skylissz

skylissz's Reviews

9 reviews Back to skylissz's Equipboard

skylissz

Best Option at Their Price Point

For monitoring these are great absolute. They a loud and clear with the right headphone amp or interface with a powerful amp. The only dislike is they use the peeling cuff. Go on amazon amd order lambskin leather replacement pads they will also cancel out noise even better than the factory standard. I say that if you are recording with them.

Preferred Settings + Usage:

Doesn't have any settings.

skylissz

Clear, Round, Deep Lows.

I must have got a brandnew tested model because it's getting clear, round, deep lows. Mixing was eas with them its the DAW settings you have to account for rather its setting your DAW levels below, sample rate when bouncing or a great limiter to push up your mix.

skylissz

Great For Small or Medium Workspaces.

I got these because my larger Alesis MK2's went out on me. I am happy that these have outlasted my others being that I work long hours on music. They are clear, true and loud. I suggest getting the sub along with them. They arent over priced and makie has some excellent monitors.

Preferred Settings + Usage:

Normal and lows at +2 for both L&R speakers. Then woofer I set the ground switch to avoid blowing them out during storms.

skylissz

It is How You Use It.

Honestly, I made a career off of it back when we got it. You had 16 tracks to compose, lots of sounds and efx. It was beating the computer composers in area because of the warm sound and could get the levels and mixing so good that competitor studios would intentionally feed it into their DAW and raise the volume up to distort the stereo tracks to make their product sound better. How shameful right? Lol. I grew so fast at editing with it, where I made songs in 5-10 min, sequenced and edited, cooking up about a 1000-2000 beats a year. Thats my first time being open about that part because I remained humble all these years, lover of music, only compete with myself.

Preferred Settings + Usage:

#1 Sequence Mode, Drums- factory sets only for my old content and percussion because I used the sampler to make my own drum sets. I used ever instruments. Menu-Master Effect, Send 1Stereo Compressor paired with send 2 St Eq. Low at 4.5-5.5, Mid at 9.0, high at 4.5. That was my secret sauce for punchier masters. Note- sequence mode make sure instruments the mixer settings are under 20-60 for example Drums (Kick 60, Snare / Clap 58 highs and percussion 40-45), Bass at 30-35, Piano/Guitar 45-50, and high pitched synths or instruments 25-35.

skylissz

Base Model Does Its Job

It handled its job fairly well for the workload I have a 2014 model. But, I would suggest for music and if you have multiple tasks going on the go with 27in, 8 i9 core, 32GB, and 1-2TB of SSD for down the road. You can also expand memory. I got it more to work with school and garageband. If you upgrade to Logic Pro or ProTools then dont get a base model even if you dont use tons of tracks you may go plugin crazy that will pull it down. Lucky the newer models are stronger and faster.

Preferred Settings + Usage:

The only settings is mid to low brightness and volume under half way up. Not important justt variable on the user.

skylissz

The Bonus Software Pays For It.

I had all the inputs and outputs I needed. The ProMax Pres are transparent and no latency issues like with others. Here's what really made the purchase beyond a bargain you get tons of software with it that probaly coats more than what you will pay for it. Their customer service team and forum was easy to work with.

Preferred Settings + Usage:

Thunderbolt Connection - at 3 O'clock and the same on the master volume knob unless I need loud then I nudge it up some. If you need extra loud you could turn up the thunderbolt. When I didn't have an external mic pre I used their built-in 48volt pre and depending on the mic the settings would be around 19-33.

skylissz

Clear Vocals & The Polar Patterns are Adlibs Bestfriend

This mic drew out my creativity because of the standard and extra polar patterns. I used stamdard Cardoid and Super-Cardoid for leads and they give you all these inbetween polar patterns that you can use to space your dynamics a bit with. I literally spent a few hours just having fun with those before working on an actual song. Why didnt I give it a 5 star? Well it's not their SubZero, 840 or 940 number one and secondly you'd need good acoustic treatment in your room to really reap the benifit of this great mic. (Clear and Airy Style).

Preferred Settings + Usage:

What is humorous I have used all the settings in some songs to give depth tp vocals. But, on q serious note the go-to settings are Super-Cardoid for leads and will do Back-up Vocals on Cardiod, and Stabs on figure-8.

skylissz

Project Studio Ready

It is a cardoid heart shaped pattern mic that is great when you want warm clean vocals to work with. If you have an untreated room it has a hi and low cut off switch and the proximity blocks out lots of noise to begin with. The only set back is finding a good shock mount. I ordered 2 before getting it right. Get a Rycote USM and don't try to cut corners and order any other type even if the seller or vendor says their bargain shockmount is compatible. I had to rig felt taps to keep it from sliding lol. But, the Rycote USM was the soulmate to the Aston Spirit even though the two compaines had a partnership divorce. :)

Preferred Settings + Usage:

0db, Flat and Cardoid for vocals. I'll sometimes use the low cut during the day and loud construction is happening.

skylissz

Its gorgeous and it brings life to the mic character amd your voice.

I was like most new engineers / songwriters who only used the preamps in their interface. I dodn't mind the clear pres until I listened to recorded vocals and just monitoring while tracking that I wasnt getting the full character out of the mics. I reserached different mic pres as I do a multi source check: peer reference, expert reference, forums, videos, sales engineers, and blogs. I narrow my pre down to avalon as my pro upgrade starter.

Enough of the backstory! I use it for vocals with the (Boost) going 30-60 deepending on what mic and how much character I want to be manipulated by the (Tone). I will audition every tone during warmups so its flexible. Note you will keep the (power) at +48v with the mic on Lo-Z for a condencer mic. But, what I am getting at is you can use different amounts of Boost and Tone for lead, haromonys, stabs, and adlibs and create some hot layers. If you dont have a multi-pattern mic this will keep your creativity going. Most important your vocals will be present in the mix, hold their pocket and when you mix down you dont have to worry about your vocals falling short in the mix unless of course you forgot you mutted something or turned the volume down on them too much. All-and-all I recommend this for clear vocals with a lil bit of flavor. If you do want a different character and distortion add a Neve, Manley Tube, SilverBullet, Tegler, SonicFarm Cremer or BlackBox.

Preferred Settings + Usage:

Boost: at 40/44 Tone: 1,3 or 5. Pad: I usually don't add it unless it's in the groove.