The H4000 and H8000 followed, introducing the concept of surround sound reverb — which the H9000 takes to even greater heights of stunning realism. Meanwhile, Eventide began porting their effects expertise to the design of high-end guitar multi-effects pedals. And as computer audio began to become a force majeure in music and sound production, Eventide plunged into the software arena with a series of plug-ins emulating their acclaimed hardware.

Eventide Anthology XI Included Plug-ins: - Blackhole - Extraterrestrial reverb that creates virtual spaces that could never exist in the real world - Tverb - Unique virtual room reverb developed with legendary producer/engineer Tony Visconti - 2016 Stereo Room - Renowned reverb from Eventide's classic SP2016 rackmount unit - MangledVerb - Good reverb breaking bad; blends reverb with distortion - UltraReverb - Modern reverb with 9 unique algorithms - Physion - Groundbreaking Structural Effects technology that splits sound into its transient and tonal components which may then be independently manipulated via effects and dynamics - UltraTap - Delay that lets you create drum fills, vocal choruses, swelling guitar chords, and more - EQ65 Filter Set - Includes high- and low-cut 18dB/octave filters, and 2 band-reject or bandpass filters with variable depth - EChannel - Includes a gate, compressor/limiter with sidechain, and 5-band 48-bit double precision parametric EQ - UltraChannel - Deluxe channel strip with user-configurable signal path, with a gate, de-esser, Omnipressor or compressor/limiter with sidechain, 5-band 48-bit double precision parametric EQ, stereo delays, and Harmonizer micro-pitch shifter - EQ45 - A faithful re-creation of the vintage analog 4-band parametric equalizer - Precision Time Align - Useful for bringing close-miked drums, overhead mics, and room mics into phase alignment - Octavox - Delivers 8 voices of diatonic Harmonizer pitch shifting, each voice with individual delay adjustment and pan control - Quadravox - Offers 4 voices of diatonic Harmonizer pitch shifting, each voice with individual delay adjustment and pan control - Instant Phaser - Simulates the world's first phaser, heard on Led Zeppelin's "Kashmir" - Instant Flanger - The plug-in re-creation of one of the first hardware products to faithfully simulate tape flanging - Omnipressor - So dubbed because of its unique ability to compress, limit, expand, and dynamically reverse audio; the first dynamics FX unit with side chain functionality - H910 - The re-creation of the very first Harmonizer-brand effects processor - H910 Dual - Two ganged H910s; capable of jaw-dropping stereo effects - H949 - Pitch changing with the world's first intelligent de-glitching algorithm - H949 Dual - Two independent H949 units with cross feedback and stereo width controls - H3000 Band Delays - Features 8 voices of tempo-based filtered delays with pan and volume controls - H3000 Factory - Based on the ever-popular Factory algorithms from the H3000 and the ultimate effects tool kit - Eventide Reverb - Comprised of the best Halls, Plates, Rooms, Chambers, and Ambience from Eventide's top-of-the-line H8000 hardware processor

Eventide: pioneering digital effects for over four decades

In the 1970s, Eventide put digital effects on the map with their groundbreaking Digital Delay and Harmonizer units. In the early '80s came the first rackmount multi-effects processor, the SP2016. Every studio worth its salt had to have one for its reverbs alone, much less for the other one-of-a-kind effects on tap. The SP2016’s successor, the H3000, introduced a cornucopia of new effects and was the must-have rackmount processor of the '90s. The H4000 and H8000 followed, introducing the concept of surround sound reverb — which the H9000 takes to even greater heights of stunning realism. Meanwhile, Eventide began porting their effects expertise to the design of high-end guitar multi-effects pedals. And as computer audio began to become a force majeure in music and sound production, Eventide plunged into the software arena with a series of plug-ins emulating their acclaimed hardware.

Eventide Anthology XI Included Plug-ins: Blackhole - Extraterrestrial reverb that creates virtual spaces that could never exist in the real world Tverb - Unique virtual room reverb developed with legendary producer/engineer Tony Visconti 2016 Stereo Room - Renowned reverb from Eventide's classic SP2016 rackmount unit MangledVerb - Good reverb breaking bad; blends reverb with distortion UltraReverb - Modern reverb with 9 unique algorithms Physion - Groundbreaking Structural Effects technology that splits sound into its transient and tonal components which may then be independently manipulated via effects and dynamics UltraTap - Delay that lets you create drum fills, vocal choruses, swelling guitar chords, and more EQ65 Filter Set - Includes high- and low-cut 18dB/octave filters, and 2 band-reject or bandpass filters with variable depth EChannel - Includes a gate, compressor/limiter with sidechain, and 5-band 48-bit double precision parametric EQ UltraChannel - Deluxe channel strip with user-configurable signal path, with a gate, de-esser, Omnipressor or compressor/limiter with sidechain, 5-band 48-bit double precision parametric EQ, stereo delays, and Harmonizer micro-pitch shifter EQ45 - A faithful re-creation of the vintage analog 4-band parametric equalizer Precision Time Align - Useful for bringing close-miked drums, overhead mics, and room mics into phase alignment Octavox - Delivers 8 voices of diatonic Harmonizer pitch shifting, each voice with individual delay adjustment and pan control Quadravox - Offers 4 voices of diatonic Harmonizer pitch shifting, each voice with individual delay adjustment and pan control Instant Phaser - Simulates the world's first phaser, heard on Led Zeppelin's "Kashmir" Instant Flanger - The plug-in re-creation of one of the first hardware products to faithfully simulate tape flanging Omnipressor - So dubbed because of its unique ability to compress, limit, expand, and dynamically reverse audio; the first dynamics FX unit with side chain functionality H910 - The re-creation of the very first Harmonizer-brand effects processor H910 Dual - Two ganged H910s; capable of jaw-dropping stereo effects H949 - Pitch changing with the world's first intelligent de-glitching algorithm H949 Dual - Two independent H949 units with cross feedback and stereo width controls H3000 Band Delays - Features 8 voices of tempo-based filtered delays with pan and volume controls H3000 Factory - Based on the ever-popular Factory algorithms from the H3000 and the ultimate effects tool kit Eventide Reverb - Comprised of the best Halls, Plates, Rooms, Chambers, and Ambience from Eventide's top-of-the-line H8000 hardware processor