Sting

Used for vocals on Brand New Day, as mentioned by recording engineer Simon Osborne in this transcribed October 1, 1999 Audio Media interview on Sting's official website.

When it comes to recording Sting's vocals, Simon has a standard way of operating, too: "I always go straight to tape rather than through the desk. I use AMS Neve 31105s and a Demiter valve mic amp, which I've used for a long while. I've also got all the usual stuff like Urei 1176s and such. I'll start with a general setting, so a 4:1 ratio, not too fast, with a quick release as a guide. His voice obviously changes depending on the key and dynamic of the tune, so it's important to have an initial set-up that can be tweaked as necessary. In terms of mics, we normally use the Sony C800G, it just works well with Sting's voice."

Used for vocals, as mentioned by recording engineer Simon Osborne in this December 1, 2002 Mix interview transcribed on Sting's official website.

"For Sting's vocals, we use a Sony valve mic - the C-800G - the one with the little radiator [Peltier cooling device] fitted on the back. It looks a little daft, but it works. I have some Shep preamps - the Neve copies - which are great on drums. I have a Summit and a couple Demeter valve preamps I use on vocals and bass. Most of the other sounds go through the Shep Neve copies which sound good. The design might be 25 or 30 years old, but the sound is state of the art."

Given Sting's previous use of the 31105 (on which the SN12 is based) and the product page's explicit mention of "Mr. Rupert Neve's Class A output stage and special output transformer", it most likely that the unspecified module is the SN12, rather than the SN8.