Johns used the modified Trident to track and mix. He recorded to a Studer 24-track aligned at +6 for 499 running at 30 ips, and mixed to a Studer 2-track. He went with Helios mic pre's and Fairchild compression for the guitars, EMI mic pre's for the drums and Universal Audio 610 pre's for the bass mic (a Neumann U67) and the vocals.

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AMS Neve 1081 Mic Preamp & Equalizer

Preamps

Used on the bass for "Sex on Fire", stated by Only by the Night producer Jacques King in this December 2008 Sound on Sound interview.

"With regards to 'Sex On Fire', the bass was recorded with a DI and a Neumann U47 on the SVT cabinet, close but not right up to the speaker. The microphone on the bass is usually at its upper range of ability, and because the U47 is a tube microphone you get a little bit of tube squash, with the harmonics nearly going into distortion. A lot of times in rock & roll, the bass is really clean and you have to fuzz it up. Both the DI and the 47 went through a Neve 1081 preamp and then an [Teletronix] LA2A compressor, plus an old Dbx 160 on the DI. I also used a very old subharmonic synthesizer, the Dbx Disco Boombox, on the DI. Jared plays a lot of melodic stuff very high up the neck of his bass, and to be able to keep the weight of the track I synthesized some additional low end."

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