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Roland's popular AIRA System-1 synthesizer in a desktop module.

The SYSTEM-1m is a semi-modular synthesizer with PLUG-OUT capability and a unique design that allows it to be used as a Eurorack module, table-top synth, or 19 rack-mount unit. In addition to being a powerful, standalone instrument, the SYSTEM-1m has an array of CV and Gate connections that allow it to be re-patched, and to interface with other modular synthesizer systems. The SYSTEM-1m™s CV and Gate connections combined with its ability to load classic Roland synth models like the SH-101 and PROMARS give it a power and flexibility that is simply unparalleled.

Modular for the Masses
Modular synthesizers are highly prized by musicians for their ability to make totally unique and interesting sounds. But they can demand a real investment of both time and money to create a fully functional instrument. The SYSTEM-1m takes the guesswork out of getting into modular with great sounds and the freedom to experiment right out of the box. The fully self-contained module can be placed in a rack or on a table. It can be powered by standard AC power. And it can be played from any standard MIDI keyboard or receive MIDI messages from your DAW. Just like you™d expect.

But the SYSTEM-1m goes way beyond standard synthesizer modules. With fully-lit, color coded patch points, you can experiment with reconfiguring its architecture and, when you'e ready, easily connect to a wide world of available synthesizer modules. In addition to functioning as a rack-mount or table-top unit, the SYSTEM-1m can be mounted in a standard Eurorack case and can be powered via integrated case power with the included adapter. Its versatile synth architecture integrates beautifully with existing modular setups - or it can be the heart of your first modular synthesizer.

A Collection of Classics
The SYSTEM-1m is a stunningly powerful instrument based on our more than 40 years of experience in designing synthesizers. It™s capable of an astonishing range of synth tones, from glistening arps to thunderous basses. But we'e also known for our lineage of iconic vintage instruments, sought after by musicians the world over. These include a long list of classic synths renowned for their identifiable character and genre-defining tone. And this is why we developed PLUG-OUT technology.

PLUG-OUT synthesizers use our Analog Circuit Behavior technology to perfectly replicate some of our most revered classics. They work like regular VST or AU compatible plugins in a DAW, with the SYSTEM-1m™s array of knobs and sliders creating an elegant, one-to-one control surface that works seamlessly. But you can also load PLUG-OUT synths directly into the SYSTEM-1m and switch between the internal synthesizer architecture and one of a growing number of PLUG-OUT Roland classics, like the SH-101, SH-2 and PROMARS - with no computer required.

All These Worlds Are Yours
While it provides a huge amount of synthesis power on its own, interconnecting the SYSTEM-1m with other modular gear creates a vast range of sonic possibilities. Its impressive oscillator section, sweet filters and snappy envelopes are sure to be welcome in any modular setup, no matter how big or small. But it™s the SYSTEM-1m™s combination of CV and Gate modularity, PLUG-OUT, and DAW integration that takes things into completely uncharted territory.

For example, load the SH-101 PLUG-OUT into the SYSTEM-1m and you essentially have a hardware SH-101 with modular capabilities - something that has never existed before. You can process external sources through the SH-101™s acclaimed filters, or load the SH-2 PLUG-OUT and use its formidable oscillator section to drive any number of available Eurorack filters and envelopes. The potential is staggering.

And while the SYSTEM-1 is designed to work on its own or as part of a larger modular setup, it conjures up some pretty neat tricks when connected to a computer. It™s a 24bit/96kHz audio and MIDI interface as well as a supremely powerful control surface with high-resolution controls and an intuitive, knob-per-function interface. You can even record all CV and Gate information directly to your DAW through the SYSTEM-1m™s patch points, making it possible to recall and playback complex patches and automation created with external modules - using just a DAW and SYSTEM-1m itself.

Roland's popular AIRA System-1 synthesizer in a desktop module.

The SYSTEM-1m is a semi-modular synthesizer with PLUG-OUT capability and a unique design that allows it to be used as a Eurorack module, table-top synth, or 19 rack-mount unit. In addition to being a powerful, standalone instrument, the SYSTEM-1m has an array of CV and Gate connections that allow it to be re-patched, and to interface with other modular synthesizer systems. The SYSTEM-1m™s CV and Gate connections combined with its ability to load classic Roland synth models like the SH-101 and PROMARS give it a power and flexibility that is simply unparalleled.

Modular for the Masses
Modular synthesizers are highly prized by musicians for their ability to make totally unique and interesting sounds. But they can demand a real investment of both time and money to create a fully functional instrument. The SYSTEM-1m takes the guesswork out of getting into modular with great sounds and the freedom to experiment right out of the box. The fully self-contained module can be placed in a rack or on a table. It can be powered by standard AC power. And it can be played from any standard MIDI keyboard or receive MIDI messages from your DAW. Just like you™d expect.

But the SYSTEM-1m goes way beyond standard synthesizer modules. With fully-lit, color coded patch points, you can experiment with reconfiguring its architecture and, when you'e ready, easily connect to a wide world of available synthesizer modules. In addition to functioning as a rack-mount or table-top unit, the SYSTEM-1m can be mounted in a standard Eurorack case and can be powered via integrated case power with the included adapter. Its versatile synth architecture integrates beautifully with existing modular setups - or it can be the heart of your first modular synthesizer.

A Collection of Classics
The SYSTEM-1m is a stunningly powerful instrument based on our more than 40 years of experience in designing synthesizers. It™s capable of an astonishing range of synth tones, from glistening arps to thunderous basses. But we'e also known for our lineage of iconic vintage instruments, sought after by musicians the world over. These include a long list of classic synths renowned for their identifiable character and genre-defining tone. And this is why we developed PLUG-OUT technology.

PLUG-OUT synthesizers use our Analog Circuit Behavior technology to perfectly replicate some of our most revered classics. They work like regular VST or AU compatible plugins in a DAW, with the SYSTEM-1m™s array of knobs and sliders creating an elegant, one-to-one control surface that works seamlessly. But you can also load PLUG-OUT synths directly into the SYSTEM-1m and switch between the internal synthesizer architecture and one of a growing number of PLUG-OUT Roland classics, like the SH-101, SH-2 and PROMARS - with no computer required.

All These Worlds Are Yours
While it provides a huge amount of synthesis power on its own, interconnecting the SYSTEM-1m with other modular gear creates a vast range of sonic possibilities. Its impressive oscillator section, sweet filters and snappy envelopes are sure to be welcome in any modular setup, no matter how big or small. But it™s the SYSTEM-1m™s combination of CV and Gate modularity, PLUG-OUT, and DAW integration that takes things into completely uncharted territory.

For example, load the SH-101 PLUG-OUT into the SYSTEM-1m and you essentially have a hardware SH-101 with modular capabilities - something that has never existed before. You can process external sources through the SH-101™s acclaimed filters, or load the SH-2 PLUG-OUT and use its formidable oscillator section to drive any number of available Eurorack filters and envelopes. The potential is staggering.

And while the SYSTEM-1 is designed to work on its own or as part of a larger modular setup, it conjures up some pretty neat tricks when connected to a computer. It™s a 24bit/96kHz audio and MIDI interface as well as a supremely powerful control surface with high-resolution controls and an intuitive, knob-per-function interface. You can even record all CV and Gate information directly to your DAW through the SYSTEM-1m™s patch points, making it possible to recall and playback complex patches and automation created with external modules - using just a DAW and SYSTEM-1m itself.

The RME Babyface Silver Edition has the latest 192kHz AD/DA-converters, two reference class microphone preamps, SteadyClock, and RME's premier analog circuit design. Babyface Silver includes new TotalMix FX, a TotalMix on steroids, with tons of new features, improvements and 3-band parametric EQs, plus added echo and reverb: anything you need right out of the box and with near zero latency!

The Babyface uses RME's Hammerfall USB audio core from the Fireface UC - another milestone in low latency audio interfaces, and will give you outstanding performance and top-quality sound in an ultra-portable, nicely designed and attractively shaped enclosure.

Analog I/O

The balanced XLR I/Os and the TRS phones outputs use RME's analog circuit design, therefore guarantee outstandingly low noise and distortion values. The latest generation AD/DA converters provide sample rates up to 192kHz with a signal-to-noise ratio of up to 115dBA. Due to its efficient jitter reduction, SteadyClock guarantees pristine sound quality, even when clocking to an external digital source.

High-End Mic Preamps

Both digitally controlled preamps provide individually switchable 48V phantom power; gain of up to 60dB, adjustable in steps of 3dB over a range of 51dB; exceptional EIN performance even at low amplification settings; and extremely low THD+N values let these preamps surpass those of other devices that cost several times the price of the Babyface. All level settings are 100% recallable by the setup software and can be comfortably adjusted directly at the unit.

Digital I/O

The incredible feature set includes an optical TOSLINK I/O, usable as ADAT port with SMUX support or SPDIF optical at up to 192 kHz. In combination with an ADAT converter, like RME ADI-8 QS or OctaMic II, the Babyface provides an incredible amount of 10 analog input and 12 output channels.

Phones Output

The additional headphone output, driven from a separate and dedicated DA converter, delivers the full sonic experience of up to 192 kHz and is available not only directly at the unit but also at the breakout cable. The phones level is easy to adjust and control with a simple click of the select button and the main volume knob.

Instrument Input

Directly plug in your guitar or other instruments by switching one input to Hi-Z input mode. Recording any instrument becomes a breeze and does not require any other hardware.

MIDI I/OThe integrated MIDI I/O completes the list of features and turns the Babyface into a creative audio system of universal usability. Do what you want - wherever you want!

Perfect Control

With one main control knob and two single buttons the elegant Babyface acts as a perfectly designed direct desktop control for all typical studio tasks: volume control, reference volume store and recall, volume dim, input selection/switching, input gain control - quick and easy access to all functions has been a major point during design and development. The LED bars serve as both level and gain meters, visually supporting the precise control of all inputs, outputs and headphone levels directly at the interface.

USB Made by RME

The Babyface provides RME's unmatched USB pro audio technology for revolutionary ultra-low latencies on Mac and PC, by using two different optimized firmware versions for both operating systems. Like other RME USB 2.0* interfaces, the Babyface provides revolutionary ultra-low latencies even with multiple channels. The Babyface Silver Edition achieves latency values down to 48 samples on Windows and 14 samples on Mac OS X.**

• The Babyface is compatible to USB 3 chipsets.

** Minimal latencies are not guaranteed as they depend on the specific computer and application.

• Minimal latencies are not guaranteed as they depend on the specific computer and application.

Full mobility

The ultra-portable Babyface Sivler Edition has been designed for bus-powered operation (some systems might require a special two USB connector cable - included). This turns the Babyface into the perfect partner for mobile recording of live performances, composing sessions in a park or coffee shop, or just wherever you go. Even if you just see it as a good looking HIFI music player or home studio companion - it will work perfectly on every desktop and laptop computer.

Rear Connectors . The Babyface provides two optical I/Os and a 15-pin D-sub connector. Both TOSLINK connectors for ADAT or SPDIF optical are on the back of the Babyface. The breakout cable - connected directly or via a special extension cable - offers the following connections:

• 4 x XLR balanced (Analog I/O)

• 1 x 1/4" TRS for Phones (= Analog Out 3+4)

• 2 x DIN (MIDI I/O)

TotalMix FX

The next generation of TotalMix delivers hardware mixing/routing with lots of new features and a highly improved usability. For a seamless integration of the new features TotalMix has been rewritten from the ground up. The DSP mixer now not only matches features of high-end digital consoles but even adds effects like a 3-band parametric EQ plus Low Cut on all input and output channels. The Babyface also provides a separate FX send bus for all inputs and software playback channels, feeding two effect engines: Reverb and Echo. Every output channel includes a FX return control for the FX output signal.

What's new in TotalMix FX:

*****New design and improved usability

*Control Room Section: Dedicated section for the main output (e. g. studio monitors) and other monitoring outputs (e. g. phones). All existing stereo output channels can be freely assigned as source for the control room section channels.

*Four definable groups for Solo, Mute and Faders

*Switchable Mono and Stereo channel view

*Channel Options: Stereo Width, MS Processing, Phase L/R

*Trim mode: Adjusts the volume for all routed signals of a channel. This option allows to modify the volume of all sends of a channel simultaneously, equalling a hardware's trim functionality.

*Unlimited Undo and Redo

*FX Sends and Returns: One send bus for every input/playback channel with Reverb/Echo

*Expandable channel view for channel settings and EQ setup

*Slim channel mode for selected or all channels, to save space or give a meter bridge view

*2-Row Mode: reduces the height of the mixer to two rows for smaller displays

The DSP-based hardware calculates RMS and Peak levels for all channels without causing any CPU load.

The RME Babyface Silver Edition has the latest 192kHz AD/DA-converters, two reference class microphone preamps, SteadyClock, and RME's premier analog circuit design. Babyface Silver includes new TotalMix FX, a TotalMix on steroids, with tons of new features, improvements and 3-band parametric EQs, plus added echo and reverb: anything you need right out of the box and with near zero latency!

The Babyface uses RME's Hammerfall USB audio core from the Fireface UC - another milestone in low latency audio interfaces, and will give you outstanding performance and top-quality sound in an ultra-portable, nicely designed and attractively shaped enclosure.

Analog I/O

The balanced XLR I/Os and the TRS phones outputs use RME's analog circuit design, therefore guarantee outstandingly low noise and distortion values. The latest generation AD/DA converters provide sample rates up to 192kHz with a signal-to-noise ratio of up to 115dBA. Due to its efficient jitter reduction, SteadyClock guarantees pristine sound quality, even when clocking to an external digital source.

High-End Mic Preamps

Both digitally controlled preamps provide individually switchable 48V phantom power; gain of up to 60dB, adjustable in steps of 3dB over a range of 51dB; exceptional EIN performance even at low amplification settings; and extremely low THD+N values let these preamps surpass those of other devices that cost several times the price of the Babyface. All level settings are 100% recallable by the setup software and can be comfortably adjusted directly at the unit.

Digital I/O

The incredible feature set includes an optical TOSLINK I/O, usable as ADAT port with SMUX support or SPDIF optical at up to 192 kHz. In combination with an ADAT converter, like RME ADI-8 QS or OctaMic II, the Babyface provides an incredible amount of 10 analog input and 12 output channels.

Phones Output

The additional headphone output, driven from a separate and dedicated DA converter, delivers the full sonic experience of up to 192 kHz and is available not only directly at the unit but also at the breakout cable. The phones level is easy to adjust and control with a simple click of the select button and the main volume knob.

Instrument Input

Directly plug in your guitar or other instruments by switching one input to Hi-Z input mode. Recording any instrument becomes a breeze and does not require any other hardware.

MIDI I/OThe integrated MIDI I/O completes the list of features and turns the Babyface into a creative audio system of universal usability. Do what you want - wherever you want!

Perfect Control

With one main control knob and two single buttons the elegant Babyface acts as a perfectly designed direct desktop control for all typical studio tasks: volume control, reference volume store and recall, volume dim, input selection/switching, input gain control - quick and easy access to all functions has been a major point during design and development. The LED bars serve as both level and gain meters, visually supporting the precise control of all inputs, outputs and headphone levels directly at the interface.

USB Made by RME

The Babyface provides RME's unmatched USB pro audio technology for revolutionary ultra-low latencies on Mac and PC, by using two different optimized firmware versions for both operating systems. Like other RME USB 2.0* interfaces, the Babyface provides revolutionary ultra-low latencies even with multiple channels. The Babyface Silver Edition achieves latency values down to 48 samples on Windows and 14 samples on Mac OS X.**

• The Babyface is compatible to USB 3 chipsets.

** Minimal latencies are not guaranteed as they depend on the specific computer and application.

• Minimal latencies are not guaranteed as they depend on the specific computer and application.

Full mobility

The ultra-portable Babyface Sivler Edition has been designed for bus-powered operation (some systems might require a special two USB connector cable - included). This turns the Babyface into the perfect partner for mobile recording of live performances, composing sessions in a park or coffee shop, or just wherever you go. Even if you just see it as a good looking HIFI music player or home studio companion - it will work perfectly on every desktop and laptop computer.

Rear Connectors . The Babyface provides two optical I/Os and a 15-pin D-sub connector. Both TOSLINK connectors for ADAT or SPDIF optical are on the back of the Babyface. The breakout cable - connected directly or via a special extension cable - offers the following connections:

• 4 x XLR balanced (Analog I/O)

• 1 x 1/4" TRS for Phones (= Analog Out 3+4)

• 2 x DIN (MIDI I/O)

TotalMix FX

The next generation of TotalMix delivers hardware mixing/routing with lots of new features and a highly improved usability. For a seamless integration of the new features TotalMix has been rewritten from the ground up. The DSP mixer now not only matches features of high-end digital consoles but even adds effects like a 3-band parametric EQ plus Low Cut on all input and output channels. The Babyface also provides a separate FX send bus for all inputs and software playback channels, feeding two effect engines: Reverb and Echo. Every output channel includes a FX return control for the FX output signal.

What's new in TotalMix FX:

*****New design and improved usability

*Control Room Section: Dedicated section for the main output (e. g. studio monitors) and other monitoring outputs (e. g. phones). All existing stereo output channels can be freely assigned as source for the control room section channels.

*Four definable groups for Solo, Mute and Faders

*Switchable Mono and Stereo channel view

*Channel Options: Stereo Width, MS Processing, Phase L/R

*Trim mode: Adjusts the volume for all routed signals of a channel. This option allows to modify the volume of all sends of a channel simultaneously, equalling a hardware's trim functionality.

*Unlimited Undo and Redo

*FX Sends and Returns: One send bus for every input/playback channel with Reverb/Echo

*Expandable channel view for channel settings and EQ setup

*Slim channel mode for selected or all channels, to save space or give a meter bridge view

*2-Row Mode: reduces the height of the mixer to two rows for smaller displays

The DSP-based hardware calculates RMS and Peak levels for all channels without causing any CPU load.

The RME Babyface USB audio interface is equipped with the latest 192kHz AD/DA-converters and 2 reference-class microphone preamps, delivering top sound in an attractively shaped enclosure. When it comes to sound quality and price-to-performance ratio, RME is in a league of its own, and Babyface is no exception. It combines excellent analog circuit design with high-grade AD/DA converter chips. Additionally, RME's famous SteadyClock ensures jitter-free conversion of the highest quality.

Both digitally controlled preamps provide individually switchable 48V phantom power. Gain of up to 65dB (adjustable in steps of 1dB over a range of 55dB), exceptional EIN performance (even at low amplification settings), and extremely low THD+N values) are why these preamps surpass those that cost several times the price of the Babyface. All level settings are 100% recallable by the setup software and can be easily adjusted.

Multi-format-Babyface's incredible feature set includes an optical TOSLINK I/O, usable as an ADAT port with SMUX support, or SPDIF at up to 192kHz. In combination with an ADAT converter, such as the RME ADI-8 DS/QS or OctaMic II, the Babyface provides an incredible amount of 10 analog input and 12 output channels.

Analog I/O-balanced XLR I/O and TRS outputs employing RME's analog circuit expertise guarantee outstanding low noise and distortion values. The latest generation AD/DA converters provide sample rates up to 192kHz with a signal-to-noise ratio of up to 115dBA. Due to its efficient jitter reduction, SteadyClock guarantees pristine sound quality, even when clocking to an external digital source.

MIDI I/O-the integrated MIDI I/O completes the list of features and turns the Babyface into a creative audio system of universal usability. Do what you want - wherever you want!

Instrument Input-directly plug in your guitar or other instruments by switching one input to Hi-Z input mode. Recording any instrument becomes a breeze and does not require any other hardware.

Perfect Control-with one main control knob and two buttons, the elegantly designed Babyface acts as a direct desktop control for all typical studio tasks including volume control, reference volume store and recall, volume dim, input selection/switching, and input gain control, with quick and easy access to all functions. LED bars serve as both level meter and gain meters, visually supporting the precise control of all inputs, outputs and headphone levels directly at the interface.

USB by RME-the Babyface provides RME's unmatched USB technology for revolutionary ultra-low latencies on Mac and PC. Under both operating Systems the available latencies are simply sensational and provide an exceptional performance.

Full mobility-the ultra-portable Babyface offers bus-powered operation via two USB connectors (USB power cable included). This turns the Babyface into the perfect partner for mobile recording of live performances, composing sessions in a park or coffee shop, or just wherever you go. Even if you just see it as a good-looking hi-fi music player or home studio companion, it will work perfectly on your desktop or notebook computer.

Rear Connectors-Babyface provides two optical I/Os and a 15-pin D-sub connector. Both TOSLINK connectors for ADAT or SPDIF optical are on the back of the Babyface. The breakout cable, connected directly or via a special extension cable, has the following connections:

â?¢ 4 x XLR balanced (analog I/O)

â?¢ 1 x 1/4" TRS for Phones (= analog out 3+4)

â?¢ 2 x DIN (MIDI I/O)

TotalMix FX

The next generation of TotalMix delivers hardware mixing/routing with lots of new features and a highly improved usability. For a seamless integration of the new features TotalMix has been rewritten from the ground up. The DSP mixer not only matches features of high-end digital consoles but even adds effects, including a 3-band parametric EQ, plus low cut on all input and output channels.

The Babyface also provides a separate FX send bus for all inputs and software playback channels, feeding two effect engines: Reverb and Echo. Every output channel includes a FX return control for the FX output signal. The DSP-based hardware calculates RMS and Peak levels for all channels without causing any CPU load.

The RME Babyface USB audio interface is equipped with the latest 192kHz AD/DA-converters and 2 reference-class microphone preamps, delivering top sound in an attractively shaped enclosure. When it comes to sound quality and price-to-performance ratio, RME is in a league of its own, and Babyface is no exception. It combines excellent analog circuit design with high-grade AD/DA converter chips. Additionally, RME's famous SteadyClock ensures jitter-free conversion of the highest quality.

Both digitally controlled preamps provide individually switchable 48V phantom power. Gain of up to 65dB (adjustable in steps of 1dB over a range of 55dB), exceptional EIN performance (even at low amplification settings), and extremely low THD+N values) are why these preamps surpass those that cost several times the price of the Babyface. All level settings are 100% recallable by the setup software and can be easily adjusted.

Multi-format-Babyface's incredible feature set includes an optical TOSLINK I/O, usable as an ADAT port with SMUX support, or SPDIF at up to 192kHz. In combination with an ADAT converter, such as the RME ADI-8 DS/QS or OctaMic II, the Babyface provides an incredible amount of 10 analog input and 12 output channels.

Analog I/O-balanced XLR I/O and TRS outputs employing RME's analog circuit expertise guarantee outstanding low noise and distortion values. The latest generation AD/DA converters provide sample rates up to 192kHz with a signal-to-noise ratio of up to 115dBA. Due to its efficient jitter reduction, SteadyClock guarantees pristine sound quality, even when clocking to an external digital source.

MIDI I/O-the integrated MIDI I/O completes the list of features and turns the Babyface into a creative audio system of universal usability. Do what you want - wherever you want!

Instrument Input-directly plug in your guitar or other instruments by switching one input to Hi-Z input mode. Recording any instrument becomes a breeze and does not require any other hardware.

Perfect Control-with one main control knob and two buttons, the elegantly designed Babyface acts as a direct desktop control for all typical studio tasks including volume control, reference volume store and recall, volume dim, input selection/switching, and input gain control, with quick and easy access to all functions. LED bars serve as both level meter and gain meters, visually supporting the precise control of all inputs, outputs and headphone levels directly at the interface.

USB by RME-the Babyface provides RME's unmatched USB technology for revolutionary ultra-low latencies on Mac and PC. Under both operating Systems the available latencies are simply sensational and provide an exceptional performance.

Full mobility-the ultra-portable Babyface offers bus-powered operation via two USB connectors (USB power cable included). This turns the Babyface into the perfect partner for mobile recording of live performances, composing sessions in a park or coffee shop, or just wherever you go. Even if you just see it as a good-looking hi-fi music player or home studio companion, it will work perfectly on your desktop or notebook computer.

Rear Connectors-Babyface provides two optical I/Os and a 15-pin D-sub connector. Both TOSLINK connectors for ADAT or SPDIF optical are on the back of the Babyface. The breakout cable, connected directly or via a special extension cable, has the following connections:

â?¢ 4 x XLR balanced (analog I/O)

â?¢ 1 x 1/4" TRS for Phones (= analog out 3+4)

â?¢ 2 x DIN (MIDI I/O)

TotalMix FX

The next generation of TotalMix delivers hardware mixing/routing with lots of new features and a highly improved usability. For a seamless integration of the new features TotalMix has been rewritten from the ground up. The DSP mixer not only matches features of high-end digital consoles but even adds effects, including a 3-band parametric EQ, plus low cut on all input and output channels.

The Babyface also provides a separate FX send bus for all inputs and software playback channels, feeding two effect engines: Reverb and Echo. Every output channel includes a FX return control for the FX output signal. The DSP-based hardware calculates RMS and Peak levels for all channels without causing any CPU load.