Stacy Jones
Stacy Jones' Microphones
Matt: Does your studio set up differ from your stage rig?
Stacey: I keep things pretty simple. My role in Hi-Fi is to just provide the meat. I have two settings distorted and really distorted, loud and louder. Normally I play all the rhythm parts, but for this record Jamie and I both played rhythm because we 99% of it is live off the floor.
So in other words, when we got a drum track we got a bass and two rhythms guitar track as well, because we were all tracking live together. There’s this intangible quality you get with four guys playing live at the same time. There’s no beat detective or anything with this record, we just did it live and then added overdubs later.
Generally speaking, I use a Marshall JCM2000and I’ll put a 421 or a 57 on that and a Royer, a little darker mic, and I have a Bad Cat combo amp that I use. So I have this wall of distortion from the Marshall and I’ll mix in the chimey, clean stuff from the Bad Cat, and that really works well for me. That’s in the studio, and on stage I’m really simple, I really just set up the Marshall and I’m good to go.
Find it on:
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Matt: Does your studio set up differ from your stage rig?
Stacey: I keep things pretty simple. My role in Hi-Fi is to just provide the meat. I have two settings distorted and really distorted, loud and louder. Normally I play all the rhythm parts, but for this record Jamie and I both played rhythm because we 99% of it is live off the floor.
So in other words, when we got a drum track we got a bass and two rhythms guitar track as well, because we were all tracking live together. There’s this intangible quality you get with four guys playing live at the same time. There’s no beat detective or anything with this record, we just did it live and then added overdubs later.
Generally speaking, I use a Marshall JCM2000and I’ll put a 421 or a 57 on that and a Royer, a little darker mic, and I have a Bad Cat combo amp that I use. So I have this wall of distortion from the Marshall and I’ll mix in the chimey, clean stuff from the Bad Cat, and that really works well for me. That’s in the studio, and on stage I’m really simple, I really just set up the Marshall and I’m good to go.
Find it on:
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Discography
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