Bob Mould
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Bob Mould's Microphones
But back to those layers of guitar—can you take us through the song “Hold On?” I used a number of small variations with the amps, and that’s where I really got into the layering. I had three different half-stacks out there—two Blackstars and an old Hiwatt, with each head going to the same cabinet. So I had six different rhythm guitars essentially doing the same thing. I’d get three different tones with each guitar, miked close with a [Neumann] U 67 and a Coles [ribbon mic] about 10 feet out from the cabinet. And then each tone was spread across three tracks, so I had 18 tracks of guitar.
But back to those layers of guitar—can you take us through the song “Hold On?” I used a number of small variations with the amps, and that’s where I really got into the layering. I had three different half-stacks out there—two Blackstars and an old Hiwatt, with each head going to the same cabinet. So I had six different rhythm guitars essentially doing the same thing. I’d get three different tones with each guitar, miked close with a [Neumann] U 67 and a Coles [ribbon mic] about 10 feet out from the cabinet. And then each tone was spread across three tracks, so I had 18 tracks of guitar.
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