AMS Neve 1081 Mic Preamp & Equalizer Reviews & Prices

AMS Neve 1081 Mic Preamp & Equalizer

2 ratings

10 Artists Use This
Daft Punk

Daft Punk recorded bass guitar DI, via the Neve 1081.
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Johnny Marr

[This article on the making of Marr's 2018 *Call the Comet* album by MixOnline.com](https://www.mixonline.com/recording/johnny-marr-finds-his-voice-on-call-the-comet) touches on some of the gear used during the recording process. "The Shure SM58 is the preferred microphone for his vocals for its grittiness, run through the 1081 into a Tube-Tech CL 1B with low compression ratios to even everything out." (While the engineer is providing this feedback, the gear is housed in Marr's own Crazy Face studios, which contains gear he's collected over his decades in the music industry.)
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Justin Vernon

In the photo that starts with "Studio A.." you can see the Neve 1081 preamps on the left of the photo in the rack mount
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Chris Wolstenholme

Mix engineer Tommaso Colliva on recording Drones : “We had the bass cabs in the basement, which meant quite a long cable run, and for this reason we also had the mic pres in the basement, which usually were Neve 1081s, going into an [Teletronix] LA2A or [Empirical Labs] Distressor for compression, and then into insert returns on the desk, where we could apply some final level and EQ while bypassing the line amp on the desk.”
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Morrissey

"'Some songs were to a new Telefunken USA U47, a lot of songs were to the Blue Bottle, and some were to an old Neumann U 47,' Chiccarelli says. 'The preamp was always either a Neve 1073 or a Neve 1081; the limiter was a Tube-Tech CL1B, and then there was also a Tube-Tech EQ as well.'"
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Phil Collins

In [this article](http://www.soundonsound.com/sos/jan11/articles/it-0111.htm) Yvan Bing, sound engineer on Phil Collins' album, Going Back, says, "I used rackmounted Neve 1081R mic preamps for all recordings — they're based on the 1081, and I drove them pretty hard, with the meters always going into the red, to get some analogue distortion and saturation before going into the digital world."
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Björk

Much of the writing and recording of Vulnicura took place at Björk’s New York home, where she has the ultimate 21st Century studio. The total music–tech content consists of an Avid Pro Tools HD Native Thunderbolt system, Genelec 1032 monitors (“I like them a lot, they sound very creamy. But they can be deceptive, because everything sounds good in them. So you have to be a little careful.”), an M–Audio controller, a Telefunken ELAM 251 microphone and Neve 1081 mic preamp.
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Matt Hyde

In addition to Paramount’s SSL consoles, Hyde brought in Neve preamps of every description, including a Neve sidecar with 1065s, 1055s, 1073s, and 1081s
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Noah "40" Shebib

In this artcle Noah 40 Shebib states "a Neumann U87, and his scratch vocals. I'll use either a Sony C800G on him or, if he's in the control room, a Shure SM57. The mics go through a Neve 1073 or 1081, and I'll have an Teletronix LA2A on his voice, not hitting that too hard. These sketches will sometimes make it to the record. I'll sometimes sample them." on recording Drake. This was for the Take Care era
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Freemasons

spotted in the video
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