princearcana's activity

edited Friedman JJ-100 Jerry Cantrell Signature 100-watt 2-channel Tube Head

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Friedman Jerry Cantrell Signature 100W Hand Wired Tube Guitar Head
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Friedman JJ-100 Jerry Cantrell Signature 100-watt 2-channel Tube Head

Dec 16, 2021

edited Friedman 4x12" Extension Cabinet

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Friedman 4x12 cab
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Friedman 4x12" Extension Cabinet
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Friedman

Dec 16, 2021

edited Laney BCC-IRT60H

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Laney IRT60H Ironheart 60W Head
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Laney IRT120H 120W Tube Guitar Amp Head

Dec 16, 2021

edited Whirlwind MultiSelector PRO 4 x 1 Instrument Switcher

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Whirlwind
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Powered Mixers
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Guitar & Bass Accessories

Dec 14, 2021

edited Whirlwind Multiselector 4X - 4 Channel Input/Output

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Whirlwind Selector 4x
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Whirlwind Multiselector 4X - 4 Channel Input/Output
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Whirlwind

Dec 13, 2021

edited DW Machined Direct Drive 2-leg Hi-hat Stand

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DW DWCPMDDHH2 MDD Machined Direct Drive Hi-hat Stand - Polished - 2-leg
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DW Machined Direct Drive 2-leg Hi-hat Stand

Dec 10, 2021

edited DW Machined Chain Drive Double Bass Drum Pedal

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DW DWCPMCD2 MCD Machined Chain Drive Double Bass Drum Pedal - Polished
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DW Machined Chain Drive Double Bass Drum Pedal

Dec 10, 2021

edited S.I.T. Wayne Lozinak Signature Power Wound Strings (11-58)

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Wayne Lozinak Signature Powerwound
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SIT Wayne Lozinak Signature Powerwound Guitar Strings 11-58
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Uncategorized
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Strings

Dec 5, 2021

edited a deleted item

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ESP

Dec 4, 2021

edited EVH 5150III 4x12" 100-watt Extension Cabinet

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EVH 5150 III 4x12 Straight Cabinet
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EVH 5150III 4x12" 100-watt Extension Cabinet
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EVH
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Amplifiers
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Guitar Amplifier Cabinets

Dec 1, 2021

edited EVH 5150III 100S 4x12"

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EVH 5150III 100S 4x12" 100-watt Special Run Cabinet - Black "Stealth"
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EVH 5150III 100S 4x12" 100-watt Extension Cabinet

Dec 1, 2021

edited EVH 5150IIIS EL34 100-watt Tube Head

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EVH 5150 III EL34
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EVH 5150IIIS EL34 100-watt Tube Head

Dec 1, 2021

edited Schecter V-1 FR Apocalypse Guitar

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Schecter V-1 FR Apocalypse Red Reign
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Schecter V-1 FR Apocalypse Guitar (Red Reign)

Nov 27, 2021

edited Schecter Jeff Loomis JLV-6 FR Guitar

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Schecter Jeff Loomis JLV-6 FR
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Schecter Jeff Loomis JLV-6 FR Guitar
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Schecter
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Nov 27, 2021

edited Schecter Jeff Loomis JL-7 FR Guitar

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schecter c-7 jeff loomis
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Schecter Jeff Loomis JL-7 FR Guitar
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Schecter
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Guitars
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Solid Body Electric Guitars
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Nov 27, 2021

edited ESP LTD M-1007 QM Guitar

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ESP LTD M-1007 QM - See Thru Black Sunburst Satin
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ESP LTD M-1007 QM Guitar (See Thru Black Sunburst Satin)

Nov 21, 2021

edited ESP LTD KS-M-7 Ken Susi Signature Guitar

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ESP LTD KS-M-7 Ken Susi signature
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ESP LTD KS-M-7 Ken Susi Signature Guitar (Metallic Silver)
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ESP

Nov 21, 2021

edited ESP LTD KS-7 Evertune, Ken Susi Signature Guitar

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ESP
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Nov 21, 2021

edited Audio-Technica AT4081 Active Ribbon Microphone

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Audio-Technica

Jul 20, 2021

edited Audio-Technica AT4080 Active Ribbon Microphone

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Audio Technica AT-4080
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Audio-Technica AT4080 Active Ribbon Microphone
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Audio-Technica
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Studio Recording Gear
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Ribbon Microphones

Jul 20, 2021

edited Audio-Technica AE5100 Large-diaphragm Condenser Microphone

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Audio Technica AE5100
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Audio-Technica AE5100 Large-diaphragm Condenser Microphone
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Audio-Technica

Jul 20, 2021

edited Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone

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Audio-technica ATM650 Hypercardioid Dynamic Instrument Microphone
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Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone
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Audio-Technica

Jul 20, 2021

edited Audio-Technica ATM250

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Audio-Technica ATM-250
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Audio-Technica ATM250 Hypercardioid Dynamic Instrument Microphone

Jul 20, 2021

edited Kawai GX-7 Grand Piano

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Shigeru Kawai GX-7 Grand Piano
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Kawai GX-7 Grand Piano

Jun 21, 2021

edited Nord Lead A1

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Nord Lead A1 Keyboard
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Nord Lead A1 Analog Modeling Synthesizer
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Before:
Enhanced analog modeling synthesizer with powerful front panel features.

Producing stand-out sounds for live or for the studio, the Lead A1 is ideal for all musical genres. Thanks to its carefully thought-out user interface, the Lead A1 encourages experimentation, allows for far speedier programming than would otherwise be possible, and ultimately delivers sensational sonic results.

At the heart of the Lead A1 is Nord's analog modeling engine. Taking virtual analog synthesis to the next level, this modeling recreates a total analog signal path with uncanny realism, and is capable of immense sonic variety. With 24-voice polyphony and four simultaneous synthesizer parts, the Lead A1 is a true synthesizer powerhouse that goes far beyond the current trend for limited capability analog reissues.

Fundamental to the design of the Lead A1 is a simple yet sophisticated front panel interface. The design is in fact the result of requests from professional players - even the most experienced programmers - who need to create the perfect sound as quickly as possible for today's live or studio time demands. The Lead A1 allows easy patch creation and experimentation thanks to a new and unique oscillator section, pre-programmed modulation matrix, and simplified ADR envelopes. Dive in and create incredible patches far quicker than would normally be possible with a synthesizer of such power.

OSCILLATOR SECTION
The Lead A1's new Oscillator section generates 47 different waveforms from classic analog to digital harmonic and inharmonic waves, whilst unique Oscillator Configuration Shortcuts make programming more immediate than ever. Start with a single Oscillator waveform select an Oscillator Configuration Shortcut - Pitch, Detune, Shape, Sync, Sub Mix, FM, AM or Noise - and use the Adjust knob to adjust the settings of the configuration.

The end result is high speed programming without the need for the usual complexity of routing and patching, and with the opportunity for ready experimentation. A fast track to stunning sound design for both advanced and less experienced programmers.

FILTER SECTION
The Lead A1's filter section features classic 12 and 24 dB Low Pass, a High Pass and a Band Pass filter, together with stunning emulations of the diode and ladder filters from the legendary Mini and the TB-303 synthesizers as used in the Lead 4. The Lead A1's modeling of these filters capture the true character and response of the originals, allowing supremely flexible and precise sound design. The filters are super-smooth with a warm analog character.

LFO & MODULATION SECTION
The Lead A1 features an LFO with a choice of waveforms and a three-stage ADR Modulation Envelope. The LFO rate can be sync'd to the Lead A1's master clock. The Mod Envelope can be triggered via Velocity and/or the LFO, and includes an Invert function. Thanks to the intuitive design of the front panel it is very easy to see what modulations have been applied and to design incredible sounding patches.

EFFECT SECTION
The Lead A1's effects section features two stunning brand new analog models of an Ensemble and Chorus, modeled on specific vintage synths and adding classic warmth and analog feel. Alongside these, choose from great-sounding Ring Modulation, Phaser, Flanger, or Drive per slot, and in addition a separate Delay and Reverb for each slot.

MOD WHEEL AND VELOCITY MORPH
A classic Nord feature, the Morph function via Mod Wheel, Velocity or pedal, allows you to control multiple parameters of the Lead A1 simultaneously. Morph is exceptionally easy to set-up and use - just hold the Morph button and adjust any desired knob.

ARPEGGIATOR
The Lead A1 features four separate Arpeggiators with Up/Down and Random modes and a 4-octave range. Any or all can be sync'd to the Lead A1's master clock.

MASTER CLOCK
The Master Clock function of the Lead A1 allows the LFO, Arpeggiator and Delay to be synchronized, either internally or slaved to external MIDI clock. A Tap Tempo button allows you to easily tap to the tempo of a drummer or to playback tracks.

SPLITS AND LAYERS
Having four identical, equally powerful synthesizers at once opens breathtaking layering possibilities. The Split-mode gives you two 2 slots on each side of the split. A flexible Hold functionality lets you latch and hold slots independently in the background while playing something else on top.

MULTI EDIT MODE
New in the Lead A1 is the Multi-Edit Mode that allows editing and control of all four slots simultaneously. Save this mode as part of a Performance and you have live realtime control over all four slots of the Lead A1.

FOUR OUTPUTS
The Lead A1 features four independent audio outputs with the ability to route each slot to a different output. Plus control of Pan via the front panel knob is a welcome new addition in the Lead A1.

SOUND MANAGER
The Lead A1 includes the Nord Sound Manager software for OS X and Windows. Sound Manager is a dedicated librarian app which allows easy reorganizing, back-up an transfer of programs.

MIDI CONTROL
The Lead A1 features the convenience of MIDI over USB for use with a sequencer or with the included Sound Manager software. All of the Lead A1's knobs transmit MIDI Control data.

THE HARDWARE
Like all Nord instruments, the Lead A1 and Lead A1R are handmade in Nord's Stockholm factory with incredible attention to detail and quality control.

The keyboard version features a Fatar 49-key keybed with a super-fast response. Aside from the keys, mod wheel and pitch stick, the rack/desktop version features a 100% identical feature set, in a design suitable for stage or studio.

With an all-metal chassis, tactile knobs, and unfaltering emphasis on quality, the Lead A1 and A1R are instruments designed to last a lifetime.

Nord Lead 1 - Update v1.34 (2015-10-07)

Fixed a bug in the Delay clear function.
Modulating Osc Ctrl in mode "Snc" could cause audio pops. Fixed.
Update pitch bend when adjusting range.
Improved BP filter at high frequencies.
Fixed bug where the name from the last loaded performance was given to a performance made from patch buffers using a mode switch by pressing Copy + Performance, then storing.
Pulse sub waveform mixed with formant wavetables did not behave as expected. Fixed.
Filters LP M and LP TB could produce strange sounds at frequency set to zero and playing at very low pitch. Fixed.

After:
Enhanced analog modeling synthesizer with powerful front panel features.

Producing stand-out sounds for live or for the studio, the Lead A1 is ideal for all musical genres. Thanks to its carefully thought-out user interface, the Lead A1 encourages experimentation, allows for far speedier programming than would otherwise be possible, and ultimately delivers sensational sonic results.

At the heart of the Lead A1 is Nord's analog modeling engine. Taking virtual analog synthesis to the next level, this modeling recreates a total analog signal path with uncanny realism, and is capable of immense sonic variety. With 24-voice polyphony and four simultaneous synthesizer parts, the Lead A1 is a true synthesizer powerhouse that goes far beyond the current trend for limited capability analog reissues.

Fundamental to the design of the Lead A1 is a simple yet sophisticated front panel interface. The design is in fact the result of requests from professional players - even the most experienced programmers - who need to create the perfect sound as quickly as possible for today's live or studio time demands. The Lead A1 allows easy patch creation and experimentation thanks to a new and unique oscillator section, pre-programmed modulation matrix, and simplified ADR envelopes. Dive in and create incredible patches far quicker than would normally be possible with a synthesizer of such power.

OSCILLATOR SECTION
The Lead A1's new Oscillator section generates 47 different waveforms from classic analog to digital harmonic and inharmonic waves, whilst unique Oscillator Configuration Shortcuts make programming more immediate than ever. Start with a single Oscillator waveform select an Oscillator Configuration Shortcut - Pitch, Detune, Shape, Sync, Sub Mix, FM, AM or Noise - and use the Adjust knob to adjust the settings of the configuration.

The end result is high speed programming without the need for the usual complexity of routing and patching, and with the opportunity for ready experimentation. A fast track to stunning sound design for both advanced and less experienced programmers.

FILTER SECTION
The Lead A1's filter section features classic 12 and 24 dB Low Pass, a High Pass and a Band Pass filter, together with stunning emulations of the diode and ladder filters from the legendary Mini and the TB-303 synthesizers as used in the Lead 4. The Lead A1's modeling of these filters capture the true character and response of the originals, allowing supremely flexible and precise sound design. The filters are super-smooth with a warm analog character.

LFO & MODULATION SECTION
The Lead A1 features an LFO with a choice of waveforms and a three-stage ADR Modulation Envelope. The LFO rate can be sync'd to the Lead A1's master clock. The Mod Envelope can be triggered via Velocity and/or the LFO, and includes an Invert function. Thanks to the intuitive design of the front panel it is very easy to see what modulations have been applied and to design incredible sounding patches.

EFFECT SECTION
The Lead A1's effects section features two stunning brand new analog models of an Ensemble and Chorus, modeled on specific vintage synths and adding classic warmth and analog feel. Alongside these, choose from great-sounding Ring Modulation, Phaser, Flanger, or Drive per slot, and in addition a separate Delay and Reverb for each slot.

MOD WHEEL AND VELOCITY MORPH
A classic Nord feature, the Morph function via Mod Wheel, Velocity or pedal, allows you to control multiple parameters of the Lead A1 simultaneously. Morph is exceptionally easy to set-up and use - just hold the Morph button and adjust any desired knob.

ARPEGGIATOR
The Lead A1 features four separate Arpeggiators with Up/Down and Random modes and a 4-octave range. Any or all can be sync'd to the Lead A1's master clock.

MASTER CLOCK
The Master Clock function of the Lead A1 allows the LFO, Arpeggiator and Delay to be synchronized, either internally or slaved to external MIDI clock. A Tap Tempo button allows you to easily tap to the tempo of a drummer or to playback tracks.

SPLITS AND LAYERS
Having four identical, equally powerful synthesizers at once opens breathtaking layering possibilities. The Split-mode gives you two 2 slots on each side of the split. A flexible Hold functionality lets you latch and hold slots independently in the background while playing something else on top.

MULTI EDIT MODE
New in the Lead A1 is the Multi-Edit Mode that allows editing and control of all four slots simultaneously. Save this mode as part of a Performance and you have live realtime control over all four slots of the Lead A1.

FOUR OUTPUTS
The Lead A1 features four independent audio outputs with the ability to route each slot to a different output. Plus control of Pan via the front panel knob is a welcome new addition in the Lead A1.

SOUND MANAGER
The Lead A1 includes the Nord Sound Manager software for OS X and Windows. Sound Manager is a dedicated librarian app which allows easy reorganizing, back-up an transfer of programs.

MIDI CONTROL
The Lead A1 features the convenience of MIDI over USB for use with a sequencer or with the included Sound Manager software. All of the Lead A1's knobs transmit MIDI Control data.

THE HARDWARE
Like all Nord instruments, the Lead A1 and Lead A1R are handmade in Nord's Stockholm factory with incredible attention to detail and quality control.

The keyboard version features a Fatar 49-key keybed with a super-fast response. Aside from the keys, mod wheel and pitch stick, the rack/desktop version features a 100% identical feature set, in a design suitable for stage or studio.

With an all-metal chassis, tactile knobs, and unfaltering emphasis on quality, the Lead A1 and A1R are instruments designed to last a lifetime.

Nord Lead 1 - Update v1.34 (2015-10-07)

Fixed a bug in the Delay clear function.
Modulating Osc Ctrl in mode "Snc" could cause audio pops. Fixed.
Update pitch bend when adjusting range.
Improved BP filter at high frequencies.
Fixed bug where the name from the last loaded performance was given to a performance made from patch buffers using a mode switch by pressing Copy + Performance, then storing.
Pulse sub waveform mixed with formant wavetables did not behave as expected. Fixed.
Filters LP M and LP TB could produce strange sounds at frequency set to zero and playing at very low pitch. Fixed.

Jun 19, 2021

edited Korg Kross 2-61-MB 61-key Synthesizer Workstation

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Before:
Korg Kross 61
After:
Korg Kross 2-61-MB 61-key Synthesizer Workstation
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Before:
Mobile 61-key synthesizer keyboard with impressive features.

A new entry-level workstation keyboard and more powerful replacement for the X50, the KROSS 61 features a sound engine derived from Krome, a 16-track sequencer with Electribe-style editing, two-channel audio recording with unlimited overdub, seven simultaneous effects, and AA battery or AC adapter operation.

With the KROSS, the sounds and songs that you've created at home and the system that you use every day can go with you onto the stage or into the street! Featuring rich sounds that exceed its class, yet remaining highly portable, the KROSS is designed for practical usability. There's a convenient mic input and a built-in audio recorder, and it can run on 6 x AA batteries. It's a distinctive new standard in music workstations, with specs and style that set it apart from all others.

The creative color and design will project a powerful presence whether you're performing on stage or anywhere else. The top panel as seen by the player is a sleek black color, while the rear and side panels visible by the audience use a bold, red color scheme. The two models feature different design concepts; the 61-key model is designed for active mobile use, while the 88-key model has a sophisticated design that looks great on stage.

A lightweight body that runs on AA alkaline batteries
In spite of being packed with functionality, the KROSS is lightweight and highly portable. The 61-key model with its distinctive rear bar is amazingly light; at only 4.3 kg/9.5 lb, it's the most portable in its category. The 88-key model packs a piano-touch hammer action keyboard into a mere 12.4 kg/27.3 lbs. Both models are highly portable and lightweight, and can operate on an AC adapter or on six AA alkaline or nickel-metal hydride batteries.

A wide variety of sounds
Because of its portability, the KROSS will be used in a wide range of situations, and that's why it provides a broad variety of sounds that surpasses even the flagship models of the previous generation. The PCM data is approximately twice as large as preceding models such as the X50 and the PS60. Staples such as the frequently-used rock/jazz organ, strings, brass, and synth sounds have been brushed up. There are also instruments such as toy piano, accordion, combo organ, church organ, and even vintage instruments such as a tape sampler, as well as bell-type sounds and the sounds you need for cutting-edge dance music and electronica - unique sounds that have not been included in a synth of this class. Our design goal has been to make KROSS the only instrument you need.

Sound Selector makes it easy to find the sound you're looking for
While the KROSS provides an extremely broad range of sounds, there are two dedicated dials that let you easily find the sound you need. First use the category dial to choose the broad category such as piano, electric piano, organ, bell, synths, basses, or strings. Then turn the select dial to find the sound you want. It's a quick way to focus on selecting the needed sounds without being distracted by sounds of another type.

Favorites function lets you register 64 selected sounds or audio songs for one-touch access
Sounds that you've created or that you use frequently can be registered to four banks of 16 buttons, giving you a total of 64 sounds that can be recalled at a single touch. This is a real convenience during live performances or song production. You can also register audio songs and recall them along with sounds.

Pro-quality EDS-i sound engine is built-in
The EDS-i sound engine is a high-quality sound engine distilled from the EDS/EDS-X sound engines found on Korg's most advanced instruments. It allows you to use a total of seven effects simultaneously: five insert effects and two master effects. Ranging from standards such as delay, reverb, chorus, flanger, and rotary speaker, and also including amp modeling powered by Korg's proprietary "REMS" modeling technology, and even a robot voice vocoder, you can choose from 134 different high-quality effects.

Quick Layer/Split function
Dedicated buttons are provided for Layer/Split settings. Start by selecting the first program you want to use; then press the dedicated button to enable Layer or Split. When this is on, a screen will appear in which you can choose the other sound and specify details such as the split point. Then simply write your settings and the layer/split sound will be saved as a Combination.

Stereo audio recorder allows you to overdub your performances and vocals
The built-in stereo audio recorder can record not only the performance of the KROSS itself, but also the sound of a mic or external input. You can play backing tracks that you created, or overdub onto them to create songs and demos. Audio can be imported and exported as WAV files using an SD card (separately sold), making it easy to exchange material with your computer.

After:
Mobile 61-key synthesizer keyboard with impressive features.

A new entry-level workstation keyboard and more powerful replacement for the X50, the KROSS 61 features a sound engine derived from Krome, a 16-track sequencer with Electribe-style editing, two-channel audio recording with unlimited overdub, seven simultaneous effects, and AA battery or AC adapter operation.

With the KROSS, the sounds and songs that you've created at home and the system that you use every day can go with you onto the stage or into the street! Featuring rich sounds that exceed its class, yet remaining highly portable, the KROSS is designed for practical usability. There's a convenient mic input and a built-in audio recorder, and it can run on 6 x AA batteries. It's a distinctive new standard in music workstations, with specs and style that set it apart from all others.

The creative color and design will project a powerful presence whether you're performing on stage or anywhere else. The top panel as seen by the player is a sleek black color, while the rear and side panels visible by the audience use a bold, red color scheme. The two models feature different design concepts; the 61-key model is designed for active mobile use, while the 88-key model has a sophisticated design that looks great on stage.

A lightweight body that runs on AA alkaline batteries
In spite of being packed with functionality, the KROSS is lightweight and highly portable. The 61-key model with its distinctive rear bar is amazingly light; at only 4.3 kg/9.5 lb, it's the most portable in its category. The 88-key model packs a piano-touch hammer action keyboard into a mere 12.4 kg/27.3 lbs. Both models are highly portable and lightweight, and can operate on an AC adapter or on six AA alkaline or nickel-metal hydride batteries.

A wide variety of sounds
Because of its portability, the KROSS will be used in a wide range of situations, and that's why it provides a broad variety of sounds that surpasses even the flagship models of the previous generation. The PCM data is approximately twice as large as preceding models such as the X50 and the PS60. Staples such as the frequently-used rock/jazz organ, strings, brass, and synth sounds have been brushed up. There are also instruments such as toy piano, accordion, combo organ, church organ, and even vintage instruments such as a tape sampler, as well as bell-type sounds and the sounds you need for cutting-edge dance music and electronica - unique sounds that have not been included in a synth of this class. Our design goal has been to make KROSS the only instrument you need.

Sound Selector makes it easy to find the sound you're looking for
While the KROSS provides an extremely broad range of sounds, there are two dedicated dials that let you easily find the sound you need. First use the category dial to choose the broad category such as piano, electric piano, organ, bell, synths, basses, or strings. Then turn the select dial to find the sound you want. It's a quick way to focus on selecting the needed sounds without being distracted by sounds of another type.

Favorites function lets you register 64 selected sounds or audio songs for one-touch access
Sounds that you've created or that you use frequently can be registered to four banks of 16 buttons, giving you a total of 64 sounds that can be recalled at a single touch. This is a real convenience during live performances or song production. You can also register audio songs and recall them along with sounds.

Pro-quality EDS-i sound engine is built-in
The EDS-i sound engine is a high-quality sound engine distilled from the EDS/EDS-X sound engines found on Korg's most advanced instruments. It allows you to use a total of seven effects simultaneously: five insert effects and two master effects. Ranging from standards such as delay, reverb, chorus, flanger, and rotary speaker, and also including amp modeling powered by Korg's proprietary "REMS" modeling technology, and even a robot voice vocoder, you can choose from 134 different high-quality effects.

Quick Layer/Split function
Dedicated buttons are provided for Layer/Split settings. Start by selecting the first program you want to use; then press the dedicated button to enable Layer or Split. When this is on, a screen will appear in which you can choose the other sound and specify details such as the split point. Then simply write your settings and the layer/split sound will be saved as a Combination.

Stereo audio recorder allows you to overdub your performances and vocals
The built-in stereo audio recorder can record not only the performance of the KROSS itself, but also the sound of a mic or external input. You can play backing tracks that you created, or overdub onto them to create songs and demos. Audio can be imported and exported as WAV files using an SD card (separately sold), making it easy to exchange material with your computer.

Jun 19, 2021

edited Roland System-8 Plug-Out Synthesizer

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Before:
Roland AIRA System-8 PLUG-OUT Synthesizer
After:
Roland System-8 Plug-Out Synthesizer

Jun 19, 2021

edited Roland Jupiter-Xm Portable Synthesizer

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Before:
Roland Jupiter Xm
After:
Roland Jupiter-Xm Portable Synthesizer

Jun 19, 2021

edited Roland FANTOM-6 Music Workstation Keyboard

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Before:
Roland FANTOM 6
After:
Roland FANTOM-6 Music Workstation Keyboard
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After:
Roland
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Before:
Synthesizers
After:
Portable & Arranger Keyboards

Jun 19, 2021

edited Roland Jupiter-80 76-Key Synthesizer

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Before:
Roland Jupiter-80
After:
Roland Jupiter-80 76-Key Synthesizer
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Before:
The legendary Jupiter series returns with more power and possibilities than ever.

One of the most revered prefixes (Jupiter) in the history of synthesis returns. Welcome the arrival of the Roland JUPITER-80 – a live-performance powerhouse that pays homage to its legendary namesake with road-proven hardware and massive sound, yet blasts into the future with advanced SuperNATURAL technology. The JUPITER-80's expressive, organic approach to synthesis makes a new world of sound design possible with multilayered SuperNATURAL textures under the control of a full-color touchscreen and creative hands-on controllers. Experience the metamorphosis of a legend with the JUPITER-80.

Past, present, and future sound
The JUPITER-80 nods to its past with lethal, multi-layered SuperNATURAL synthesizer tones so fat you'll need a knife to cut through it, but that's only the beginning of what this powerhouse synth will do. Gigging musicians will love the stockpile of essential sounds onboard, including Roland's famous SuperNATURAL Piano, strings, brass, and much more. The JUPITER-80 puts a fast-access user interface under your fingers-a dream for live performance. Its heavyweight design, complete with metal side panels, recalls the legendary JUPITER but with a modern twist.

Powerful live sets featuring four-tone structure and registrations
JUPITER-80's sound engine handles four x tones with dedicated DSP per tone as a basic unit "Live Set" for manual performance. Layering of Upper and Lower Live Sets, plus a specialized "SOLO" part, means the incredibly massive nine-tone-stack sound. Customized complex settings can be saved as Registrations, and easily recalled during live performance.

Tone blender
You will love the deep possibilities of the stackable SuperNATURAL architecture and unique features such as Tone Blender, which tweaks values of multiple parameters simultaneously and lets you "Capture" any new combination and save it as a Live Set. Create complex, emotional textures that respond, react, and evolve like nothing you've heard before. Tone Blender can also dramatically enhance your live-performance capabilities by letting you assign its multiple parameters to controllers such as the D Beam.

After:
The legendary Jupiter series returns with more power and possibilities than ever.

One of the most revered prefixes (Jupiter) in the history of synthesis returns. Welcome the arrival of the Roland JUPITER-80 – a live-performance powerhouse that pays homage to its legendary namesake with road-proven hardware and massive sound, yet blasts into the future with advanced SuperNATURAL technology. The JUPITER-80's expressive, organic approach to synthesis makes a new world of sound design possible with multilayered SuperNATURAL textures under the control of a full-color touchscreen and creative hands-on controllers. Experience the metamorphosis of a legend with the JUPITER-80.

Past, present, and future sound
The JUPITER-80 nods to its past with lethal, multi-layered SuperNATURAL synthesizer tones so fat you'll need a knife to cut through it, but that's only the beginning of what this powerhouse synth will do. Gigging musicians will love the stockpile of essential sounds onboard, including Roland's famous SuperNATURAL Piano, strings, brass, and much more. The JUPITER-80 puts a fast-access user interface under your fingers-a dream for live performance. Its heavyweight design, complete with metal side panels, recalls the legendary JUPITER but with a modern twist.

Powerful live sets featuring four-tone structure and registrations
JUPITER-80's sound engine handles four x tones with dedicated DSP per tone as a basic unit "Live Set" for manual performance. Layering of Upper and Lower Live Sets, plus a specialized "SOLO" part, means the incredibly massive nine-tone-stack sound. Customized complex settings can be saved as Registrations, and easily recalled during live performance.

Tone blender
You will love the deep possibilities of the stackable SuperNATURAL architecture and unique features such as Tone Blender, which tweaks values of multiple parameters simultaneously and lets you "Capture" any new combination and save it as a Live Set. Create complex, emotional textures that respond, react, and evolve like nothing you've heard before. Tone Blender can also dramatically enhance your live-performance capabilities by letting you assign its multiple parameters to controllers such as the D Beam.

Jun 19, 2021

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