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*Mini ZUUL is the most transparent noise gate on the market! Studio quality specifications with simple straight forward operation. Now in mini form. *

All the same features as the ZUUL but in mini form factor! The mini ZUUL’s threshold knob also controls the dynamics of the gate circuit. Perfect for guitar, bass or any signal source as it has studio quality specifications. Use in front of an amplifier or in a series effects loop. Dual colour LED for visual feedback gating action: Green = Open, Orange = Closed, Off = Bypass. The KEY input signal can be directly from your guitar (example split from ROACH or SPLIFF) or other signal source which lets you go from clean to high gain without changing the Threshold knob. This powerful feature lets you control the gate with a different signal than what flows through the input/output jacks of the ZUUL. Side switch to change the threshold range if you are injecting a large signal into the input and not using the key input. Industry standard true bypass switching. Proudly made in North America.

Limited to 1500 units worldwide, Black Ash is a fuzz/overdrive that takes some cues from the vintage “three-knob Bender.” It uses a highly curated cache of rare and irreplaceable components including paper-in-oil capacitors and NOS half-watt carbon composition resistors from EQD President Jamie Stillman’s personal stash to light a fire under this classic fuzz/drive with an explosive-yet-detailed treble response, a sturdy midrange, and subterranean bass extension.

The Nano Attack is the simplest pedal solution for perfect modern metal tone ever! We've taken our uber popular Precision Drive and slimmed down the best parts into one affordable mini pedal with:

Attack: 6 attack settings let you dial in the perfect amount of low end tightness. Left is loose, right is tight and modern.

Volume: 6 on the Nano Attack's internal volume trim pot is roughly equal to 10 on a Tubescreamer, giving you tons of headroom. Start with the volume at noon.

Bright: Dial the Nano in for any amp with the ultra-flexible internal brightness trim pot. Start with the bright at noon and dial to taste.

Compact: Bring the Nano Attack anywhere and put it on any pedal board with its compact and durable design backed by MXR's 1 year warranty!

The Catalinbread SFT is an AMPEG® voiced foundation overdrive that bridges the "Get Yer Ya-Ya's Out (Stones) and the Desert Sound (Stoner) eras.

We’ve always been smitten by AMPEG®. Early on the company was a Jazz purist company, completely overlooking (possibly looking down on) more popular genres like Country & Western and Rock that FENDER® and MARSHALL® openly embraced. From a design standpoint they took more queues from the hifi world than they did from guitarists as evidenced by their tube complements, gain stages without cathode capacitors, and implementation of the Baxandall tone controls. And they we’re no slouches to innovation either, “Flip-top” combos is a great example. Not to mention there is at least one model of amplifier that had a torsion bar to adjust the tightness of the speaker baffle!

Strap into the co-pilot seat and join Lillian on a sonic journey. Leaving nothing behind but clean, puffy white trails of whirling, pulsating and whooshing analog Phase effect. Viewers from below admire in a trance as it transforms the air into a unique and mesmerizing moment. The Lillian is a true bypass, all analog, multi-stage Phaser drawing inspiration from her cousin Julia. With controls like Rate, Width, Feedback, and D-P-V blend, the Lillian is packed with a wide array of analog phaser goodness waiting to be dialed in. The “Stages” switch allows the user to select 4 or 6 stages which alters the overall voice of the effect from warm and tight phasing with 4 stages to a more complex filtered sound with 6. The D-P-V knob lets you blend between dry, phase shifted, and vibrato sounds allowing for a wide range of control over the intensity and type of effect. Top mounted input, output, and power jacks as well as soft switch relay bypassing make the Lillian fit well on your board and ensure smooth operation for years to come.

Borrowed from the Julia, the unique blend between Dry, Chorus and Vibrato has also been provided on the Lillian. Blend between Dry, Phase Shifted, and Vibrato (labeled d-p-v on the pedal). The Dry-Phase-Vibrato blend changes the ratio of dry to wet signal sent to the output. At minimum, you will hear no effect. Set it to noon for equal parts dry and wet – the traditional Phaser setting. Set it to maximum for 100% wet resulting in pitch vibrato. Explore the ground between minimum and noon for adding slight amounts of movement to your dry signal. Explore the ground between noon and maximum for all sorts of unheard phase/vibrato combinations.

Enjoy authentic vibe sounds without taking up a ton of space on your pedalboard!

The Vibe Machine™ series – the world’s first smallest vibe pedal. Even in its little box it retains all the features of the classic Uni-Vibe® – small in size, big on sound! When you switch the Vibe Machine V-2 on, your guitar melts into a swirling three dimensional space inhabited by chewy vibe harmonics and textures. It’s all here from shimmering liquid trebles to throbbing pulse-like waves of bass; a sonic force of beauty that tears down the walls around you!

The Vibe Machine V-2 features the same optical system as the V-1, but the pedal’s a little different from the V-1 and it can sound different. We collected your feedback over the last five years and that is the main reason for V-2’s existence. So all tonal options from the V-1 are here, but we added 3 new ‘set and forget’ side controls to the V-1 arsenal: CHORUS, GRIT and CUSTOM. All controls have their factory settings! If you want, check the manual in the support tab for more detailed descriptions, but to begin playing you don’t need the manual, just plug in and enjoy!

Get Your Hands on Johnny's Favorite Jag!

From the Smiths to The The to the Pretenders to Modest Mouse and the Cribs, Johnny Marr is a guitar force to be reckoned with. Fender and Johnny Marr collaborated to create the Fender Johnny Marr Jaguar. This signature model guitar is one that Johnny is recognized with and one that brings his ringing, jangly sound to life. The alder-bodied Jaguar sports a 24" scale length with a vintage 7.25" fingerboard radius. Custom pickups give you tons of punch from this single-coil beast. Custom switching and modified hardware give this Jaguar increased playability and stability over its vintage counterparts. The Johnny Marr Jaguar is ready to pounce!

Tentacle™

Analog Octave Up

Hello champ! Thank you for purchasing the Tentacle™ from EarthQuaker Devices brand effect pedals. The Tentacle is a classic analog octave up effect. It is the very same octave from our beloved Hoof Reaper pedal. We got so many requests to make this a stand-alone unit that we just had to make it a reality. You can now add an excellent, swelling octave up to anything your heart desires! Pair it with your favorite fuzz, strap on a headband and unleash your inner Jammy Hendrix. Put it in front of another octave up and blow your amps mind. Throw it in the effects loop of a delay and marvel at what happens (then tell us, we’d like to know too). What’s better? It has no controls! Nothing to worry about at all here, just hit the switch and go for it. The Tentacle is an analog octave up, the effect will become much more pronounced when using your neck pickup and playing above the 12th fret.

Fender '65 Princeton Reverb Fawn FSR Limited Edition w/Celestion Greenback G12M

Based on a historically significant amp used on countless hit songs for decades, the ‘65 Princeton Reverb is as phenomenal-looking, -sounding and - performing as ever. Versatile enough to go from the living room to the studio or a gig with the great sound, style, reliability and authentic vintage vibe, it’s one of the coolest amps around, period. It’s ideal for players who need top-notch tube sound, naturally dynamic clean and overdriven tones and unmistakable long-spring Fender reverb and tube vibrato.

Powered by a single 12AT7 and a trio of 12AX7 preamp tubes, the 12-watt ’65 Princeton Reverb also employs dual 6V6 power tubes and a 5AR4 rectifier tube for just the right amount of natural tube compression, touch sensitivity and responsiveness. The unmistakable sound of a tube-powered Fender long-spring reverb and tube vibrato complement your tone, while the smooth-sounding 12” 8-ohm Celestion® G12M Greenback speaker reproduces it with plenty of headroom to spare.

Overflowing with the vintage Fender vibe that diehards know and love, the ’65 Princeton Reverb is for discerning players who demand top-notch clean and crunchy tube tones with loads of natural dynamics. Includes protective cover and two-button footswitch for reverb and vibrato on/off.